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BODY LANGUAGE Kinesics  is the scientific study of  body movements involved in communication, especially as they accompany speech. This includes gestures, facial expressions, eye behaviour and posture. Commonly called Body Language or Non verbal behaviour. Kinesics was developed by American anthropologists  Ray L. Birdwhistell.
BODY LANGUAGE Dr Birdwhistell who has initiated most of the basic work in developing a  rotational system for the new science of Kinesics warns that, “No body, position or movement in and of itself, has a precise meaning.” ,[object Object],[object Object],Dr Birdwhistell  says that,  “Movements if they are significant they are learned. We pick them as a part of our society.” The most important thing to realize about body language, according to Dr Birdwhistell is that,  “No single motion ever stands alone. It is always part of a pattern.”
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],BODY LANGUAGE
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
FACIAL ACTION CODING SYSTEM   ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
APPEARANCE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
BODY SHAPE AND POSTURE ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],BODY LANGUAGE
THE BODY LANGUAGE  OF POWER
THE BODY LANGUAGE OF WEAKNESS
GESTURE CLUSTERS ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SHOULDER SHRUG
COMMON CRITICAL EVALUATION CLUSTER
WAY A CHILD TELLS  A  LIE
ADULT TELLING A LIE
SMOKE DOWN :  Negative, secretive, suspicious SMOKE UP :  Confident, superior, positive
TERRITORIES AND ZONES ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
 
ACCEPTABLE  CONVERSATIONAL  DISTANCE - 46 CMS
NEGATIVE REACTION OF A WOMAN WHEN TERRITORY IS ENCROACHED
WOMEN FROM A COUNTRY  TOWN GREETING  EACH OTHER
WOMEN FROM A  TOWN GREETING  EACH OTHER
MEN FROM CITY GREET EACH OTHER
FOLKS FROM A SPARSELY POPULATED AREA
GESTURE SHOWING PRIDE OF OWNERSHIP
 
HAND AND ARM GESTURE ,[object Object],[object Object]
HANDS CLENCHED IN RAISED POSITION HANDS CLENCHED IN LOWER POSITION
THE UPPER ARM GRIP THE HAND GRIPPING WRIST GESTURE THE SUPERIORITY – CONFIDENCE GESTURE
RUBBING THE PALMS TOGETHER HANDS CLENCHED IN MIDDLE POSITION
THE LOWERED STEEPLE THE RAISED STEEPLE
THUMB DISPLAYS ,[object Object],[object Object],[object Object],[object Object],[object Object]
THUMBS PROTUDING FROM BACK POCKETS IN MY HUMBLE OPINION…
THE THUMBS GESTURE IN COAT THUMBS-UP POSITION
OK GESTURE
THUMB-UP GESTURE
THE V SIGN
HAND TO FACE GESTURES ,[object Object],[object Object],[object Object],[object Object],[object Object]
HAVING NEGATIVE THOUGHTS MAKING A DECISION
EVALUATION, DECISION, BOREDOM CLUSTER THE MOUTH GUARD
THE NOSE TOUCH INTERESTED EVALUATION
THE EYE RUB THE COLLAR PULL
 
HAND TO FACE GESTURE   ,[object Object],[object Object],[object Object]
THE NOSE TOUCH THE EAR RUB THE NECK SCRATCH
PAIN IN THE NECK GESTURE REASSURANCE IS NEEDED HERE BOREDOM
ARM BARRIERS HIDING BEHIND A BARRIER IS A NORMAL HUMAN RESPONSE THAT WE LEARN AT AN EARLY AGE TO PROTECT OURSELVES. TESTS REVEALTHAT, WHEN A LISTENER FOLDS HIS ARMS,NOT ONLY HE HAS MORE NEGATIVE THOUGHTS ABOUT THE SPEAKER, BUT ALSO PAYS LESS ATTENTION TO WHAT IS BEING SAID-38%  IT IS FOR THIS REASON TRAINING CENTERS HAVE CHAIRS WITH ARMS.
STANDARD ARM-CROSS GESTURE   -  IS AN ATTEMPT TO HIDE FROM AN UNFAVOURABLE SITUATION COMMONLY SEEN WHEN THE PERSON IS AMONGST THE STRANGERS, PUBLIC MEETING, QUEUES, CAFETERIAS, ELEVATORS, OR ANYWHERE PEOPLE FEEL UNCERTAIN OR INSECURE. PARTIAL ARM/ BARRIER   - IS OFTEN SEEN AT MEETINGS WHERE A PERSON MAY BE A STRANGER TO THE GROUP OR IS LACKING IN SELF-CONFIDENCE. IT ALLOWS A PERON TO RELIVE THE EMOTIONAL SECURITY THAT HE EXPERIENCED AS A CHILD  WHEN HIS PARENTS HELD HIS HANDS UNDER FEARFUL CIRCUMSTANCES. ARM BARRIERS
DISGUISED   NERVOUSNESS FIST SHOWS A HOSTILE ATTITUDE
ARM BARRIERS SUPERIOR ATTITUDE HOLDING HANDS WITH ONESELF
COLD, NOT DEFENSIVE
PARTIAL ARM BARRIER BOOKS   AS A BARRIER
DEFENSIVE STANDING POSITION STANDARD ARM CROSS
LEG BARRIERS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
AMERICAN 4 LEG LOCK POSITION ARMS LOCK THE LEG IN PLACE
CLOSED BODY &  CLOSED ATTITUDE OPEN BODY & OPEN ATTITUDE
FEMALE – ANKLE LOCK SEATED FOOT LOCK POSITION STANDING FOOT LOCK POSITION
THE STANDARD LEG CROSS WOMAN SHOWING DISPLEASURE
[object Object],[object Object],[object Object],[object Object],[object Object],EYE SIGNALS
 
GAZE BEHAVIOUR ,[object Object],[object Object],[object Object]
THE BUISNESS GAZE
THE SOCIAL GAZE
THE INTIMATE GAZE
OTHER POPULAR GESTURES AND ACTION ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
THE STRADDLER
THE LINT PICKER ‘ MAY BE SOMEDAY YOU’LL BE AS SMART AS I AM.’
 
 
DEFENSIVE DEPRESSED
EXCITED REJECTING
CONFIDENT THOUGHTFUL
I AM JUST AS SMART AS YOU ARE
THIRD PERSON NOT ACCEPTED BY FIRST TWO
BODY POINTING IS USED TO EXCLUDE THE MAN ON THE RIGHT
AGGRESSIVE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
SUBMISSIVE DESCRIPTION BODY LANGUAGE Apologetic, Self depreciating, Resentful, Low self-esteem, Retreating, Too ready to please. Fidgety, Covering mouth and eyes, Stumped posture, Nervous deposition, Fiddling, Poor eye contact, Quite, Faltering voice, Pleading smile, Tendency towards obsequiousness.
ASSERTIVE DESCRIPTION BODY LANGUAGE Sincere, Open, Honest, Respectful, Sympathetic, Firm but fair, Offering constructive  Criticism, Good listener, Offering praise where due, Treating people as equals. Upright, Relaxed posture, Face-to-face eye contact, Calm and open gestures, Relaxed facial expression, Maintaining reasonable distance from subject (not too close for comfort), Resonant speech, Unambiguous hand signals.
MANIPULATIVE DESCRIPTION BODY LANGUAGE Patronizing, Exaggerate gestures (such as open Crafty, palms to indicate deliberate sincerity), Calculating, Overly laid back posture, Insincere, Patronizing touching, Two – faced, Exaggerated eye contact, A “user”, Sugary voice tone, Lacking trust, Patting Overly friendly, Making ends justify means, Contrived
TEN GESTURES THAT USUALLY FAIL ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SEVEN GESTURES THAT USUALLY WORK ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WEEK BODY LANGUAGE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
STRONG BODY LANGUAGE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SLOUCH, SHAMBLE, TRIP, LEAP, MARCH OR STRIDE It’s pathetic to see a terrified speaker shamble to the podium, shoulders stooped, feet dragging, eyes staring, hands clenched, looking as if she’d rather do anything else than give this talk. The walk to the podium is your gateway to success or failure.
NON-VERBAL COMMUNICATION ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
OPEN FORWARD CLOSED BACK RESPONSIVE REFLECTIVE COMBATIVE FUGITIVE 4 BASIC MODES
FOUR BASIC MODES OF BODY LANGUAGE IN BUISNESS RESPONSIVE REFELECTIVE FUGITIVE COMBATIVE Engaged Listening Bored Let me speak Leaning forward Head tilted Staring into space Finger tapping Open body Lots of eye contact Slumped posture Foot tapping Open arms Nodding Doodling Staring Open hands High blink rate Foot tapping
EAGER EVALUATING LET ME GO AGGRESSIVE Sprint position Sucks glasses/ pencil  Feet towards door Leaning forward Open legs Strokes chin Looking around Finger pointing Feet under chair Looks up and right Buttoning jacket Fist clenched On toes Legs crossed in 4 position Leaning forward (Ankle on knee)
GRIPPING THE CHAIR ON YOUR MARK, GET SET…
READY TO AGREE ATTENTIVE REJECTION DEFIANT Closes papers (Standing) Arms behind on hips Smiling, moving back (Standing) Hands back Pen down Smile Arms folded Frown Hands flat on table Open Feet Legs crossed 11 position (Thigh on knee) Head down Frown
READY TO PROCEED READINESS TO END AN CONVERSATION – HANDS ON KNEES
THE INTIMIDATOR
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PARA  LANGUAGE ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
TIME LANGAUGE ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
INTRODUCTION TO  NEURO LINGUISTIC PROGRAMMING
CONTENTS ,[object Object],[object Object],[object Object],[object Object]
NLP (Neuro Linguistic Programming) ,[object Object],[object Object],[object Object],[object Object]
NLP( Neuro  means) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Linguistic ,[object Object],[object Object],[object Object]
Programming.   ,[object Object],[object Object],[object Object],[object Object]
Need…… ,[object Object],[object Object],[object Object],[object Object],[object Object]
Software for Brain: ,[object Object],[object Object],[object Object],[object Object],[object Object]
NLP in Actions ,[object Object],[object Object],[object Object],[object Object]
The NLP Presuppositions : ,[object Object],[object Object],[object Object],[object Object],[object Object]
NLP Emergence and Scope ,[object Object],[object Object],[object Object]

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kinesics

  • 1. BODY LANGUAGE Kinesics is the scientific study of body movements involved in communication, especially as they accompany speech. This includes gestures, facial expressions, eye behaviour and posture. Commonly called Body Language or Non verbal behaviour. Kinesics was developed by American anthropologists Ray L. Birdwhistell.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. THE BODY LANGUAGE OF POWER
  • 13. THE BODY LANGUAGE OF WEAKNESS
  • 14.
  • 15.
  • 18. WAY A CHILD TELLS A LIE
  • 20. SMOKE DOWN : Negative, secretive, suspicious SMOKE UP : Confident, superior, positive
  • 21.
  • 22.
  • 23.  
  • 24. ACCEPTABLE CONVERSATIONAL DISTANCE - 46 CMS
  • 25. NEGATIVE REACTION OF A WOMAN WHEN TERRITORY IS ENCROACHED
  • 26. WOMEN FROM A COUNTRY TOWN GREETING EACH OTHER
  • 27. WOMEN FROM A TOWN GREETING EACH OTHER
  • 28. MEN FROM CITY GREET EACH OTHER
  • 29. FOLKS FROM A SPARSELY POPULATED AREA
  • 30. GESTURE SHOWING PRIDE OF OWNERSHIP
  • 31.  
  • 32.
  • 33. HANDS CLENCHED IN RAISED POSITION HANDS CLENCHED IN LOWER POSITION
  • 34. THE UPPER ARM GRIP THE HAND GRIPPING WRIST GESTURE THE SUPERIORITY – CONFIDENCE GESTURE
  • 35. RUBBING THE PALMS TOGETHER HANDS CLENCHED IN MIDDLE POSITION
  • 36. THE LOWERED STEEPLE THE RAISED STEEPLE
  • 37.
  • 38. THUMBS PROTUDING FROM BACK POCKETS IN MY HUMBLE OPINION…
  • 39. THE THUMBS GESTURE IN COAT THUMBS-UP POSITION
  • 43.
  • 44. HAVING NEGATIVE THOUGHTS MAKING A DECISION
  • 45. EVALUATION, DECISION, BOREDOM CLUSTER THE MOUTH GUARD
  • 46. THE NOSE TOUCH INTERESTED EVALUATION
  • 47. THE EYE RUB THE COLLAR PULL
  • 48.  
  • 49.
  • 50. THE NOSE TOUCH THE EAR RUB THE NECK SCRATCH
  • 51. PAIN IN THE NECK GESTURE REASSURANCE IS NEEDED HERE BOREDOM
  • 52. ARM BARRIERS HIDING BEHIND A BARRIER IS A NORMAL HUMAN RESPONSE THAT WE LEARN AT AN EARLY AGE TO PROTECT OURSELVES. TESTS REVEALTHAT, WHEN A LISTENER FOLDS HIS ARMS,NOT ONLY HE HAS MORE NEGATIVE THOUGHTS ABOUT THE SPEAKER, BUT ALSO PAYS LESS ATTENTION TO WHAT IS BEING SAID-38% IT IS FOR THIS REASON TRAINING CENTERS HAVE CHAIRS WITH ARMS.
  • 53. STANDARD ARM-CROSS GESTURE - IS AN ATTEMPT TO HIDE FROM AN UNFAVOURABLE SITUATION COMMONLY SEEN WHEN THE PERSON IS AMONGST THE STRANGERS, PUBLIC MEETING, QUEUES, CAFETERIAS, ELEVATORS, OR ANYWHERE PEOPLE FEEL UNCERTAIN OR INSECURE. PARTIAL ARM/ BARRIER - IS OFTEN SEEN AT MEETINGS WHERE A PERSON MAY BE A STRANGER TO THE GROUP OR IS LACKING IN SELF-CONFIDENCE. IT ALLOWS A PERON TO RELIVE THE EMOTIONAL SECURITY THAT HE EXPERIENCED AS A CHILD WHEN HIS PARENTS HELD HIS HANDS UNDER FEARFUL CIRCUMSTANCES. ARM BARRIERS
  • 54. DISGUISED NERVOUSNESS FIST SHOWS A HOSTILE ATTITUDE
  • 55. ARM BARRIERS SUPERIOR ATTITUDE HOLDING HANDS WITH ONESELF
  • 57. PARTIAL ARM BARRIER BOOKS AS A BARRIER
  • 58. DEFENSIVE STANDING POSITION STANDARD ARM CROSS
  • 59.
  • 60. AMERICAN 4 LEG LOCK POSITION ARMS LOCK THE LEG IN PLACE
  • 61. CLOSED BODY & CLOSED ATTITUDE OPEN BODY & OPEN ATTITUDE
  • 62. FEMALE – ANKLE LOCK SEATED FOOT LOCK POSITION STANDING FOOT LOCK POSITION
  • 63. THE STANDARD LEG CROSS WOMAN SHOWING DISPLEASURE
  • 64.
  • 65.  
  • 66.
  • 70.
  • 72. THE LINT PICKER ‘ MAY BE SOMEDAY YOU’LL BE AS SMART AS I AM.’
  • 73.  
  • 74.  
  • 78. I AM JUST AS SMART AS YOU ARE
  • 79. THIRD PERSON NOT ACCEPTED BY FIRST TWO
  • 80. BODY POINTING IS USED TO EXCLUDE THE MAN ON THE RIGHT
  • 81.
  • 82.  
  • 83. SUBMISSIVE DESCRIPTION BODY LANGUAGE Apologetic, Self depreciating, Resentful, Low self-esteem, Retreating, Too ready to please. Fidgety, Covering mouth and eyes, Stumped posture, Nervous deposition, Fiddling, Poor eye contact, Quite, Faltering voice, Pleading smile, Tendency towards obsequiousness.
  • 84. ASSERTIVE DESCRIPTION BODY LANGUAGE Sincere, Open, Honest, Respectful, Sympathetic, Firm but fair, Offering constructive Criticism, Good listener, Offering praise where due, Treating people as equals. Upright, Relaxed posture, Face-to-face eye contact, Calm and open gestures, Relaxed facial expression, Maintaining reasonable distance from subject (not too close for comfort), Resonant speech, Unambiguous hand signals.
  • 85. MANIPULATIVE DESCRIPTION BODY LANGUAGE Patronizing, Exaggerate gestures (such as open Crafty, palms to indicate deliberate sincerity), Calculating, Overly laid back posture, Insincere, Patronizing touching, Two – faced, Exaggerated eye contact, A “user”, Sugary voice tone, Lacking trust, Patting Overly friendly, Making ends justify means, Contrived
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  • 90. SLOUCH, SHAMBLE, TRIP, LEAP, MARCH OR STRIDE It’s pathetic to see a terrified speaker shamble to the podium, shoulders stooped, feet dragging, eyes staring, hands clenched, looking as if she’d rather do anything else than give this talk. The walk to the podium is your gateway to success or failure.
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  • 94. OPEN FORWARD CLOSED BACK RESPONSIVE REFLECTIVE COMBATIVE FUGITIVE 4 BASIC MODES
  • 95. FOUR BASIC MODES OF BODY LANGUAGE IN BUISNESS RESPONSIVE REFELECTIVE FUGITIVE COMBATIVE Engaged Listening Bored Let me speak Leaning forward Head tilted Staring into space Finger tapping Open body Lots of eye contact Slumped posture Foot tapping Open arms Nodding Doodling Staring Open hands High blink rate Foot tapping
  • 96. EAGER EVALUATING LET ME GO AGGRESSIVE Sprint position Sucks glasses/ pencil Feet towards door Leaning forward Open legs Strokes chin Looking around Finger pointing Feet under chair Looks up and right Buttoning jacket Fist clenched On toes Legs crossed in 4 position Leaning forward (Ankle on knee)
  • 97. GRIPPING THE CHAIR ON YOUR MARK, GET SET…
  • 98. READY TO AGREE ATTENTIVE REJECTION DEFIANT Closes papers (Standing) Arms behind on hips Smiling, moving back (Standing) Hands back Pen down Smile Arms folded Frown Hands flat on table Open Feet Legs crossed 11 position (Thigh on knee) Head down Frown
  • 99. READY TO PROCEED READINESS TO END AN CONVERSATION – HANDS ON KNEES
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  • 107. INTRODUCTION TO NEURO LINGUISTIC PROGRAMMING
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