SlideShare una empresa de Scribd logo
1 de 3
pt f e n
     ceG r a
C onn a
      io
  F
Concept


Our conept is that feeling of not giving in. The song we have
chosen is by Rudimental and is called ‘Not Giving In’. Our idea
revolves the important lyrics “ not giving in.” We felt that these
lyrics could emprises frustration of either the character. We
next thought about the stressful situations that the characters
could be in and we would be able to relate to the lyrics “not
giving in.” In this music video we wanted to represent society
and a big community. For are music video we will be using
Andrew Goodwin’s theory in which the artist does not take on a
role of character but simply performs to the viewer. With this
theory we would also be showing the emotions with in the
lyrics and empathising them to the viewer watching. In
comparison, to the literal meaning behind them. We have
decided to use four different locations for our music video
which will show different areas of struggles of not giving in.
Locations
The reason why we have chosen 4 different locations is so the viewer watching does not get
bored. It will give a variety to our music video and create an interesting twist.

.Gym:
The gym would be representing the release of frustration and violence. Violence can be seen as a
way of storing up anger when someone does not want to back down and give in when it comes to
a situation. We chose the gym to show the appropriate and controlling way of releasing frustration
as well as anger.
 . Interrogation Room:
We decided to use the interrogation room as our next location to portray how people will not give
in to answering to the polices demands. In this location we want to focus on the waiting aspect
and the frustrated impact it can have on someone. We would make it obvious to the viewer that it
is a interrogation by using a lamp in this scene.
. Business Office:
In this location the character would be pacing up and down the place and throwing objects off the
table as well as hitting tables. This would show his frustration. The other way we are showing this
is with the costume. We are having the character wearing a stressed suit. What we mean by this
is; shirt crumpled and hanging out, loose tie, messy hair and crumpled suit.
.Open Field:
We have decided to choose the field as our last location because it juxtapositions the music and
portrays the freedom and happiness of the character.

Más contenido relacionado

La actualidad más candente (17)

Dan Croll - Planning.
Dan Croll - Planning.Dan Croll - Planning.
Dan Croll - Planning.
 
Storyboard
StoryboardStoryboard
Storyboard
 
Actor For The House Guest
Actor For The House GuestActor For The House Guest
Actor For The House Guest
 
Daisy pledger evaluation
Daisy pledger evaluation Daisy pledger evaluation
Daisy pledger evaluation
 
Casting details
Casting detailsCasting details
Casting details
 
Picture from pracitce filming
Picture from pracitce filmingPicture from pracitce filming
Picture from pracitce filming
 
Actors
ActorsActors
Actors
 
Question 1
Question 1Question 1
Question 1
 
How did you attract/address your audience?
How did you attract/address your audience?How did you attract/address your audience?
How did you attract/address your audience?
 
Anil Kapur- Media A/S R&P
Anil Kapur- Media A/S R&PAnil Kapur- Media A/S R&P
Anil Kapur- Media A/S R&P
 
Learning material sma
Learning material smaLearning material sma
Learning material sma
 
Preliminary task real one
Preliminary task   real onePreliminary task   real one
Preliminary task real one
 
2. Evaluation: In what ways does your media product use, develop or challenge...
2. Evaluation: In what ways does your media product use, develop or challenge...2. Evaluation: In what ways does your media product use, develop or challenge...
2. Evaluation: In what ways does your media product use, develop or challenge...
 
Costume shots
Costume shotsCostume shots
Costume shots
 
Production schedule
Production scheduleProduction schedule
Production schedule
 
Cast notes
Cast notesCast notes
Cast notes
 
The production of the second advert
The production of the second advertThe production of the second advert
The production of the second advert
 

Destacado

Ldap sync manual
Ldap sync manualLdap sync manual
Ldap sync manual
Dim Kin
 
Presentacion appa
Presentacion appaPresentacion appa
Presentacion appa
Isabel Arce
 
클라우드 컴퓨팅의 장단점
클라우드  컴퓨팅의 장단점클라우드  컴퓨팅의 장단점
클라우드 컴퓨팅의 장단점
Park SooJin
 
Thoda Automatic Wala - Auto Finals
Thoda Automatic Wala - Auto FinalsThoda Automatic Wala - Auto Finals
Thoda Automatic Wala - Auto Finals
Devesh Pandey
 

Destacado (20)

Homemade Formula 1 Car
Homemade Formula 1 CarHomemade Formula 1 Car
Homemade Formula 1 Car
 
CHÁO
CHÁOCHÁO
CHÁO
 
Ldap sync manual
Ldap sync manualLdap sync manual
Ldap sync manual
 
Presentacion appa
Presentacion appaPresentacion appa
Presentacion appa
 
Geologische Dienst Nederland
Geologische Dienst NederlandGeologische Dienst Nederland
Geologische Dienst Nederland
 
Designing for Disruption
Designing for DisruptionDesigning for Disruption
Designing for Disruption
 
Quizzathon Prelims
Quizzathon PrelimsQuizzathon Prelims
Quizzathon Prelims
 
给排水设计实例
给排水设计实例给排水设计实例
给排水设计实例
 
ABIERTO PEDIDO CATALOGO RESTYLE
ABIERTO PEDIDO CATALOGO RESTYLEABIERTO PEDIDO CATALOGO RESTYLE
ABIERTO PEDIDO CATALOGO RESTYLE
 
Markfest
MarkfestMarkfest
Markfest
 
Auto prelims
Auto prelimsAuto prelims
Auto prelims
 
클라우드 컴퓨팅의 장단점
클라우드  컴퓨팅의 장단점클라우드  컴퓨팅의 장단점
클라우드 컴퓨팅의 장단점
 
ספורו של פלג הדן
ספורו של פלג הדן ספורו של פלג הדן
ספורו של פלג הדן
 
たねとりのたのしみ(1)F1と固定種
たねとりのたのしみ(1)F1と固定種たねとりのたのしみ(1)F1と固定種
たねとりのたのしみ(1)F1と固定種
 
Thoda Automatic Wala - Auto Finals
Thoda Automatic Wala - Auto FinalsThoda Automatic Wala - Auto Finals
Thoda Automatic Wala - Auto Finals
 
Journal of Intern
Journal of InternJournal of Intern
Journal of Intern
 
Session1 kees westrate port of rotterdam
Session1 kees westrate port of rotterdamSession1 kees westrate port of rotterdam
Session1 kees westrate port of rotterdam
 
Practica 25
Practica 25Practica 25
Practica 25
 
Summer tac gapps
Summer tac gappsSummer tac gapps
Summer tac gapps
 
Comunicare al femminile
Comunicare al femminileComunicare al femminile
Comunicare al femminile
 

Similar a Concept

Leanne Saunders - Evaluation
Leanne Saunders - EvaluationLeanne Saunders - Evaluation
Leanne Saunders - Evaluation
Sian Mapp
 
Ideas generation report
Ideas generation reportIdeas generation report
Ideas generation report
tomsnaith
 
AS FOUNDATION PRODUCTION EVALUATION
AS FOUNDATION PRODUCTION EVALUATIONAS FOUNDATION PRODUCTION EVALUATION
AS FOUNDATION PRODUCTION EVALUATION
hgseveleigh
 
Abi Edwards and Sian Ball AS Evaluation
Abi Edwards and Sian Ball AS EvaluationAbi Edwards and Sian Ball AS Evaluation
Abi Edwards and Sian Ball AS Evaluation
guest483abee
 
Media work[1] [recovered] [recovered]
Media work[1] [recovered] [recovered]Media work[1] [recovered] [recovered]
Media work[1] [recovered] [recovered]
lewiscrichton
 
Audience feedback qu 3
Audience feedback qu 3Audience feedback qu 3
Audience feedback qu 3
dandy1204
 

Similar a Concept (20)

Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Q 2 full
Q 2 fullQ 2 full
Q 2 full
 
Leanne Saunders - Evaluation
Leanne Saunders - EvaluationLeanne Saunders - Evaluation
Leanne Saunders - Evaluation
 
Ncf opresentation
Ncf opresentationNcf opresentation
Ncf opresentation
 
Ideas generation report
Ideas generation reportIdeas generation report
Ideas generation report
 
Q 2 full
Q 2 fullQ 2 full
Q 2 full
 
Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.
 
Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1
 
Evaluation questions 1
Evaluation questions 1Evaluation questions 1
Evaluation questions 1
 
AS FOUNDATION PRODUCTION, EVALUATION
AS FOUNDATION PRODUCTION, EVALUATIONAS FOUNDATION PRODUCTION, EVALUATION
AS FOUNDATION PRODUCTION, EVALUATION
 
AS FOUNDATION PRODUCTION EVALUATION
AS FOUNDATION PRODUCTION EVALUATIONAS FOUNDATION PRODUCTION EVALUATION
AS FOUNDATION PRODUCTION EVALUATION
 
Rayan key concepts
Rayan   key conceptsRayan   key concepts
Rayan key concepts
 
Abi Edwards and Sian Ball AS Evaluation
Abi Edwards and Sian Ball AS EvaluationAbi Edwards and Sian Ball AS Evaluation
Abi Edwards and Sian Ball AS Evaluation
 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
 
Media work[1] [recovered] [recovered]
Media work[1] [recovered] [recovered]Media work[1] [recovered] [recovered]
Media work[1] [recovered] [recovered]
 
Media c
Media cMedia c
Media c
 
Production Brief
Production Brief Production Brief
Production Brief
 
Audience feedback qu 3
Audience feedback qu 3Audience feedback qu 3
Audience feedback qu 3
 
Final pitch
Final pitchFinal pitch
Final pitch
 
Our Pitch
Our PitchOur Pitch
Our Pitch
 

Más de Figen232

Q4) how did you use media terminologies v1
Q4) how did you use media terminologies v1Q4) how did you use media terminologies v1
Q4) how did you use media terminologies v1
Figen232
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
Figen232
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
Figen232
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
Figen232
 
Photoshop technical skills
Photoshop technical skillsPhotoshop technical skills
Photoshop technical skills
Figen232
 
Three record label companies
Three record label companiesThree record label companies
Three record label companies
Figen232
 
The ideal target audience
The ideal target audienceThe ideal target audience
The ideal target audience
Figen232
 
The ideal target audience
The ideal target audienceThe ideal target audience
The ideal target audience
Figen232
 
Props & costumes
Props & costumesProps & costumes
Props & costumes
Figen232
 
Vengeance opening sequence2
Vengeance opening sequence2Vengeance opening sequence2
Vengeance opening sequence2
Figen232
 
Vengeance opening sequence
Vengeance opening sequenceVengeance opening sequence
Vengeance opening sequence
Figen232
 
Bridget jones's diary analysis by Fiona
Bridget jones's diary analysis by Fiona Bridget jones's diary analysis by Fiona
Bridget jones's diary analysis by Fiona
Figen232
 
Title v.s Trailer
Title v.s TrailerTitle v.s Trailer
Title v.s Trailer
Figen232
 

Más de Figen232 (13)

Q4) how did you use media terminologies v1
Q4) how did you use media terminologies v1Q4) how did you use media terminologies v1
Q4) how did you use media terminologies v1
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
 
Q4) how did you use media terminologies
Q4) how did you use media terminologiesQ4) how did you use media terminologies
Q4) how did you use media terminologies
 
Photoshop technical skills
Photoshop technical skillsPhotoshop technical skills
Photoshop technical skills
 
Three record label companies
Three record label companiesThree record label companies
Three record label companies
 
The ideal target audience
The ideal target audienceThe ideal target audience
The ideal target audience
 
The ideal target audience
The ideal target audienceThe ideal target audience
The ideal target audience
 
Props & costumes
Props & costumesProps & costumes
Props & costumes
 
Vengeance opening sequence2
Vengeance opening sequence2Vengeance opening sequence2
Vengeance opening sequence2
 
Vengeance opening sequence
Vengeance opening sequenceVengeance opening sequence
Vengeance opening sequence
 
Bridget jones's diary analysis by Fiona
Bridget jones's diary analysis by Fiona Bridget jones's diary analysis by Fiona
Bridget jones's diary analysis by Fiona
 
Title v.s Trailer
Title v.s TrailerTitle v.s Trailer
Title v.s Trailer
 

Concept

  • 1. pt f e n ceG r a C onn a io F
  • 2. Concept Our conept is that feeling of not giving in. The song we have chosen is by Rudimental and is called ‘Not Giving In’. Our idea revolves the important lyrics “ not giving in.” We felt that these lyrics could emprises frustration of either the character. We next thought about the stressful situations that the characters could be in and we would be able to relate to the lyrics “not giving in.” In this music video we wanted to represent society and a big community. For are music video we will be using Andrew Goodwin’s theory in which the artist does not take on a role of character but simply performs to the viewer. With this theory we would also be showing the emotions with in the lyrics and empathising them to the viewer watching. In comparison, to the literal meaning behind them. We have decided to use four different locations for our music video which will show different areas of struggles of not giving in.
  • 3. Locations The reason why we have chosen 4 different locations is so the viewer watching does not get bored. It will give a variety to our music video and create an interesting twist. .Gym: The gym would be representing the release of frustration and violence. Violence can be seen as a way of storing up anger when someone does not want to back down and give in when it comes to a situation. We chose the gym to show the appropriate and controlling way of releasing frustration as well as anger. . Interrogation Room: We decided to use the interrogation room as our next location to portray how people will not give in to answering to the polices demands. In this location we want to focus on the waiting aspect and the frustrated impact it can have on someone. We would make it obvious to the viewer that it is a interrogation by using a lamp in this scene. . Business Office: In this location the character would be pacing up and down the place and throwing objects off the table as well as hitting tables. This would show his frustration. The other way we are showing this is with the costume. We are having the character wearing a stressed suit. What we mean by this is; shirt crumpled and hanging out, loose tie, messy hair and crumpled suit. .Open Field: We have decided to choose the field as our last location because it juxtapositions the music and portrays the freedom and happiness of the character.