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2 
Going EUscreenXL: on the joys and challenges of 
participating in a pan-European AV heritage project 
Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC) 
BAAC Conference, 
Riga, September 18, 2014
3 
1. EUscreenXL – who and why? 
2. A newcomer’s experience 
3. The view from the inside 
4. The end product – new euscreen.eu portal 
5. The EUscreenXL Network
4 
EUscreenXL 
29 partners 
Our goal: 
60,000 
audiovisual materials 
1 000 000 
of metadata 
in 2016 
2014 2015 2016
5 
29 partners 19 content partners 
1 
1 
1 
1 
1 
1 1 
Kungliga Biblioteket 
1 
1 
1 
1 
1 
1 
1 
DR 
1 
1 1 
2 
4 3 
Aalto-yliopisto Lietuvos Centrinis 
Valstybės Archyvas 
Deutsche Welle 
Česká Televize 
1 
Instituto Luce Cinecittà 
Österreichischer Rudfunk 
2 
Radio Télévision Belge de 
la Communauté Française 
ATiT 
Universite de 
Luxembourg 
Ireland’s National Television 
and Radio Broadcaster 
Radiotelevizija 
Slovenija 
Televisió de Catalunya 
Televiziunea Română 
Nederlands Instituut voor 
Beeld en Geluid 
Noterik 
Universiteit Utrecht 
European 
Broadcasting Union 
Nemzeti Audiovizuális 
Archivum 
Eötvös Loránd 
University 
Εθνικό Μετσόβιο 
Πολυτεχνεί 
Royal Holloway 
University of London 
The British Universities 
Film & Video Council 
Screen Archive 
South East 
Queen’s University 
Belfast 
Rádio e Televisão 
de Portugal S.A. 
Institut 
national de 
l'audiovisuel 
Narodowy Instytut 
Audiowizualny
6 
PMB Structure 
WP2 Aggregating and Enriching 
Content (BUFVC) 
WP3 Contextualisation, User 
Engagement and Evaluation (KB) 
WP1 Project Management and 
WP6 Dissemination, Exploitation 
and Sustainability (NInA) 
WP4 Integration and Cloud- 
-based Services Platform (NTUA) 
WP5 Network Expansion and 
Pan-European Policies (NISV) 
Pilots Leader 
(RHUL) 
Content 
Partners 
Representative (RTBF) 
Quality Assurance (UU) 
Project coordinator (UU) 
Technical coordinator (NISV)
7 
WP6 Leader - Dissemination, 
Exploitation and Sustainability 
Content Partner
8 
Mission of NInA since 2009
9 
EUscreenXL blog 
blog.euscreen.eu
10 
VIEW Journal
11 
Freedom Express Campaign
12 
Benefits 
For archivists/broadcasters: 
open collections to wider audiences 
join network for discussion/best practice around IPR, metadata 
standards, digitisation, new services and technologies 
For users (educators, researchers, media professionals, enthusiasts): 
access, find and explore rich variety of AV content from across Europe
13 
Portal 
1.000.000 
metadata records 
free 
access 
thousands 
of items 
17 
languages
14 
WP2 Aggregating and Enriching 
Content 
Content Partner
15 
BUFVC’s task 
“metadata and content uploading and oversight” 
• support the delivery process in best possible way 
• monitor quality standards and performance
16 
Key ingredients 
Data and content 
Metadata schema 
Content selection policy 
Ingestion tools 
Interoperable multilingual online platform 
Committed partners
17 
Twin-track ingestion approach 
Core Collection 
20 000 
Aggregation 
1 000 000
18 
Ingestion process
19 
Backend (MINT tool)
20 
Frontend (EUscreen portal)
21 
Challenges 
language issues 
cultural/local variables 
technical infrastructure 
synching delivery workflow 
legal issues 
sustainability 
wider organisational problems
22 
Communication is key! 
Regional Workshop 
for Content Partners 
Technical Workshop 
for Content Partners 
Strategic Workshop on IPR 
Regulations for Audiovisual Heritage 
Metadata & 
Content Handbook 
Video tutorials
23 
Why new portal? 
Users’ requirements (based on Google Analytics, focus groups and surveys): 
Search, surf, build 
• Less static, more dynamic and inviting homepage 
• Showing ratings, most watched videos 
• More information about available material 
• Apps for mobile devices 
• Video subtitling (respondents expressed interest in providing translations 
1.000.000 
themselves) 
• More metadata intuitive records 
search tool 
• Bulilding exhibitions, rating, creating collections
24 
Task Force 
1.000.000 
metadata records
25 
How did we do it? 
Editorial policy based on collaboration within the network 
(18 content providers) 
Institut 
national de 
l'audiovisuel 
1.000.000 
The Netherlands Institute Romanian Public Television 
for Sound and Vision 
metadata records 
1 
1 
1 
1 
1 1 
1 
1 
1 
1 
1 
1 
1 
1 
1 
Danish Broadcasting 
Corporation 
The National Library 
of Sweden Lietuvos Centrinis 
Valstybės Archyvas 
Deutsche Welle 
Česká Televize 
Instituto Luce Cinecittà 
The Austrian 
Broadcasting Corporation 
2 
Radio Télévision Belge de 
la Communauté Française 
Ireland’s National Public 
Service Broadcaster 
Radiotelevizija 
Slovenija 
Televisió de Catalunya 
Nemzeti Audiovizuális 
Archivum 
Screen Archive 
South East 
Rádio e Televisão 
de Portugal S.A. 
1 1 
Narodowy Instytut 
Audiowizualny
26 
The new portal
27 
What will EUscreen look like ?
28 
What will EUscreen look like ?
29 
What will EUscreen look like ?
30 
Join EUscreenXL network! 
Initiate Cloud-enabled 
Make use of our 
technical and 
archival expertise 
technologies 
for storing, indexing, 
and linking metadata 
Boost the visibility 
of your content 
Get your content 
contextualized through 
historical and cultural 
experts 
Develop new tools for 
automatic metadata 
enrichment
31 
EUscreenXL Conference in Rome 
From Audience to User: New Ways of Engaging 
with Audiovisual Heritage Online
32 
How to reach us? 
https://www.facebook.com/EUscreen 
info[at]euscreen.eu 
https://plus.google.com/114583222201094670383 
https://twitter.com/EUscreen 
https://www.flickr.com/photos/euscreen/ 
http://vimeo.com/euscreen
33 
Thank You! 
Eve-Marie Oesterlen 
evemarie@bufvc.ac.uk 
Maria Drabczyk 
maria.drabczyk@nina.gov.pl 
Kamila Lewandowska 
kamila.lewandowska@nina.gov.pl

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EUscreenXL @BAAC 2014 Annual Conference in Riga

  • 1.
  • 2. 2 Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC) BAAC Conference, Riga, September 18, 2014
  • 3. 3 1. EUscreenXL – who and why? 2. A newcomer’s experience 3. The view from the inside 4. The end product – new euscreen.eu portal 5. The EUscreenXL Network
  • 4. 4 EUscreenXL 29 partners Our goal: 60,000 audiovisual materials 1 000 000 of metadata in 2016 2014 2015 2016
  • 5. 5 29 partners 19 content partners 1 1 1 1 1 1 1 Kungliga Biblioteket 1 1 1 1 1 1 1 DR 1 1 1 2 4 3 Aalto-yliopisto Lietuvos Centrinis Valstybės Archyvas Deutsche Welle Česká Televize 1 Instituto Luce Cinecittà Österreichischer Rudfunk 2 Radio Télévision Belge de la Communauté Française ATiT Universite de Luxembourg Ireland’s National Television and Radio Broadcaster Radiotelevizija Slovenija Televisió de Catalunya Televiziunea Română Nederlands Instituut voor Beeld en Geluid Noterik Universiteit Utrecht European Broadcasting Union Nemzeti Audiovizuális Archivum Eötvös Loránd University Εθνικό Μετσόβιο Πολυτεχνεί Royal Holloway University of London The British Universities Film & Video Council Screen Archive South East Queen’s University Belfast Rádio e Televisão de Portugal S.A. Institut national de l'audiovisuel Narodowy Instytut Audiowizualny
  • 6. 6 PMB Structure WP2 Aggregating and Enriching Content (BUFVC) WP3 Contextualisation, User Engagement and Evaluation (KB) WP1 Project Management and WP6 Dissemination, Exploitation and Sustainability (NInA) WP4 Integration and Cloud- -based Services Platform (NTUA) WP5 Network Expansion and Pan-European Policies (NISV) Pilots Leader (RHUL) Content Partners Representative (RTBF) Quality Assurance (UU) Project coordinator (UU) Technical coordinator (NISV)
  • 7. 7 WP6 Leader - Dissemination, Exploitation and Sustainability Content Partner
  • 8. 8 Mission of NInA since 2009
  • 9. 9 EUscreenXL blog blog.euscreen.eu
  • 11. 11 Freedom Express Campaign
  • 12. 12 Benefits For archivists/broadcasters: open collections to wider audiences join network for discussion/best practice around IPR, metadata standards, digitisation, new services and technologies For users (educators, researchers, media professionals, enthusiasts): access, find and explore rich variety of AV content from across Europe
  • 13. 13 Portal 1.000.000 metadata records free access thousands of items 17 languages
  • 14. 14 WP2 Aggregating and Enriching Content Content Partner
  • 15. 15 BUFVC’s task “metadata and content uploading and oversight” • support the delivery process in best possible way • monitor quality standards and performance
  • 16. 16 Key ingredients Data and content Metadata schema Content selection policy Ingestion tools Interoperable multilingual online platform Committed partners
  • 17. 17 Twin-track ingestion approach Core Collection 20 000 Aggregation 1 000 000
  • 21. 21 Challenges language issues cultural/local variables technical infrastructure synching delivery workflow legal issues sustainability wider organisational problems
  • 22. 22 Communication is key! Regional Workshop for Content Partners Technical Workshop for Content Partners Strategic Workshop on IPR Regulations for Audiovisual Heritage Metadata & Content Handbook Video tutorials
  • 23. 23 Why new portal? Users’ requirements (based on Google Analytics, focus groups and surveys): Search, surf, build • Less static, more dynamic and inviting homepage • Showing ratings, most watched videos • More information about available material • Apps for mobile devices • Video subtitling (respondents expressed interest in providing translations 1.000.000 themselves) • More metadata intuitive records search tool • Bulilding exhibitions, rating, creating collections
  • 24. 24 Task Force 1.000.000 metadata records
  • 25. 25 How did we do it? Editorial policy based on collaboration within the network (18 content providers) Institut national de l'audiovisuel 1.000.000 The Netherlands Institute Romanian Public Television for Sound and Vision metadata records 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Danish Broadcasting Corporation The National Library of Sweden Lietuvos Centrinis Valstybės Archyvas Deutsche Welle Česká Televize Instituto Luce Cinecittà The Austrian Broadcasting Corporation 2 Radio Télévision Belge de la Communauté Française Ireland’s National Public Service Broadcaster Radiotelevizija Slovenija Televisió de Catalunya Nemzeti Audiovizuális Archivum Screen Archive South East Rádio e Televisão de Portugal S.A. 1 1 Narodowy Instytut Audiowizualny
  • 26. 26 The new portal
  • 27. 27 What will EUscreen look like ?
  • 28. 28 What will EUscreen look like ?
  • 29. 29 What will EUscreen look like ?
  • 30. 30 Join EUscreenXL network! Initiate Cloud-enabled Make use of our technical and archival expertise technologies for storing, indexing, and linking metadata Boost the visibility of your content Get your content contextualized through historical and cultural experts Develop new tools for automatic metadata enrichment
  • 31. 31 EUscreenXL Conference in Rome From Audience to User: New Ways of Engaging with Audiovisual Heritage Online
  • 32. 32 How to reach us? https://www.facebook.com/EUscreen info[at]euscreen.eu https://plus.google.com/114583222201094670383 https://twitter.com/EUscreen https://www.flickr.com/photos/euscreen/ http://vimeo.com/euscreen
  • 33. 33 Thank You! Eve-Marie Oesterlen evemarie@bufvc.ac.uk Maria Drabczyk maria.drabczyk@nina.gov.pl Kamila Lewandowska kamila.lewandowska@nina.gov.pl

Notas del editor

  1. EUscreenXL is a three-year project co-founded in 2013 under the CIP ICT-PSP Programme. The project brings online 40 000 audiovisual materials, and will soon add another 20 000 to those already presented on the EUscreen portal. It makes Europe’s audiovisual history freely accessible to a broad audience. It aims to connect Europe’s online audiovisual heritage to Europeana by aggregating a comprehensive body of professional audiovisual content and making it accessible through Europeana, providing it with about 1.000.000 metadata records and giving access to digital content held by European providers. It is also a network of twenty-nine partners acting in the project.
  2. The EUscreenXL project brings together twenty-nine audiovisual archives, technical and research partners from twenty-two different European countries. The project consortium consists of leading audiovisual archives, excellent media scholars, skilled technical service providers and the European Broadcasting Union. 18 of them provides also content.
  3. Brief description
  4. What is NInA and why we joined EUscreenXL. Double role in the project – being a content partner and dissemination coordinator.
  5. VIEW, Journal of European Television History and Culture is the first peer-reviewed multimedia e-journal in the field of television studies. Offering an international platform for outstanding academic research on television, the journal has an interdisciplinary profile and acts both as a platform for critical reflection on the cultural, social and political role of television in Europe’s past and present as well as a multi-media platform for the circulation and use of digitized audiovisual material.   The journal’s main aim is to function as a showcase for a creative and innovative use of digitized television material in scholarly work, and to inspire a fruitful discussion between audiovisual heritage institutions (especially television archives) and a broader community of television experts and amateurs. In offering a unique technical infrastructure for a multi-media presentation of critical reflections on European television, the journal aims at stimulating innovative narrative forms of online storytelling, making use of the digitized audiovisual collections of television archives around Europe.
  6. EUscreen portal gives public access to thousands of items of film and television clips in nineteen different languages. Challanges: Standardise wide variety of holdings and make them interoperable and accessible on our own portal and Europeana
  7. EUscreenXL represents a twin-track ingestion approach: 1. ‘Core Collection’ 60.000 enriched moving image content on EUscreen portal 2. ‘Aggregation’1.000.000 aggregated metadata records of digitised AV content
  8. We mapped user’s requirements using Google Analytics and carried an Assessment of user requirements (focus groups for General Public and Researchers, surveys and questionnaires, desk research). Focus groups meeting were arranged by KB for General Public and by University of Utrecht for Researchers (2013). Then surveys and questionnaires were distributed among those groups. The aim was to gather information about basic requirements shared by researchers and users. After thoughtful analysis of the gathered data, both from Google Analytics and the survey, we decided that the main focus should be the three core activities that represent the main actions on the portal, which are Search (exploring the collection in more depth, with an interest in geographic location, tools, timelines, links to related videos), Surf (relates to intuitive uses of the portal: guided by, for instance, ratings, most watched videos, most discussed or commented items, latest updates) and Build (to allow users to build new things out of the parts found using searching and surfing. These can range from simple actions of building bookmarks, creating your own playlists, of adding comments to complex forms like the exhibition builder in Euscreen). We realized that: The interface was too much focused on organizing the content (self-determined themes, historical topic sections). The Euscreen homepage should be less static, more dynamic, for example by showing ratings, most watched videos or the latest uploaded videos. Users needed to make at least three choices to access a moving image. They should be able to play a video directly on the homepage. More information should be given about available material on the portal and about the providers and partners. There should be and explanation concerning content selection criteria. Users also expected more information about the project aims and what the portal is about. The lack of apps for mobile devices was a significant shortcoming (both survey and GA) Since the content is in 15 different languages, the language issues were highlighted in the postal interface, the metadata but especially in the videos. The use of EUscreen tends to be nationally-focused rather that pan-European: the heaviest relative use of national collections tends to be user based within the same country. Subtitling and translations: General public would prefer wide coverage of most or all clips rather than high quality translations of a selected minority. Users in both target groups called for different translation tools and they also expressed interest in providing translations themselves. Users wanted more information about how to use search, especially researchers required assistance in ordering and narrowing down results (more exact and detailed results).
  9. Behind the analysis and finding solutions was the Task Force, a group created in October 2013. Task Force is a communications-focused working group to work in consultation with PMB and other work packages. The group possesses expertise in key areas; technical development; social media and engagement; curation and dissemination. Key objectives of the Task Force: To improve the look and feel of the portal To ensure that material on portal is displayed in an informative and appealing manner To optimise user-friendliness of the portal To manage user expectations
  10. The Task Force is also responsible for developing an editorial policy, which aim is to keep the portal fresh and attractive. Except for the curatorial role, which centers around identifying varied selection of material for showcasing on portal, the group’s responsibility is also to involve all the content providers in the content selection. So far the process included: Gathering videos for the Highlights section Collection of thumbnail texts for most of the videos Collection of subtitles for most interesting videos
  11. Recent months has seen an increased focus on a redesign of the EUscreen portal. This work has been ongoing since October 2013 when the task force was created. Since then some significant decisions have been made regarding how the EUscreen portal should evolve. The new version of the portal will be released in October 2014. An emphasis was put on making the homepage more inviting and attractive. The interface is more stylish and the user should have a better idea what the website is about. Videos, ready to be played, are published in three sections: 1.Highlights – which contains most interesting videos picked by all the content providers (with thumbnails) 2.Languages and decades – which allow users to immediately access videos in selected language or from a particular decade (from 1900 till now) 3.In the News – which contains sections created and curated by the task force. The videos are organized according to the topical subjects: political (crisis in Ukraine), anniversaries, holidays etc. We applied a journalistic approach in order to make the homepage more appealing and up-to-date. The new, re-developed EUscreen portal will offer users different tools which will allow to reuse the content, e.g. create virtual exhibitions or facilitate the use of videos, photos etc. in the classroom. Users, especially translation students and professionals, will be also encouraged to add subtitles to the videos and use the content for professional purposes. To this end, subtitling tools are being developed and will be integrated into the portal. The mobile version of the portal was also created.
  12. The About page will contain more information about available material, providers and partners, as well as the content selection criteria. It will also inform about the aggregation process to Europeana.
  13. The search tool is organized according to different filters which enables users a much easier, more intuitive and faster surfing through the content.
  14. Metadata facts will be presented in a more user-friendly and accessible manner.
  15. Invitation to the EUscreenXL Conference. It will take place on October 30-31 2014 in Casa del Cinema in Villa Borghese, Rome (Italy)!
  16. We always invite you to contact us under general address info[at]euscreen.eu or to directly get in touch with the coordinators and work packages leaders.. You can also find us and explore EUscreen more on Twitter, Facebook, Google+, Flickr and Vimeo.