Pixel Pictures, a subsidiary of Sony, will distribute the film. Pixel Pictures typically distributes films with budgets of around $7 million, like SAW II ($5 million) and The Conjuring ($20 million). As Pixel Pictures is funded by Sony, it will provide most of the $7 million estimated budget for the film. Distributing through a major company like Pixel Pictures will allow the film to get wide releases in key markets, increasing its potential viewership and profits compared to an independent distribution.

1. Assignment 39
-Distribution Company
Vincent Davenport

2. Text
We have gone for a major distribution
company.
A subsidiary from Sony called Pixel Pictures.

3. Similar films with similar
budgets.
First of all Our Distribution company is a conglomerate off of Sony which
funds for most of the financial payments Pixel Pictures have.
As researched in previous assignments, we know that film distribution
companies have an average of $ 7 million budgeting for horror/possession
films.
Examples of these are:
SAW II -Lionsgate - $5m
Chucky 2 - Universal Pictures -$13m
Exorcism Of Emily Rose - Screen Gems- $19.3
Insidious - Momentum Pictures - $1.5m
Conjuring - Warner Bros Pictures - $20 m

4. Location/Venues Released
Here is a list of horror movies which tell us about the
distribution company used to release the film and
where :
Sea Without Shore - Maverick Motion LTD - KC(Followed by
Q&A discussions)
Conjuring - Warner Bros- Saturation
Paranormal Activity - ICON - Nationwide
Insidious - Momentum Pictures - UK wide
Annabelle - Warner Bros - Saturation
Seed Of Chucky - Momentum Pictures - Vue West End &
Nationwide.

5. -Overall the key reasoning for why we
have chosen a Distribution company
which targets major horror films, is for
our type of viewers.
-Mainstream films are often the most
viewed compared to independent films
therefore there is a bigger possibility that
our films will make a better profit
provided the large funding we receive
from sony.
-This film uses a lot of stereotypical
props, story line and motions which is
key for mainstream films whereas
independent movie viewers look for a
niche selling point.