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Τhe Readers of Homer
No matter where
you are from




                               No matter what
                               your mother tongue is

                                                       No matter if you
                                                       are a child or an adult
         Be part of a magic
               participatory
       cultural experience.


                                                       Be part of hundreds of
                                                       voices celebrating the
                                                       world’s greatest epics

                               …become a Reader of Homer!
Who we are

The Readers of Homer is a US-based non-profit 501(c)3 international literary organization which
produces marathon all-day or all-night readings/singings of Homer’s epics around the world, in
locations humble and sublime. During approximately 12 hours, 200-400 participants of all ages
and backgrounds offer, one after the other, each in their own way and in their preferred
language, their pre-assigned passages of the Iliad or the Odyssey, while thousands of audience
members enjoy the on-screen projection of related images and the corresponding text in the
language of the host country. Our events constitute a participatory approach to the seminal
intellectual and artistic contribution of Homer to global culture, and include a significant
educational and social dimension.
Our objectives

 •   the promotion of reading poetry aloud

 •   the recognition of the eternal immediacy of
     Homer

 •   the honoring of the international translators of
     his epics

 •   the offering of a multilayered audiovisual
     experience to the public, as well as learning and
     socialization opportunities to hundreds of
     participants
In this multicultural magical atmosphere thousands of citizens, from members of
government to immigrant children, war veterans, distinguished academics, diplomats,
students and adults of several nations and in dozens of languages participate in the
marathon readings/singings of the Odyssey and the Iliad.
Global reach
Our events constitute a cultural initiative which has proven to successfully serve the Homeric
heritage and attract large audiences in major educational and cultural centres around the world.


           Getty Villa, Los Angeles                   Hellenic Centre, London Olympics 2012
     William Land Park, Sacramento                Halles de Shaerbeek, Brussels
           Gibson Ranch, Sacramento                   Medieval Castle of Kos, Greece
     92nd Street Y, New York                      Daskalopetra of Chios, Greece
           Orensanz Foundation, New York              Odeum of Troy, Turkey
     Dahesh Museum, New York                          `    Library of Alexandria, Egypt
           University of Montevideo, Uruguay
Parallel events
The Homeric readings may be enhanced with a range of parallel events related to the poet and
his epics. These may range from lectures, seminars and round tables, to exhibitions, screenings,
theatre, music and dance performances, as well as Homeric feasts.
Relevance
The tremendous success of the Homeric celebrations produced by The Readers of Homer has
led to an increased interest for future production of such events around the world, aiming at
a more systematic expression of appreciation towards the work of the great poet, a humble
yet grand celebration of his art and his diachronic messages. At a time when cultural
diversity and participatory approaches to the arts become more pertinent than ever, The
Readers of Homer’ suggest an innovative interactive experience that can appeal to and bring
together a diverse number of audiences.
Recent events
        Les Halles de Schaerbeek - Brussels            Hellenic Centre – London
        May 16th 2012                                  July 21st 2012
        10am – 2am                                     10am – 8pm

A marathon reading of the ODYSSEY             A marathon reading of the ILIAD
by 400 European Citizens, in the              by 200 participants , enhanced by
context of the initiative 12 Hours            melodies from Daemonia Nymphe
                                              on reconstructed Ancient
for Greece, aiming to send a
                                              Greek instruments, in the context of
message of solidarity and raise               the London 2012 OLYMPIC GAMES
funds for children affected by
the Greek crisis.
International reviews
 As the sun was going down, we tasted black bread, honey, olives, strong wine and grapes, and entered the
 space. 12 hours with the narrative wealth of the Odyssey, letting it take us into thoughts and stories and
 relationships of the present, as if it was just written, describing our own lives, our own wars, our own
 return. Thus the night unfolded, with one segment flowing into the next, from the child’s voice, into one’s
 singing, into another’s mother tongue, from the ancient to the contemporary....
 Lucia Rikaki - Film director, Greece

 The success of Jornadas Homericas       The brightest night of           And from among all these many
 in the midst of our troubled city       our lives.                       voices, no one like the other, the
 proved that civilization and its        Pankoaki, Greece                 story unfolded. It was as if the
 values can effectively counteract                                        poem were stitched together – a
 any kind of negativism that                                              metaphor that Greeks used to
 undermines human society.                                                describe poetic composition –
 El País, Uruguay                         The address may be              slowly, word by word, over nine
                                          Lexington Avenue and            hours of reading
 Magical atmosphere.                      92nd Street, but the            The Getty Iris, USA
 A night that will not be                 setting was ancient
 forgotten any time soon.                 Greece…
 Kathimerini, Greece                      The New York Times, USA

The Homeric night, as part of the Hippocratia festival, proved to thousands of spectators that collective
effort, excellent organization, appreciation and promotion of our cultural heritage within a multicultural
environment, constitute fundamental ingredients for the intellectual, psychological and financial health
not only of the local society of Kos, but also of the international community of man.
Eleftheros Typos, Greece
Press Snapshots
Technical Requirements
The Homeric Readings, along with their parallel events, are simple
and flexible enough to adapt to all possible spaces, and have been
held with equal success in diverse venues, from university auditoria
and theatres to public spaces and archaeological sites. The list
below is indicative; technical aspects are finalized during general
rehearsal, on the eve of each event.

•   A facility with basic theatrical lighting
•   A sound and lights technician
•   A reliable sound system
•   A podium with light and microphone
•   4 wooden chairs or armchairs of same style and hue
•   2-4 additional chairs and microphones for musicians, if live
•   For projections: two large screens (min. 3m width x 2m height) on the
    back of the stage, ideally starting at 2m (above readers) upwards. A
    reliable projector connected to our laptops in tech booth and a volunteer
    to achieve perfect coordination of text and action on stage platform.


    Optional: seminar rooms, lecture halls, theatres, exhibition spaces,
    concert halls, screening rooms, dinning areas for parallel events
Our esteemed sponsors




Andres Mata Foundation | Mr. Ray Dowd | Ms. Marilena Inglessi
Mrs. and Mrs. Dino and Litsa Tsitsera | Ms. Roberta Nevers
Contact us

            info@thereadersofhomer.org
            www.thereadersofhomer.org



KATHRYN HOHLWEIN          YANNIS SIMONIDES                       Prof. WILLIAM MULLEN
Founder & President       Vice President and Managing Director   Literary & Academic Advisor
khohlwein@gmail.com       yannis.simonides@ellinikotheatro.org   mullen@bard.edu
(916) 769 6446            (914) 325 8871                         (845) 661 0799


LAURA HOHLWEIN            STEPHANIA XYDIA
Art Director              Press and Public Relations
hohlwein@mindspring.com   stephania.xydia@ellinikotheatro.org
(916) 769 6441            011 30 6934 43 87 48

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The readers of homer 2012

  • 2. No matter where you are from No matter what your mother tongue is No matter if you are a child or an adult Be part of a magic participatory cultural experience. Be part of hundreds of voices celebrating the world’s greatest epics …become a Reader of Homer!
  • 3. Who we are The Readers of Homer is a US-based non-profit 501(c)3 international literary organization which produces marathon all-day or all-night readings/singings of Homer’s epics around the world, in locations humble and sublime. During approximately 12 hours, 200-400 participants of all ages and backgrounds offer, one after the other, each in their own way and in their preferred language, their pre-assigned passages of the Iliad or the Odyssey, while thousands of audience members enjoy the on-screen projection of related images and the corresponding text in the language of the host country. Our events constitute a participatory approach to the seminal intellectual and artistic contribution of Homer to global culture, and include a significant educational and social dimension.
  • 4. Our objectives • the promotion of reading poetry aloud • the recognition of the eternal immediacy of Homer • the honoring of the international translators of his epics • the offering of a multilayered audiovisual experience to the public, as well as learning and socialization opportunities to hundreds of participants
  • 5. In this multicultural magical atmosphere thousands of citizens, from members of government to immigrant children, war veterans, distinguished academics, diplomats, students and adults of several nations and in dozens of languages participate in the marathon readings/singings of the Odyssey and the Iliad.
  • 6. Global reach Our events constitute a cultural initiative which has proven to successfully serve the Homeric heritage and attract large audiences in major educational and cultural centres around the world. Getty Villa, Los Angeles Hellenic Centre, London Olympics 2012 William Land Park, Sacramento Halles de Shaerbeek, Brussels Gibson Ranch, Sacramento Medieval Castle of Kos, Greece 92nd Street Y, New York Daskalopetra of Chios, Greece Orensanz Foundation, New York Odeum of Troy, Turkey Dahesh Museum, New York ` Library of Alexandria, Egypt University of Montevideo, Uruguay
  • 7. Parallel events The Homeric readings may be enhanced with a range of parallel events related to the poet and his epics. These may range from lectures, seminars and round tables, to exhibitions, screenings, theatre, music and dance performances, as well as Homeric feasts.
  • 8.
  • 9. Relevance The tremendous success of the Homeric celebrations produced by The Readers of Homer has led to an increased interest for future production of such events around the world, aiming at a more systematic expression of appreciation towards the work of the great poet, a humble yet grand celebration of his art and his diachronic messages. At a time when cultural diversity and participatory approaches to the arts become more pertinent than ever, The Readers of Homer’ suggest an innovative interactive experience that can appeal to and bring together a diverse number of audiences.
  • 10. Recent events Les Halles de Schaerbeek - Brussels Hellenic Centre – London May 16th 2012 July 21st 2012 10am – 2am 10am – 8pm A marathon reading of the ODYSSEY A marathon reading of the ILIAD by 400 European Citizens, in the by 200 participants , enhanced by context of the initiative 12 Hours melodies from Daemonia Nymphe on reconstructed Ancient for Greece, aiming to send a Greek instruments, in the context of message of solidarity and raise the London 2012 OLYMPIC GAMES funds for children affected by the Greek crisis.
  • 11.
  • 12.
  • 13. International reviews As the sun was going down, we tasted black bread, honey, olives, strong wine and grapes, and entered the space. 12 hours with the narrative wealth of the Odyssey, letting it take us into thoughts and stories and relationships of the present, as if it was just written, describing our own lives, our own wars, our own return. Thus the night unfolded, with one segment flowing into the next, from the child’s voice, into one’s singing, into another’s mother tongue, from the ancient to the contemporary.... Lucia Rikaki - Film director, Greece The success of Jornadas Homericas The brightest night of And from among all these many in the midst of our troubled city our lives. voices, no one like the other, the proved that civilization and its Pankoaki, Greece story unfolded. It was as if the values can effectively counteract poem were stitched together – a any kind of negativism that metaphor that Greeks used to undermines human society. describe poetic composition – El País, Uruguay The address may be slowly, word by word, over nine Lexington Avenue and hours of reading Magical atmosphere. 92nd Street, but the The Getty Iris, USA A night that will not be setting was ancient forgotten any time soon. Greece… Kathimerini, Greece The New York Times, USA The Homeric night, as part of the Hippocratia festival, proved to thousands of spectators that collective effort, excellent organization, appreciation and promotion of our cultural heritage within a multicultural environment, constitute fundamental ingredients for the intellectual, psychological and financial health not only of the local society of Kos, but also of the international community of man. Eleftheros Typos, Greece
  • 15. Technical Requirements The Homeric Readings, along with their parallel events, are simple and flexible enough to adapt to all possible spaces, and have been held with equal success in diverse venues, from university auditoria and theatres to public spaces and archaeological sites. The list below is indicative; technical aspects are finalized during general rehearsal, on the eve of each event. • A facility with basic theatrical lighting • A sound and lights technician • A reliable sound system • A podium with light and microphone • 4 wooden chairs or armchairs of same style and hue • 2-4 additional chairs and microphones for musicians, if live • For projections: two large screens (min. 3m width x 2m height) on the back of the stage, ideally starting at 2m (above readers) upwards. A reliable projector connected to our laptops in tech booth and a volunteer to achieve perfect coordination of text and action on stage platform. Optional: seminar rooms, lecture halls, theatres, exhibition spaces, concert halls, screening rooms, dinning areas for parallel events
  • 16. Our esteemed sponsors Andres Mata Foundation | Mr. Ray Dowd | Ms. Marilena Inglessi Mrs. and Mrs. Dino and Litsa Tsitsera | Ms. Roberta Nevers
  • 17. Contact us info@thereadersofhomer.org www.thereadersofhomer.org KATHRYN HOHLWEIN YANNIS SIMONIDES Prof. WILLIAM MULLEN Founder & President Vice President and Managing Director Literary & Academic Advisor khohlwein@gmail.com yannis.simonides@ellinikotheatro.org mullen@bard.edu (916) 769 6446 (914) 325 8871 (845) 661 0799 LAURA HOHLWEIN STEPHANIA XYDIA Art Director Press and Public Relations hohlwein@mindspring.com stephania.xydia@ellinikotheatro.org (916) 769 6441 011 30 6934 43 87 48