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From script to screen for information literacy
                              Gareth J Johnson

                        Weasel Televisual Enterprises
                         (and Leicester University)




                                                    www.youtube.com/llordllama
www.twitter.com/llordllama
An awareness of making and using

    visual media for training and education
    Using humour and weasels to educate


    Script to screen & Do It Yourself

    Speilberging
    Group work


    Pre & post production techniques

Started in 2007 filming for fun


    Moved on to developing short films


    Bought a camera and software


    Started using videos in (some)

    teaching and training
    Never looked back


    Waiting on big movie deal

Humour doesn’t come naturally to

    education or librarians
      Sad fact of life
    
     But as powerful a tool as rhetoric or
      repetition
    But education isn’t funny!

      Maybe, but comedy IS engaging
    
     Audiences will remember serious points
      made
     Engaging an audience a key educational goal
Definitions of comedy

        “a dramatic performance which pits two societies against
    
        each other in an amusing agon or conflict.” (wikipedia)
        “Tragedy is when I cut my finger. Comedy is when you
    
        walk into an open sewer and die.quot; (Mel Brooks)
    Comedy comes in many forms, and it pays to

    be familiar with them
        Timing
    
        Reversal of expectations or cliché
    
        Dialogue, delivery or intonation
    
        Antics and capering
    
        Pathos (might not be what you’re aiming for)
    
How can this be educational?

        Breaks the ice
    
        Change of focus, raises attention levels
    
        Re-enforcement of core message
    
        Provides respite for the speaker
    
        Available for local and distance learners
    

    Won’t click for every learning style

      But neither does other form of instruction
    
     Another weapon in the educational ammo dump
     Reviewable post-session too
A video short can contain 1 core concept

        Concept encapsulated in 25 words or less
    

    Show don’t tell

        Not a simple migration of words to screen
    
        Need to include any actions
    

    Basic screenwriting techniques will help

        Brevity, clarity, and punch
    
        Write for your audience
    
        Use or adapt a template
    
Screen writing formats

        Useful as a guide but don’t follow strictly
    
        See references and handouts for suggestions
    

    Writing effective and engaging dialogue

        Most is an interrogative between two speakers
    

    Rules of thumb

        1 page/1 minute
    
        Two heads better than one
    
        Speaking script and shooting script strictly two
    
        different things
Start simple (stupid!)


    Think message, message, message

        The opening line has to grab the audience’s attention
    

    Get someone else to read/review the script


    Polish your diamonds


    Choose your artistes with care

        Dull inflection/intonation bring death on swift wings
    
        Availability can be the key factor
    

    Get someone else to film it if you can…

Outline a movie concept in 25 words or less
1.
         Think about the central message
     
         Think about your audience & stakeholders
     
         Use the plotting template
     
         5 Minutes
     

     Plan 2 or 3 scenes (or more)
2.
       Think of locations, situations and actors
     
      Think about practicalities of the shoot
      Write the opening lines of dialogue
      10 minutes
Using in-house AV teams

        Access to better kit and experience
    
        More polished final product
    
        Reduces flexability and adaptability
    
        Potential loss of creative control
    

    Just shoot you

        Closer creative control of final product
    
        Readily able to adapt and adjust
    
        More time intensive all round
    
Videos are a non-trivial creation exercise


    A 3-5 minute movie might well take

      Plotting, scripting, planning     1-2 hours
    
     Set up, shoot and re-shoot        1-2 hours
     Editing & polishing               2-3 hours
    May not be consecutive periods

      Helps if are relatively close together
    
     Need for script approval can increase times
Shooting tips

      Always consider simple backgrounds
    
      Avoid cliché library book shelves if you
    
      can
     Shoot once, shoot twice, shoot thrice
     Reshoot after rough cut
    Editing

      Get a rough cut together ASAP
    
      Screen to a small audience
    
     Listen to their feedback or comments
     Be prepared to make (minor) changes
Born digital is an easier format to work with

        Less physical media lying around
    
        Easier to back-up
    

    Buying cameras from new

        Doesn’t cost the earth
    
        Entry level £150, serious £500 and up
    

    Editing software cheap as chips

        Movie Maker, Corel Ulead, Adobe Premier
    
        Simple interfaces and editing tools
    

    A spotlight will pay major visual dividends

Information overload

        Tempting to cram too much in
    
        One or two core messages only
    

    Clarity, pacing and engagement

        Videos aren’t interactive
    
        Short can be sweeter and punchier
    

    Keeping it on track

      Complex/long scripts make for more time
    
      consuming shoots and editing
     A little each day is a more manageable approach
 Keep   thinking…
  Message,   message message
Get someone else to read the script out loud


    Do multiple takes of every scene


    Be aware of backgrounds and lighting


    Use what ever software you are happy with


    Make & watch a rough edit as quickly as

    possible
    Produce the final video in both a small and

    a high quality versions
    Back up your original footage somewhere

    safe
Gareth J Johnson

      gazjjohnson@googlemail.com
    
     gjj6@le.ac.uk
     0116-252-2055

    www.twitter.com/llordllama


    www.youtube.com/llordllama


    tinyurl.com/weaselchums

Costello, John. (2006). Writing a screenplay, 2nd edn,

    Pocket Essentials
    Cresswell, Julia. (2000). The Penguin dictionary of

    clichés, Penguin Group, London
    Frensham, Raymond G. (1996). Screenwriting, Hodder

    Headline Plc, London
    Muchnick, A. (2004). When Pancakes Go Bad: Optical

    Delusions with Adobe Photoshop , Course Technology
    PTR
    Novelly, Maria C. (1985). Theatre Games for Young

    Performers, Meriweather Publishing Ltd, Colorado
    Springs
    Wikipedia. (2008). Comedy.

    http://en.wikipedia.org/wiki/Comedy. (accessed
    27/5/08)
A Librarian by Any Other name: Renaming the profession? (2008)

        www.youtube.com/watch?v=gSkat7th2FA
    
    Better Library Inductions For New Readers & Students (2008)

        www.youtube.com/watch?v=nYRQ4KLlyMw
    
    Boolean Logic & Database Searching (Librarian Goose) (2008)

        www.youtube.com/watch?v=enPSOq1_QmY
    
    Contrasting Blogs, Twitter & Library News Pages (2008)

        www.youtube.com/watch?v=-1nJQKsLgM0
    
    Handling Customer Complaints in the Library (2008)

        www.youtube.com/watch?v=N7jS9-g-BBc
    
    How to Evaluate Websites (2009)

        Part 1: www.youtube.com/watch?v=lrXNCj9n6e4
    
        Part 2: www.youtube.com/watch?v=PYV3ZmThuls
    
        Part 3: www.youtube.com/watch?v=ta1RMXVOig0
    
    Importance of Data Protection in Libraries (Librarian Goose) (2008)

        www.youtube.com/watch?v=wUzPhdqkWRQ
    
Librarian's Guide to...Understanding Academic Copyright (2007)

        www.youtube.com/watch?v=7giW7efQggo
    
    Surviving Library Conferences (2008)

        www.youtube.com/watch?v=D1PRBONa9r8
    
    The Genesis of Repository Policies (2009)

        www.youtube.com/watch?v=pIcBlltRZWo
    
    The Pinewood Librarian: Librarians, Libraries & Life itself (2008)

        www.youtube.com/watch?v=Mtjj4q_jqIo
    
    The Professional Librarian: Difficult Customers (2007)

        www.youtube.com/watch?v=z3Jud4b9ik0
    
    The Professional Librarian: Fire Safety Lectures (2007)

        www.youtube.com/watch?v=CulZsXPGpKU
    
    The Professional Librarian: Inappropriate Behaviour (2007)

        www.youtube.com/watch?v=5tN2xj8rgWA
    
    Your Library: A User Centric Experience (2008)

        www.youtube.com/watch?v=m5I9hSsVLwU
    

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The Weasel Dialogues

  • 1. From script to screen for information literacy Gareth J Johnson Weasel Televisual Enterprises (and Leicester University) www.youtube.com/llordllama www.twitter.com/llordllama
  • 2. An awareness of making and using  visual media for training and education Using humour and weasels to educate  Script to screen & Do It Yourself  Speilberging Group work  Pre & post production techniques 
  • 3. Started in 2007 filming for fun  Moved on to developing short films  Bought a camera and software  Started using videos in (some)  teaching and training Never looked back  Waiting on big movie deal 
  • 4.
  • 5. Humour doesn’t come naturally to  education or librarians Sad fact of life   But as powerful a tool as rhetoric or repetition But education isn’t funny!  Maybe, but comedy IS engaging   Audiences will remember serious points made  Engaging an audience a key educational goal
  • 6. Definitions of comedy  “a dramatic performance which pits two societies against  each other in an amusing agon or conflict.” (wikipedia) “Tragedy is when I cut my finger. Comedy is when you  walk into an open sewer and die.quot; (Mel Brooks) Comedy comes in many forms, and it pays to  be familiar with them Timing  Reversal of expectations or cliché  Dialogue, delivery or intonation  Antics and capering  Pathos (might not be what you’re aiming for) 
  • 7. How can this be educational?  Breaks the ice  Change of focus, raises attention levels  Re-enforcement of core message  Provides respite for the speaker  Available for local and distance learners  Won’t click for every learning style  But neither does other form of instruction   Another weapon in the educational ammo dump  Reviewable post-session too
  • 8. A video short can contain 1 core concept  Concept encapsulated in 25 words or less  Show don’t tell  Not a simple migration of words to screen  Need to include any actions  Basic screenwriting techniques will help  Brevity, clarity, and punch  Write for your audience  Use or adapt a template 
  • 9. Screen writing formats  Useful as a guide but don’t follow strictly  See references and handouts for suggestions  Writing effective and engaging dialogue  Most is an interrogative between two speakers  Rules of thumb  1 page/1 minute  Two heads better than one  Speaking script and shooting script strictly two  different things
  • 10. Start simple (stupid!)  Think message, message, message  The opening line has to grab the audience’s attention  Get someone else to read/review the script  Polish your diamonds  Choose your artistes with care  Dull inflection/intonation bring death on swift wings  Availability can be the key factor  Get someone else to film it if you can… 
  • 11. Outline a movie concept in 25 words or less 1. Think about the central message  Think about your audience & stakeholders  Use the plotting template  5 Minutes  Plan 2 or 3 scenes (or more) 2. Think of locations, situations and actors   Think about practicalities of the shoot  Write the opening lines of dialogue  10 minutes
  • 12. Using in-house AV teams  Access to better kit and experience  More polished final product  Reduces flexability and adaptability  Potential loss of creative control  Just shoot you  Closer creative control of final product  Readily able to adapt and adjust  More time intensive all round 
  • 13. Videos are a non-trivial creation exercise  A 3-5 minute movie might well take  Plotting, scripting, planning 1-2 hours   Set up, shoot and re-shoot 1-2 hours  Editing & polishing 2-3 hours May not be consecutive periods  Helps if are relatively close together   Need for script approval can increase times
  • 14. Shooting tips  Always consider simple backgrounds  Avoid cliché library book shelves if you  can  Shoot once, shoot twice, shoot thrice  Reshoot after rough cut Editing  Get a rough cut together ASAP  Screen to a small audience   Listen to their feedback or comments  Be prepared to make (minor) changes
  • 15. Born digital is an easier format to work with  Less physical media lying around  Easier to back-up  Buying cameras from new  Doesn’t cost the earth  Entry level £150, serious £500 and up  Editing software cheap as chips  Movie Maker, Corel Ulead, Adobe Premier  Simple interfaces and editing tools  A spotlight will pay major visual dividends 
  • 16. Information overload  Tempting to cram too much in  One or two core messages only  Clarity, pacing and engagement  Videos aren’t interactive  Short can be sweeter and punchier  Keeping it on track  Complex/long scripts make for more time  consuming shoots and editing  A little each day is a more manageable approach
  • 17.  Keep thinking…  Message, message message
  • 18. Get someone else to read the script out loud  Do multiple takes of every scene  Be aware of backgrounds and lighting  Use what ever software you are happy with  Make & watch a rough edit as quickly as  possible Produce the final video in both a small and  a high quality versions Back up your original footage somewhere  safe
  • 19.
  • 20. Gareth J Johnson  gazjjohnson@googlemail.com   gjj6@le.ac.uk  0116-252-2055 www.twitter.com/llordllama  www.youtube.com/llordllama  tinyurl.com/weaselchums 
  • 21. Costello, John. (2006). Writing a screenplay, 2nd edn,  Pocket Essentials Cresswell, Julia. (2000). The Penguin dictionary of  clichés, Penguin Group, London Frensham, Raymond G. (1996). Screenwriting, Hodder  Headline Plc, London Muchnick, A. (2004). When Pancakes Go Bad: Optical  Delusions with Adobe Photoshop , Course Technology PTR Novelly, Maria C. (1985). Theatre Games for Young  Performers, Meriweather Publishing Ltd, Colorado Springs Wikipedia. (2008). Comedy.  http://en.wikipedia.org/wiki/Comedy. (accessed 27/5/08)
  • 22. A Librarian by Any Other name: Renaming the profession? (2008)  www.youtube.com/watch?v=gSkat7th2FA  Better Library Inductions For New Readers & Students (2008)  www.youtube.com/watch?v=nYRQ4KLlyMw  Boolean Logic & Database Searching (Librarian Goose) (2008)  www.youtube.com/watch?v=enPSOq1_QmY  Contrasting Blogs, Twitter & Library News Pages (2008)  www.youtube.com/watch?v=-1nJQKsLgM0  Handling Customer Complaints in the Library (2008)  www.youtube.com/watch?v=N7jS9-g-BBc  How to Evaluate Websites (2009)  Part 1: www.youtube.com/watch?v=lrXNCj9n6e4  Part 2: www.youtube.com/watch?v=PYV3ZmThuls  Part 3: www.youtube.com/watch?v=ta1RMXVOig0  Importance of Data Protection in Libraries (Librarian Goose) (2008)  www.youtube.com/watch?v=wUzPhdqkWRQ 
  • 23. Librarian's Guide to...Understanding Academic Copyright (2007)  www.youtube.com/watch?v=7giW7efQggo  Surviving Library Conferences (2008)  www.youtube.com/watch?v=D1PRBONa9r8  The Genesis of Repository Policies (2009)  www.youtube.com/watch?v=pIcBlltRZWo  The Pinewood Librarian: Librarians, Libraries & Life itself (2008)  www.youtube.com/watch?v=Mtjj4q_jqIo  The Professional Librarian: Difficult Customers (2007)  www.youtube.com/watch?v=z3Jud4b9ik0  The Professional Librarian: Fire Safety Lectures (2007)  www.youtube.com/watch?v=CulZsXPGpKU  The Professional Librarian: Inappropriate Behaviour (2007)  www.youtube.com/watch?v=5tN2xj8rgWA  Your Library: A User Centric Experience (2008)  www.youtube.com/watch?v=m5I9hSsVLwU 