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WCT Dance
Medieval, Renaissance, Baroque
Music for Dancing
Which is probably not
 a characteristic of
    dance music?

• 1) complex melodies
• 2) clear, steady beat
• 3) lots of repetition
Medieval dance music

• Carole-- “Circle Dance”
• Estampie
   • several repeated sections
   • clear meter
   • very steady beat
Medieval dance music

• Carole-- “Circle Dance”
• Estampie
   • several repeated sections
   • clear meter
   • very steady beat
Medieval dance music

• Carole-- “Circle Dance”
• Estampie
   • several repeated sections
   • clear meter
   • very steady beat
Medieval dance music

• Carole-- “Circle Dance”
• Estampie
   • several repeated sections
   • clear meter
   • very steady beat
Medieval dance music

• Carole-- “Circle Dance”
• Estampie
   • several repeated sections
   • clear meter
   • very steady beat
Cantigas de Santa Maria
Cantigas de Santa Maria
Cantigas de Santa Maria
Alfonso el Sabio, “He
 Who Gladly Serves”

• Cantigas
• Repetition and Contrast
• Three textures
Introduction drums

Section A   monophony      Shawms 1 & 2 unison
Section B   monophony
Section A   monophony

Section A   homophony      Shawm 1: melody, Shawm 2: drone
Section B   heterophony    Shawm 1: melody, Shawm 2:
Section A   heterophony    embellished melody


Section A   homphony    Shawm 1: melody, Shawm 2: drone
Section A   mono/hetero various
Introduction drums

Section A   monophony      Shawms 1 & 2 unison
Section B   monophony
Section A   monophony

Section A   homophony      Shawm 1: melody, Shawm 2: drone
Section B   heterophony    Shawm 1: melody, Shawm 2:
Section A   heterophony    embellished melody


Section A   homphony    Shawm 1: melody, Shawm 2: drone
Section A   mono/hetero various
Introduction drums

Section A   monophony      Shawms 1 & 2 unison
Section B   monophony
Section A   monophony

Section A   homophony      Shawm 1: melody, Shawm 2: drone
Section B   heterophony    Shawm 1: melody, Shawm 2:
Section A   heterophony    embellished melody


Section A   homphony    Shawm 1: melody, Shawm 2: drone
Section A   mono/hetero various
In “He Who Gladly
Serves,” we hear _____.
•   1) percussion
    instruments

•   2) string instruments

•   3) wind instruments

•   4) wind and Percussion
    Instruments
Renaissance Dance
      Music
In the 1500s:

   • many new instruments developed or
     perfected

   • dance music more and more popular
   • social status
Popular Renaissance Dances
Popular Renaissance Dances

• pavan
 •   solemn dance, slow duple meter, formal
     stepping and stopping
Popular Renaissance Dances

• pavan
  •   solemn dance, slow duple meter, formal
      stepping and stopping

• galliard
  •   lively dance, fast triple meter, kicking and
      leaping steps
Popular Renaissance Dances

• pavan
  •   solemn dance, slow duple meter, formal
      stepping and stopping

• galliard
  •   lively dance, fast triple meter, kicking and
      leaping steps

• jig
  •   very fast dance in compound meter
• characteristic rhythm to support steps
• simple textures & tunes
• frequent repetition
Galliard, “Daphne”




•   clear beat, triple meter feel

•   simple homophonic texture

•   aabbcc
Galliard, “Daphne”




•   clear beat, triple meter feel

•   simple homophonic texture

•   aabbcc
Galliard, “Daphne”




•   clear beat, triple meter feel

•   simple homophonic texture

•   aabbcc
“Kemp’s Jig”




•   fast duple meter

•   aab

•   increasing ornamentation
“Kemp’s Jig”




•   fast duple meter

•   aab

•   increasing ornamentation
“Kemp’s Jig”




•   fast duple meter

•   aab

•   increasing ornamentation
Which of these two
   dances is faster?

• 1) Galliard
• 2) Jig
Susato, “Moorish
         Dance”

• entertainment for large gatherings
• large ensemble
•a a b b
Susato, “Moorish
         Dance”

• entertainment for large gatherings
• large ensemble
•a a b b
Susato, “Moorish
         Dance”

• entertainment for large gatherings
• large ensemble
•a a b b
Baroque Dance Suites
A “suite” is

• a collection of short dances
• dances contrast with one another
• solo instrument or ensemble
Some examples (don’t write all of this down)

Allemande 
 4/4 
 Moderate 
 Upbeat 16th note, flowing

Courante
 3/2
      Moderate
 sometimes 6/4 measures

Sarabande
 3/4
 Slow
 
        no upbeat, accent on beat 2

Minuet
      3/4
   Moderate
 plain

Gavotte
     4/4
   Moderate
 upbeat 2 quarter notes

Bourée
      2/2
   Fast
 
    Short upbeat

Siciliana
   12/8
 Moderate
 uneven rhythms, gently moving

Gigue

      6/8
   Fast
 
    Short Upbeat, uneven rhythms, lively
• most are binary (a a b b)
• most are binary (a a b b)
• Minuet & Trio / Gavotte & Trio
• most are binary (a a b b)
• Minuet & Trio / Gavotte & Trio
   • a a b b c c d d ab
• most are binary (a a b b)
• Minuet & Trio / Gavotte & Trio
   • a a b b c c d d ab
• most are binary (a a b b)
• Minuet & Trio / Gavotte & Trio
   • a a b b c c d d ab
Bach’s Fifth French Suite
• Allemande
• Courante
• Sarabande
• Gavotte
• Bourée
• Loure
• Gigue
Are Baroque suites
      solo or ensemble
           music?
•   1) Solo

•   2) Ensemble

•   3) Both/either

•   4) Neither
Handel, Water Music
       (1717)

• King George I river party
• stylized dance music
• suite
Rigaudon
Rigaudon



A   A      B   B
Rigaudon



A   A      B   B
Rigaudon



A   A      B   B
Hornpipe
Hornpipe

A   A     B        B
Hornpipe

A   A     B        B   (Strings)



A   A     B        B   (Winds)


                        (Strings
A   A     B        B   & Winds)
Hornpipe

A   A     B        B   (Strings)



A   A     B        B   (Winds)


                        (Strings
A   A     B        B   & Winds)
Hornpipe

A   A     B        B   (Strings)



A   A     B        B   (Winds)


                        (Strings
A   A     B        B   & Winds)

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1010 f11 10-17

  • 3. Which is probably not a characteristic of dance music? • 1) complex melodies • 2) clear, steady beat • 3) lots of repetition
  • 4. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat
  • 5. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat
  • 6. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat
  • 7. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat
  • 8. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat
  • 12. Alfonso el Sabio, “He Who Gladly Serves” • Cantigas • Repetition and Contrast • Three textures
  • 13. Introduction drums Section A monophony Shawms 1 & 2 unison Section B monophony Section A monophony Section A homophony Shawm 1: melody, Shawm 2: drone Section B heterophony Shawm 1: melody, Shawm 2: Section A heterophony embellished melody Section A homphony Shawm 1: melody, Shawm 2: drone Section A mono/hetero various
  • 14. Introduction drums Section A monophony Shawms 1 & 2 unison Section B monophony Section A monophony Section A homophony Shawm 1: melody, Shawm 2: drone Section B heterophony Shawm 1: melody, Shawm 2: Section A heterophony embellished melody Section A homphony Shawm 1: melody, Shawm 2: drone Section A mono/hetero various
  • 15. Introduction drums Section A monophony Shawms 1 & 2 unison Section B monophony Section A monophony Section A homophony Shawm 1: melody, Shawm 2: drone Section B heterophony Shawm 1: melody, Shawm 2: Section A heterophony embellished melody Section A homphony Shawm 1: melody, Shawm 2: drone Section A mono/hetero various
  • 16. In “He Who Gladly Serves,” we hear _____. • 1) percussion instruments • 2) string instruments • 3) wind instruments • 4) wind and Percussion Instruments
  • 18.
  • 19. In the 1500s: • many new instruments developed or perfected • dance music more and more popular • social status
  • 21. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping
  • 22. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping • galliard • lively dance, fast triple meter, kicking and leaping steps
  • 23. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping • galliard • lively dance, fast triple meter, kicking and leaping steps • jig • very fast dance in compound meter
  • 24. • characteristic rhythm to support steps • simple textures & tunes • frequent repetition
  • 25. Galliard, “Daphne” • clear beat, triple meter feel • simple homophonic texture • aabbcc
  • 26. Galliard, “Daphne” • clear beat, triple meter feel • simple homophonic texture • aabbcc
  • 27. Galliard, “Daphne” • clear beat, triple meter feel • simple homophonic texture • aabbcc
  • 28. “Kemp’s Jig” • fast duple meter • aab • increasing ornamentation
  • 29. “Kemp’s Jig” • fast duple meter • aab • increasing ornamentation
  • 30. “Kemp’s Jig” • fast duple meter • aab • increasing ornamentation
  • 31. Which of these two dances is faster? • 1) Galliard • 2) Jig
  • 32. Susato, “Moorish Dance” • entertainment for large gatherings • large ensemble •a a b b
  • 33. Susato, “Moorish Dance” • entertainment for large gatherings • large ensemble •a a b b
  • 34. Susato, “Moorish Dance” • entertainment for large gatherings • large ensemble •a a b b
  • 36. A “suite” is • a collection of short dances • dances contrast with one another • solo instrument or ensemble
  • 37. Some examples (don’t write all of this down) Allemande 4/4 Moderate Upbeat 16th note, flowing Courante 3/2 Moderate sometimes 6/4 measures Sarabande 3/4 Slow no upbeat, accent on beat 2 Minuet 3/4 Moderate plain Gavotte 4/4 Moderate upbeat 2 quarter notes Bourée 2/2 Fast Short upbeat Siciliana 12/8 Moderate uneven rhythms, gently moving Gigue 6/8 Fast Short Upbeat, uneven rhythms, lively
  • 38.
  • 39. • most are binary (a a b b)
  • 40. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio
  • 41. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio • a a b b c c d d ab
  • 42. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio • a a b b c c d d ab
  • 43. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio • a a b b c c d d ab
  • 44. Bach’s Fifth French Suite • Allemande • Courante • Sarabande • Gavotte • Bourée • Loure • Gigue
  • 45. Are Baroque suites solo or ensemble music? • 1) Solo • 2) Ensemble • 3) Both/either • 4) Neither
  • 46. Handel, Water Music (1717) • King George I river party • stylized dance music • suite
  • 48. Rigaudon A A B B
  • 49. Rigaudon A A B B
  • 50. Rigaudon A A B B
  • 52. Hornpipe A A B B
  • 53. Hornpipe A A B B (Strings) A A B B (Winds) (Strings A A B B & Winds)
  • 54. Hornpipe A A B B (Strings) A A B B (Winds) (Strings A A B B & Winds)
  • 55. Hornpipe A A B B (Strings) A A B B (Winds) (Strings A A B B & Winds)

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