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The Dilemmas of Teaching and
  Testing Literature in EFL

                 Amos Paran
 Institute of Education, University of London

While you wait for the talk to begin, please do have a
look at the two poems on your handout and give
yourself an account about what your reaction to them
is; you may even discuss the poems and your
reactions with your neighbour!
Outline of talk
 Why we use and teach literature
 Ways of reading
 Dilemmas in testing/assessing literature
 Principles for testing/assessing
  literature
 Tasks for testing/assessing literature
 Future tasks for testers and researchers
Teaching literature
 teaching literature vs. using literature

 affective personal growth
 intellectual growth
 encourage private appreciation of literary
 works
Why teach literature?

Present in every human being are two desires, a
desire to know the truth about the primary world, the
given world outside ourselves in which we are born,
live, love, hate and die, and the desire to make new
secondary worlds of our own or, if we cannot make
them ourselves, to share in the secondary worlds of
those who can.
                     W. H. Auden (1968)
Why teach literature?
What really happens (when a reader engages with a
text) is that the story-maker proves a successful ‘sub-
creator’. He makes a Secondary World which your
mind can enter. Inside it, what he relates is ‘true’: it
accords with the laws of that world. You therefore
believe it, while you are, as it were, inside.

                       J. R. R. Tolkien On Fairy Tales
Why teach literature?

 ‘education (indeed all communication) is an
 attempt to change others - to interfere with
 them… The issue is not one of whether
 teachers should inculcate value judgments
 into their pupils, but of which values these
 should be.’ (Cook 1996:152-153)
 ‘language teaching, and the part which
 literature has to play in it, have to be seen as
 part of the whole educational endeavour’
 (Paran 2000: 76).
Why teach literature?

 potential to ‘promote greater understanding
 and knowledge of human behaviour’
     (Carter and Long 1990: 217)
 ‘a means of introducing learners to … a
 serious view of our world, of initiating them in
 the process of defining themselves through
 contact with others’ experience’
     (Brumfit 2001: 91-92)
Why teach literature?

‘literature is inherently affective in a way
which perhaps applies to no other
subject’
the ability of literature to lead to ‘an
enhanced awareness and understanding
of one’s own emotional life.
(Parkinson and Reid Thomas 2000: 143)
I bring nearly 35 years of experience of trying to
make my grasp of biomedical science useful to
the astonishingly diverse population of Kentish
Town in north London. And in Mrs Dalloway,
Virginia Woolf describes one of the
compensations of growing old as ‘the power of
taking hold of experience, of turning it round,
slowly in the light.’
Efferent vs. Aesthetic Reading

Efferent reading: focuses on the public meanings
  present in a text
  product oriented

Aesthetic reading: focuses on the personal,
  private, lived experience of engagement with
  the text; reading as a transaction with the text
  process oriented
                        Rosenblatt 1985
Dilemma 1:
To test or not to test?
 Teaching
     Internal, personal goals and processes
     Differentiation and individuality
     Divergent process
     Cooperation
 Testing
     Externally driven goals and processes
     Equivalence and equity
     Convergent process, differentiating product
     Individual
Dilemma 2:
Testing language?

Testing literature?
Or testing something else?
The poem ends “And that has made all of the
difference”. This quote describes how the speaker
will relate to his decision later on in life. How does he
think he will feel about his decision?
NOTE: For this question use ONE of the thinking
skills from the Appendix on page 14.
Thinking skill I chose …….
ANSWER: ……. (10 points)
Explain why you chose that particular thinking skill to
answer question 9a.
ANSWER: ……. (5 points)
Thinking skills
 Comparing and contrasting
 Distinguishing different perspectives
 Explaining cause and effect
 Problem solving
 Inferring
 Explaining patterns
Dilemma 3:
  Testing knowledge or skills?
(Carter and Long 1990): 3 main types of question

Paraphrase and context
  ‘Yet knowing how way leads on to way,
  I doubted if I should ever come back.’
  Explain this quote in your own words.

  George tells Chris: ‘When you make suckers out of
  people once, you shouldn’t try to do it twice’.
  What are the TWO times he is talking about?
Dilemma 3:
 Testing knowledge or skills?
Describe and discuss
  Describe Snowball and explain what happens to him.
                         (Carter and Long 1990)
Evaluate and discuss
  In Act III Jim says to Mother: The compromise is
  always made.
  According to the play, is compromise a necessary
  part of life? In your answer relate to ONE character in
  the play.

  Illustrate from the stories how Lawrence’s attitude to
  his characters is often a mixture of ridicule and
  compassion. (Carter and Long 1990)
Dilemma 3:
     Testing knowledge or skills?
Sue says she does not want Ann and Chris to live near
them after they marry because:

a.    Chris and Jim have never been close friends.
b.    Chris might influence Jim to go into research.
c.    she is jealous of their relationship.
d.    Ann’s father, Steve, is a criminal.
Dilemma 3:
 Testing knowledge or skills?


⇒ Flight from the text
                 (Short and Candlin 1986)
Dilemma 3:
 Testing knowledge or skills?
Lin 2006
 Guided and structured reading of poem
  in class, in a combination of
  individual/group work and
  demonstration/lecture from the teacher
 Reduction of support from teacher;
  individual work on a different poem with
  a similar theme in class.
 Unseen poem in exam
Dilemma 4: Testing private
appreciation or public knowledge?

Candidates show independent understanding and
appreciation of layers of meaning in texts through the
identification and discussion of appropriate detail.
They make relevant comparisons between writers’
concerns, attitudes and ideas, responding personally
to the ways in which they affect the readers’
responses. They successfully communicate insight
and exploratory thought in various forms. They show
analytical skill when exploring the social and
historical settings of texts, their cultural contexts or
the literary traditions on which they draw.
                     AQA GCSE Specification, 2011.
Dilemma 4: Testing private appreciation
or public knowledge?
How to study a novel
Start by reading (the novel) quickly for
pleasure, then read it slowly and carefully.
….. Further readings will generate new ideas
and help you memorise the details of the
story.
….. Make careful notes on theme, plot and
characters of the novel. The plot will change
some of the characters. Who changes?
Dilemma 4: Testing private appreciation
or public knowledge?
Testing personal appreciation will entail with
working with students on:
   Developing private appreciation (see
   Tutas 2006)

   Ways of expressing personal
   appreciation and supporting personal
   views and argumentation
Dilemma 5: Appropriate genres
or essay-type questions?
Fecho with Amatuchi and Skinner 2007:
classroom conversation in which the teacher
and pupil used classroom time to act
increasingly like two friends having a chat
about books at a coffee shop rather than
taking the inquisitor/rote responder roles seen
all to frequently in too many literature
classrooms.
Principles for Testing and
  Assessment
Include both public knowledge and private appreciation
Use a variety of tasks
Include choice
Provide the texts
Ensure that criteria are transparent
Minimise the weighting of language
The Principles Applied:
  Portfolios
 ‘most frequently identified example of
  alternative assessment’ (Fox 2008:99)

Include both public knowledge and private
  appreciation
Use a variety of tasks
Include choice
Provide the texts
Ensure that criteria are transparent
Minimise the weighting of language
Tasks for Assessing and Testing
Literature: Presenting a portfolio
 French ‘Litté rature é trangere en langue é trangere’.

 Four Criteria:
   Pré sentation du dossier
   Niveau de lecture des documents
   Culture litté raire
   Expression orale

 Each criterion at 5 levels - 0-1 to 5
Tasks for Assessing and Testing
Literature: Presenting a portfolio

  Description riche et pré cise de la thé matique et
  de l’ensemble des documents, ajout d’un ou
  plusieurs documents pertinents, justification
  claire et argumenté e du choix autour de la
  thé matique, expression d’une appré ciation
  esthé tique et/ou d’un jugement critique
  personnels
                  Bulletin officiel no. 43, 24 Novembre 2011
The Principles Applied:
  Multi-part and multi-task tests
Include both public knowledge and private
  appreciation
Use a variety of tasks
Include choice
Provide the texts
Ensure that criteria are transparent
Minimise the weighting of language
Tasks for Assessing and Testing
  Literature:Language Based Tasks
Write a review of the work for a newspaper or a
 magazine
Write a review of the work for a website
Respond to a review from a website or a
 newspaper
Respond to short statements by critics
Tasks for Assessing and Testing
  Literature: Creative Tasks
Write a prequel or a sequel.
Write a literary piece on the same theme.
Rewrite the work for the 21st century.
Write a ‘missing scene’ or document (e.g. letter)
 from the story or novel.
Tasks for Assessing and Testing
  Literature: Art-based Tasks
Draw the poem/story/scene.
Design a cover for the book.
Choose an appropriate cover for the book out of a
  range of alternatives.
Choose an accompanying piece of music for the work.
Create a trailer/short film based on the work.

All these should/can be accompanied by a written
   justification for the choices or the designs.
QuickTime™ and a
TIFF (Uncompressed) decompressor
   are needed to see this picture.




                                                QuickTime™ and a
                                     TIFF (Uncompressed) decompressor
                                        are needed to see this picture.
http://www.youtube.com/watch?v=xBko_fui-i4&feature=related




http://www.youtube.com/watch?v=Xp2m6tL2Upc&feature=related
Tasks for Assessing and Testing Literature:
  Tasks Combining L1 and L2

Compare the poem with a poem written in your own
  language
Choose the best translation of a poem from a range of
  translations available
Translate part of the work into your L1 and comment on
  the product and on the issues that arose
Tasks for Assessing and Testing
 Literature: Unseen Tasks

Lin 2006

Unseen texts compared with texts studied in
class: Landscape with the Fall of Icarus by
William Carlos Williams compared with
Auden’s Musee des Beaux Arts
The task for teachers and testers
 Devise tasks for specific works
 Work on finding the most appropriate
  tasks for different works
 Create criteria
 Research different ways of testing

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Amos Paran - plenary

  • 1. The Dilemmas of Teaching and Testing Literature in EFL Amos Paran Institute of Education, University of London While you wait for the talk to begin, please do have a look at the two poems on your handout and give yourself an account about what your reaction to them is; you may even discuss the poems and your reactions with your neighbour!
  • 2. Outline of talk  Why we use and teach literature  Ways of reading  Dilemmas in testing/assessing literature  Principles for testing/assessing literature  Tasks for testing/assessing literature  Future tasks for testers and researchers
  • 3. Teaching literature teaching literature vs. using literature affective personal growth intellectual growth encourage private appreciation of literary works
  • 4. Why teach literature? Present in every human being are two desires, a desire to know the truth about the primary world, the given world outside ourselves in which we are born, live, love, hate and die, and the desire to make new secondary worlds of our own or, if we cannot make them ourselves, to share in the secondary worlds of those who can. W. H. Auden (1968)
  • 5. Why teach literature? What really happens (when a reader engages with a text) is that the story-maker proves a successful ‘sub- creator’. He makes a Secondary World which your mind can enter. Inside it, what he relates is ‘true’: it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. J. R. R. Tolkien On Fairy Tales
  • 6. Why teach literature? ‘education (indeed all communication) is an attempt to change others - to interfere with them… The issue is not one of whether teachers should inculcate value judgments into their pupils, but of which values these should be.’ (Cook 1996:152-153) ‘language teaching, and the part which literature has to play in it, have to be seen as part of the whole educational endeavour’ (Paran 2000: 76).
  • 7. Why teach literature? potential to ‘promote greater understanding and knowledge of human behaviour’ (Carter and Long 1990: 217) ‘a means of introducing learners to … a serious view of our world, of initiating them in the process of defining themselves through contact with others’ experience’ (Brumfit 2001: 91-92)
  • 8. Why teach literature? ‘literature is inherently affective in a way which perhaps applies to no other subject’ the ability of literature to lead to ‘an enhanced awareness and understanding of one’s own emotional life. (Parkinson and Reid Thomas 2000: 143)
  • 9. I bring nearly 35 years of experience of trying to make my grasp of biomedical science useful to the astonishingly diverse population of Kentish Town in north London. And in Mrs Dalloway, Virginia Woolf describes one of the compensations of growing old as ‘the power of taking hold of experience, of turning it round, slowly in the light.’
  • 10. Efferent vs. Aesthetic Reading Efferent reading: focuses on the public meanings present in a text product oriented Aesthetic reading: focuses on the personal, private, lived experience of engagement with the text; reading as a transaction with the text process oriented Rosenblatt 1985
  • 11. Dilemma 1: To test or not to test?  Teaching  Internal, personal goals and processes  Differentiation and individuality  Divergent process  Cooperation  Testing  Externally driven goals and processes  Equivalence and equity  Convergent process, differentiating product  Individual
  • 13. Or testing something else? The poem ends “And that has made all of the difference”. This quote describes how the speaker will relate to his decision later on in life. How does he think he will feel about his decision? NOTE: For this question use ONE of the thinking skills from the Appendix on page 14. Thinking skill I chose ……. ANSWER: ……. (10 points) Explain why you chose that particular thinking skill to answer question 9a. ANSWER: ……. (5 points)
  • 14. Thinking skills  Comparing and contrasting  Distinguishing different perspectives  Explaining cause and effect  Problem solving  Inferring  Explaining patterns
  • 15. Dilemma 3: Testing knowledge or skills? (Carter and Long 1990): 3 main types of question Paraphrase and context ‘Yet knowing how way leads on to way, I doubted if I should ever come back.’ Explain this quote in your own words. George tells Chris: ‘When you make suckers out of people once, you shouldn’t try to do it twice’. What are the TWO times he is talking about?
  • 16. Dilemma 3: Testing knowledge or skills? Describe and discuss Describe Snowball and explain what happens to him. (Carter and Long 1990) Evaluate and discuss In Act III Jim says to Mother: The compromise is always made. According to the play, is compromise a necessary part of life? In your answer relate to ONE character in the play. Illustrate from the stories how Lawrence’s attitude to his characters is often a mixture of ridicule and compassion. (Carter and Long 1990)
  • 17. Dilemma 3: Testing knowledge or skills? Sue says she does not want Ann and Chris to live near them after they marry because: a. Chris and Jim have never been close friends. b. Chris might influence Jim to go into research. c. she is jealous of their relationship. d. Ann’s father, Steve, is a criminal.
  • 18. Dilemma 3: Testing knowledge or skills? ⇒ Flight from the text (Short and Candlin 1986)
  • 19. Dilemma 3: Testing knowledge or skills? Lin 2006  Guided and structured reading of poem in class, in a combination of individual/group work and demonstration/lecture from the teacher  Reduction of support from teacher; individual work on a different poem with a similar theme in class.  Unseen poem in exam
  • 20. Dilemma 4: Testing private appreciation or public knowledge? Candidates show independent understanding and appreciation of layers of meaning in texts through the identification and discussion of appropriate detail. They make relevant comparisons between writers’ concerns, attitudes and ideas, responding personally to the ways in which they affect the readers’ responses. They successfully communicate insight and exploratory thought in various forms. They show analytical skill when exploring the social and historical settings of texts, their cultural contexts or the literary traditions on which they draw. AQA GCSE Specification, 2011.
  • 21. Dilemma 4: Testing private appreciation or public knowledge? How to study a novel Start by reading (the novel) quickly for pleasure, then read it slowly and carefully. ….. Further readings will generate new ideas and help you memorise the details of the story. ….. Make careful notes on theme, plot and characters of the novel. The plot will change some of the characters. Who changes?
  • 22. Dilemma 4: Testing private appreciation or public knowledge? Testing personal appreciation will entail with working with students on: Developing private appreciation (see Tutas 2006) Ways of expressing personal appreciation and supporting personal views and argumentation
  • 23. Dilemma 5: Appropriate genres or essay-type questions? Fecho with Amatuchi and Skinner 2007: classroom conversation in which the teacher and pupil used classroom time to act increasingly like two friends having a chat about books at a coffee shop rather than taking the inquisitor/rote responder roles seen all to frequently in too many literature classrooms.
  • 24. Principles for Testing and Assessment Include both public knowledge and private appreciation Use a variety of tasks Include choice Provide the texts Ensure that criteria are transparent Minimise the weighting of language
  • 25. The Principles Applied: Portfolios ‘most frequently identified example of alternative assessment’ (Fox 2008:99) Include both public knowledge and private appreciation Use a variety of tasks Include choice Provide the texts Ensure that criteria are transparent Minimise the weighting of language
  • 26. Tasks for Assessing and Testing Literature: Presenting a portfolio French ‘Litté rature é trangere en langue é trangere’. Four Criteria: Pré sentation du dossier Niveau de lecture des documents Culture litté raire Expression orale Each criterion at 5 levels - 0-1 to 5
  • 27. Tasks for Assessing and Testing Literature: Presenting a portfolio Description riche et pré cise de la thé matique et de l’ensemble des documents, ajout d’un ou plusieurs documents pertinents, justification claire et argumenté e du choix autour de la thé matique, expression d’une appré ciation esthé tique et/ou d’un jugement critique personnels Bulletin officiel no. 43, 24 Novembre 2011
  • 28. The Principles Applied: Multi-part and multi-task tests Include both public knowledge and private appreciation Use a variety of tasks Include choice Provide the texts Ensure that criteria are transparent Minimise the weighting of language
  • 29. Tasks for Assessing and Testing Literature:Language Based Tasks Write a review of the work for a newspaper or a magazine Write a review of the work for a website Respond to a review from a website or a newspaper Respond to short statements by critics
  • 30. Tasks for Assessing and Testing Literature: Creative Tasks Write a prequel or a sequel. Write a literary piece on the same theme. Rewrite the work for the 21st century. Write a ‘missing scene’ or document (e.g. letter) from the story or novel.
  • 31. Tasks for Assessing and Testing Literature: Art-based Tasks Draw the poem/story/scene. Design a cover for the book. Choose an appropriate cover for the book out of a range of alternatives. Choose an accompanying piece of music for the work. Create a trailer/short film based on the work. All these should/can be accompanied by a written justification for the choices or the designs.
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  • 34. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 36. Tasks for Assessing and Testing Literature: Tasks Combining L1 and L2 Compare the poem with a poem written in your own language Choose the best translation of a poem from a range of translations available Translate part of the work into your L1 and comment on the product and on the issues that arose
  • 37. Tasks for Assessing and Testing Literature: Unseen Tasks Lin 2006 Unseen texts compared with texts studied in class: Landscape with the Fall of Icarus by William Carlos Williams compared with Auden’s Musee des Beaux Arts
  • 38. The task for teachers and testers  Devise tasks for specific works  Work on finding the most appropriate tasks for different works  Create criteria  Research different ways of testing

Notas del editor

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