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TYPOGRAPHY
DOS AND DON'TS
TYPE RULES (AND WHEN TO BREAK THEM)
TYPOGRAPHY
DOS AND DON'TS
TYPE RULES (AND WHEN TO BREAK THEM)
×
TYPOGRAPHY
DOS AND DON’TS
TYPE RULES (AND WHEN TO BREAK THEM)
SMART QUOTES:
‘TOY STORY 3’
“HUH?”
SMART QUOTES:
‘TOY STORY 3’
“HUH?”
DUMB QUOTES:
6'4"
THE BASICS
WIDE LOAD
TIGHTWAD
WIDE LOAD
TIGHTWAD
WIDE LOAD
TIGHTWAD
WIDE LOADInterstate Black
TIGHT WAD
Interstate Black Compressed
There’s that. And this.
But then... there’s that.
There’s that. And this.
But then... there’s that.
There’s that. And this.
But then... there’s that.
There’s that. And this.
But then… there’s that.
ELLIPSIS
There’s that. And this.
But then… there’s that.
LIGATURE
fidget
waffle
fluff
fidget
waffle
fluff
“Emphasizing a word or phrase within a body
of text usually requires only one symbol.
Italic is the standard form of emphasis. There
are many alternatives, however, including
boldface, small caps or a change in color.”
–Thinking with Type, Ellen Lupton
BOLD, ITALIC,
UNDERLINED CAPS!
IN COLOR!
HYPHEN
VS.
EN DASH
VS.
EM DASH
-
–
—
HYPHEN
EN DASH
EM DASH
-
–
—
HYPHEN
EM: Equal to the point size, or width of the ‘M’
EN: Half the width of EM, or width of the ‘n’
EN DASH
EM DASH
“Three-em rule”
“6:00–9:35 pm”
“It happened — trust me.”
Minion Pro
“It happened -- trust me.”
“It happened – trust me.”
“It happened — trust me.”
“It happened—trust me.”
‘MESSAGING’ TYPE
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker
in Amazing Fantasy #15 (August 1962). She has
appeared in most other media adaptations of the
character as an important part of the Spider-Man
series.
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker
in Amazing Fantasy #15 (August 1962). She has
appeared in most other media adaptations of the
character as an important part of the Spider-Man
series.
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker
in Amazing Fantasy #15 (August 1962). She has
appeared in most other media adaptations of the
character as an important part of the Spider-Man
series.
WIDOW
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker
in Amazing Fantasy #15 (August 1962). She has
appeared in most other media adaptations of the
character as an important part of the Spider-Man
series.
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker in
Amazing Fantasy #15 (August 1962). She has appeared
in most other media adaptations of the character as an
important part of the Spider-Man series.
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker
in Amazing Fantasy #15 (August 1962). She has
appeared in most other media adaptations of the
character as an important part of the Spider-Man
series.
May Reilly Parker-Jameson, commonly known as
Aunt May, is a supporting character in Marvel Comics’
Spider-Man series. Created by writer Stan Lee and
artist Steve Ditko, she first appeared as May Parker in
Amazing Fantasy #15 (August 1962). She has appeared
in most other media adaptations of the character as an
important part of the Spider-Man series.
SMALL CAPS
VS.
TEXT FIGURES
VS.
UPPERCASE
“6:00–9:35 PM”
“6:00–9:35 pm”
SMALL CAPSTEXT FIGURES
OLD-STYLE FIGURES
HANGING FIGURES
“So the date is 23 August 1832; it could be 3:00 am
in Apartment 6-b, 213-a Beacon Street; it is 27°c
or 81°f; the price is $47,000 usd or £28,000; the
postal codes are nl 1034 wr Amsterdam, sf 00170
Helsinki 17, Honolulu 96814, London wci 2nn,
New Delhi 100 033, Toronto m5s 2g5, and Dublin 2.”
“but it is 1832 and 81° IN FULL CAPS.”
–The Elements of Typographic Style, Robert Bringhurst
“Thus: 3:00 am, 3:00 pm, the ninth century ce,
450 bc to ad 450, the oas and nato; World
War ii or wwii; but JFK and Fr J.A.S. O’Brien,
omi; hms Hypothesis and uss Ticonderoga;
Washington, DC, and Mexico, DF; J.S. Bach’s
Prelude and Fugue in B" minor, bwv 867.”
–The Elements of Typographic Style, Robert Bringhurst
“Thus: 3:00 am, 3:00 pm, the ninth century ce,
450 bc to ad 450, the oas and nato; World
War ii or wwii; but JFK and Fr J.A.S. O’Brien,
omi; hms Hypothesis and uss Ticonderoga;
Washington, DC, and Mexico, DF; J.S. Bach’s
Prelude and Fugue in B" minor, bwv 867.”
–The Elements of Typographic Style, Robert Bringhurst
HANGING QUOTES
UPPERCASE
VS.
LOWERCASE
Typography
TYPOGRAPHY
T Y POGR A PH Y
Ty pography
Typography
TYPOGRAPHY
T Y POGR A PH Y
Ty pography
TYPESETTING
“Being a famous designer is like being a famous dentist.”
Being a famous designer
is like being a famous dentist.
Archer
Being a famous
designer
is like being a famous
dentist.
B e i n g a f a m o u s
d e s i g n e r
is like being a famous
d e n t i s t .
Being a famous
is like being a famous
dentist.
designer
Being a famous
designer
dentist.
is like being a famous
FLUSH LEFT, RAGGED RIGHT
VS.
FLUSH RIGHT, RAGGED LEFT
VS.
JUSTIFIED
VS.
CENTERED
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
IRREGULAR
SHAPE:
PREFERRED
REGULAR
SHAPE:
NOT PREFERRED
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
FLUSH RIGHT,
RAGGED LEFT
NOT PREFERRED
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
NOT GREAT
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobor-
tis nonummy nibh dolo-
re magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud ex-
erci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
NOT MUCH
BETTER
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
Lorem ipsum dolor sit
amet, consectetuer zzril
adipiscing elit, sed lobortis
nonummy nibh dolore
magna erat volutpat.
Ut wisi enim ad minim
veniam, quis nostrud
exerci tation ullamcorper
suscipit lobortis nisl ut
commodo consequat.
USE SPARINGLY
WHEN SETTING
PARAGRAPHS
HANDWRITTEN FONTS
VS.
SCRIPTS
Dear John,
Dear John,
This handwritten letter is
for you to tell you how I
really feel about you...
Dear John,
This handwritten letter is
for you to tell you how I
really feel about you...
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
hello!
hello!
hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
Hello!
hello!
hello!
hello!
BUT WAIT…
HEY,what’sthis…
LiebeErika
Strangelove Next
Salmiak
thisisn’tsobad…
…andneither is this!
HEYwhat’sthis?Strangelove Next
Strangelove Next
CUSTOM MADE
Fenway Park
Business Penmanship
Carpenter
MetroScript
Compendium
PAIRING TYPEFACES
SUPERFAMILIES
EXAMPLES OF SUPERFAMILIES
FF META (Sans, Serif, Headline)
FF QUADRAAT (Sans, Serif, Display, Headliner)
FF SCALA (Sans, Serif)
FF TISA (Sans, Serif)
HTF KNOCKOUT (32 Sans weights)
ITC OFFICINA (Sans, Serif, Display)
PENUMBRA (Sans, Serif, Half Serif, Flare)
NEUTRAFACE (Neutraface1, Neutraface2, Slab)
STONE (Sans, Serif, Informal)
THESIS (TheSans, TheSerif, TheMix, TheAntiqua)
LOOK ALIKES
SIMILAR CAN BE NICE…
LOOK ALIKES
…BUT NOT TOO SIMILAR!
INCREASED CONTRAST
INCREASED CONTRAST
HISTORICAL SIMILARITIES
SAME FOUNDRY OR TYPOGRAPHER
Morris Fuller Benton
matthew carter
HOEFLER & FRERE-JONES
HOUSE INDUSTRIES
Robert Slimbach
erik spiekermann
TYPE TOGETHER
BREAKING THE RULES
DavidCarson
DavidCarson
DavidCarson
DavidCarson
WRDBNR.COM
WRDBNR.COM
ShahirZag
CraigWard
CraigWard
CraigWard
VaughnHockey
MarianBantjes
AlexTrochut
ShaunFlynn
KELLERHOUSE
JanuzziSmith
EdFella
KyleKargov
THANK YOU

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