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Sculptures from
the Early Age
Pre-Historic Sculptures
Materials used in sculptures
vary according to region and
locality. Archeologists believed that
their sculpture is a result of natural
erosion and not of human artistry.
Frequently carving may have
mythological or religious
significance.
Venus of Willendorf
28,000 B.C.E. –
25,000 B.C.E
It is carved from
limestone with
excessively heavy
breast and abdomen
used as charm to
ensure fertility.
Venus of
Brassempouy
25,000 years old
A sculpture of a
lady with the
hood. It is a
fragmentary ivory
figurine from the
Upper Paleolithic
era that
realistically
represents the
human face and
hairstyle
Sculptures from the Egyptian Era
Symbolic elements were widely
used such as forms, hieroglyphics,
relative size, location, materials, color,
actions and gestures. Their tombs
required the most extensive used of
sculpture.
The most common materials used
for sculptures are wood, ivory and
stones.
Elephant
TusksThe
tusks of
elephants are
composed of
ivory and can
grow up to 3.5
m (10.5 ft)
long. Leonard Rue
Microsoft ® Encarta ®
2009. © 1993-2008
Characteristics of the sculptures:
1. Symbolisms were heavily used to
represent the gods. They were
represented as composite creature
with animal heads on human bodies
2. Relief compositions were
arranged in horizontal lines to
record an event or represent an
action.
3. Most of the time the gods were
shown larger than humans, the
kings larger than their followers, the
dead larger than the living.
4. Empty space were filled with
figures or hieroglyphics
5. All individual components were
all brought to the plane of
representation and laid out like
writing
Queen Nefertiti,
painted limestone
18th Dynasty, 1375-
1357 BC
Realistic,with heavy
lided eyes, slender
neck, determined chin
and pure profile under
her heavy crown.
Queen , refers to
the Great Royal wife
of the Egyptian
pharoah .
The Pharoah
Menkaure and his
Queen, stone
4th Dynasty, 2548 -
2530 B.C.E.
An example of
portraits presented in
rigid postures , and
were simple and
powerful with very
little show of private
emotion.
Sculptures from
the Classical
Period
Greek Sculptures
Early Greek sculptures were
tense and stiff, their bodies were
hidden within enfolding robes.
After three centuries of
experiments, Greek sculptures
had finally evolved and showed
all the points of human anatomy
and proportion.
One of the most popular styles
of the greek sculptures was the
Hellenistic style. Hellenistic denotes
a preference in sculpture for more
elaborated patterns, mannered
arrangement of figures and groups,
and an emphasis on the
representation of movement for
dramatic effects.
Myron; The
Discobulus,
450 BC
Shows an
attitude of
maximum
tension, full of
compressed
energy, and
about to
explode an
action.
Roman Sculptures
Most Roman sculptures are
made of monumental terra-cotta.
They did not attempt to compete
with the free standing Greek works
of history or mythology but rather
they produced reliefs in the Great
Roman triumphal columns with
continuous narrative reliefs around.
The Portonacio
Sarcophagus
- Used for the burial of
Roman General involved
in the campaign of
Marcus Aurellius
- The best known and
most elaborate of all
“sarcophagus”(It is a
box-liked funeral
receptacle for a dead
body. Comes from a
Greek word “sarx”
meaning flesh and
“phagein” meaning “to
eat”)
- It depicts battle scenes
between Romans and
Germans
- Carved in marble
Sarcopagus,
from cervetiri, c.
520 BCE,
-Made of Terra
Cotta
- length 6’7” (2.06
m)
- a husband and
wife are shown
reclining
comfortably, as if
they were on a
couch
ByzantineSculptures
 The dominant themes in Byzantine
sculptures are religious, everyday life
scenes, and motifs from nature.
 Animals were used as symbols (dove,
deer, peafowl) while some had acrostic
signs (form of writing in which taking the
first letter; syllable or word of different
lines and putting them together it can be
read a message) that contained a great
theological significance.
The
Barberini
Diptych
-an early
example of
Byzantine
Ivory work
Romanesque Sculptures
Some of the famous sculptural
pieces are reliquaries, altar frontals,
crucifixes, and devotional images.
Small individual works of art were
generally made of costly materials for
royal and aristocratic patrons. These
lightweight devotional images were
usually carried in the processions both
inside and outside the churches
Last
Judgement,
tymapnum (an
architectural
element with in
the arch or
pediment) of the
west portal,
Cathedral of
Saint-Lazare,
Autun Burgundy
France,
Gothic Sculptures
Gothic sculptureshave a greater
freedom of style. They no longer lay
closely against the wall, but begun
to project outward.Figures were
given their own particular attitudes
instead of being set into particular
patterns and are more lively and
realistic.
Resurrection
of the Virgin,
end of the 12th
century
Cathedral
Amiens
Image from
Treasures of
the World, 1961
CCP Library
NAME IT!
Venus of
Willendorf
Venus of Brassempouy
Queen Nefertiti
The Pharoah
Menkaure and his
Queen
Myron; The Discobulus,
The Portonacio Sarcophagus
Sarcopagus, from cervetiri
The Barberini Diptych
Last Judgement,
Resurrection of the Virgin
THE END
THANK YOU
FOR LISTENING

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Western sculpture

  • 1.
  • 3. Pre-Historic Sculptures Materials used in sculptures vary according to region and locality. Archeologists believed that their sculpture is a result of natural erosion and not of human artistry. Frequently carving may have mythological or religious significance.
  • 4. Venus of Willendorf 28,000 B.C.E. – 25,000 B.C.E It is carved from limestone with excessively heavy breast and abdomen used as charm to ensure fertility.
  • 5. Venus of Brassempouy 25,000 years old A sculpture of a lady with the hood. It is a fragmentary ivory figurine from the Upper Paleolithic era that realistically represents the human face and hairstyle
  • 6. Sculptures from the Egyptian Era Symbolic elements were widely used such as forms, hieroglyphics, relative size, location, materials, color, actions and gestures. Their tombs required the most extensive used of sculpture. The most common materials used for sculptures are wood, ivory and stones.
  • 7. Elephant TusksThe tusks of elephants are composed of ivory and can grow up to 3.5 m (10.5 ft) long. Leonard Rue Microsoft ® Encarta ® 2009. © 1993-2008
  • 8. Characteristics of the sculptures: 1. Symbolisms were heavily used to represent the gods. They were represented as composite creature with animal heads on human bodies 2. Relief compositions were arranged in horizontal lines to record an event or represent an action.
  • 9. 3. Most of the time the gods were shown larger than humans, the kings larger than their followers, the dead larger than the living. 4. Empty space were filled with figures or hieroglyphics 5. All individual components were all brought to the plane of representation and laid out like writing
  • 10. Queen Nefertiti, painted limestone 18th Dynasty, 1375- 1357 BC Realistic,with heavy lided eyes, slender neck, determined chin and pure profile under her heavy crown. Queen , refers to the Great Royal wife of the Egyptian pharoah .
  • 11. The Pharoah Menkaure and his Queen, stone 4th Dynasty, 2548 - 2530 B.C.E. An example of portraits presented in rigid postures , and were simple and powerful with very little show of private emotion.
  • 13. Greek Sculptures Early Greek sculptures were tense and stiff, their bodies were hidden within enfolding robes. After three centuries of experiments, Greek sculptures had finally evolved and showed all the points of human anatomy and proportion.
  • 14. One of the most popular styles of the greek sculptures was the Hellenistic style. Hellenistic denotes a preference in sculpture for more elaborated patterns, mannered arrangement of figures and groups, and an emphasis on the representation of movement for dramatic effects.
  • 15. Myron; The Discobulus, 450 BC Shows an attitude of maximum tension, full of compressed energy, and about to explode an action.
  • 16. Roman Sculptures Most Roman sculptures are made of monumental terra-cotta. They did not attempt to compete with the free standing Greek works of history or mythology but rather they produced reliefs in the Great Roman triumphal columns with continuous narrative reliefs around.
  • 17. The Portonacio Sarcophagus - Used for the burial of Roman General involved in the campaign of Marcus Aurellius - The best known and most elaborate of all “sarcophagus”(It is a box-liked funeral receptacle for a dead body. Comes from a Greek word “sarx” meaning flesh and “phagein” meaning “to eat”) - It depicts battle scenes between Romans and Germans - Carved in marble
  • 18. Sarcopagus, from cervetiri, c. 520 BCE, -Made of Terra Cotta - length 6’7” (2.06 m) - a husband and wife are shown reclining comfortably, as if they were on a couch
  • 19. ByzantineSculptures  The dominant themes in Byzantine sculptures are religious, everyday life scenes, and motifs from nature.  Animals were used as symbols (dove, deer, peafowl) while some had acrostic signs (form of writing in which taking the first letter; syllable or word of different lines and putting them together it can be read a message) that contained a great theological significance.
  • 21. Romanesque Sculptures Some of the famous sculptural pieces are reliquaries, altar frontals, crucifixes, and devotional images. Small individual works of art were generally made of costly materials for royal and aristocratic patrons. These lightweight devotional images were usually carried in the processions both inside and outside the churches
  • 22. Last Judgement, tymapnum (an architectural element with in the arch or pediment) of the west portal, Cathedral of Saint-Lazare, Autun Burgundy France,
  • 23. Gothic Sculptures Gothic sculptureshave a greater freedom of style. They no longer lay closely against the wall, but begun to project outward.Figures were given their own particular attitudes instead of being set into particular patterns and are more lively and realistic.
  • 24. Resurrection of the Virgin, end of the 12th century Cathedral Amiens Image from Treasures of the World, 1961 CCP Library