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Handling History,   Theo Humphries
     ‘-isms’, and           Constellation
     Texts...                       2012




Tuesday, 23 October 12
Handling History,   Theo Humphries
     ‘-isms’, and           Constellation
     Texts...                       2012




Tuesday, 23 October 12
1. Handling History

                         2. Handling ‘-isms’

                         3. Handling texts
                            (close reading)


Tuesday, 23 October 12
Handling
                         History...




  Wall of Death, Revere Beach, MA, USA   Circa 1929
Tuesday, 23 October 12
A problem with history
         as a chronology of
               ‘facts’




Tuesday, 23 October 12
Another problem with
               history...




Tuesday, 23 October 12
Another problem with
               history...

                     ...there are a lot of
                          things in it.


Tuesday, 23 October 12
Network Complexity Diagram   Dawson & Lockyer, 2009
Tuesday, 23 October 12
Network Complexity Diagram   Dawson & Lockyer, 2009
Tuesday, 23 October 12
Network Complexity Diagram   Dawson & Lockyer, 2009
Tuesday, 23 October 12
‘Trees in Central Park’   MAMIYAM645, 2009
Tuesday, 23 October 12
Starlings flocking over Otmore   Dylan Winter, n.d.
Tuesday, 23 October 12
Flocking Starlings     rspb.org.uk, 2010
Tuesday, 23 October 12
ALL HISTORIES ARE
                           CONSTRUCTED




Tuesday, 23 October 12
ALL HISTORIES ARE
                              CONSTRUCTED

                         Never say “The history of...”

                         Always say: “A history of...”



Tuesday, 23 October 12
symbolism, romanticism, positivism, hol
fauvism, primitivism, Fordism, pessimis
liberal optimism, avant-guardism, neocl
radicalism, utopianism, surrealism, cubi
Fluxus, abstract expressionism, abstract
            Handling
illusionism, minimalism, dadaism, theis
              ‘-isms’ materialism
constructivism, impressionism, futurism
pragmatism, functionalism,
spiritualism, existentialism, radicalism,
primitivism, surrealism, elitism, narciss
formalism, consumerism, anti-consumer
capitalism, postmodernism, metamodern
Tuesday, 23 October 12
symbolism, romanticism, positivism, hol
fauvism, primitivism, Fordism, pessimis
liberal optimism, avant-guardism, neocl
radicalism, utopianism, surrealism, cubi
Fluxus, abstract expressionism, abstract
illusionism, minimalism, dadaism, theis
constructivism, impressionism, futurism
pragmatism, functionalism, materialism
spiritualism, existentialism, radicalism,
primitivism, surrealism, elitism, narciss
formalism, consumerism, anti-consumer
capitalism, postmodernism, metamodern
Tuesday, 23 October 12
‘Campbells Soup Can’
     Andy Warhol, 1964




                                       ‘Hopeless’
                            Roy Lichtenstein, 1963




Tuesday, 23 October 12
‘Compositie 10 in Zwart Wit
                                       - Pier and Ocean’
                                      Piet Mondrian, 1915




   ‘Théière Sécante’
   Atelier Polyhedre, 2011




Tuesday, 23 October 12
Minimalism           Modernism
                                      Mond.




                                Abstractionism



Tuesday, 23 October 12
Neo-Plasticism

                          Minimalism           Modernism
                         Idealism       Mond. Reductionism
                           Cubism                    Purism
                          Constructivism      De Stijl
                                    Abstractionism



Tuesday, 23 October 12
Tuesday, 23 October 12
Jean-Francoise Lyotard                            Ray Kurweil




                         examples of the differences




Tuesday, 23 October 12
Any questions...?




  Acoustic booster (pre-RADAR)               Polish Military Experiment, 1920
Tuesday, 23 October 12
Handling
                           Text


Tuesday, 23 October 12
Close reading



Tuesday, 23 October 12
‘Abbandono sul fondo’   Kusterle, 2002
Tuesday, 23 October 12
Tuesday, 23 October 12
Tuesday, 23 October 12
Tuesday, 23 October 12
Prof. André Stitt
       The Little Summer of St. Michael
       2011
       Oil on linen
       120 x 120 cm

       My recent work reflects a concern with the visual codification
       of post-colonial landscapes and inhabited futures. Paint is
       utilised as a synthetic transmitter of experience that reflects
       the historical uncertainty of place and proposes
       contemporary genre painting as a transformative medium
       with redemptive potential. These paintings aspire to a
       condition of association and evocation rather than
       representation. As such, they occupy a liminal space that
       might be defined as ambiguous abstraction. This often
       reveals itself as a searching out of small, elusive moments
       and unconscious dilemmas that may implicate us in a larger
       communal, collective or cosmological narrative.

Tuesday, 23 October 12
Pair up...



Tuesday, 23 October 12
1. Circle any words, and/or small groups of words, that you don't
        fully understand.
        Talk about them, and look them up on your phones/laptops/
        tablets/etc.*




        *please make notes on the paper.

Tuesday, 23 October 12
1. Circle any words, and/or small groups of words, that you don't
        fully understand.
        Talk about them, and look them up on your phones/laptops/
        tablets/etc.*

        2. Circle the keywords in a different colour or form of line.




        *please make notes on the paper.

Tuesday, 23 October 12
1. Circle any words, and/or small groups of words, that you don't
        fully understand.
        Talk about them, and look them up on your phones/laptops/
        tablets/etc.*

        2. Circle the keywords in a different colour or form of line.

        3. Pick a sentence and try to define its meaning in your own
        words*. This is paraphrasing.




        *please make notes on the paper.

Tuesday, 23 October 12
1. Circle any words, and/or small groups of words, that you don't
        fully understand.
        Talk about them, and look them up on your phones/laptops/
        tablets/etc.*

        2. Circle the keywords in a different colour or form of line.

        3. Pick a sentence and try to define its meaning in your own
        words*. This is paraphrasing.

        4. Summarise the whole text into a single sentence.
        (remember to utilise your circled keywords). This is a summary.

        Elect one of your pair to read out your summary sentence at the
        end of the session.


        *please make notes on the paper.

Tuesday, 23 October 12
Tuesday, 23 October 12

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Handling History - Theo Humphries

  • 1. Handling History, Theo Humphries ‘-isms’, and Constellation Texts... 2012 Tuesday, 23 October 12
  • 2. Handling History, Theo Humphries ‘-isms’, and Constellation Texts... 2012 Tuesday, 23 October 12
  • 3. 1. Handling History 2. Handling ‘-isms’ 3. Handling texts (close reading) Tuesday, 23 October 12
  • 4. Handling History... Wall of Death, Revere Beach, MA, USA Circa 1929 Tuesday, 23 October 12
  • 5. A problem with history as a chronology of ‘facts’ Tuesday, 23 October 12
  • 6. Another problem with history... Tuesday, 23 October 12
  • 7. Another problem with history... ...there are a lot of things in it. Tuesday, 23 October 12
  • 8. Network Complexity Diagram Dawson & Lockyer, 2009 Tuesday, 23 October 12
  • 9. Network Complexity Diagram Dawson & Lockyer, 2009 Tuesday, 23 October 12
  • 10. Network Complexity Diagram Dawson & Lockyer, 2009 Tuesday, 23 October 12
  • 11. ‘Trees in Central Park’ MAMIYAM645, 2009 Tuesday, 23 October 12
  • 12. Starlings flocking over Otmore Dylan Winter, n.d. Tuesday, 23 October 12
  • 13. Flocking Starlings rspb.org.uk, 2010 Tuesday, 23 October 12
  • 14. ALL HISTORIES ARE CONSTRUCTED Tuesday, 23 October 12
  • 15. ALL HISTORIES ARE CONSTRUCTED Never say “The history of...” Always say: “A history of...” Tuesday, 23 October 12
  • 16. symbolism, romanticism, positivism, hol fauvism, primitivism, Fordism, pessimis liberal optimism, avant-guardism, neocl radicalism, utopianism, surrealism, cubi Fluxus, abstract expressionism, abstract Handling illusionism, minimalism, dadaism, theis ‘-isms’ materialism constructivism, impressionism, futurism pragmatism, functionalism, spiritualism, existentialism, radicalism, primitivism, surrealism, elitism, narciss formalism, consumerism, anti-consumer capitalism, postmodernism, metamodern Tuesday, 23 October 12
  • 17. symbolism, romanticism, positivism, hol fauvism, primitivism, Fordism, pessimis liberal optimism, avant-guardism, neocl radicalism, utopianism, surrealism, cubi Fluxus, abstract expressionism, abstract illusionism, minimalism, dadaism, theis constructivism, impressionism, futurism pragmatism, functionalism, materialism spiritualism, existentialism, radicalism, primitivism, surrealism, elitism, narciss formalism, consumerism, anti-consumer capitalism, postmodernism, metamodern Tuesday, 23 October 12
  • 18. ‘Campbells Soup Can’ Andy Warhol, 1964 ‘Hopeless’ Roy Lichtenstein, 1963 Tuesday, 23 October 12
  • 19. ‘Compositie 10 in Zwart Wit - Pier and Ocean’ Piet Mondrian, 1915 ‘Théière Sécante’ Atelier Polyhedre, 2011 Tuesday, 23 October 12
  • 20. Minimalism Modernism Mond. Abstractionism Tuesday, 23 October 12
  • 21. Neo-Plasticism Minimalism Modernism Idealism Mond. Reductionism Cubism Purism Constructivism De Stijl Abstractionism Tuesday, 23 October 12
  • 23. Jean-Francoise Lyotard Ray Kurweil examples of the differences Tuesday, 23 October 12
  • 24. Any questions...? Acoustic booster (pre-RADAR) Polish Military Experiment, 1920 Tuesday, 23 October 12
  • 25. Handling Text Tuesday, 23 October 12
  • 27. ‘Abbandono sul fondo’ Kusterle, 2002 Tuesday, 23 October 12
  • 31. Prof. André Stitt The Little Summer of St. Michael 2011 Oil on linen 120 x 120 cm My recent work reflects a concern with the visual codification of post-colonial landscapes and inhabited futures. Paint is utilised as a synthetic transmitter of experience that reflects the historical uncertainty of place and proposes contemporary genre painting as a transformative medium with redemptive potential. These paintings aspire to a condition of association and evocation rather than representation. As such, they occupy a liminal space that might be defined as ambiguous abstraction. This often reveals itself as a searching out of small, elusive moments and unconscious dilemmas that may implicate us in a larger communal, collective or cosmological narrative. Tuesday, 23 October 12
  • 33. 1. Circle any words, and/or small groups of words, that you don't fully understand. Talk about them, and look them up on your phones/laptops/ tablets/etc.* *please make notes on the paper. Tuesday, 23 October 12
  • 34. 1. Circle any words, and/or small groups of words, that you don't fully understand. Talk about them, and look them up on your phones/laptops/ tablets/etc.* 2. Circle the keywords in a different colour or form of line. *please make notes on the paper. Tuesday, 23 October 12
  • 35. 1. Circle any words, and/or small groups of words, that you don't fully understand. Talk about them, and look them up on your phones/laptops/ tablets/etc.* 2. Circle the keywords in a different colour or form of line. 3. Pick a sentence and try to define its meaning in your own words*. This is paraphrasing. *please make notes on the paper. Tuesday, 23 October 12
  • 36. 1. Circle any words, and/or small groups of words, that you don't fully understand. Talk about them, and look them up on your phones/laptops/ tablets/etc.* 2. Circle the keywords in a different colour or form of line. 3. Pick a sentence and try to define its meaning in your own words*. This is paraphrasing. 4. Summarise the whole text into a single sentence. (remember to utilise your circled keywords). This is a summary. Elect one of your pair to read out your summary sentence at the end of the session. *please make notes on the paper. Tuesday, 23 October 12