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Innovation, Convergence and Creative (Service) Industries Ian Miles [email_address] MOSTI service innovation seminar 8
Main Contents ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Remember the discussion of statistical operational definition of KIBs… ,[object Object],[object Object],[object Object],Technical 74  74.2,.3 ,[object Object],[object Object],Other 74.81-84 ,[object Object],Operational 74.6, 74.7 ,[object Object],Labour recruitment 74.5 •  Market research  • Advertising Marketing 74.13, 74.4 ,[object Object],[object Object],Professional 74.11- .12, 74.14 •  Research and experimental development on natural sciences and engineering  • … on social sciences and humanities R&D 73  73.1, .2 ,[object Object],[object Object],Computer 72   72.1 – 6 ,[object Object],Leasing & renting 71  71.1, .2 Most important activities Business Services NACE Classification
We noted that there are, however, some other activities looking like KIBS: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The notion of creative industries ,[object Object],[object Object],[object Object],[object Object]
DCMS - definition http:// www.culture.gov.uk /what_we_do/creative_industries/default.aspx/
DCMS categories ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ Creatives” in the UK – not all in creative industries, by a long shot! Source: NESTA,  Beyond the Creative Industries
Disparate Activities, but some systematic thinking ,[object Object],[object Object],[object Object],[object Object]
A Paradox ,[object Object],[object Object],[object Object],[object Object],Innovation Nation: Background analysis: strengths and weakness of the UK innovation system Department for Innovation,  Universities  &  Skills
Creativity and Innovation ,[object Object]
Free Newspapers Revenue Model Innovation Some examples of Innovation in Creative Industries
Internet Narrowcasting Innovation in service concept, design, delivery, interaction with (and among) clients
Digital Cinema (+3D) Innovation in Production, Distribution and Delivery, User Experience
Videogames Innovation in Delivery, content, user interfaces, user interaction (online games etc)…
Design Process Innovation – becoming product innovation (virtual prototyping etc)
Broadcast Media Content Innovation – routine (“fresh”  content vs “novel” content) and  generic (new content v new  structures for content).  Plus  User engagement innovation
“ Content is King” Is the reason for the avoidance of this area a matter of these activities having been seen as nonessential luxuries  –  or is it the mysteries of  content? (c)
Content is Kong ? ,[object Object],[object Object]
Innovation in Creative Industries ,[object Object],[object Object],[object Object],Many creative activities, & forms of innovation, are not captured in conventional metrics
Hidden Innovation in the Creative Industries
Case Studies ,[object Object],[object Object],[object Object],[object Object],[object Object]
Much evidence of innovation – both well-recognised and hidden ,[object Object],[object Object],[object Object]
Much evidence of innovation – some well-recognised ,[object Object],[object Object],[object Object],[object Object],[object Object]
Some innovation is more ‘hidden’ ,[object Object],[object Object],[object Object],[object Object]
More ‘hidden’ innovation ,[object Object],[object Object],[object Object],[object Object]
Innovation and innovation management ,[object Object],[object Object],[object Object],[object Object]
CREATIVE FIRM PRODUCTION & PREPRODUCTION PRODUCT COMMUNICATIONS USER EXPERIENCE 1 General administration & financial management 6 Back-office/ back stage production processes, design process 11 Product format (“cultural product”, performance features of product) 5 Internal communications, Management of HR & work organization 2 Revenue Model 3 Value Chain Location 7 Transaction (purchase, lease etc.) 4 Communications with suppliers, collaborators, supply chain partners etc. 8 Marketing and customer relationship management 15 User Capabilities & Media (e.g. Consumer Electronics) 12 Delivery of Product 13 User Interface with Product 14 User Interaction, including supply & configuration of content 9 Content of Product (cultural concept etc.) 10 Performance and production processes Areas of innovation Innovation = doing new things (or old things in new ways) – with or without new technology and technique FRONT STAGE BACK STAGE
Recommendations ,[object Object],[object Object],[object Object],[object Object]
Summing Up ,[object Object],[object Object],[object Object]
On to part 2 - Convergence ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Convergence ,[object Object],[object Object],[object Object]
Digital Convergence  ,[object Object]
Digitalisation ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],(photochemistry) (phonography, electronics…) (mechanical, electromechanical) (printing) New storage devices and displays – ebooks, CDs, MP3/4 players, etc; Web publishing Analogue              Digital Publishing, broadcasting, etc
Digital Convergence  ,[object Object],[object Object],[object Object],[object Object]
A Three-Dimensional Media Universe Moving over Space -  Telecommunications Storing over Time, Reproducing-  Published Media (Broadcast Media) Transforming, Processing -  Computation 1 to 1 1 to many Information CONTENT INTERACTION CHANNELS PROCESSING COMMUNICATION
A Growing Market Space… Increasing size of markets
… Within which the offerings of established industries expand == == === =Increasing  = ==   proliferation of  = == === =  products
The Expanding Media Universe Communications Computation Content Time The three “trumpet” shapes represent telecommunications, computer, and broadcast & print media fields.  Over time the  product space  to which they contribute, and its market size, expands, and the three fields overlap increasingly.
Early Industrial Society INFORMATION GOODS & SERVICES COMPUTATION (TELE) COMMUNICATIONS Paper-based  communication : Stationery, Post. C19th - telephone, telegraph Mechanical information  processing : very limited till C20th - punch cards, calculators Paper-based  information  products - books, newspapers, etc + live consultation & entertainment + mechanical recorded media (gramophone etc) All (but telecomms) based on  PHYSICAL TRANSPORT
The mid-1950s BROADCAST + PUBLISHED MEDIA COMPUTERS Telephone Telegraph TV (mainly monochrome)AM radio,  LP records, valve amplifiers Very few,  very large, valve-based electronic computers; Keyboard calculators TELECOMMUNICATIONS PHYSICAL TRANSPORT plus increasing electronic delivery (telecomms, TV, radio, etc.)
The mid-1970s BROADCAST + PUBLISHED MEDIA COMPUTERS Telephone Telegraph Telex TV (colour) AM and FM transistor radio, LP records, transistor amplifiers Numerous mainframe  computers Pocket  calculators TELECOMMUNICATIONS Increasing role for electronic delivery, but little integration of media
Telephone Answering Machines, Mobile phones, Pagers, Business Fax Machines Videorecorders, audio CDs,  cable and satellite TV, Teletext Numerous Personal  Computers, Home Computers and videogames, Electronic wristwatches Electronic  mail Bulletin boards Videotex  Online databases for business & science Recorded information services BROADCAST + PUBLISHED MEDIA TELECOMMUNICATIONS COMPUTERS Some integration of media, emergence of optical media, increasing digitalisation The  Mid/late-1980s
Turn of the Century Digital mobile phones, Widespread use of Fax, pagers Videorecorders, audio CDs, digital recording cable and satellite TV Numerous PCs, laptops. notebooks, pocket organisers, etc. Numerous home computers and videogames Electronic  mail,  SMS Mobile data comms CD-ROM publishing Cable telephony Audiotext Internet World Wide Web   COMPUTERS TELECOMMUNICATIONS BROADCAST + PUBLISHED MEDIA Increasing integration of media, use of optical media, digitalisation
Digital mobile communications in wide use - pervasive communications MP3 and PVR, Digital Broadcast TV digital videorecording  High definition TV Pervasive  computers,  in many types of device (e.g. Personal Digital Assistants, smartphones) Internet telephone VoI, Internet  videotelephony Internet TV Video on Demand Interactive TV WiFi, Next generation of Internet & WWW,  Web2.0, Video telephones and conferences  DVD-R+, interactive video Now    2010?   COMPUTERS BROADCAST + PUBLISHED MEDIA TELECOMMUNICATIONS
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Uncertainties
Regulators ,[object Object],[object Object],[object Object]
1990 2003 spectrum Radiotelecommunications Agency Broadcasting Standards Commission But not print media – Press Complaints Commission etc. 1991 networks Oftel 1984 1996?
Jong-Seok Kim: mobile phone companies 2 nd  generation, digital services – earlier 1990s generation was analogue 2.5 generation 3rd generation 128k – 2m /sec 64k  /sec 14.4k/sec
 
Convergence ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Not just Media ,[object Object],[object Object],[object Object],[object Object]
Key Features of New Media:  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Some implications ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
End of Presentation

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Creative industries, Innovation, and Digital Convergence

  • 1. Innovation, Convergence and Creative (Service) Industries Ian Miles [email_address] MOSTI service innovation seminar 8
  • 2.
  • 3.
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  • 6. DCMS - definition http:// www.culture.gov.uk /what_we_do/creative_industries/default.aspx/
  • 7.
  • 8. “ Creatives” in the UK – not all in creative industries, by a long shot! Source: NESTA, Beyond the Creative Industries
  • 9.
  • 10.
  • 11.
  • 12. Free Newspapers Revenue Model Innovation Some examples of Innovation in Creative Industries
  • 13. Internet Narrowcasting Innovation in service concept, design, delivery, interaction with (and among) clients
  • 14. Digital Cinema (+3D) Innovation in Production, Distribution and Delivery, User Experience
  • 15. Videogames Innovation in Delivery, content, user interfaces, user interaction (online games etc)…
  • 16. Design Process Innovation – becoming product innovation (virtual prototyping etc)
  • 17. Broadcast Media Content Innovation – routine (“fresh” content vs “novel” content) and generic (new content v new structures for content). Plus User engagement innovation
  • 18. “ Content is King” Is the reason for the avoidance of this area a matter of these activities having been seen as nonessential luxuries – or is it the mysteries of content? (c)
  • 19.
  • 20.
  • 21. Hidden Innovation in the Creative Industries
  • 22.
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  • 24.
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  • 26.
  • 27.
  • 28. CREATIVE FIRM PRODUCTION & PREPRODUCTION PRODUCT COMMUNICATIONS USER EXPERIENCE 1 General administration & financial management 6 Back-office/ back stage production processes, design process 11 Product format (“cultural product”, performance features of product) 5 Internal communications, Management of HR & work organization 2 Revenue Model 3 Value Chain Location 7 Transaction (purchase, lease etc.) 4 Communications with suppliers, collaborators, supply chain partners etc. 8 Marketing and customer relationship management 15 User Capabilities & Media (e.g. Consumer Electronics) 12 Delivery of Product 13 User Interface with Product 14 User Interaction, including supply & configuration of content 9 Content of Product (cultural concept etc.) 10 Performance and production processes Areas of innovation Innovation = doing new things (or old things in new ways) – with or without new technology and technique FRONT STAGE BACK STAGE
  • 29.
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  • 32.
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  • 34.
  • 35.
  • 36. A Three-Dimensional Media Universe Moving over Space - Telecommunications Storing over Time, Reproducing- Published Media (Broadcast Media) Transforming, Processing - Computation 1 to 1 1 to many Information CONTENT INTERACTION CHANNELS PROCESSING COMMUNICATION
  • 37. A Growing Market Space… Increasing size of markets
  • 38. … Within which the offerings of established industries expand == == === =Increasing = == proliferation of = == === = products
  • 39. The Expanding Media Universe Communications Computation Content Time The three “trumpet” shapes represent telecommunications, computer, and broadcast & print media fields. Over time the product space to which they contribute, and its market size, expands, and the three fields overlap increasingly.
  • 40. Early Industrial Society INFORMATION GOODS & SERVICES COMPUTATION (TELE) COMMUNICATIONS Paper-based communication : Stationery, Post. C19th - telephone, telegraph Mechanical information processing : very limited till C20th - punch cards, calculators Paper-based information products - books, newspapers, etc + live consultation & entertainment + mechanical recorded media (gramophone etc) All (but telecomms) based on PHYSICAL TRANSPORT
  • 41. The mid-1950s BROADCAST + PUBLISHED MEDIA COMPUTERS Telephone Telegraph TV (mainly monochrome)AM radio, LP records, valve amplifiers Very few, very large, valve-based electronic computers; Keyboard calculators TELECOMMUNICATIONS PHYSICAL TRANSPORT plus increasing electronic delivery (telecomms, TV, radio, etc.)
  • 42. The mid-1970s BROADCAST + PUBLISHED MEDIA COMPUTERS Telephone Telegraph Telex TV (colour) AM and FM transistor radio, LP records, transistor amplifiers Numerous mainframe computers Pocket calculators TELECOMMUNICATIONS Increasing role for electronic delivery, but little integration of media
  • 43. Telephone Answering Machines, Mobile phones, Pagers, Business Fax Machines Videorecorders, audio CDs, cable and satellite TV, Teletext Numerous Personal Computers, Home Computers and videogames, Electronic wristwatches Electronic mail Bulletin boards Videotex Online databases for business & science Recorded information services BROADCAST + PUBLISHED MEDIA TELECOMMUNICATIONS COMPUTERS Some integration of media, emergence of optical media, increasing digitalisation The Mid/late-1980s
  • 44. Turn of the Century Digital mobile phones, Widespread use of Fax, pagers Videorecorders, audio CDs, digital recording cable and satellite TV Numerous PCs, laptops. notebooks, pocket organisers, etc. Numerous home computers and videogames Electronic mail, SMS Mobile data comms CD-ROM publishing Cable telephony Audiotext Internet World Wide Web COMPUTERS TELECOMMUNICATIONS BROADCAST + PUBLISHED MEDIA Increasing integration of media, use of optical media, digitalisation
  • 45. Digital mobile communications in wide use - pervasive communications MP3 and PVR, Digital Broadcast TV digital videorecording High definition TV Pervasive computers, in many types of device (e.g. Personal Digital Assistants, smartphones) Internet telephone VoI, Internet videotelephony Internet TV Video on Demand Interactive TV WiFi, Next generation of Internet & WWW, Web2.0, Video telephones and conferences DVD-R+, interactive video Now  2010? COMPUTERS BROADCAST + PUBLISHED MEDIA TELECOMMUNICATIONS
  • 46.
  • 47.
  • 48. 1990 2003 spectrum Radiotelecommunications Agency Broadcasting Standards Commission But not print media – Press Complaints Commission etc. 1991 networks Oftel 1984 1996?
  • 49. Jong-Seok Kim: mobile phone companies 2 nd generation, digital services – earlier 1990s generation was analogue 2.5 generation 3rd generation 128k – 2m /sec 64k /sec 14.4k/sec
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