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Registering a Copyright
1.
Music Business Essentials REGISTERING
A COPYRIGHT © 2006 musicbizclasses.com
2.
Benefits of Registration
Copyright registration establishes a public record of the copyright claim. Copyright registration is a prerequisite to filing an infringement suit in the U.S.— No award for statutory damages will be granted for infringement without copyright registration. © 2006 musicbizclasses.com
3.
Registering a Copyright…
Registration is NOT required to enjoy copyright protection. Copyright protection is i AUTOMATIC Registration is R i t ti i available f BOTH published il bl for bli h d and unpublished works Registration may be made at any time within the life of the copyright BUT best to do it copyright, BUT, within three months of publication, for optimal legal benefits in a court case © 2006 musicbizclasses.com
4.
Registering a Copyright… Registration
becomes effective on the day that the Copyright Office receives your complete application payment and deposits application, payment, in acceptable form. If your submission is in order, a certificate of registration will be mailed in approximately 68 6-8 months. Two or more songs, sets of lyrics, or other musical works may b registered with one i l k be i t d ith application to save money. See “Fact Sheets” and “Circulars” on www.copyright.gov py g g for rules © 2006 musicbizclasses.com
5.
Copyright Registration Process
Register your work with the U.S. Copyright Office – www.copyright.gov Fill out correct application form Pay a fee per registration application Include “deposit” of original material I l d “d i” f i i l i l send the above three elements in the same envelope /package Correct f C t format: © 2008 J t Jane D Doe © 2006 musicbizclasses.com
6.
Which Forms? Copyright Forms
for Sound Recordings Form SR= for sound recordings. Sound recordings are " di "works th t result f k that lt from the fixation of a series of musical, spoken, or other sounds Copyright Forms for Performing Arts Form PA= performing arts works. F PA f i t k Performing arts works are intended to be "performed" directly before an audience or i di tl "b means of any di indirectly "by f device or process." Includes: musical works (songs) and lyrics ( g ) y © 2006 musicbizclasses.com
7.
Deposits Requirements All
Copyright Registration applications must include a “deposit” or copy of the deposit original work to be registered Deposit requirements= th b t edition D it i t the best diti – one complete copy for unpublished works – two complete copies of for published works. © 2006 musicbizclasses.com
8.
Pre-registration Pre-Registration protects unfinished
works Good for artists collaborating with large g g groups Three requirements for pre-registration – the work must be currently unpublished – the work will be commercially distributed – the work must be a motion picture, sound recording, musical composition, literary work You must file a form to switch from pre- registered to registered works once work is completed (and pay required fees) © 2006 musicbizclasses.com
9.
Myth: “The Poor
Man’s Copyright” The “Poor Man’s Copyright”= mailing yourself a copy of your work of creative authorship to establish date/ownership The “Poor Man’s Copyright” is essentially a myth It does not offer any guarantee of legal protection- it may provide very t ti id limited/weak proof of your ownership, but is not, usually, considered in court cases not usually © 2006 musicbizclasses.com
10.
Key Take-Aways Copyright
is AUTOMATIC, BUT, if song or band may become important, it is always best to register songs Registering musical work allows author to file for damages in court Register works with the US Copyright Office- www.copyright.gov You do not need a lawyer to register copyright or trademark BUT there is a fee trademark, to register © 2006 musicbizclasses.com
11.
For Educational Use
Only This slide presentation is part of the Music Business Essentials series series. Contact info@musicbizclasses.com info@musicbizclasses com for more information © 2006 musicbizclasses.com