SlideShare una empresa de Scribd logo
1 de 218
Descargar para leer sin conexión
Leica Cameras in
 deep TROUBLE
Christian Sandström holds a PhD from Chalmers
University of Technology, Sweden. He writes and speaks
 about disruptive innovation and technological change.
It’s not an exaggeration
  to say that Leica is a
     camera legend.
The German camera
     manufacturer
  pioneered the 35-
millimeter film format.
This is what took
 photography out of
the studios and into
  our everyday life.
Leica took
photography
  from this
And this
To this
And this.
Small,
   easy
handling
and great
 photos.
Many of the 20th century's
most famous photos were
    taken by a Leica.
Great photographers such
as Henri Cartier-Bresson,
Alfred Eisenstaedt, Robert
 Capa used the camera.
"With a Leica camera you can
 do anything"
        //Henri Cartier-Bresson,
    perhaps the greatest photo
            journalist in history.
“A big warm kiss, like a shot from
 a revolver, and like the
 psychoanalyst’s couch.”
       //Henri Cartier-Bresson,
  describing the Leica camera.
This image of the Vietnam war
 was captured with a Leica.
Photos
  of
Marilyn
Monroe
The Queen of
England has
   owned a
   Leica M3
 since 1958.
 Her Majesty
  likes it so
  much that
she was once
posing with it
 on a stamp.
Photos of Picasso
(well, not this one maybe)
Images of the
Maoist Revolution
Stanley Kubrik used it.
This iconic
 photo was
taken with a
   Leica.
The infamous nazi
propagandist Leni
 Riefenstahl used
      Leica.
The camera
    costs
thousands
 of dollars.
It has been
 loved and
 used over
   all the
world since
 the 1920s.
German
craftsmanship
  at its best.
It is a
camera
legend.
A cult
product.
But the 21th century has so far
been covered by dark clouds.
Since 2005, two
CEOs have been
     fired.
In recent years,
    Leica has
 suffered from
  great losses,
 being close to
  bankruptcy.
2004-2005:
- 20 million Euro
Up until today,
this trend has
  continued.
For a small
  company with
   about 1000
employees, these
losses are huge.
The banks have
been after Leica for
 many years now.
Der Spiegel summarized it powerfully:
"Leica overslept and suffers the trend
    to the digital photography from
    losses. Besides the weak dollar
impairs the business abroad, because
 the cameras become more expensive
      larva in Germany thereby."
So, the question is:
  WHY do so many
companies like Leica
      ‘oversleep’
technological shifts?
One reason is the furious
   pace at which digital
 technology is developed.
(For more info, click here)
In only ten years, digital
imaging went from zero to
 90 percent of the market.
It’s very easy to oversleep
     such a rapid shift.
But let’s move back to
the Leica story now…
The truth is that Leica
had plenty of problems
even before the digital
      revolution.
In 1930-1960, Leica
 was very popular
   and profitable.
But with the rise of
Single-lens reflex (SLR)
 cameras in the 1950s,
  Leica encountered
       problems.
The rise of the Japanese
  camera industry put the
company into further trouble.
Leica fans were happy
that the company never
  entered the broader
   market segments.
The company instead
    focused on further
developing its legendary M
 and R series of cameras.
Ever since, Leica has
had financial problems.
Being
popular is
  not the
 same as
   being
profitable.
Over the decades, Leica
essentially sustained their
 famous camera system.
So, the
company was
  essentially
 built around
 competence
in sustaining
      and
developing a
 technology
  which was
about precise
 mechanics.
Leica’s soul was
mechanic and optic.
Not Digital.
And of
course, some
marketing and
     sales
activities, also
  related to
 mechanical
  products.
However, the company
 recognized the threat from
digital imaging, and therefore
went into it in the mid 1990s.
These efforts resulted in the
Leica S1, launched in 1997.
It looked like this:
Not exactly what a Leica
  normally looks like.
Pretty hard to bring in
your jacket and pull up
     for a photo…
The S1 was never intended
  to be a ‘normal’ Leica.
In 1997, it was sold
for 15 370 EURO. It
  had a sensor of
 5140 x 5140 pixels
   44 cm x 44 cm
  Weight: 3,6 kg.
The best version
had 75 Megapixels!
The S1 was aimed for studio
    photography. It was
  connected to a computer,
stood on a tripod and had an
 amazing image resolution.
At first sight, the
S1 appears to be
 very expensive
  and strange.
But the business utility was in
 fact very large. It could produce
printable photos instantly and an
 infinite number of photos could
     be taken at no cost. The
alternative would have been film,
going to the lab, then scan it. All
this would take days, with the S1
      it would take minutes!
A fantastic camera.
   But not exactly
    ”Leica style”.
In the end only 146 of
   them were made.
After an ownership
change, it was decided
  to kill this camera!
Nearly all ’digital’ engineers and
  marketing people now had to
       leave the company.
The new CEO had previously
 been at a furniture company
  which had been saved by
 positioning it as ’traditional’.
Now the same
medicine was going
to be used on Leica.
The digital capabilities are cut off
    in the midst of the digital
        camera evolution!
Life must have been
very tough for a digital
  engineer at Leica.
Sales
     Manufacturing
The Mechanical engineers
      Purchasing

- Everyone must have been
       against you.
All their routines and
competences would have to
change in order to succeed
   with digital imaging.
Forgive me for speculating,
but I suppose most of these
  actors cheered silently
  when the S1 was killed.
At an old, traditional
company with a strong brand
 and history in mechanical
  engineering, electronics
must have been regarded as
  an odd, foreign element.
Organizations are
    very good at
 eliminating foreign
elements. And Leica
 was no exception.
In a disruptive shift
The Core competence
Becomes
A Core Incompetence
Leica’s soul was
mechanic and optic.
Not Digital.
Digital was odd.
Having laid off
   virtually all
      digital
  knowledge,
 Leica instead
focused further
 on its strategy
  of rebadging
 Fujifilm digital
    cameras.
The Digilux 4.3.
is identical to a
Fujifilm camera,
 except for the
      brand.
Re-branding a
 non-premium
  product and
   charging a
premium price,
 while Canon
   and Nikon
 came up with
  smaller and
better cameras
  all the time.
The success
   of this
strategy was
very modest.
As the financial situation
worsened, Leica eventually
 realized that something
   new had to be done.
Since the ‘low-end’
segment of the market
    had become a
      warzone of
  competition, Leica
 instead focused on
 making their R8 and
 R9 cameras digital.
It was announced in 2003 that a
 Kodak digital back would be made
 compatible with these cameras, in
collaboration with Imacon, a Danish
manufacturer of digital backs (who
   later merged with Hasselblad).
Having no digital
capabilities of its
  own, this was
 deemed to be a
 good strategy.
But cameras with
digital backs are very
    expensive and
   uncomfortable.
After severe delays, the Leica
   Digital-Modul-R was finally
launched two years later, in 2005.
An official letter was sent to
    Leica users over the
  weekend apologizing the
last delay. The date was put
   forth due to 'software
problems’ (once again a skill
   beyond Leica’s soul).
Mario Thurnherr, manager
of Leica Camera's Photo
      Division, said:

"Our customers had to wait
longer than planned for the
   unique digital solution
  from Leica, but are now
     rewarded with an
   outstanding product."
With this bigger and heavier
camera, Leica was positioned in
      the same segment as
  Hasselblad, Mamiya, Pentax,
 Contax and the others. Some of
    those actors had already
captured this small, small part of
       the camera market.
Hence, the Digital-Modul-R did
not stop Leica from bleeding.
In early 2005, the situation
    became desperate.
The company was now
  bought by Andreas
Kaufmann, a long time
Leica enthusiast with a
great personal fortune.
Kaufmann recruited a
new CEO, an American
 named Steven K. Lee.
Mr. Lee had a
  background as vice
president of Best Buy, a
huge American retailer
     of consumer
      electronics.
Could someone with this
 odd background save
Leica from bankruptcy?
At about the
  same time as
   Lee came to
     Leica, the
  company had
finally launched
the M8, the first
digital camera in
    its famous
     M series.
The M8 cost about 5000 USD.
But the high price was
not the only problem.
The sensor was below
standards, and the camera did
  not have those filters which
   were needed for a digital
camera to work. Without these
 functions, black colour looks
   purple and strange colour
       patterns show up.
Thus, the M8 was a
bad camera, at a bad
  price, but with a
    good brand.
Needless to say,
   the Photo
  community
 laughed at it.
One photographer described
  the camera as “unusable,”
  and said he sometimes felt
like throwing it against a wall.
For a company which is used
 to that customers are in love
with their products, these are
      indeed hard words.
One of the first things
Steven Lee had to do at his
  new job was to sign 4000
letters, apologizing for this.
     Pretty tough start.
The M8 had to be
 redrawn from the
market, retroactively
   putting in the
  required filters.
Quite an embarrassment for
a camera legend, known for
 its high quality products.
So, why did Kaufmann
  hire a strategy and
business development
guy from an American
        retailer?
Lee in an interview:
 “Now we need to reach people who
  could and might use a Leica. I use
the example of the American ‘soccer
mums’ who would love to take better
  pictures, who are the keepers and
 recorders of their families’ history.
 It’s not the men. These are well-to-
  do families interested in excellent
    photography. They are our new
        potential customers.”
Who had ever associated
Leica with terms such as
’American soccer-mum’?
Pretty different, and ODD.
In addition to this, Lee
wanted to do a couple of
    pretty odd things:
Build Cameras on demand (like
Dell with computers)
 Replace Leica’s network of
specialty dealers with kiosks and
internet sales
 Increase the pace of digital
development
 New forms of collaboration
 Move into consumer electronics
How all this was going to be
  accomplished is not clear (and
certainly wasn’t to people at Leica)
In 15 months, Steven
 Lee had succeeded at
Best Buy in producing
  formidable high-end
PCs, which generated a
    20 percent profit
  (normal profits were
   around 10 percent).
A retailer making 20 percent
profit in the fiercely competitive
PC industry, building this from
   scratch in 15 months???
It had been accomplished
  through outsourcing of
   production and clever
    business modeling.
Probably Lee wanted to do
  something similar with
  Leica, and obviously he
 knew what he was doing.
Lee was known for being
   very stubborn and
aggressive, not afraid of
 conflicts and bullying
  people if necessary.
Imagine the cultural and
 intellectual clash between
Steven Lee and a traditional,
     old firm like Leica!
Lee about the first meeting:
 “I arrived at 10 o’clock and we
went head-to-head for nine hours
    straight. No meal breaks.”
The founder’s son, Ernst Leitz
had treated his employees like
        his own family.
And now an American
thunders in, firing and
bullying people about
some strange soccer-
   mum segment!
Lee went into Leica playing
hardball, personally approving
 all expenses over 100 Euros.
He travelled to Asia, re-
negotiating prices with
suppliers of electronic
     components.
He raised prices
significantly and
 thus, sales fell.
The distributor network
   which was going to be
 replaced by internet sales
 and kiosks, started to get
really angry with Lee since
   they were threatened.
Lee was not exactly the guy
  to mess around with. It is
claimed that he started to be
   rude to people at Leica,
calling them ’dumb farmers’.
The situation got worse
   when Lee fired three
  employees (wrongfully
 according to the courts)
 and many highly skilled
technicians threatened to
    leave in sympathy.
At a small company like Leica, this
 kind of events can get pretty big.
Managers started to
 complain to Kaufmann
   who decided to fire
Steven Lee in early 2008.
Here are some
   rumours and
comments on the
internet about the
      event:
"Über diese Entlassung können wir uns auf
             jeden Fall freuen."

                   =

   "On that dismissal we can anyway be
              delighted about"
Leica is one German Company and
  should be comand by German people.
  I have one friend mine who works at
  Leica here in Portugal and many
  people not like the style and work
  method from Mr.Lee.
  So many people are happy whit this
  end of Mr.Lee at Leica
  Best,
__________________
  Rui Espanhol
Rumours say that Champagne
 bottles were opened at Leica
  when Lee left the company.
Lee threatened to sue Leica for
  wrongfully dismissing him.
"My mandate was not to
be Mr. Nice Guy“, he said.
“I was trying to revive a
company that's broken".
Lee claimed that accusations
against him was a smear campaign
 from people who underperformed
       and refused to change.
And, believe it or not, he had some
 supporters who thought that Lee
was exactly what Leica needed. "He
 had to hear, 'That's not possible,'
 over and over again.'' , one said.
Kaufmann took over as CEO
    and Leica has now
successfully launched a new
(working) version of the M8.
In September 2008, Leica
 also launched the S2, a
  fantastic camera with
   37,5 Megapixels and
  many great functions.
It’s priced at 15-20 000 USD.
Whether the S2 and the
new M8 will turn things
around for Leica or not
  remains to be seen.
However, the camera
industry is subject to
  fierce competition.
Canon, Nikon and the other
 big Japanese dragons are
 constantly launching new,
cheaper and better products.
Having a legendary brand is
of course an asset, but Leica
is less well known to the new
 generation of photograpers.
We’ll see what happens.
Leica’s soul was and
is mechanic and optic.
Not Digital.
Throughout
   the last
decades, this
 has become
very clear for
the company.
We’ll never know whether the S1
 camera and the digital developers
that were laid off would have put the
   company in a better situation.
And we’ll never know whether
Steven Lee and his ‘soccer-mum’
concept would have turned Leica
    into a growth company.
But ONE
thing is clear.
Both the S1 and
Steven Lee were odd,
 foreign elements in
 an old organization,
   with old values.
Leica was and is in
desperate need of
  change, but the
    organization
effectively repelled
   these foreign
     elements.
“It was difficult to do what we
  wanted as the old
  management still strongly
  believed in analogue.”
             // Gero Furchheim,
           spokesman of Leica
This quote is
from October
    2006!
At this point
   about 90
 percent of the
market is digital.
And old
 management
still believed in
    analogue
    imaging!
It makes you
   wonder…
How many layoffs,
 delays, apologies
and how big losses
 are needed before
  those managers
     CHANGE?
Chairman Mao
once said that
a revolution is
 not a dinner
   party. At
Leica, people
 are painfully
aware of this.
Disruptive change is not a sweet thing
     for established companies.

http://online.wsj.com/article/SB12215210338
  7739231.html
So, the question we
 looked at here was:
  WHY do so many
companies like Leica
      ‘oversleep’
technological shifts?
I think the answer
   would be this:
Competence
   becomes
incompetence.
Sources
The British Journal of Photography
         The Leica website
     Amateur Photographer
              Times
             Wikipedia
   Digital Photography Review
     Several internet forums

           Thanks!
Image attributions




     Thanks!
Find out more:

www.christiansandstrom.org

Más contenido relacionado

La actualidad más candente

La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compte
La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compteLa Situation des enfants dans le monde 2014 en chiffres : chaque enfant compte
La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compteUNICEF Publications
 
UE4 Grass Interaction
UE4 Grass InteractionUE4 Grass Interaction
UE4 Grass InteractionItsuki Inoue
 
The history of the lego group in one slide
The history of the lego group in one slideThe history of the lego group in one slide
The history of the lego group in one slideDavid Robertson
 
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]DeNA
 
IT4IT real life examples & myths and rumors dispelled
IT4IT real life examples & myths and rumors dispelledIT4IT real life examples & myths and rumors dispelled
IT4IT real life examples & myths and rumors dispelledTony Price
 
第一回リグナイト『リガーアニメーター座談会その①』資料
第一回リグナイト『リガーアニメーター座談会その①』資料第一回リグナイト『リガーアニメーター座談会その①』資料
第一回リグナイト『リガーアニメーター座談会その①』資料BACKBONE-studio
 
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】GMO GlobalSign Holdings K.K.
 
Mise en scene
Mise en sceneMise en scene
Mise en scenemscaldy
 
Practical Tips to Increase SharePoint Adoption
Practical Tips to Increase SharePoint Adoption Practical Tips to Increase SharePoint Adoption
Practical Tips to Increase SharePoint Adoption Kanwal Khipple
 
HoloLens 2 開発入門
HoloLens 2 開発入門HoloLens 2 開発入門
HoloLens 2 開発入門Akihiro Ueyama
 
レトロブライトを試してみた
レトロブライトを試してみたレトロブライトを試してみた
レトロブライトを試してみたeagle0wl
 
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-Unity Technologies Japan K.K.
 
Romero Blueprint Compendium
Romero Blueprint CompendiumRomero Blueprint Compendium
Romero Blueprint CompendiumUnreal Engine
 

La actualidad más candente (20)

かわいい女の子になりたいんや! UE4の最新機能を使ってVTuberしてみた!
かわいい女の子になりたいんや! UE4の最新機能を使ってVTuberしてみた!かわいい女の子になりたいんや! UE4の最新機能を使ってVTuberしてみた!
かわいい女の子になりたいんや! UE4の最新機能を使ってVTuberしてみた!
 
La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compte
La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compteLa Situation des enfants dans le monde 2014 en chiffres : chaque enfant compte
La Situation des enfants dans le monde 2014 en chiffres : chaque enfant compte
 
UE4 Grass Interaction
UE4 Grass InteractionUE4 Grass Interaction
UE4 Grass Interaction
 
The history of the lego group in one slide
The history of the lego group in one slideThe history of the lego group in one slide
The history of the lego group in one slide
 
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]
ゲーム開発者からMaaS開発者へ ゲーム開発のノウハウを活かして 移動体情報配信システムを作ってみた [DeNA TechCon 2019]
 
Twinmotion 2021とAEC分野向けソリューションのご紹介
Twinmotion 2021とAEC分野向けソリューションのご紹介Twinmotion 2021とAEC分野向けソリューションのご紹介
Twinmotion 2021とAEC分野向けソリューションのご紹介
 
IT4IT real life examples & myths and rumors dispelled
IT4IT real life examples & myths and rumors dispelledIT4IT real life examples & myths and rumors dispelled
IT4IT real life examples & myths and rumors dispelled
 
Lightmass Deep Dive 2018 Vol. 2: Lightmap作成のためのLightmass設定方法
Lightmass Deep Dive 2018 Vol. 2: Lightmap作成のためのLightmass設定方法Lightmass Deep Dive 2018 Vol. 2: Lightmap作成のためのLightmass設定方法
Lightmass Deep Dive 2018 Vol. 2: Lightmap作成のためのLightmass設定方法
 
Angle of shots
Angle of shotsAngle of shots
Angle of shots
 
第一回リグナイト『リガーアニメーター座談会その①』資料
第一回リグナイト『リガーアニメーター座談会その①』資料第一回リグナイト『リガーアニメーター座談会その①』資料
第一回リグナイト『リガーアニメーター座談会その①』資料
 
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】
Unityで Photonを使ってリアルタイム・マルチプレイヤーゲームを作っちゃおう【応用編】
 
"有翼のフロイライン Wing of Darkness"と歩むUE4の世界
"有翼のフロイライン Wing of Darkness"と歩むUE4の世界"有翼のフロイライン Wing of Darkness"と歩むUE4の世界
"有翼のフロイライン Wing of Darkness"と歩むUE4の世界
 
Mise en scene
Mise en sceneMise en scene
Mise en scene
 
Practical Tips to Increase SharePoint Adoption
Practical Tips to Increase SharePoint Adoption Practical Tips to Increase SharePoint Adoption
Practical Tips to Increase SharePoint Adoption
 
HoloLens 2 開発入門
HoloLens 2 開発入門HoloLens 2 開発入門
HoloLens 2 開発入門
 
レトロブライトを試してみた
レトロブライトを試してみたレトロブライトを試してみた
レトロブライトを試してみた
 
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-
【Unity道場スペシャル 2017札幌】最適化をする前に覚えておきたい技術 -札幌編-
 
猫でも分かるUE4を使ったARコンテンツ作り方 初級編 ver 1.0.0
猫でも分かるUE4を使ったARコンテンツ作り方 初級編 ver 1.0.0猫でも分かるUE4を使ったARコンテンツ作り方 初級編 ver 1.0.0
猫でも分かるUE4を使ったARコンテンツ作り方 初級編 ver 1.0.0
 
Romero Blueprint Compendium
Romero Blueprint CompendiumRomero Blueprint Compendium
Romero Blueprint Compendium
 
MRTK-Unreal(UX Tools) を利用した HoloLens 2 アプリ開発 | UNREAL FEST EXTREME 2020 WINTER
MRTK-Unreal(UX Tools) を利用した HoloLens 2 アプリ開発 | UNREAL FEST EXTREME 2020 WINTERMRTK-Unreal(UX Tools) を利用した HoloLens 2 アプリ開発 | UNREAL FEST EXTREME 2020 WINTER
MRTK-Unreal(UX Tools) を利用した HoloLens 2 アプリ開発 | UNREAL FEST EXTREME 2020 WINTER
 

Destacado

100 years of the Leica camera
100 years of the Leica camera 100 years of the Leica camera
100 years of the Leica camera guimera
 
Photographer - Henri-Cartier Bresson
Photographer - Henri-Cartier BressonPhotographer - Henri-Cartier Bresson
Photographer - Henri-Cartier Bressonbrentwoodsid
 
Feldman 105
Feldman 105Feldman 105
Feldman 105cudjoe
 
Henri cartier bresson 1908 2004 clase fotografía.
Henri cartier bresson 1908 2004 clase fotografía.Henri cartier bresson 1908 2004 clase fotografía.
Henri cartier bresson 1908 2004 clase fotografía.Giuliana Cagnina
 
40 fotògrafs per Llorenç Gil
40 fotògrafs per Llorenç Gil40 fotògrafs per Llorenç Gil
40 fotògrafs per Llorenç Gilloregil14
 
Photojournalism!
Photojournalism!Photojournalism!
Photojournalism!gueste2cea9
 
Diego camargo henri_cartier_b_resson_4_t
Diego camargo henri_cartier_b_resson_4_tDiego camargo henri_cartier_b_resson_4_t
Diego camargo henri_cartier_b_resson_4_tDiego Pereira Camargo
 
Producing photographs project
Producing photographs projectProducing photographs project
Producing photographs projectPJG123
 
090211 x photographer_patterson
090211 x photographer_patterson090211 x photographer_patterson
090211 x photographer_pattersonCMP0922
 
Henri Cartier-Bresson - the father of photojournalism
Henri Cartier-Bresson - the father of photojournalismHenri Cartier-Bresson - the father of photojournalism
Henri Cartier-Bresson - the father of photojournalismInspiria
 
Henri Cartier Bresson
Henri Cartier BressonHenri Cartier Bresson
Henri Cartier BressonRaci Göktaş
 
Delaosa_sara_50fotografs
Delaosa_sara_50fotografsDelaosa_sara_50fotografs
Delaosa_sara_50fotografsSara de la Osa
 
Henri Cartier-Bresson
Henri Cartier-BressonHenri Cartier-Bresson
Henri Cartier-BressonAmmar J
 
Henri Bresson PowerPoint
Henri Bresson PowerPointHenri Bresson PowerPoint
Henri Bresson PowerPointlelomagal
 
Henri Cartier Bresson
Henri Cartier BressonHenri Cartier Bresson
Henri Cartier BressonOxana Lerner
 
Advanced composition presentation
Advanced composition presentationAdvanced composition presentation
Advanced composition presentationCarole Edrich
 
Henri cartier bresson
Henri cartier bressonHenri cartier bresson
Henri cartier bressonshelbydunfee
 
11th, PPP photography 20th century, Bim 3, 2010
11th, PPP photography 20th century, Bim 3, 201011th, PPP photography 20th century, Bim 3, 2010
11th, PPP photography 20th century, Bim 3, 2010Artistic Education
 

Destacado (20)

100 years of the Leica camera
100 years of the Leica camera 100 years of the Leica camera
100 years of the Leica camera
 
Photographer - Henri-Cartier Bresson
Photographer - Henri-Cartier BressonPhotographer - Henri-Cartier Bresson
Photographer - Henri-Cartier Bresson
 
Henri cartier bresson
Henri cartier bressonHenri cartier bresson
Henri cartier bresson
 
Feldman 105
Feldman 105Feldman 105
Feldman 105
 
Henri cartier bresson 1908 2004 clase fotografía.
Henri cartier bresson 1908 2004 clase fotografía.Henri cartier bresson 1908 2004 clase fotografía.
Henri cartier bresson 1908 2004 clase fotografía.
 
40 fotògrafs per Llorenç Gil
40 fotògrafs per Llorenç Gil40 fotògrafs per Llorenç Gil
40 fotògrafs per Llorenç Gil
 
Henry Cartier
Henry CartierHenry Cartier
Henry Cartier
 
Photojournalism!
Photojournalism!Photojournalism!
Photojournalism!
 
Diego camargo henri_cartier_b_resson_4_t
Diego camargo henri_cartier_b_resson_4_tDiego camargo henri_cartier_b_resson_4_t
Diego camargo henri_cartier_b_resson_4_t
 
Producing photographs project
Producing photographs projectProducing photographs project
Producing photographs project
 
090211 x photographer_patterson
090211 x photographer_patterson090211 x photographer_patterson
090211 x photographer_patterson
 
Henri Cartier-Bresson - the father of photojournalism
Henri Cartier-Bresson - the father of photojournalismHenri Cartier-Bresson - the father of photojournalism
Henri Cartier-Bresson - the father of photojournalism
 
Henri Cartier Bresson
Henri Cartier BressonHenri Cartier Bresson
Henri Cartier Bresson
 
Delaosa_sara_50fotografs
Delaosa_sara_50fotografsDelaosa_sara_50fotografs
Delaosa_sara_50fotografs
 
Henri Cartier-Bresson
Henri Cartier-BressonHenri Cartier-Bresson
Henri Cartier-Bresson
 
Henri Bresson PowerPoint
Henri Bresson PowerPointHenri Bresson PowerPoint
Henri Bresson PowerPoint
 
Henri Cartier Bresson
Henri Cartier BressonHenri Cartier Bresson
Henri Cartier Bresson
 
Advanced composition presentation
Advanced composition presentationAdvanced composition presentation
Advanced composition presentation
 
Henri cartier bresson
Henri cartier bressonHenri cartier bresson
Henri cartier bresson
 
11th, PPP photography 20th century, Bim 3, 2010
11th, PPP photography 20th century, Bim 3, 201011th, PPP photography 20th century, Bim 3, 2010
11th, PPP photography 20th century, Bim 3, 2010
 

Similar a Disruptive Innovation and the Leica history

Disruptive Innovation and the Camera Industry
Disruptive Innovation and the Camera IndustryDisruptive Innovation and the Camera Industry
Disruptive Innovation and the Camera IndustryChris Sandström
 
Canon and the Disruptive shift to Digital Imaging
Canon and the Disruptive shift to Digital ImagingCanon and the Disruptive shift to Digital Imaging
Canon and the Disruptive shift to Digital ImagingChris Sandström
 
Managing and Surviving Disruptive Innovation
Managing and Surviving Disruptive InnovationManaging and Surviving Disruptive Innovation
Managing and Surviving Disruptive InnovationChris Sandström
 
Disruptive Innovation - Mamiya and Digital Imaging
Disruptive Innovation - Mamiya and Digital ImagingDisruptive Innovation - Mamiya and Digital Imaging
Disruptive Innovation - Mamiya and Digital ImagingChris Sandström
 
Casio and the Rise of Digital Imaging
Casio and the Rise of Digital ImagingCasio and the Rise of Digital Imaging
Casio and the Rise of Digital ImagingChris Sandström
 
The leica legend of ‘tradition of innovation’ in the world of photography
The leica legend of ‘tradition of innovation’ in the world of photographyThe leica legend of ‘tradition of innovation’ in the world of photography
The leica legend of ‘tradition of innovation’ in the world of photographypopflashphoto
 
Module 8 final
Module 8 finalModule 8 final
Module 8 finalsirjana123
 
Disruptive Innovation and Pentax
Disruptive Innovation and PentaxDisruptive Innovation and Pentax
Disruptive Innovation and PentaxChris Sandström
 
Fujifilm and Digital Imaging
Fujifilm and Digital ImagingFujifilm and Digital Imaging
Fujifilm and Digital ImagingChris Sandström
 
Medium Format Photography in decline
Medium Format Photography in declineMedium Format Photography in decline
Medium Format Photography in declineChris Sandström
 
Technology timeline
Technology timelineTechnology timeline
Technology timelineJason Wegiel
 
ASSIGNMENT WHY KODAK FAILED-converted.pptx
ASSIGNMENT WHY KODAK FAILED-converted.pptxASSIGNMENT WHY KODAK FAILED-converted.pptx
ASSIGNMENT WHY KODAK FAILED-converted.pptxengrix
 
Disruptive Innovation and AgfaPhoto
Disruptive Innovation and AgfaPhotoDisruptive Innovation and AgfaPhoto
Disruptive Innovation and AgfaPhotoChris Sandström
 
Digital Imaging and the Death of Camera Stores
Digital Imaging and the Death of Camera StoresDigital Imaging and the Death of Camera Stores
Digital Imaging and the Death of Camera StoresChris Sandström
 

Similar a Disruptive Innovation and the Leica history (20)

Disruptive Innovation and the Camera Industry
Disruptive Innovation and the Camera IndustryDisruptive Innovation and the Camera Industry
Disruptive Innovation and the Camera Industry
 
Canon and the Disruptive shift to Digital Imaging
Canon and the Disruptive shift to Digital ImagingCanon and the Disruptive shift to Digital Imaging
Canon and the Disruptive shift to Digital Imaging
 
Managing and Surviving Disruptive Innovation
Managing and Surviving Disruptive InnovationManaging and Surviving Disruptive Innovation
Managing and Surviving Disruptive Innovation
 
Disruptive Innovation - Mamiya and Digital Imaging
Disruptive Innovation - Mamiya and Digital ImagingDisruptive Innovation - Mamiya and Digital Imaging
Disruptive Innovation - Mamiya and Digital Imaging
 
Casio and the Rise of Digital Imaging
Casio and the Rise of Digital ImagingCasio and the Rise of Digital Imaging
Casio and the Rise of Digital Imaging
 
The leica legend of ‘tradition of innovation’ in the world of photography
The leica legend of ‘tradition of innovation’ in the world of photographyThe leica legend of ‘tradition of innovation’ in the world of photography
The leica legend of ‘tradition of innovation’ in the world of photography
 
SMreportFINAL
SMreportFINALSMreportFINAL
SMreportFINAL
 
Rise and fall of Kodak
Rise and fall of KodakRise and fall of Kodak
Rise and fall of Kodak
 
The 2 Kodak Disruptions
The 2 Kodak DisruptionsThe 2 Kodak Disruptions
The 2 Kodak Disruptions
 
Module 8 final
Module 8 finalModule 8 final
Module 8 final
 
Disruptive Innovation and Pentax
Disruptive Innovation and PentaxDisruptive Innovation and Pentax
Disruptive Innovation and Pentax
 
Kodak
KodakKodak
Kodak
 
Fujifilm and Digital Imaging
Fujifilm and Digital ImagingFujifilm and Digital Imaging
Fujifilm and Digital Imaging
 
Medium Format Photography in decline
Medium Format Photography in declineMedium Format Photography in decline
Medium Format Photography in decline
 
Clark.m8 techtimeline
Clark.m8 techtimelineClark.m8 techtimeline
Clark.m8 techtimeline
 
Technology timeline
Technology timelineTechnology timeline
Technology timeline
 
Kodak
KodakKodak
Kodak
 
ASSIGNMENT WHY KODAK FAILED-converted.pptx
ASSIGNMENT WHY KODAK FAILED-converted.pptxASSIGNMENT WHY KODAK FAILED-converted.pptx
ASSIGNMENT WHY KODAK FAILED-converted.pptx
 
Disruptive Innovation and AgfaPhoto
Disruptive Innovation and AgfaPhotoDisruptive Innovation and AgfaPhoto
Disruptive Innovation and AgfaPhoto
 
Digital Imaging and the Death of Camera Stores
Digital Imaging and the Death of Camera StoresDigital Imaging and the Death of Camera Stores
Digital Imaging and the Death of Camera Stores
 

Más de Chris Sandström

Smartphones and Nokia's decline
Smartphones and Nokia's declineSmartphones and Nokia's decline
Smartphones and Nokia's declineChris Sandström
 
Disruptive innovation, smartphones and the decline of Nokia
Disruptive innovation, smartphones and the decline of NokiaDisruptive innovation, smartphones and the decline of Nokia
Disruptive innovation, smartphones and the decline of NokiaChris Sandström
 
Technology sailing effects
Technology sailing effectsTechnology sailing effects
Technology sailing effectsChris Sandström
 
Electronics and the swiss watch industry
Electronics and the swiss watch industryElectronics and the swiss watch industry
Electronics and the swiss watch industryChris Sandström
 
Ph d dissertation christian sandström
Ph d dissertation christian sandströmPh d dissertation christian sandström
Ph d dissertation christian sandströmChris Sandström
 
5 Examples Of Disruptive Innovation
5 Examples Of Disruptive Innovation5 Examples Of Disruptive Innovation
5 Examples Of Disruptive InnovationChris Sandström
 
Is IP Video a Disruptive Technology?
Is IP Video a Disruptive Technology?Is IP Video a Disruptive Technology?
Is IP Video a Disruptive Technology?Chris Sandström
 
Schumpeter and the Creative Destruction of Photography
Schumpeter and the Creative Destruction of PhotographySchumpeter and the Creative Destruction of Photography
Schumpeter and the Creative Destruction of PhotographyChris Sandström
 
Robert Noyce Quotes On Leadership And Innovation
Robert Noyce Quotes On Leadership And InnovationRobert Noyce Quotes On Leadership And Innovation
Robert Noyce Quotes On Leadership And InnovationChris Sandström
 
Hasselblad and the End of Compatibility
Hasselblad and the End of CompatibilityHasselblad and the End of Compatibility
Hasselblad and the End of CompatibilityChris Sandström
 
Pelco Surveillance in Trouble
Pelco Surveillance in TroublePelco Surveillance in Trouble
Pelco Surveillance in TroubleChris Sandström
 
(In Swedish) Årets julklapp 1990-2009
(In Swedish) Årets julklapp 1990-2009(In Swedish) Årets julklapp 1990-2009
(In Swedish) Årets julklapp 1990-2009Chris Sandström
 
Roxette And The Digital Joyride
Roxette And The Digital JoyrideRoxette And The Digital Joyride
Roxette And The Digital JoyrideChris Sandström
 
Kodak Humor and Digital Imaging
Kodak Humor and Digital ImagingKodak Humor and Digital Imaging
Kodak Humor and Digital ImagingChris Sandström
 
Kodak, Bureaucracy and Digital Imaging
Kodak, Bureaucracy and Digital ImagingKodak, Bureaucracy and Digital Imaging
Kodak, Bureaucracy and Digital ImagingChris Sandström
 
Kodak and the Digital Destruction of Value Chains
Kodak and the Digital Destruction of Value ChainsKodak and the Digital Destruction of Value Chains
Kodak and the Digital Destruction of Value ChainsChris Sandström
 

Más de Chris Sandström (20)

Smartphones and Nokia's decline
Smartphones and Nokia's declineSmartphones and Nokia's decline
Smartphones and Nokia's decline
 
Disruptive innovation, smartphones and the decline of Nokia
Disruptive innovation, smartphones and the decline of NokiaDisruptive innovation, smartphones and the decline of Nokia
Disruptive innovation, smartphones and the decline of Nokia
 
Technology overshooting
Technology overshootingTechnology overshooting
Technology overshooting
 
Technology sailing effects
Technology sailing effectsTechnology sailing effects
Technology sailing effects
 
Technology S-curves
Technology S-curvesTechnology S-curves
Technology S-curves
 
The great calculator war
The great calculator warThe great calculator war
The great calculator war
 
Electronics and the swiss watch industry
Electronics and the swiss watch industryElectronics and the swiss watch industry
Electronics and the swiss watch industry
 
Ph d dissertation christian sandström
Ph d dissertation christian sandströmPh d dissertation christian sandström
Ph d dissertation christian sandström
 
5 Examples Of Disruptive Innovation
5 Examples Of Disruptive Innovation5 Examples Of Disruptive Innovation
5 Examples Of Disruptive Innovation
 
Is IP Video a Disruptive Technology?
Is IP Video a Disruptive Technology?Is IP Video a Disruptive Technology?
Is IP Video a Disruptive Technology?
 
Schumpeter and the Creative Destruction of Photography
Schumpeter and the Creative Destruction of PhotographySchumpeter and the Creative Destruction of Photography
Schumpeter and the Creative Destruction of Photography
 
Robert Noyce Quotes On Leadership And Innovation
Robert Noyce Quotes On Leadership And InnovationRobert Noyce Quotes On Leadership And Innovation
Robert Noyce Quotes On Leadership And Innovation
 
Hasselblad and the End of Compatibility
Hasselblad and the End of CompatibilityHasselblad and the End of Compatibility
Hasselblad and the End of Compatibility
 
Pelco Surveillance in Trouble
Pelco Surveillance in TroublePelco Surveillance in Trouble
Pelco Surveillance in Trouble
 
(In Swedish) Årets julklapp 1990-2009
(In Swedish) Årets julklapp 1990-2009(In Swedish) Årets julklapp 1990-2009
(In Swedish) Årets julklapp 1990-2009
 
Roxette And The Digital Joyride
Roxette And The Digital JoyrideRoxette And The Digital Joyride
Roxette And The Digital Joyride
 
Kodak Humor and Digital Imaging
Kodak Humor and Digital ImagingKodak Humor and Digital Imaging
Kodak Humor and Digital Imaging
 
Kodak, Bureaucracy and Digital Imaging
Kodak, Bureaucracy and Digital ImagingKodak, Bureaucracy and Digital Imaging
Kodak, Bureaucracy and Digital Imaging
 
Kodak Bottleneck
Kodak BottleneckKodak Bottleneck
Kodak Bottleneck
 
Kodak and the Digital Destruction of Value Chains
Kodak and the Digital Destruction of Value ChainsKodak and the Digital Destruction of Value Chains
Kodak and the Digital Destruction of Value Chains
 

Último

Memorándum de Entendimiento (MoU) entre Codelco y SQM
Memorándum de Entendimiento (MoU) entre Codelco y SQMMemorándum de Entendimiento (MoU) entre Codelco y SQM
Memorándum de Entendimiento (MoU) entre Codelco y SQMVoces Mineras
 
Cyber Security Training in Office Environment
Cyber Security Training in Office EnvironmentCyber Security Training in Office Environment
Cyber Security Training in Office Environmentelijahj01012
 
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...SOFTTECHHUB
 
TriStar Gold Corporate Presentation - April 2024
TriStar Gold Corporate Presentation - April 2024TriStar Gold Corporate Presentation - April 2024
TriStar Gold Corporate Presentation - April 2024Adnet Communications
 
Church Building Grants To Assist With New Construction, Additions, And Restor...
Church Building Grants To Assist With New Construction, Additions, And Restor...Church Building Grants To Assist With New Construction, Additions, And Restor...
Church Building Grants To Assist With New Construction, Additions, And Restor...Americas Got Grants
 
Jewish Resources in the Family Resource Centre
Jewish Resources in the Family Resource CentreJewish Resources in the Family Resource Centre
Jewish Resources in the Family Resource CentreNZSG
 
1911 Gold Corporate Presentation Apr 2024.pdf
1911 Gold Corporate Presentation Apr 2024.pdf1911 Gold Corporate Presentation Apr 2024.pdf
1911 Gold Corporate Presentation Apr 2024.pdfShaun Heinrichs
 
Technical Leaders - Working with the Management Team
Technical Leaders - Working with the Management TeamTechnical Leaders - Working with the Management Team
Technical Leaders - Working with the Management TeamArik Fletcher
 
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptx
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptxThe-Ethical-issues-ghhhhhhhhjof-Byjus.pptx
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptxmbikashkanyari
 
Unveiling the Soundscape Music for Psychedelic Experiences
Unveiling the Soundscape Music for Psychedelic ExperiencesUnveiling the Soundscape Music for Psychedelic Experiences
Unveiling the Soundscape Music for Psychedelic ExperiencesDoe Paoro
 
Introducing the Analogic framework for business planning applications
Introducing the Analogic framework for business planning applicationsIntroducing the Analogic framework for business planning applications
Introducing the Analogic framework for business planning applicationsKnowledgeSeed
 
Pitch Deck Teardown: Xpanceo's $40M Seed deck
Pitch Deck Teardown: Xpanceo's $40M Seed deckPitch Deck Teardown: Xpanceo's $40M Seed deck
Pitch Deck Teardown: Xpanceo's $40M Seed deckHajeJanKamps
 
Supercharge Your eCommerce Stores-acowebs
Supercharge Your eCommerce Stores-acowebsSupercharge Your eCommerce Stores-acowebs
Supercharge Your eCommerce Stores-acowebsGOKUL JS
 
WSMM Media and Entertainment Feb_March_Final.pdf
WSMM Media and Entertainment Feb_March_Final.pdfWSMM Media and Entertainment Feb_March_Final.pdf
WSMM Media and Entertainment Feb_March_Final.pdfJamesConcepcion7
 
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...Associazione Digital Days
 
Healthcare Feb. & Mar. Healthcare Newsletter
Healthcare Feb. & Mar. Healthcare NewsletterHealthcare Feb. & Mar. Healthcare Newsletter
Healthcare Feb. & Mar. Healthcare NewsletterJamesConcepcion7
 
Entrepreneurship lessons in Philippines
Entrepreneurship lessons in  PhilippinesEntrepreneurship lessons in  Philippines
Entrepreneurship lessons in PhilippinesDavidSamuel525586
 
Planetary and Vedic Yagyas Bring Positive Impacts in Life
Planetary and Vedic Yagyas Bring Positive Impacts in LifePlanetary and Vedic Yagyas Bring Positive Impacts in Life
Planetary and Vedic Yagyas Bring Positive Impacts in LifeBhavana Pujan Kendra
 
Excvation Safety for safety officers reference
Excvation Safety for safety officers referenceExcvation Safety for safety officers reference
Excvation Safety for safety officers referencessuser2c065e
 
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...ssuserf63bd7
 

Último (20)

Memorándum de Entendimiento (MoU) entre Codelco y SQM
Memorándum de Entendimiento (MoU) entre Codelco y SQMMemorándum de Entendimiento (MoU) entre Codelco y SQM
Memorándum de Entendimiento (MoU) entre Codelco y SQM
 
Cyber Security Training in Office Environment
Cyber Security Training in Office EnvironmentCyber Security Training in Office Environment
Cyber Security Training in Office Environment
 
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...
How To Simplify Your Scheduling with AI Calendarfly The Hassle-Free Online Bo...
 
TriStar Gold Corporate Presentation - April 2024
TriStar Gold Corporate Presentation - April 2024TriStar Gold Corporate Presentation - April 2024
TriStar Gold Corporate Presentation - April 2024
 
Church Building Grants To Assist With New Construction, Additions, And Restor...
Church Building Grants To Assist With New Construction, Additions, And Restor...Church Building Grants To Assist With New Construction, Additions, And Restor...
Church Building Grants To Assist With New Construction, Additions, And Restor...
 
Jewish Resources in the Family Resource Centre
Jewish Resources in the Family Resource CentreJewish Resources in the Family Resource Centre
Jewish Resources in the Family Resource Centre
 
1911 Gold Corporate Presentation Apr 2024.pdf
1911 Gold Corporate Presentation Apr 2024.pdf1911 Gold Corporate Presentation Apr 2024.pdf
1911 Gold Corporate Presentation Apr 2024.pdf
 
Technical Leaders - Working with the Management Team
Technical Leaders - Working with the Management TeamTechnical Leaders - Working with the Management Team
Technical Leaders - Working with the Management Team
 
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptx
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptxThe-Ethical-issues-ghhhhhhhhjof-Byjus.pptx
The-Ethical-issues-ghhhhhhhhjof-Byjus.pptx
 
Unveiling the Soundscape Music for Psychedelic Experiences
Unveiling the Soundscape Music for Psychedelic ExperiencesUnveiling the Soundscape Music for Psychedelic Experiences
Unveiling the Soundscape Music for Psychedelic Experiences
 
Introducing the Analogic framework for business planning applications
Introducing the Analogic framework for business planning applicationsIntroducing the Analogic framework for business planning applications
Introducing the Analogic framework for business planning applications
 
Pitch Deck Teardown: Xpanceo's $40M Seed deck
Pitch Deck Teardown: Xpanceo's $40M Seed deckPitch Deck Teardown: Xpanceo's $40M Seed deck
Pitch Deck Teardown: Xpanceo's $40M Seed deck
 
Supercharge Your eCommerce Stores-acowebs
Supercharge Your eCommerce Stores-acowebsSupercharge Your eCommerce Stores-acowebs
Supercharge Your eCommerce Stores-acowebs
 
WSMM Media and Entertainment Feb_March_Final.pdf
WSMM Media and Entertainment Feb_March_Final.pdfWSMM Media and Entertainment Feb_March_Final.pdf
WSMM Media and Entertainment Feb_March_Final.pdf
 
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...
Lucia Ferretti, Lead Business Designer; Matteo Meschini, Business Designer @T...
 
Healthcare Feb. & Mar. Healthcare Newsletter
Healthcare Feb. & Mar. Healthcare NewsletterHealthcare Feb. & Mar. Healthcare Newsletter
Healthcare Feb. & Mar. Healthcare Newsletter
 
Entrepreneurship lessons in Philippines
Entrepreneurship lessons in  PhilippinesEntrepreneurship lessons in  Philippines
Entrepreneurship lessons in Philippines
 
Planetary and Vedic Yagyas Bring Positive Impacts in Life
Planetary and Vedic Yagyas Bring Positive Impacts in LifePlanetary and Vedic Yagyas Bring Positive Impacts in Life
Planetary and Vedic Yagyas Bring Positive Impacts in Life
 
Excvation Safety for safety officers reference
Excvation Safety for safety officers referenceExcvation Safety for safety officers reference
Excvation Safety for safety officers reference
 
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...
Intermediate Accounting, Volume 2, 13th Canadian Edition by Donald E. Kieso t...
 

Disruptive Innovation and the Leica history

  • 1. Leica Cameras in deep TROUBLE
  • 2. Christian Sandström holds a PhD from Chalmers University of Technology, Sweden. He writes and speaks about disruptive innovation and technological change.
  • 3.
  • 4. It’s not an exaggeration to say that Leica is a camera legend.
  • 5. The German camera manufacturer pioneered the 35- millimeter film format.
  • 6. This is what took photography out of the studios and into our everyday life.
  • 11. Small, easy handling and great photos.
  • 12. Many of the 20th century's most famous photos were taken by a Leica.
  • 13. Great photographers such as Henri Cartier-Bresson, Alfred Eisenstaedt, Robert Capa used the camera.
  • 14. "With a Leica camera you can do anything" //Henri Cartier-Bresson, perhaps the greatest photo journalist in history.
  • 15. “A big warm kiss, like a shot from a revolver, and like the psychoanalyst’s couch.” //Henri Cartier-Bresson, describing the Leica camera.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. This image of the Vietnam war was captured with a Leica.
  • 22. The Queen of England has owned a Leica M3 since 1958. Her Majesty likes it so much that she was once posing with it on a stamp.
  • 23.
  • 24. Photos of Picasso (well, not this one maybe)
  • 25.
  • 26. Images of the Maoist Revolution
  • 27.
  • 29. This iconic photo was taken with a Leica.
  • 30.
  • 31. The infamous nazi propagandist Leni Riefenstahl used Leica.
  • 32. The camera costs thousands of dollars.
  • 33. It has been loved and used over all the world since the 1920s.
  • 36.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42. But the 21th century has so far been covered by dark clouds.
  • 43. Since 2005, two CEOs have been fired.
  • 44. In recent years, Leica has suffered from great losses, being close to bankruptcy.
  • 46. Up until today, this trend has continued.
  • 47. For a small company with about 1000 employees, these losses are huge.
  • 48. The banks have been after Leica for many years now.
  • 49. Der Spiegel summarized it powerfully: "Leica overslept and suffers the trend to the digital photography from losses. Besides the weak dollar impairs the business abroad, because the cameras become more expensive larva in Germany thereby."
  • 50. So, the question is: WHY do so many companies like Leica ‘oversleep’ technological shifts?
  • 51. One reason is the furious pace at which digital technology is developed. (For more info, click here)
  • 52. In only ten years, digital imaging went from zero to 90 percent of the market.
  • 53. It’s very easy to oversleep such a rapid shift.
  • 54.
  • 55. But let’s move back to the Leica story now…
  • 56.
  • 57.
  • 58. The truth is that Leica had plenty of problems even before the digital revolution.
  • 59. In 1930-1960, Leica was very popular and profitable.
  • 60. But with the rise of Single-lens reflex (SLR) cameras in the 1950s, Leica encountered problems.
  • 61. The rise of the Japanese camera industry put the company into further trouble.
  • 62. Leica fans were happy that the company never entered the broader market segments.
  • 63. The company instead focused on further developing its legendary M and R series of cameras.
  • 64. Ever since, Leica has had financial problems.
  • 65.
  • 66. Being popular is not the same as being profitable.
  • 67. Over the decades, Leica essentially sustained their famous camera system.
  • 68.
  • 69. So, the company was essentially built around competence in sustaining and developing a technology which was about precise mechanics.
  • 70.
  • 73. And of course, some marketing and sales activities, also related to mechanical products.
  • 74.
  • 75.
  • 76.
  • 77. However, the company recognized the threat from digital imaging, and therefore went into it in the mid 1990s.
  • 78. These efforts resulted in the Leica S1, launched in 1997.
  • 79. It looked like this:
  • 80.
  • 81.
  • 82. Not exactly what a Leica normally looks like.
  • 83. Pretty hard to bring in your jacket and pull up for a photo…
  • 84. The S1 was never intended to be a ‘normal’ Leica.
  • 85. In 1997, it was sold for 15 370 EURO. It had a sensor of 5140 x 5140 pixels 44 cm x 44 cm Weight: 3,6 kg.
  • 86. The best version had 75 Megapixels!
  • 87. The S1 was aimed for studio photography. It was connected to a computer, stood on a tripod and had an amazing image resolution.
  • 88. At first sight, the S1 appears to be very expensive and strange.
  • 89. But the business utility was in fact very large. It could produce printable photos instantly and an infinite number of photos could be taken at no cost. The alternative would have been film, going to the lab, then scan it. All this would take days, with the S1 it would take minutes!
  • 90. A fantastic camera. But not exactly ”Leica style”.
  • 91. In the end only 146 of them were made.
  • 92. After an ownership change, it was decided to kill this camera!
  • 93. Nearly all ’digital’ engineers and marketing people now had to leave the company.
  • 94. The new CEO had previously been at a furniture company which had been saved by positioning it as ’traditional’.
  • 95. Now the same medicine was going to be used on Leica.
  • 96. The digital capabilities are cut off in the midst of the digital camera evolution!
  • 97. Life must have been very tough for a digital engineer at Leica.
  • 98. Sales Manufacturing The Mechanical engineers Purchasing - Everyone must have been against you.
  • 99. All their routines and competences would have to change in order to succeed with digital imaging.
  • 100. Forgive me for speculating, but I suppose most of these actors cheered silently when the S1 was killed.
  • 101. At an old, traditional company with a strong brand and history in mechanical engineering, electronics must have been regarded as an odd, foreign element.
  • 102. Organizations are very good at eliminating foreign elements. And Leica was no exception.
  • 103.
  • 104. In a disruptive shift
  • 111. Having laid off virtually all digital knowledge, Leica instead focused further on its strategy of rebadging Fujifilm digital cameras.
  • 112. The Digilux 4.3. is identical to a Fujifilm camera, except for the brand.
  • 113. Re-branding a non-premium product and charging a premium price, while Canon and Nikon came up with smaller and better cameras all the time.
  • 114. The success of this strategy was very modest.
  • 115.
  • 116. As the financial situation worsened, Leica eventually realized that something new had to be done.
  • 117. Since the ‘low-end’ segment of the market had become a warzone of competition, Leica instead focused on making their R8 and R9 cameras digital.
  • 118. It was announced in 2003 that a Kodak digital back would be made compatible with these cameras, in collaboration with Imacon, a Danish manufacturer of digital backs (who later merged with Hasselblad).
  • 119. Having no digital capabilities of its own, this was deemed to be a good strategy.
  • 120.
  • 121. But cameras with digital backs are very expensive and uncomfortable.
  • 122. After severe delays, the Leica Digital-Modul-R was finally launched two years later, in 2005.
  • 123. An official letter was sent to Leica users over the weekend apologizing the last delay. The date was put forth due to 'software problems’ (once again a skill beyond Leica’s soul).
  • 124. Mario Thurnherr, manager of Leica Camera's Photo Division, said: "Our customers had to wait longer than planned for the unique digital solution from Leica, but are now rewarded with an outstanding product."
  • 125. With this bigger and heavier camera, Leica was positioned in the same segment as Hasselblad, Mamiya, Pentax, Contax and the others. Some of those actors had already captured this small, small part of the camera market.
  • 126. Hence, the Digital-Modul-R did not stop Leica from bleeding.
  • 127. In early 2005, the situation became desperate.
  • 128. The company was now bought by Andreas Kaufmann, a long time Leica enthusiast with a great personal fortune.
  • 129. Kaufmann recruited a new CEO, an American named Steven K. Lee.
  • 130.
  • 131.
  • 132. Mr. Lee had a background as vice president of Best Buy, a huge American retailer of consumer electronics.
  • 133. Could someone with this odd background save Leica from bankruptcy?
  • 134. At about the same time as Lee came to Leica, the company had finally launched the M8, the first digital camera in its famous M series.
  • 135. The M8 cost about 5000 USD.
  • 136.
  • 137.
  • 138.
  • 139.
  • 140. But the high price was not the only problem.
  • 141. The sensor was below standards, and the camera did not have those filters which were needed for a digital camera to work. Without these functions, black colour looks purple and strange colour patterns show up.
  • 142. Thus, the M8 was a bad camera, at a bad price, but with a good brand.
  • 143. Needless to say, the Photo community laughed at it.
  • 144. One photographer described the camera as “unusable,” and said he sometimes felt like throwing it against a wall. For a company which is used to that customers are in love with their products, these are indeed hard words.
  • 145. One of the first things Steven Lee had to do at his new job was to sign 4000 letters, apologizing for this. Pretty tough start.
  • 146. The M8 had to be redrawn from the market, retroactively putting in the required filters.
  • 147. Quite an embarrassment for a camera legend, known for its high quality products.
  • 148. So, why did Kaufmann hire a strategy and business development guy from an American retailer?
  • 149. Lee in an interview: “Now we need to reach people who could and might use a Leica. I use the example of the American ‘soccer mums’ who would love to take better pictures, who are the keepers and recorders of their families’ history. It’s not the men. These are well-to- do families interested in excellent photography. They are our new potential customers.”
  • 150. Who had ever associated Leica with terms such as ’American soccer-mum’? Pretty different, and ODD.
  • 151. In addition to this, Lee wanted to do a couple of pretty odd things:
  • 152. Build Cameras on demand (like Dell with computers) Replace Leica’s network of specialty dealers with kiosks and internet sales Increase the pace of digital development New forms of collaboration Move into consumer electronics
  • 153. How all this was going to be accomplished is not clear (and certainly wasn’t to people at Leica)
  • 154. In 15 months, Steven Lee had succeeded at Best Buy in producing formidable high-end PCs, which generated a 20 percent profit (normal profits were around 10 percent).
  • 155. A retailer making 20 percent profit in the fiercely competitive PC industry, building this from scratch in 15 months???
  • 156. It had been accomplished through outsourcing of production and clever business modeling.
  • 157. Probably Lee wanted to do something similar with Leica, and obviously he knew what he was doing.
  • 158. Lee was known for being very stubborn and aggressive, not afraid of conflicts and bullying people if necessary.
  • 159. Imagine the cultural and intellectual clash between Steven Lee and a traditional, old firm like Leica!
  • 160. Lee about the first meeting: “I arrived at 10 o’clock and we went head-to-head for nine hours straight. No meal breaks.”
  • 161. The founder’s son, Ernst Leitz had treated his employees like his own family.
  • 162. And now an American thunders in, firing and bullying people about some strange soccer- mum segment!
  • 163. Lee went into Leica playing hardball, personally approving all expenses over 100 Euros.
  • 164. He travelled to Asia, re- negotiating prices with suppliers of electronic components.
  • 165. He raised prices significantly and thus, sales fell.
  • 166. The distributor network which was going to be replaced by internet sales and kiosks, started to get really angry with Lee since they were threatened.
  • 167. Lee was not exactly the guy to mess around with. It is claimed that he started to be rude to people at Leica, calling them ’dumb farmers’.
  • 168. The situation got worse when Lee fired three employees (wrongfully according to the courts) and many highly skilled technicians threatened to leave in sympathy.
  • 169. At a small company like Leica, this kind of events can get pretty big.
  • 170. Managers started to complain to Kaufmann who decided to fire Steven Lee in early 2008.
  • 171.
  • 172. Here are some rumours and comments on the internet about the event:
  • 173. "Über diese Entlassung können wir uns auf jeden Fall freuen." = "On that dismissal we can anyway be delighted about"
  • 174. Leica is one German Company and should be comand by German people. I have one friend mine who works at Leica here in Portugal and many people not like the style and work method from Mr.Lee. So many people are happy whit this end of Mr.Lee at Leica Best, __________________ Rui Espanhol
  • 175. Rumours say that Champagne bottles were opened at Leica when Lee left the company.
  • 176. Lee threatened to sue Leica for wrongfully dismissing him.
  • 177. "My mandate was not to be Mr. Nice Guy“, he said.
  • 178. “I was trying to revive a company that's broken".
  • 179. Lee claimed that accusations against him was a smear campaign from people who underperformed and refused to change.
  • 180. And, believe it or not, he had some supporters who thought that Lee was exactly what Leica needed. "He had to hear, 'That's not possible,' over and over again.'' , one said.
  • 181. Kaufmann took over as CEO and Leica has now successfully launched a new (working) version of the M8.
  • 182.
  • 183. In September 2008, Leica also launched the S2, a fantastic camera with 37,5 Megapixels and many great functions.
  • 184. It’s priced at 15-20 000 USD.
  • 185. Whether the S2 and the new M8 will turn things around for Leica or not remains to be seen.
  • 186. However, the camera industry is subject to fierce competition.
  • 187. Canon, Nikon and the other big Japanese dragons are constantly launching new, cheaper and better products.
  • 188. Having a legendary brand is of course an asset, but Leica is less well known to the new generation of photograpers.
  • 189. We’ll see what happens.
  • 190.
  • 191.
  • 192. Leica’s soul was and is mechanic and optic.
  • 194. Throughout the last decades, this has become very clear for the company.
  • 195. We’ll never know whether the S1 camera and the digital developers that were laid off would have put the company in a better situation.
  • 196. And we’ll never know whether Steven Lee and his ‘soccer-mum’ concept would have turned Leica into a growth company.
  • 197. But ONE thing is clear.
  • 198. Both the S1 and Steven Lee were odd, foreign elements in an old organization, with old values.
  • 199. Leica was and is in desperate need of change, but the organization effectively repelled these foreign elements.
  • 200. “It was difficult to do what we wanted as the old management still strongly believed in analogue.” // Gero Furchheim, spokesman of Leica
  • 201. This quote is from October 2006!
  • 202. At this point about 90 percent of the market is digital.
  • 203. And old management still believed in analogue imaging!
  • 204. It makes you wonder…
  • 205. How many layoffs, delays, apologies and how big losses are needed before those managers CHANGE?
  • 206. Chairman Mao once said that a revolution is not a dinner party. At Leica, people are painfully aware of this.
  • 207.
  • 208. Disruptive change is not a sweet thing for established companies. http://online.wsj.com/article/SB12215210338 7739231.html
  • 209. So, the question we looked at here was: WHY do so many companies like Leica ‘oversleep’ technological shifts?
  • 210. I think the answer would be this:
  • 211.
  • 212. Competence becomes incompetence.
  • 213.
  • 214.
  • 215. Sources The British Journal of Photography The Leica website Amateur Photographer Times Wikipedia Digital Photography Review Several internet forums Thanks!
  • 216. Image attributions Thanks!
  • 217.