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Ashley J. Rivera Aviles
Roxanna Z. Molinary Infante
What is Poetry? Who Knows?

     Not a rose, but the scent of the rose;

      Not the sky, but the light in the sky;

      Not the fly, but the gleam of the fly;

     Not the sea, but the sound of the sea;

        Not myself, but what makes me

   See, hear, and feel something that prose

      Cannot: and what it is who knows?

(*from Eleanor Farjeon's Poems for Children,1938)
   Poetry is the most emotionally charged means of written
    expression and it consists of words arranged in patterns of
    sound and imagery to spark an emotional, and intellectual,
    response from us.


   Poetry is the language of the imagination, of feelings, of
    emotional self-expression, of high art.


   Prose explains, but poetry sings.


   The language in poetry is musical, precise, memorable, and
    magical.
                                        (Russell, 2005, pp. 176-177)
 Poetry was not considered a genre
 It was used for moral teachings for
  children
 Much later in time, writers began to
  introduce the idea of poetry for the
  enjoyment of children; eventually
  developing poetry into a genre
   Most ancient forms of poetry were first
    carried out in oral forms and some of
    them did not survive the transition from
    oral to written.
    › Ballads
    › Lullabies
    › Nursery Rhymes
Humpty dumpty sat on a wall.
  Humpty dumpty had a great fall.
All the king’s horses and all the king’s
                  men,
Couldn’t put humpty together again.
Imagery

› Literal Images              › Figurative Images
     Visual                     Simile
     Tactile
     Auditory                   Metaphor
     Olfactory
     Kinesthetic                Personification
     Gustatory
The sun was shining on the
                                           sea,
                                Shining with all his might:
                             He did his very best to make
They consist of things we
can see.                    The billows smooth and bright
                                             -
                            And this was odd, because it
                                           was
                               The middle of the night.
                                      (Lewis Carroll)
Through the green twilight of a
They appeal to our                hedge,
sense of touch.        I peered with cheek on the
                           cool leaves pressed
                            (Walter de la Mare)
They suggest the            Bow-wow, says the dog,
sounds of things,           Mew, mew says the cat,
usually resulting in an    Grunt, grunt, goes the hog,
effect                     And squeak goes the rat.
“onomatopoeia”               Tu, whu, says the owl,
                          Quack, quack, says the duck,
(Words that imitate        And what the cuckoo says
sounds or sounds                    you know.
that are linked with              (Mother Goose)
objects).
As Mommy washed up
                      and the children played,
They suggest the    smell of warm butter filled the
smells of things.                air.
                              (Anonymous)
A poem once stopped me on
                                    the street.
                          I've got a poem stuck on my
They refer to actions                  feet.
or motions.               A poem attacked me in the
                                     shower.
                        I find a poem most every hour!
                                   (Mark Stansell)
A mouse found a beautiful
                         piece of plum cake,
                    The richest and sweetest that
They suggest the         mortal could make:
tastes of things.    'Twas heavy with citron and
                          fragrant with spice,
                      And covered with sugar all
                            sparkling as ice.
                          (Iona and Peter Opie)
It is a stated       "My love is like a red, red rose"
comparison,                    (Robert Burn)
employing a
connective such as
"like" or "as".
It is an implied       In the morning the city
comparison, not            Spreads its wings
directly stated with        Making a song
words such as "like"      In stone that sings.
and "as".                  (Langston Hughes)
Here human qualities "The Night was creeping on
are given to an               the ground!
inanimate object, an She crept and did not make a
abstract idea, or a             sound"
force of nature.            (James Stephens)
Sound Patterns

Rhythm:                    Rhyme:
the pattern of stressed     the repetition of similar
and unstressed syllables     sounds in the two or
     in language.                more words.
   End rhyme: the repetition of the ending sounds in
    two or more lines.

   Alliteration: the repetition of initial sounds in two or
    more words.

   Assonance: the repetition of vowel sounds within
    words.

   Consonance: the repetition of consonant sounds
    within words, often with a variation in adjoining
    vowels.
One, two,
 buckle my shoe;
    Three, four,
  shut the door;
      Five, six,
 pick up sticks;
   Seven, eight,
lay them straight;
     Nine, ten,
  a big, fat hen.
Peter Piper picked a peck of pickled
                peppers.
A peck of pickled peppers Peter Piper
                 picked.
If Peter Piper picked a peck of pickled
                peppers,
 How many pickled peppers did Peter
               Piper pick?
Hickory Dickory Dock,
The mouse ran up the clock,
   The clock struck one,
   The mouse ran down,
   Hickory Dickory Dock!
A flea and a fly
           Flew up in a flue.
       Said the flea, "Let us fly!"
       Said the fly, "Let us flee!"
So they flew through a flap in the flue.
Nonsense verse                 Humor



Comic            Fun way of     Themes
themes          introducing     that are
about            children to    playful
events that        rhyme,       and
are           rhythm, meter     amusingly
nonsense or      and verse      possible
impossible        pattern.
Everyday World         Traditional Ballads

   Life is real and          Passed down orally
    earnest                    from generations.
   Real yet imaginative      Carried out by sailors
   Portray the                and travelers.
    consciousness of          Song story with
    real children and          Rhythm, danceable
    their everyday play.      Plotted narrative
   For and about             Anonymous author
    children                  Themes tend to be
                               tragic.
Narrative Poems                  Lyric Poetry

   Story poems                Ancient Greek poetry
   All age and themes          performed with a
   Beginning, middle and       lyre.
    end                        Songlike
   Characters and plot        Express clearly
                                thoughts or feelings.
                               Moods evoked by well
                                chosen words.
Nature              Around the World


   Sensitive and              Poetry from other
    imaginative                 lands
    interpretation of          Different languages
    nature that kindles a      Understandable
    responsive spark in         universal illustrations
    the reader.
   Animals
   Poetry has been used for teaching since its
    first forms centuries ago.
   Teaching vs. sermon (Theodore Geisel Seuss)
   Infinite possibilities in teaching subjects.
   Useful characteristics of poetry for ESL
    learners:
    › Rhyme
    › Rhythm
    › Repetition
    › Humor
Reading Poetry Aloud to Children

   Poetry should be introduced first and frequently to children in
    an oral form. Most poetry is best read aloud. Children's oral
    language is the basis for their later acquisition of literacy.



   We need to practice reading the poems ahead of time and
    frequently. Keep in mind that poetry should be read for its
    meaning and enunciated words clearly. Pay attention to the
    poet's punctuation and slow down your normal reading pace
    to give full value to each sound.
   Some poems need to be performed and dramatized. Using your voice
    to make special effects, such as variations of volume, pitch, and speech
    rate, and even a dramatic pause.


   Brief encounters with one to three poems at a time are best. Too many
    poems in one sitting may overwhelm students or make the reading
    tedious.


   After reading the poem, be sure to announce the name of the poet so
    that children discover the writers they especially enjoy.


   Some poems warrant discussion. Children can take the opportunity to
    tell how the poem made them feel or what it make them think about.
   Choral poetry consists of interpreting and saying a poem
    together as a group activity. Children enjoy this way of
    experiencing poetry because they have a participatory role
    in the activity.

   Short, humorous narrative poems are good first choices.

   Options for reading a poem chorally include unison, two- or
    three-part, solo voices, cumulative buildup, and simultaneous
    voices.

   Incorporating action, gestures, body movements, and finger
    plays can produce more interesting and enjoyable
    presentations.
   Children need to be very familiar with poetry of many
    kinds before they should be expected to compose
    poems.

   Teachers often start the writing of poetry as a
    collaborative effort. The class brainstorms for ideas and
    then composes the poem in groups or pairs.

   Children's poetry follows no absolute rules; perfection of
    form should not be a goal. They should be reminded that
    poetry is a form of communication and that they should
    think of an idea, feeling, or event to write about in their
    poems.
   We can encourage children to compile personal and
    class anthologies of their own poems or their favorite
    poems.

   We can encourage children to model the works of
    professional poets by attempting imitation of a whole
    poem or of specific techniques.

   We can read aloud many poems of one poetic form,
    and then analyze the form to reveal the
    characteristics of its structure.
http://just4teachers.blogspot.kr/p/gift-
kindergarten-poetry-journal.html




http://www.squidoo.com/k12
interactivepoetry
Books:
 Elementary Children’s Literature (Nancy A. Anderson,2006)
 Children’s Literature Briefly (Michael Tunnell, James
  Jacobs,2008)
 Literature and the Child (Lee Galda, Bernice E. Cullinan,2002)


Websites:
 http://just4teachers.blogspot.kr/p/gift-kindergarten-poetry-
  journal.html
 http://www.squidoo.com/k12interactivepoetry
 Google - Images

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What is Poetry

  • 1. Ashley J. Rivera Aviles Roxanna Z. Molinary Infante
  • 2. What is Poetry? Who Knows? Not a rose, but the scent of the rose; Not the sky, but the light in the sky; Not the fly, but the gleam of the fly; Not the sea, but the sound of the sea; Not myself, but what makes me See, hear, and feel something that prose Cannot: and what it is who knows? (*from Eleanor Farjeon's Poems for Children,1938)
  • 3. Poetry is the most emotionally charged means of written expression and it consists of words arranged in patterns of sound and imagery to spark an emotional, and intellectual, response from us.  Poetry is the language of the imagination, of feelings, of emotional self-expression, of high art.  Prose explains, but poetry sings.  The language in poetry is musical, precise, memorable, and magical. (Russell, 2005, pp. 176-177)
  • 4.  Poetry was not considered a genre  It was used for moral teachings for children  Much later in time, writers began to introduce the idea of poetry for the enjoyment of children; eventually developing poetry into a genre
  • 5. Most ancient forms of poetry were first carried out in oral forms and some of them did not survive the transition from oral to written. › Ballads › Lullabies › Nursery Rhymes
  • 6. Humpty dumpty sat on a wall. Humpty dumpty had a great fall. All the king’s horses and all the king’s men, Couldn’t put humpty together again.
  • 7. Imagery › Literal Images › Figurative Images  Visual  Simile  Tactile  Auditory  Metaphor  Olfactory  Kinesthetic  Personification  Gustatory
  • 8. The sun was shining on the sea, Shining with all his might: He did his very best to make They consist of things we can see. The billows smooth and bright - And this was odd, because it was The middle of the night. (Lewis Carroll)
  • 9. Through the green twilight of a They appeal to our hedge, sense of touch. I peered with cheek on the cool leaves pressed (Walter de la Mare)
  • 10. They suggest the Bow-wow, says the dog, sounds of things, Mew, mew says the cat, usually resulting in an Grunt, grunt, goes the hog, effect And squeak goes the rat. “onomatopoeia” Tu, whu, says the owl, Quack, quack, says the duck, (Words that imitate And what the cuckoo says sounds or sounds you know. that are linked with (Mother Goose) objects).
  • 11. As Mommy washed up and the children played, They suggest the smell of warm butter filled the smells of things. air. (Anonymous)
  • 12. A poem once stopped me on the street. I've got a poem stuck on my They refer to actions feet. or motions. A poem attacked me in the shower. I find a poem most every hour! (Mark Stansell)
  • 13. A mouse found a beautiful piece of plum cake, The richest and sweetest that They suggest the mortal could make: tastes of things. 'Twas heavy with citron and fragrant with spice, And covered with sugar all sparkling as ice. (Iona and Peter Opie)
  • 14. It is a stated "My love is like a red, red rose" comparison, (Robert Burn) employing a connective such as "like" or "as".
  • 15. It is an implied In the morning the city comparison, not Spreads its wings directly stated with Making a song words such as "like" In stone that sings. and "as". (Langston Hughes)
  • 16. Here human qualities "The Night was creeping on are given to an the ground! inanimate object, an She crept and did not make a abstract idea, or a sound" force of nature. (James Stephens)
  • 17. Sound Patterns Rhythm: Rhyme: the pattern of stressed the repetition of similar and unstressed syllables sounds in the two or in language. more words.
  • 18. End rhyme: the repetition of the ending sounds in two or more lines.  Alliteration: the repetition of initial sounds in two or more words.  Assonance: the repetition of vowel sounds within words.  Consonance: the repetition of consonant sounds within words, often with a variation in adjoining vowels.
  • 19. One, two, buckle my shoe; Three, four, shut the door; Five, six, pick up sticks; Seven, eight, lay them straight; Nine, ten, a big, fat hen.
  • 20. Peter Piper picked a peck of pickled peppers. A peck of pickled peppers Peter Piper picked. If Peter Piper picked a peck of pickled peppers, How many pickled peppers did Peter Piper pick?
  • 21. Hickory Dickory Dock, The mouse ran up the clock, The clock struck one, The mouse ran down, Hickory Dickory Dock!
  • 22. A flea and a fly Flew up in a flue. Said the flea, "Let us fly!" Said the fly, "Let us flee!" So they flew through a flap in the flue.
  • 23.
  • 24. Nonsense verse Humor Comic Fun way of Themes themes introducing that are about children to playful events that rhyme, and are rhythm, meter amusingly nonsense or and verse possible impossible pattern.
  • 25. Everyday World Traditional Ballads  Life is real and  Passed down orally earnest from generations.  Real yet imaginative  Carried out by sailors  Portray the and travelers. consciousness of  Song story with real children and Rhythm, danceable their everyday play.  Plotted narrative  For and about  Anonymous author children  Themes tend to be tragic.
  • 26. Narrative Poems Lyric Poetry  Story poems  Ancient Greek poetry  All age and themes performed with a  Beginning, middle and lyre. end  Songlike  Characters and plot  Express clearly thoughts or feelings.  Moods evoked by well chosen words.
  • 27. Nature Around the World  Sensitive and  Poetry from other imaginative lands interpretation of  Different languages nature that kindles a  Understandable responsive spark in universal illustrations the reader.  Animals
  • 28. Poetry has been used for teaching since its first forms centuries ago.  Teaching vs. sermon (Theodore Geisel Seuss)  Infinite possibilities in teaching subjects.  Useful characteristics of poetry for ESL learners: › Rhyme › Rhythm › Repetition › Humor
  • 29. Reading Poetry Aloud to Children  Poetry should be introduced first and frequently to children in an oral form. Most poetry is best read aloud. Children's oral language is the basis for their later acquisition of literacy.  We need to practice reading the poems ahead of time and frequently. Keep in mind that poetry should be read for its meaning and enunciated words clearly. Pay attention to the poet's punctuation and slow down your normal reading pace to give full value to each sound.
  • 30. Some poems need to be performed and dramatized. Using your voice to make special effects, such as variations of volume, pitch, and speech rate, and even a dramatic pause.  Brief encounters with one to three poems at a time are best. Too many poems in one sitting may overwhelm students or make the reading tedious.  After reading the poem, be sure to announce the name of the poet so that children discover the writers they especially enjoy.  Some poems warrant discussion. Children can take the opportunity to tell how the poem made them feel or what it make them think about.
  • 31. Choral poetry consists of interpreting and saying a poem together as a group activity. Children enjoy this way of experiencing poetry because they have a participatory role in the activity.  Short, humorous narrative poems are good first choices.  Options for reading a poem chorally include unison, two- or three-part, solo voices, cumulative buildup, and simultaneous voices.  Incorporating action, gestures, body movements, and finger plays can produce more interesting and enjoyable presentations.
  • 32. Children need to be very familiar with poetry of many kinds before they should be expected to compose poems.  Teachers often start the writing of poetry as a collaborative effort. The class brainstorms for ideas and then composes the poem in groups or pairs.  Children's poetry follows no absolute rules; perfection of form should not be a goal. They should be reminded that poetry is a form of communication and that they should think of an idea, feeling, or event to write about in their poems.
  • 33. We can encourage children to compile personal and class anthologies of their own poems or their favorite poems.  We can encourage children to model the works of professional poets by attempting imitation of a whole poem or of specific techniques.  We can read aloud many poems of one poetic form, and then analyze the form to reveal the characteristics of its structure.
  • 34.
  • 36.
  • 37. Books:  Elementary Children’s Literature (Nancy A. Anderson,2006)  Children’s Literature Briefly (Michael Tunnell, James Jacobs,2008)  Literature and the Child (Lee Galda, Bernice E. Cullinan,2002) Websites:  http://just4teachers.blogspot.kr/p/gift-kindergarten-poetry- journal.html  http://www.squidoo.com/k12interactivepoetry  Google - Images