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By: Tom Hales Early English Opera
Early English Opera Henry Purcell John Blow William D’Avenant Composers First Opera Venus and Adonis Dido and Aeneas  The Siege of Rhodes   Pre-Opera English Masques Music in Dramas Information Author Resources Concept Map Exit
Henry Purcell (1659-95) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Exit
John Blow (1649-1708)  John Blow was the teacher of  Henry Purcell. Blow was the  organist at Westminster Abbey for 11 years. He was also a private musician of James II. Blow is often credited for having composed the first English opera. Whether or not this is true, he like Purcell undoubtedly played a  major role in the establishment of the English Opera Exit
William D’Avenant Unlike Blow and Purcell, D’Avenant was not a composer; he was a playwright. D’Avenant Had written several English  plays and had collaborated with several different composers to produce a  great number of Masques before they were outlawed by the Puritan ruled Parliament. Though he is not often credited, he decisively wrote the first English Opera. Exit
Pre-Opera ,[object Object],[object Object],[object Object],Exit
English Masques ,[object Object],[object Object],Exit
Music in Drama ,[object Object],[object Object],Exit
First Opera ,[object Object],[object Object],[object Object],[object Object],Exit
Venus and Adonis Venus and Adonis was written in 1683 by John Blow.  Both the libretto and the music survive today. However,  many experts argue over the classification of this work. Some experts call Venus and Adonis a masque and  others call it a semi-opera. The New  Grove names it as the earliest  surviving English opera. This work  greatly influenced Purcell to attempt  his own opera. Cont. to Dido and Aeneas  Exit
Dido and Aeneas Dido and Aeneas was an opera completed by Henry  Purcell in 1689. Much of the structure is based on  Blow’s Venus and Adonis but Purcell did succeed in making an opera that resembled the French/Italian style ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Exit PLAY VIDEO  of Dido and Aeneas
The Siege of Rhodes  The Siege of Rhodes is undoubtedly the earliest  attempt at creating an English opera in the  French/Italian style. The opera was mostly written by armature musicians who collaborated with D’Avenant to produce the work in 1656. None of the music from the production has survived. Exit
Author My name is Thomas Hales I am  currently a student at Grand Valley State University. I am majoring in vocal music education. Some day I hope to get a job as a high school  choir director. If you wish to contact me, my  email address is  [email_address] . Exit
Resources ,[object Object],[object Object],[object Object],[object Object],Exit
Concept Map Exit

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Early English Opera

  • 1. By: Tom Hales Early English Opera
  • 2. Early English Opera Henry Purcell John Blow William D’Avenant Composers First Opera Venus and Adonis Dido and Aeneas The Siege of Rhodes Pre-Opera English Masques Music in Dramas Information Author Resources Concept Map Exit
  • 3.
  • 4. John Blow (1649-1708) John Blow was the teacher of Henry Purcell. Blow was the organist at Westminster Abbey for 11 years. He was also a private musician of James II. Blow is often credited for having composed the first English opera. Whether or not this is true, he like Purcell undoubtedly played a major role in the establishment of the English Opera Exit
  • 5. William D’Avenant Unlike Blow and Purcell, D’Avenant was not a composer; he was a playwright. D’Avenant Had written several English plays and had collaborated with several different composers to produce a great number of Masques before they were outlawed by the Puritan ruled Parliament. Though he is not often credited, he decisively wrote the first English Opera. Exit
  • 6.
  • 7.
  • 8.
  • 9.
  • 10. Venus and Adonis Venus and Adonis was written in 1683 by John Blow. Both the libretto and the music survive today. However, many experts argue over the classification of this work. Some experts call Venus and Adonis a masque and others call it a semi-opera. The New Grove names it as the earliest surviving English opera. This work greatly influenced Purcell to attempt his own opera. Cont. to Dido and Aeneas Exit
  • 11.
  • 12. The Siege of Rhodes The Siege of Rhodes is undoubtedly the earliest attempt at creating an English opera in the French/Italian style. The opera was mostly written by armature musicians who collaborated with D’Avenant to produce the work in 1656. None of the music from the production has survived. Exit
  • 13. Author My name is Thomas Hales I am currently a student at Grand Valley State University. I am majoring in vocal music education. Some day I hope to get a job as a high school choir director. If you wish to contact me, my email address is [email_address] . Exit
  • 14.