Singing females a new liedconcert in works by Lange-Müller, Siebelius, Heise

1. Females – a new Liedconcert
Elisabeth Hanke Kristoffer Hyldig
in works by
Lange-Müller,Wagner, Messiaen, Sibelius, Grieg
at
Rundetaarn, Copenhagen, 30. & 31. Aug., 8.30 pm
A Singers, Elisabeth Hanke’s Thoughts, Ideas, and
Development through Females – a new Liedconcert
When limitations becomes possibilities, endless curiousity arises! An exciting
energy leads to explore new angles, philosophies, techniques, thoughts arises
on visible and invisible results, leading to male and female instincts and res-
sources, and how society value visible and invisible results. It is a new know-
ledge, to put focus on female instincts, ressources, as we are really good at
creating the fruitful ground for a visible result. Everything we do not see ......
dreams, senses, visions ..... e.g. how many years did it take Big Ben to mani-
fest? Everything humans create, starts with an idea, a vision, a dream, a need.
I believe in cooperation, that we raise our consciousness towards higher ethics,
to create the mental frames of dignity and kindness towards other people in
our everyday life, accepting that we all have our own unique qualities, to coop-
erate instead of fight, to give that compliment, smile, hold the door, say “make
a wonderful day”, a new day is a new chance! ...... of more harmony and peace
and ease.
Women suffers, today, yesterday, and tomorrow.Women instinct is to give life,
and to give life, women, females, are tuned to be openminded so that we are
able to receive, and then to give life as our biological code tells us. Problems
arise, when it is not valuable in society to live the female principles, because,
we do not create visible results, when we live the way nature has created us,
and, stress, illness, fear arises, because how can we survive when not allowed to
be women?
With Females – a new Liedconcert, we give life to Sulamith, Mathilde
Wesendonk, to Sibelius women and their faith, to Carmen, in new combi-
nations and constellations, singing the dust off oldfashioned forms and frames.
They are SEEN and HEARD in this concert.
Humans thrives, develops, exists at their best, when they are SEEN and
HEARD.
Focus is on ethics, the way we communicate, the values in life, how to raise
consciousness towards mental awareness, how we are responsible in creating
a better world in our everyday life, how you create your own mental frames, a
new day, a new situation, a new view, (on the same old man) is a new chance!
Warm Welcome to Females – a new Liedconcert
Sincerely,
Elisabeth Hanke
dramatic alto
www.elisabethhanke.com

2. Program:
P.E. Lange-Müller: Sulamiths Songs – Opus 1, nr. 5 Elisabeth Hanke
B.S. Ingemann Kristoffer Hyldig
1. Sulamiths Song in the Vineyard
2. Sulamiths Song in the Woods
3. Salomons Song with the Dove
4. Sulamiths Song on the Mountaintop
5. Sulamiths Song on the Mountains
Messiaen: From Vingt Regards sur l’Enfant-Jésus Kristoffer Hyldig
Richard Wagner: Wesendonklieder Elisabeth Hanke
Mathilde Wesendonk Kristoffer Hyldig
1. Der Engel/The Angel
2. Stehe Still!/Stand Still!
3. Im Treibhaus/In the Hothouse
4. Schmerzen/Pains
5.Träume/Dreams
PAUSE
Schumann: From Fantasy in C major – Opus 17 Kristoffer Hyldig
Jean Sibelius: Svarta Rosor – Opus 36, nr. 1 Elisabeth Hanke
E. Josephson Kristoffer Hyldig
Säf, säf Susa – Opus 36, nr. 4
G. Fröding
Var det en Dröm? – Opus 37, nr.4
J.Wecksell
Flickan kom ifrån sin älsklings möte – Opus 37, nr. 5
J.L. Runeberg
Black Roses
Reed, reed rustle
Was it a Dream?
From a lover’s tryst a girl came homeward
Grieg: Jeg elsker dig!/I LoveYou!
H.C. Andersen
About the Performers
Kristoffer Nyholm Hyldig, Pianist, is playing for Professor and Steinway
Artist, Niklas Sivelöv, at The Royal Danish Academy of Music, from where he
already has a Diplomadegree. He is an active pianist and excellent musician,
as a soloist, as a chambermusician and as accompanist. Kristoffer is already
wellknown for his good musicianship and reputation.
Kristoffer Nyholm Hyldig has performed several times as a soloist with an
orchester, a.o. in the concerthall in Tivoli with Gershwin’s “Rhapsody in Blue”
and again in 2006 with Aalborg Symphony Orchester.
Prizes: 1. prize Mozart competition, Royal Academy of Music, Copenhagen,
2006, and 1. prizes the same year for pianists, and for singers and instrumen-
talists. As an accompanist Kristoffer has performed a.o. with Niels Jørgen Riis,
Tina Kiberg, Stig Fogh Andersen and Elisabeth Hanke, and assisted at the
Figura ensemble and at the Symphony Orchester in Odense.
Apart from Niklas Sivelöv, Kristoffer has received tuition from Tove Lønskov,
Amalie Malling, Zara Pirumian and participation in master classes led by
Pnina Salzman,Volker Banfield, Pierre Réach, Mirta Herrera, Bengt Forsberg,
Malcolm Martineau, Rudolf Jansen, Anne Sofie von Otter and the pianoduo
Taal/Groethuysen.
Kristoffer Nyholm Hyldig received the Jacob Gade Prize in 2007, and in
2008, he is performing a number of Messiaen’s works, a.o. the giant, “Vingt
Regards sur l’Enfant-Jésus”.
Elisabeth Hanke, dramatic alto, and singing performer, graduated from The
Royal Danish Academy of Music in Copenhagen, Guildhall School of Music
and Drama, further studies with Vera Rozsa, London, Ian Adam, Richard
Trimborn, Muniche, Kerstin Meyer, Stockholm, Paul Hamburger, Sweden,
Jeffrey Goldberg, Metropolitan opera, NYC.
Elisabeth Hanke is working as an opera and concertsinger all over the world,
and with her intense carisma and expressive dramatic dark voice, she creates
her own fascinating and personal interpretations. Elisabeth has given a large
number of concerts, and participation in several opera, concerts and musical-
productions, beginning with Orfeus in “Orfeus and Euridice”, Gluck, at the
Fringe Festival, Edinburgh, her operaperformances include a.o. Schwertleite
in “Walküre”,Wagner, conducted by Kent Nagano, Erda in “Rheingold” at
Gripsholm Castle, Sweden, Carmen in “Carmen – a tale of Passion”
Bizet, performances in Denmark and Greenland, while musicalperformances
numbers Fantine in “Les Miserables”, Beggarwoman in “Sweeney Todd”,
Gipsywoman in “Candide”, all three in Copenhagen.
Elisabeth Hanke gave life to Robbie in “RejseOperatoriumRejse”, Anders
Brødsgaard, worldpremiere in Copenhagen, Meritaton in “Achnaten”, Phillip
Glass atYstad Operan, Sweden, in the field of new music, Elisabeth sung with
the Øresundensemble, conducted by Martin Åkerwal.
With a wide concertrepertoire, incl. Stabat Mater, Pergolesi, Messiah, Handel,
Mozart and Verdi, Requiem, songs by Wagner, Sibelius and Richard Strauss,
Elisabeth Hanke is performing concerts all over Europe, Greenland and New
York. see www.elisabethhanke.com for more info, reviews, soundfiles, etc.
69-74, latest CD, is available at ClassicO records, ClassCD 760.
Elisabeth Hanke sings Alto Rapsody, Brahms, and Waltraute Narration,
Götterdämmerung,Wagner.