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Group 4 The Elizabethan Age  Bondan Priyambodo Dairyacinde. M  Dewi Natalia  Hana Hanifah Iqbal Adnan Selly Alfianti  Ririsma  Tarulianna. S
The Renaissance ,[object Object],[object Object]
The Beginning of the Renaissance  ,[object Object],[object Object],[object Object]
Many important things happened continously to bring about this renaissance ,[object Object],[object Object],[object Object]
Religion in Renaissance ,[object Object],[object Object],[object Object]
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The Reign of Queen Elizabeth ,[object Object],[object Object],[object Object],[object Object]
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Revival of  L earning in  E ngland ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Acme of the Renaissance ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Elizabethan Theater The history of the theater is fascinating. How plays were first produced in the yards of inns - the Inn-yards. The very first theater and the development of the amphitheatre .
Great poetical drama is far rarer, far harder to achieve, than great lyrical or narrative poetry or prose fiction, just because so many things have to be right for it all at the same time. There must be not only exceptional dramatic poets but also exceptional players, theaters, and audience. All theses must be on a high level simultaneously. And here the Elizabethan dramatics were fortunate.
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The Elizabethan Age

  • 1. Group 4 The Elizabethan Age Bondan Priyambodo Dairyacinde. M Dewi Natalia Hana Hanifah Iqbal Adnan Selly Alfianti Ririsma Tarulianna. S
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. The Elizabethan Theater The history of the theater is fascinating. How plays were first produced in the yards of inns - the Inn-yards. The very first theater and the development of the amphitheatre .
  • 15. Great poetical drama is far rarer, far harder to achieve, than great lyrical or narrative poetry or prose fiction, just because so many things have to be right for it all at the same time. There must be not only exceptional dramatic poets but also exceptional players, theaters, and audience. All theses must be on a high level simultaneously. And here the Elizabethan dramatics were fortunate.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.