1. PENGARUH POSTMODERN
TERHADAP CORPORATE
CULTURE YANG MEMBAWA
PERUBAHAN DALAM DESAIN
INTERIOR RUANG KERJA
suatu apresiasi bahasa rupa

2. POSTMODERN OFFICE DESIGN
PERUBAHAN KEBUDAYAAN
PERUBAHAN DUNIA KERJA
HYPER COMPETITIVE ENVIRONMENT DIFFERENT TYPE OF WORK
• KECEPATAN TINGGI  PEMERATAAN HIRARKI & GENDER
• PERUBAHAN TERUS – MENERUS  KEBUTUHAN KOMUNIKASI
• BANYAK PESAING  KOMPUTERISASI
 INFORMATION ERA
 DIVERSIFIKASI PERUSAHAAN

3. TUNTUTAN BARU OFFICE DESIGN
from
PASSIVE  MENGINSPIRASI KARYAWAN
 MEMBENTUK ETOS KERJA
DESIGN  MENCIPTAKAN IMAGE PERUSAHAAN
to  MENINGKATKAN EFISIENSI OPERASIONAL
ACTIVE  MENINGGALKAN KESAN MENDALAM PADA
KONSUMEN
DESIGN

4. INOVASI OFFICE DESIGN
 MEMPERBESAR PORSI ESTETIKA DAN TEKNOLOGI
 MEMASUKKAN NILAI BUDAYA (LOKALITAS, SIMBOL,
TEAMWORK, GENDER)
 INFORMAL LOOK & SPACE PLANNING
 SEMAKIN TERBUKA
 FLEXIBILITAS WORKSTATIONS
 PENCAHAYAAN SEMAKIN BAGUS
 DESAIN YANG SPESIFIK

5. DESAIN YANG SPESIFIK
• CORPORATE & INSTITUTIONAL OFFICES.
• HITECH & BIOTECH OFFICES.
• BANKING, INSURANCE, CONSULTANT & LAW
OFFICES.
• MEDIA COMPANY OFFICES.

6. CORPORATE &
INSTITUTIONAL OFFICES
• KEBUTUHAN
MENONJOLKAN KEUNIKAN IDENTITAS DAN KEBERSAMAAN
ANGGOTA, KETERBATASAN DANA
• INOVASI
KETERBUKAAN
INFORMAL GATHERING PLACES
MOBILE WORKSTATIONS
DAYLIGTHING

7. Phillips Beverage Company,
Minneapolis, Minnesota (POSTMODERN
HISTORICISM)
 Sejarah Existing
 Bahan baru><Bahan lama
 Warna baru><Warna lama

8. Phillips Beverage Company,
Minneapolis, Minnesota (POSTMODERN
HISTORICISM)
 Sejarah perusahaan
 Bar dalam kantor
 Penyesuaian dengan yang lama
 Bentuk baru bahan diulang

9. Solomon R. Guggenheim Museum,
New York
(NEO MODERN)
 Sejarah, bentuk, posisi existing
 Day ligthing><lamp lighting
 Frank Lloyd’s colour

10. Solomon R. Guggenheim Museum,
New York
(NEO MODERN)
 Frank Lloyd’s furniture type
 Light reflecting surface
 Form repetition

11. McCann-Erickson Advertising,
San Fransisco
(NEO MODERN)
 Change reflection
 Younger client-younger
inovative employes
 Juxtaposing material,
colours & form

12. McCann-Erickson Advertising,
San Fransisco
(NEO MODERN
 Penetrating &
Intersection dynamic
 Break out space
 Unfinished looking

13. HITECH & BIOTECH
• KEBUTUHAN
MENONJOLKAN TEKNOLOGI TINGGI DENGAN WAJAH YANG
LEBIH MANUSIAWI & RAMAH LINGKUNGAN
• INOVASI
EXPOSE MECHANICAL ELECTRICAL
JUXTAPOSE TECHNOLOGY DAN POPULAR LOOK
NO STERILE LOOK

14. Chiron Corporation,
Biogenetic Engineering,
Emeryville, California
(NEO MODERN)
 Low cost – artistic
unfinished
 Reflecting ceiling
surfaces
 Old >< New

15. Chiron Corporation,
Biogenetic Engineering,
Emeryville, California
(NEO MODERN)
 Sterile Laboratorium ><
Street Concept
 Graffiti Artwork

16. Sybase Corporation, Paris,
France
(NEO MODERN)
 Cool Technology >< Warm Colour
 Logo-Interior Element Shape
 Artwork Furniture

17. Sybase Corporation, Paris,
France
(NEO MODERN)
 Spiral Repetition
(Gesamtkunstwerk)
 Public Image >< Functionalism
Working Space

18. Softimage,
Santa Monica, California
(NEO MODERN)
 Open >< private space 
blue wall
 Stimulating expression –
dynamic composition,
juxtapose & superimpose
 Exposed ceiling – artistic &
function
 Moving workstations
 Cool Technology >< Pop
colour

19. BANKING, INSURANCE, CONSULTANT & LAW
OFFICES
• KEBUTUHAN
TAMPIL ANGGUN DAN BERTRADISI SAMBIL MENGIKUTI
PERKEMBANGAN INFORMASI DAN TEKNOLOGI.
• INOVASI
MIMIC THEIR CLIENTS
AMBIGU/HYBRID TRADISI DAN TEKNOLOGI

20. TOKAI BANK,
Chicago, Illinois
(NEO-JAPAN MODERNISM)
 American functional working
spaces >< Japan public
spaces
 Modern Shoji
 Japanesse neutral colour ><
high tech material

21. TOKAI BANK,
Chicago, Illinois
(NEO-JAPAN MODERNISM)
 Silent design
 Modern tokonoma
 High tech >< natural

22. SCUDDER, STEVENS & CLARK
Chicago, Illinois
(POSTMODERN CLASSICISM)
 Classic public space – Modern
working space
 Classic colour & material
 Classic furniture
 Classic but open approach

23. SCUDDER, STEVENS & CLARK
Chicago, Illinois
(POSTMODERN CLASSICISM)
 Rotunda reception –
fiber ceiling
 Cutting & reduction
 Asymetrical Symetri

24. MEDIA COMPANIES
• KEBUTUHAN
MENONJOLKAN KARAKTER PEMBAHARU (PEMBERONTAK)
TRADISI DAN PENGGUNA TEKNOLOGI TER-MUTAKHIR.
• INOVASI
INFORMAL FORM & SPACE PLANNING
HIGH AESTHETICISM

25. SONY MUSIC INTERNATIONAL,
Miami, Florida
(NEO MODERN)
 Modern geometry – New
composition
 Skew grid, curving line
 Unfinished – natural –
hightech juxtaposition

26. SONY MUSIC INTERNATIONAL,
Miami, Florida
(NEO MODERN)
 Miesian
 Elementarism furniture &
Architectural detail
 Interwoven / layering (ceiling)

27. WARNER BROS RECORDS,
Nashville, Tennesse
(POSTMODERN – NEO VERNACULAR)
 Country music metaphor
without cowboy
 Regional material
 Changing colour

28. WARNER BROS RECORDS,
Nashville, Tennesse
(POSTMODERN – NEO VERNACULAR)
 Traditional Rotunda – new
style
 Warm country colour + black
 Traditional construction –
new form

29. STEVE GOLD PRODUCTIONS,
New York
(NEO MODERN – TWENTIES REVIVALISM)
 Two dimensional space
 Elementarism detail
 Mondrian De Stijl in
different colour &
composition
 Natural palette

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proses desain
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