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Elements and Organization of
           ART
Overview of our report..
Elements of ART

1. Line

     A basic element of art, referring to a continuous
 mark, made on a surface, by a moving point. It is
 man’s own invention but does not exist in nature.

     The artist uses lines to imitate or to represent
 objects and figures on a flat surface.
Types of Lines

 Horizontal Line
   It creates an impression of peacefulness and perfect stability.

 Vertical Line
   It appears balance and stable.

   We generally feel that a straight tree is a strong one, or that
    the person who stands tall is one who has confidence in
    himself.
 Diagonal Line
   It implies action.

   A man who is running bends forward and thus assumes a
    diagonal position.
Elements of ART

2. Shape

    It is an enclosed space, the boundaries of which
  are defined by other elements of art. They can be
  used to simplify ideas.

    Limited into two dimensions: length and width
Types of Shape

 Natural Shapes
   those we see in nature, such as shapes of men, animals, or
    trees. Natural shapes may be interpreted realistically, or they
    may be distorted.
Natural Shape
 Abstract Shapes
   formed after the artist has drawn out the essence of the
    original object and made it the subject of his work.
 Non-Objective Shapes
   show geometric shapes which seldom have reference to
    recognizable objects, but most often they show a similarity to
    some organic forms.
Elements of ART

3. Form

    It is a three-dimensional geometrical figure (i.e.:
  sphere, cube, cylinder, cone, etc.), as opposed to
  a shape, which is two-dimensional, or flat.

    It allows us as viewers to mentally capture the
  work and understand it.
Example of Form

 Viewing Leonardo's Mona Lisa, the formal elements
  therein are:
  color, dimension, lines, mass, shape, etc., while the
  feelings of mystery and intrigue the piece evokes
  are informal products of the viewer's imagination.
 A sculptor, by default, has to have
  both form and space in a sculpture, because these
  elements are three-dimensional. They can also be
  made to appear in two-dimensional works through
  the use of perspective and shading.
Elements of ART

4. Space

     Refers to distances or areas around, between or
  within components of a piece. It can be positive (white
  or light) or negative (black or dark), open
  or closed, shallow or deep and two-
  dimensional or three-dimensional. Sometimes space
  isn't actually within a piece, but the illusion of it is.
Elements of ART

5. Texture

    Shows whether the surface is rough or smooth. A
  piece of sculpture, a building and a painting may
  have texture which we can describe in much the
  same way.
Elements of ART

6. Value

     Refers to the lightness or darkness of a color. Value
  becomes critical in a work which has no colors other
  than black, white, and a gray scale.
     For a great example of value in action, think of a
  black and white photograph. You can easily visualize
  how the infinite variations of gray suggest planes and
  textures.
Elements of ART

7. Color

    Element of art that is produced when
  light, striking an object, is reflected back to the eye.
3 Properties to Color

 Hue
   Simply means the name we give to a color
    (red, yellow, blue, etc.).
 Intensity
   Refers to the strength and vividness of the color. For
    example, we may describe the color blue as "royal"
    (bright, rich, vibrant) or "dull" (grayed).
 Value
   Meaning its lightness or darkness. The terms shade and tint
    are in reference to value changes in colors.
Principles of Design

 Harmony
   Refers to the adaptation of the visual elements to each other, the agreement
    between the parts of a composition which result in unity.
 Variety
   It may be achieved through repetition. However, too much repetition easily
    results in monotony; hence, the principle of variety is needed to prevent this.
 Rhythm
   Is continuance, a flow or a feeling of movement achieved by the repetition of
    regular visual units
 Proportion
   Deals with the ratio of one part to another and of the parts to the whole. It
    implies a comparison between parts. It is expressed in size, number, and
    position.
 Balance
   A feeling of equality in weight, attention, or attraction of the various elements. It
    is inherent in nature. We see balance in the human body.
Elements and Organization of ART
Elements and Organization of ART
Elements and Organization of ART

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Elements and Organization of ART

  • 1.
  • 3.
  • 4. Overview of our report..
  • 5. Elements of ART 1. Line A basic element of art, referring to a continuous mark, made on a surface, by a moving point. It is man’s own invention but does not exist in nature. The artist uses lines to imitate or to represent objects and figures on a flat surface.
  • 6. Types of Lines  Horizontal Line  It creates an impression of peacefulness and perfect stability.  Vertical Line  It appears balance and stable.  We generally feel that a straight tree is a strong one, or that the person who stands tall is one who has confidence in himself.  Diagonal Line  It implies action.  A man who is running bends forward and thus assumes a diagonal position.
  • 7.
  • 8. Elements of ART 2. Shape It is an enclosed space, the boundaries of which are defined by other elements of art. They can be used to simplify ideas. Limited into two dimensions: length and width
  • 9.
  • 10. Types of Shape  Natural Shapes  those we see in nature, such as shapes of men, animals, or trees. Natural shapes may be interpreted realistically, or they may be distorted.
  • 12.  Abstract Shapes  formed after the artist has drawn out the essence of the original object and made it the subject of his work.
  • 13.
  • 14.  Non-Objective Shapes  show geometric shapes which seldom have reference to recognizable objects, but most often they show a similarity to some organic forms.
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  • 16. Elements of ART 3. Form It is a three-dimensional geometrical figure (i.e.: sphere, cube, cylinder, cone, etc.), as opposed to a shape, which is two-dimensional, or flat. It allows us as viewers to mentally capture the work and understand it.
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  • 18. Example of Form  Viewing Leonardo's Mona Lisa, the formal elements therein are: color, dimension, lines, mass, shape, etc., while the feelings of mystery and intrigue the piece evokes are informal products of the viewer's imagination.  A sculptor, by default, has to have both form and space in a sculpture, because these elements are three-dimensional. They can also be made to appear in two-dimensional works through the use of perspective and shading.
  • 19. Elements of ART 4. Space Refers to distances or areas around, between or within components of a piece. It can be positive (white or light) or negative (black or dark), open or closed, shallow or deep and two- dimensional or three-dimensional. Sometimes space isn't actually within a piece, but the illusion of it is.
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  • 21. Elements of ART 5. Texture Shows whether the surface is rough or smooth. A piece of sculpture, a building and a painting may have texture which we can describe in much the same way.
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  • 23. Elements of ART 6. Value Refers to the lightness or darkness of a color. Value becomes critical in a work which has no colors other than black, white, and a gray scale. For a great example of value in action, think of a black and white photograph. You can easily visualize how the infinite variations of gray suggest planes and textures.
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  • 26. Elements of ART 7. Color Element of art that is produced when light, striking an object, is reflected back to the eye.
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  • 29. 3 Properties to Color  Hue  Simply means the name we give to a color (red, yellow, blue, etc.).  Intensity  Refers to the strength and vividness of the color. For example, we may describe the color blue as "royal" (bright, rich, vibrant) or "dull" (grayed).  Value  Meaning its lightness or darkness. The terms shade and tint are in reference to value changes in colors.
  • 30. Principles of Design  Harmony  Refers to the adaptation of the visual elements to each other, the agreement between the parts of a composition which result in unity.  Variety  It may be achieved through repetition. However, too much repetition easily results in monotony; hence, the principle of variety is needed to prevent this.  Rhythm  Is continuance, a flow or a feeling of movement achieved by the repetition of regular visual units  Proportion  Deals with the ratio of one part to another and of the parts to the whole. It implies a comparison between parts. It is expressed in size, number, and position.  Balance  A feeling of equality in weight, attention, or attraction of the various elements. It is inherent in nature. We see balance in the human body.