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Korean B-Boys and Advent of  AUDIENCE 2.0 WOONG JO CHANG The Ohio State University 1
Background Facts #1 In many of the world-level break dancing competition events, Korean B-boys have cut brilliant figures since 2002.  2
Background Facts #2 Korean B-boys are leading Korean performing arts scene and Korean government takes it seriously. 3
Background Facts #3 Long before the introduction of MySpace and Facebook, South Korea already had Cyworld, a social networking site launched back in 1999 4
Korean B-Boys Successful Story of Today, I will talk about ,[object Object],[object Object],[object Object],[object Object],6
WHY?  ,[object Object],[object Object],[object Object],Today, I will talk about 7
B-boys? Coined by Kool Herc . Image from  Wikimedia Commons 8
B-boying? B-boying or Break dancing is called so  because they dance to the break part of music.  In late 60s and early 70s African Americans in Bronx New York, started a sort of b-boying. 9
Dancers,  B-boys , began to move up and down and pop up again on  the beats . 10 D.J.s developed various skills to emphasize break beats  in their music.
B-boying in US In US,  B-Boying became popularized throughout the 70's and 80's. 11
After late 80's, B-boying was losing Its popularity. 13 Image from Amazon.com
In late 90's, B-boying gained its popularity again. 13 This time, not only in US but also in Europe and Asia. “ For just as b-boying was fading here [in the U.S], teenagers in Europe and Asia, who had watched the Rock Steady Crew and other greats on video, started forming their own crews.” - Julie Bloom in  New York Times
Battle? Head to head confrontations between individuals or crews trying to out-dance each other 14
Battle? 15
Korean B-Boys in the World  Korean B-boys have won the championship titles in many world-level competitions since 2002. Image from www.redbullbcone.com/download 16
In BOTY, 2001  Visual Shock : Best Show 2002  Expression  :Finalist 2003  Expression : Finalist 2004  Gambler : Finalist 2005  Last For One : Finalist 2006  Last For One : Finalist 2007  Extreme Crew : Finalist 17
In Red Bull BC One, 2005  Hong 10 : Finalist 2006  Hong 10 : Winner The End : Semi-finalist 2007  Hong 10 : Semi-finalist 18
In UK B-Boy Championships, 2002  Project Soul : Winner (team battle) Hong 10 : Finalist(Solo battle) 2003  Project Soul : Finalist (team battle) 2004  Project Soul : Winner (team battle) Physics : Winner (Solo battle) Hong 10 : Finalist(Solo battle) 2005  Project Soul : Winner (team battle) Hong 10 : Finalist(Solo battle) 2006  Drifters : Finalist (team battle) 2007  T.I.P : Winner (team battle) 19
Planet B-boys (2008) In the Movies Hype Nation (2009) 20
B-boying has become one of the notable materials in Korean Pop Culture . In Pop Culture Image from BBOYSTAR 21
In the Arts 23
a  B-boying musical performance as one of the 6 Korean representative  Nonverbal Performing arts In the Arts 23
Last Feb, in  the inauguration ceremony  for President Lee Myung-bak in Korea, A   B-boying performance  by  Last For One  was held as well as other Traditional percussion and opera performances.  25
R-16 27
B-boying was introduced in earnest to Korea in late 90's or early 2000's.  Korean B-boys are sweeping Korean Cultural Scene . and are leading the World’s  B-boying Culture . Now,  28 “ South Korea is at the forefront of the new wave of break-dance, or b-boy, artistry.” - Julie Bloom in  New York Times
& HOW?  WHY?  29
One Explanation Similarity of Beats and Movements 30
Another Explanation Examination Hell in Korea 31
A Very Miscellaneous Explanation A Comic Book 32
Explanation for Today The Highly Developed IT Environment in Korea 33
Some Facts of IT Environment in Korea Over half of South Koreans have migrated their cell-phone to 3G. In 2006, 57% of South Korea's music sales were digital. South Korea became the first country to launch DMB to cell phones in 2005. From Tomi Ahonen's book,  Digital Korea 34
Some Facts of the Internet in Korea 90% of South Koreans have broadband Internet access. The average broadband connection is  50 ~  100 mps. 1,000 mps connection has been already introduced. 43% of Korea's population maintain an online profile or blog site in Cyworld. From Tomi Ahonen's book,  Digital Korea 35
Institutionalization? “ an ongoing, complex, and potentially contradictory process of structuration, stabilization, and perpetuation of collective action.” Shapiro, R. (2004).  The Aesthetics of Institutionalization-Breakdancing in France 36
. Institutionalization  of B-boying culture  in US has been driven mainly by   the private sector .  In  France , it involves the government’s constructive participation. 37
No Attention from Private Sector No Support from Government In Korea 38
B-boys in Korea  institutionalized themselves in the Emerging Virtual institutions. Emerging Virtual Institutions ? 39
Emerging Virtual institutions ,[object Object],[object Object],Image from Second Life Art New Image from Second Life Art New 40
Web 2.0 Matthew Paul Thomas retrieved from http://mpt.net.nz/archive/2005/12/27/web-2 41
Audience 2.0 ,[object Object],[object Object],[object Object],[object Object],42
Korean B-Boys ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],43
THANK YOU

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Korean B-Boys and the Advent of Audience 2.0

  • 1. Korean B-Boys and Advent of AUDIENCE 2.0 WOONG JO CHANG The Ohio State University 1
  • 2. Background Facts #1 In many of the world-level break dancing competition events, Korean B-boys have cut brilliant figures since 2002. 2
  • 3. Background Facts #2 Korean B-boys are leading Korean performing arts scene and Korean government takes it seriously. 3
  • 4. Background Facts #3 Long before the introduction of MySpace and Facebook, South Korea already had Cyworld, a social networking site launched back in 1999 4
  • 5.
  • 6.
  • 7. B-boys? Coined by Kool Herc . Image from Wikimedia Commons 8
  • 8. B-boying? B-boying or Break dancing is called so because they dance to the break part of music. In late 60s and early 70s African Americans in Bronx New York, started a sort of b-boying. 9
  • 9. Dancers, B-boys , began to move up and down and pop up again on the beats . 10 D.J.s developed various skills to emphasize break beats in their music.
  • 10. B-boying in US In US, B-Boying became popularized throughout the 70's and 80's. 11
  • 11. After late 80's, B-boying was losing Its popularity. 13 Image from Amazon.com
  • 12. In late 90's, B-boying gained its popularity again. 13 This time, not only in US but also in Europe and Asia. “ For just as b-boying was fading here [in the U.S], teenagers in Europe and Asia, who had watched the Rock Steady Crew and other greats on video, started forming their own crews.” - Julie Bloom in New York Times
  • 13. Battle? Head to head confrontations between individuals or crews trying to out-dance each other 14
  • 15. Korean B-Boys in the World Korean B-boys have won the championship titles in many world-level competitions since 2002. Image from www.redbullbcone.com/download 16
  • 16. In BOTY, 2001 Visual Shock : Best Show 2002 Expression :Finalist 2003 Expression : Finalist 2004 Gambler : Finalist 2005 Last For One : Finalist 2006 Last For One : Finalist 2007 Extreme Crew : Finalist 17
  • 17. In Red Bull BC One, 2005 Hong 10 : Finalist 2006 Hong 10 : Winner The End : Semi-finalist 2007 Hong 10 : Semi-finalist 18
  • 18. In UK B-Boy Championships, 2002 Project Soul : Winner (team battle) Hong 10 : Finalist(Solo battle) 2003 Project Soul : Finalist (team battle) 2004 Project Soul : Winner (team battle) Physics : Winner (Solo battle) Hong 10 : Finalist(Solo battle) 2005 Project Soul : Winner (team battle) Hong 10 : Finalist(Solo battle) 2006 Drifters : Finalist (team battle) 2007 T.I.P : Winner (team battle) 19
  • 19. Planet B-boys (2008) In the Movies Hype Nation (2009) 20
  • 20. B-boying has become one of the notable materials in Korean Pop Culture . In Pop Culture Image from BBOYSTAR 21
  • 22. a B-boying musical performance as one of the 6 Korean representative Nonverbal Performing arts In the Arts 23
  • 23. Last Feb, in the inauguration ceremony for President Lee Myung-bak in Korea, A B-boying performance by Last For One was held as well as other Traditional percussion and opera performances. 25
  • 25. B-boying was introduced in earnest to Korea in late 90's or early 2000's. Korean B-boys are sweeping Korean Cultural Scene . and are leading the World’s B-boying Culture . Now, 28 “ South Korea is at the forefront of the new wave of break-dance, or b-boy, artistry.” - Julie Bloom in New York Times
  • 26. & HOW? WHY? 29
  • 27. One Explanation Similarity of Beats and Movements 30
  • 29. A Very Miscellaneous Explanation A Comic Book 32
  • 30. Explanation for Today The Highly Developed IT Environment in Korea 33
  • 31. Some Facts of IT Environment in Korea Over half of South Koreans have migrated their cell-phone to 3G. In 2006, 57% of South Korea's music sales were digital. South Korea became the first country to launch DMB to cell phones in 2005. From Tomi Ahonen's book, Digital Korea 34
  • 32. Some Facts of the Internet in Korea 90% of South Koreans have broadband Internet access. The average broadband connection is 50 ~ 100 mps. 1,000 mps connection has been already introduced. 43% of Korea's population maintain an online profile or blog site in Cyworld. From Tomi Ahonen's book, Digital Korea 35
  • 33. Institutionalization? “ an ongoing, complex, and potentially contradictory process of structuration, stabilization, and perpetuation of collective action.” Shapiro, R. (2004). The Aesthetics of Institutionalization-Breakdancing in France 36
  • 34. . Institutionalization of B-boying culture in US has been driven mainly by the private sector . In France , it involves the government’s constructive participation. 37
  • 35. No Attention from Private Sector No Support from Government In Korea 38
  • 36. B-boys in Korea institutionalized themselves in the Emerging Virtual institutions. Emerging Virtual Institutions ? 39
  • 37.
  • 38. Web 2.0 Matthew Paul Thomas retrieved from http://mpt.net.nz/archive/2005/12/27/web-2 41
  • 39.
  • 40.