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Similar a Learning Week One: 24th Sept 2013
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Learning Week One: 24th Sept 2013
- 1. Explorations in Creative Process MIVC 405 AY: 2013/14 Semester One: Surface Design (Tuesdays) Semester Two: Moving Image (Mondays)
- 2. Tuesday, 24th September 2013 Schedule Today 10am – 10:45am Lecture Overview of Module, Project Brief & Broad Context of Surface Design 10:45am Coffee Break (15mins, please return promptly) 11am – 3pm Inductions Printmaking Inductions with Graham Williams in A3 Printmaking Workshop G+ Inductions with Caroline & Liz in Library’s Mac Lab CR1 (L1.08) 3 – 4pm Help Surgery Any issues or problems please come and see us 4pm Tutors Finish Start posting in your G+ Blog
- 3. Module Operating Spaces & Learning Tools Your University Email Account (Communication) Blackboard (Module Specific Information) Your University G+ Account (social network and assessed blog) Studios and work production areas (Make, Test, Experience other’s work) Your Tutors and fellow classmates (Audience, Feedback, Practice Critique) Any obstacles to your using these tools and spaces... PLEASE DO ASK FOR HELP
- 4. Project Brief: Under Surface Create surface designs that are inspired by your exploration of creative process and that visually express the idea of ‘Under Surface’. Aims: Create a surface design that: Attracts by engaging the viewer’s senses (aesthetic) Conveys meaning in context to a studied idea or exercised practice Evolved from your creative exploration and visual experiments Deliverables: A final artifact that: Attempts to function within the above aims May take any form or size but is visually documented to exist in your online G+ blog and your physical A2-3 portfolio Deadline for final submission: Time: 12pm (Midday) Thursday 9th January 2014, Location: Level 4 Studios (physical portfolio) & G+ Blog (digital)
- 5. Project Brief: Under Surface Method and Scope: The ideal strategy is to explore creative process as a way to generate new ideas whilst developing your visual craft You can use any topical or experimental approaches in finding your own conceptual position of ‘Under Surface’ You will receive plenty of guidance from tutors and peers to help follow a topic of enquiry in relation to ‘Under Surface’. Curricular set activities are planned to develop and improve your skills and practice so take full advantage of these Use rigorous reflective thinking to drive your ideas forward. Try to explain where and how your own opinions and creative decisions were sourced and informed
- 6. Surface Design: A Broad Context Cadeau, 1921 Man Ray
- 30. List of Images Shown Philip George ‘Borderlands’ 2008 Cueva de las manos (cave of hands) approx 1100 BC Katherina Grosse ‘Spray paintings’ Abigail Lane ‘Bottom Wallpaper’ 1992-7 ‘Bloody Wallpaper’ 1995 Forensic crime photo 1950’s America Russian Prison Tatoos 1990’s photographs by Sergei Vasiliev Wax print Textiles collection by Vlisco West African Political Textiles (ANC Nelson Mandela) Timorous Beasties ‘London Toile’ Mariane Bantjes ‘Fire’ & ‘Kittens’ wrapping paper Further Resources V&A Museum ‘Cave of Forgotten Dreams’ Directed by Werner Herzog Zaha Hadid Architect ‘Imagine’ BBC series with Alan Yentob Design Centre, Chelsea Harbour, London. http://www.dcch.co.uk/ http://kategibb.co.uk/
Notas del editor
- Cueva de las manos, Santa Cruz, Argentina. Stenciled hands with blow pipe. 13,000-9,000 years ago
- Cueva de las manos, Santa Cruz, Argentina. Stenciled hands with blow pipe. 13,000-9,000 years ago
- Katherina Grosse
- Katherina Grosse
- Katherina Grosse
- Philip George ‘Borderlands’ 2008 (boards shaped by Mark Rabbidge) George designed the range of 30 'Inshallah' or 'God Willing' boards in response to his trips to the Middle East, and to the Cronulla Race Riots in 2005, in an effort to create a lesser divide between East and West.
- Abigail Lane:. Bottom Walllpaper (Blue), Inked Chairs 1992-97 Blue acrylic paint on lining paper Each Roll - 56cm x 10m Photo by Richard K. Loesch. 'Apocalyptic Wallpaper', Wexner Art Center, Ohio,USA, 1997
- Abigail Lane: Bottom Print 1992 Black acrylic paint on paper 75 x 56 cm ( paper size)
- Abigail Lane: Bloody Wallpaper. 1995 Bloody Wallpaper with Concrete Dog 1995 Ink on lining paper Each Roll - 56cm x 10m 'Corpus Delicti', Kunstforeningen, Copenhagen, Denmark, 1995
- Abigail Lane: Bloody Wallpaper. 1995 Bloody Wallpaper (detail) 1995 Ink on lining paper Each Roll - 56cm x 10m Photo by Ed Woodman. 'Skin of the Teeth', ICA London, 1995
- Abigail Lane: Bloody Wallpaper. 1995. Original Forensic photo 1950’s America
- These haunting images were taken in the early 1990s by photographer Sergei Vasiliev after he gained access to some of Russia's toughest prisons at the peak of the gang wars that followed the break up of the Soviet Union. Russian Prison Tatoos Danzig Baldaev's father was an academic, an ethnologist who found himself imprisoned under Soviet rule as an enemy of the people. In fact much of Baldaev's family moved through the Soviet prison system, while he became a guard. At his father's suggestion, Danzig used his access to document and study the tattoos that were pervasive among the truly criminal portion of the prison population, the vory v zakonye , or legitimate thieves, a semi-professional class who kept their own brutal laws. During his 30 years supervising inmates in St. Petersburg's notorious Kresty Prison,
- African political textiles
- African waxprint textilesmade in Holland http://www.vlisco.com/home/en/page/305/
- Mariane Bantjes ‘Fire Wrapping Paper’
- Mariane Bantjes ‘Hemlock Wrapping Paper’
- Leon Keer
- Example of Toile de Jouy fabric
- Tomorous Beasties London Toile
- University of Westminster student Sarah London Signs
- University of Westminster student Jo Cheung London Signs
- University of Westminster student Jo Cheung London Signs
- University of Westminster student Jo Cheung London Signs
- University of Westminster student Jo Cheung London Signs