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Closed Captioning
Best Practices and Legal
Requirements Digital Distribution
of TV & Film
April 17, 2014
Sean Bersell
Entertainment
Merchants Assoc.
1
Claudia Rocha
3Play Media
Josh Miller
3Play Media
Dae Kim
Netflix
Agenda
‣ Captioning overview (Josh Miller)
‣ Legal update (Josh Miller)
‣ EMA best practices (Sean Bersell)
– Certifications, formats, frame rates
‣ 3Play Media best practices (Claudia Rocha)
– Standards for transcription + captioning
‣ Netflix best practices (Dae Kim)
– Styling, onscreen placement, delivery, encoding
‣ Industry trends (Dae Kim)
‣ Q&A
2
What Are Closed Captions?
‣ Text that has been time-synchronized with the
media
‣ Captions convey all spoken content as well as
relevant sound effects
‣ Originated in the early 1980s from an FCC
mandate for broadcast TV
3
Closed Captioning Terminology
Terminology
‣ Captioning vs. Transcription
4
Closed Captioning Terminology
Terminology
‣ Captioning vs. Transcription
‣ Captioning vs. Subtitling
5
Closed Captioning Terminology
Terminology
‣ Captioning vs. Transcription
‣ Captioning vs. Subtitling
‣ Closed vs. Open Captioning
6
Closed Captioning Terminology
Terminology
‣ Captioning vs. Transcription
‣ Captioning vs. Subtitling
‣ Closed vs. Open Captioning
‣ Post Production vs. Real-Time
7
Caption Formats
8
Format Type Use Cases
SCC Broadcast, iOS, web media
SMPTE-TT Web media
CAP Broadcast
EBU.STL PAL Broadcast (Europe)
SRT YouTube and web media
DFXP Flash players
WebVTT Emerging HTML5
SAMI Windows Media
QT QuickTime
STL DVD encoding
CPT.XML Captionate
RT Real Media
SRT Example
01:02:53:14 94ae 94ae 9420 9420
01:02:55:14 942c 942c
01:03:27:29 94ae 94ae 9420 9420 94f2
SCC Example
Benefits
‣ Accessibility for deaf and hard of hearing
‣ For ESL viewers
‣ Flexibility to view in noise-sensitive environments
‣ Search
‣ Navigation, better UX
‣ SEO/discoverability
‣ Used as source for translation
9
Legal Update
10
CVAA
‣ Captions required for all Internet content that
aired on TV with captions
‣ Does not yet apply to video clips
‣ 13 Exemptions
ADA
‣ Title II: public entities
‣ Title III: commercial entities “places of public
accommodation”
‣ Recent case law:
– NAD v. Netflix, GLAD v. Time Warner
CVAA Timeline
‣ Phased In: All prerecorded programming that is
not edited for Internet distribution
‣ Phased In: Live & near-live programming
originally broadcast on television.
‣ Phased In: Prerecorded programming that is
edited for Internet distribution.
‣ Phased In : Archival programming (45 days)
‣ Mar 30, 2015: Archival programming (30 days)
‣ Mar 30, 2016: Archival programming (15 days)
11
FCC Standards for Caption Quality
12
‣ Caption accuracy
– Must match spoken words to fullest extent possible and include verbal
information
– Allows some leniency for live captioning
‣ Caption synchronization
– Must coincide with their spoken words and sounds to the greatest extent
possible
‣ Program completeness
– Captions must run from the beginning to the end of the program
‣ Onscreen caption placement
– Captions should not block other important visual content
FCC Guidelines for User Control
13
‣ Took affect January 1, 2014
‣ Only applies to online full-length programming that previously appeared
with captions on television in the U.S.
‣ VPDs must comply with advanced closed captioning standards CEA-708
‣ End user control of font type, size, background color, opacity, character
edge style
FCC Exemptions for Closed
Captioning
14
‣ Economically burdensome exemption
– Requires petition
‣ Self-implementing exemption
– Programming is in a language other than English or Spanish
– Programming is primarily textual
– Programming is distributed between 2 a.m. and 6 a.m.
– Interstitials, promotional and public service announcements (up to 10 mins)
– EBS (Educational Broadband Service) programming
– Locally produced and distributed non-news programming with no repeat value
– Programming on new networks for the first four years
– Primarily non-vocal musical programming
– Captioning expense in excess of 2% of gross revenues
– Revenues under $3,000,000
– Locally produced educational programming
– Programming is subject to contractual captioning restrictions
15
PRESENTATION BY SEAN BERSELL
Transcription Standards
‣ Spelling should be at least 99% accurate.
‣ When multiple speakers are present, sometimes it is helpful to identify
who is speaking, especially when the video does not make this clear.
‣ Both upper and lowercase letters should be used.
‣ Non-speech sounds like [MUSIC PLAYING] or [LAUGHTER] should be
added in square brackets.
‣ Sound effects that are pertinent to the plot should be included.
‣ Punctuation should be used for maximum clarity.
‣ Captions can be used to preserve and identify slang or accents
(preferential)
16
Captioning Standards
‣ Font style should be non-serif, such as Helvetica medium.
‣ Each caption frame should hold 1 to 3 lines of text onscreen at a time
‣ Each line should not exceed 32 characters.
‣ Minimum viewable duration of 1 second.
‣ Extended sound effects (like [MUSIC]) should drop off the screen after
4 to 5 seconds
‣ Each caption frame should be replaced by another caption (unless
there’s a long period of silence).
‣ All caption frames should be precisely time-synched to the audio.
‣ A caption frame should be repositioned if it obscures onscreen text or
other essential visual elements.
17
PRESENTATION BY DAE KIM
18
QUESTIONS?
19
Resources
EMA Best Practices on Closed Captioning:
http://www.entmerch.org/digitalema/committeescouncils/closed-captioning-committee/
CVAA Captioning Requirements: http://info.3playmedia.com/wp-cvaa.html
How the ADA Impacts Captioning: http://info.3playmedia.com/wp-ada.html
FCC Ruling 2/20/2014: http://www.fcc.gov/document/closed-captioning-quality-report-and-order-
declaratory-ruling-fnprm

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Closed Captioning Best Practices and Legal Requirements for Digital Delivery of TV & Film

  • 1. Closed Captioning Best Practices and Legal Requirements Digital Distribution of TV & Film April 17, 2014 Sean Bersell Entertainment Merchants Assoc. 1 Claudia Rocha 3Play Media Josh Miller 3Play Media Dae Kim Netflix
  • 2. Agenda ‣ Captioning overview (Josh Miller) ‣ Legal update (Josh Miller) ‣ EMA best practices (Sean Bersell) – Certifications, formats, frame rates ‣ 3Play Media best practices (Claudia Rocha) – Standards for transcription + captioning ‣ Netflix best practices (Dae Kim) – Styling, onscreen placement, delivery, encoding ‣ Industry trends (Dae Kim) ‣ Q&A 2
  • 3. What Are Closed Captions? ‣ Text that has been time-synchronized with the media ‣ Captions convey all spoken content as well as relevant sound effects ‣ Originated in the early 1980s from an FCC mandate for broadcast TV 3
  • 4. Closed Captioning Terminology Terminology ‣ Captioning vs. Transcription 4
  • 5. Closed Captioning Terminology Terminology ‣ Captioning vs. Transcription ‣ Captioning vs. Subtitling 5
  • 6. Closed Captioning Terminology Terminology ‣ Captioning vs. Transcription ‣ Captioning vs. Subtitling ‣ Closed vs. Open Captioning 6
  • 7. Closed Captioning Terminology Terminology ‣ Captioning vs. Transcription ‣ Captioning vs. Subtitling ‣ Closed vs. Open Captioning ‣ Post Production vs. Real-Time 7
  • 8. Caption Formats 8 Format Type Use Cases SCC Broadcast, iOS, web media SMPTE-TT Web media CAP Broadcast EBU.STL PAL Broadcast (Europe) SRT YouTube and web media DFXP Flash players WebVTT Emerging HTML5 SAMI Windows Media QT QuickTime STL DVD encoding CPT.XML Captionate RT Real Media SRT Example 01:02:53:14 94ae 94ae 9420 9420 01:02:55:14 942c 942c 01:03:27:29 94ae 94ae 9420 9420 94f2 SCC Example
  • 9. Benefits ‣ Accessibility for deaf and hard of hearing ‣ For ESL viewers ‣ Flexibility to view in noise-sensitive environments ‣ Search ‣ Navigation, better UX ‣ SEO/discoverability ‣ Used as source for translation 9
  • 10. Legal Update 10 CVAA ‣ Captions required for all Internet content that aired on TV with captions ‣ Does not yet apply to video clips ‣ 13 Exemptions ADA ‣ Title II: public entities ‣ Title III: commercial entities “places of public accommodation” ‣ Recent case law: – NAD v. Netflix, GLAD v. Time Warner
  • 11. CVAA Timeline ‣ Phased In: All prerecorded programming that is not edited for Internet distribution ‣ Phased In: Live & near-live programming originally broadcast on television. ‣ Phased In: Prerecorded programming that is edited for Internet distribution. ‣ Phased In : Archival programming (45 days) ‣ Mar 30, 2015: Archival programming (30 days) ‣ Mar 30, 2016: Archival programming (15 days) 11
  • 12. FCC Standards for Caption Quality 12 ‣ Caption accuracy – Must match spoken words to fullest extent possible and include verbal information – Allows some leniency for live captioning ‣ Caption synchronization – Must coincide with their spoken words and sounds to the greatest extent possible ‣ Program completeness – Captions must run from the beginning to the end of the program ‣ Onscreen caption placement – Captions should not block other important visual content
  • 13. FCC Guidelines for User Control 13 ‣ Took affect January 1, 2014 ‣ Only applies to online full-length programming that previously appeared with captions on television in the U.S. ‣ VPDs must comply with advanced closed captioning standards CEA-708 ‣ End user control of font type, size, background color, opacity, character edge style
  • 14. FCC Exemptions for Closed Captioning 14 ‣ Economically burdensome exemption – Requires petition ‣ Self-implementing exemption – Programming is in a language other than English or Spanish – Programming is primarily textual – Programming is distributed between 2 a.m. and 6 a.m. – Interstitials, promotional and public service announcements (up to 10 mins) – EBS (Educational Broadband Service) programming – Locally produced and distributed non-news programming with no repeat value – Programming on new networks for the first four years – Primarily non-vocal musical programming – Captioning expense in excess of 2% of gross revenues – Revenues under $3,000,000 – Locally produced educational programming – Programming is subject to contractual captioning restrictions
  • 16. Transcription Standards ‣ Spelling should be at least 99% accurate. ‣ When multiple speakers are present, sometimes it is helpful to identify who is speaking, especially when the video does not make this clear. ‣ Both upper and lowercase letters should be used. ‣ Non-speech sounds like [MUSIC PLAYING] or [LAUGHTER] should be added in square brackets. ‣ Sound effects that are pertinent to the plot should be included. ‣ Punctuation should be used for maximum clarity. ‣ Captions can be used to preserve and identify slang or accents (preferential) 16
  • 17. Captioning Standards ‣ Font style should be non-serif, such as Helvetica medium. ‣ Each caption frame should hold 1 to 3 lines of text onscreen at a time ‣ Each line should not exceed 32 characters. ‣ Minimum viewable duration of 1 second. ‣ Extended sound effects (like [MUSIC]) should drop off the screen after 4 to 5 seconds ‣ Each caption frame should be replaced by another caption (unless there’s a long period of silence). ‣ All caption frames should be precisely time-synched to the audio. ‣ A caption frame should be repositioned if it obscures onscreen text or other essential visual elements. 17
  • 19. QUESTIONS? 19 Resources EMA Best Practices on Closed Captioning: http://www.entmerch.org/digitalema/committeescouncils/closed-captioning-committee/ CVAA Captioning Requirements: http://info.3playmedia.com/wp-cvaa.html How the ADA Impacts Captioning: http://info.3playmedia.com/wp-ada.html FCC Ruling 2/20/2014: http://www.fcc.gov/document/closed-captioning-quality-report-and-order- declaratory-ruling-fnprm