Our Film Production Book - Aaron, Ruba, Sepideh & Sam

1. .oo-dfuotc
-dc'ffi:
itruStr"
Car.,il5
3."d:iHP:;"*
dsf
",tq *r*/ e"qFh = 2enin cks o.nd 33 ftrdt
,ch, Gsu"""*)
GROUP BRAINSTORM oco.Uvs,", = f66ests8
INITIAL RESPONSES TO BRIEF
- e"F ta O'est
St.rlk sf,ob
:rrrhe6[q] lq
IDEAS FOR.....
- s'etrkn gnsK
n<route . -t -€sb hc*sh h,B-
h, 1^ sckrol
"3h6;,-ocrtn,,,.
Pot=
-t:. aeEs -"n^c*sJ
-^ + -etr-."# ", nE
,
h,,i,r,5t.
c^osacLers= --r"th6-
Sh"ls =
!s r
Pos-K stq1.66
arr fb',tt,*
L ,t''u orr d; {')s-
- tra.cts;qshc6 .
{.t b.r{E ",qs=a(B.u*) .tSE
2.f="*S
- .G.dhd ("rre'Ure head"g
's gofq to Pnr Le3r.,,s(
-OUC- Ure -shoo6a Snot b<
4 extneo6ra coSe_ {h,<- €tc,
ws " "e

2. PLANNING YOUR (OPENING) SEQUENCE
Please describe or explain the following:
1. The action: identify the event your idea is based around; whatactually
happens (discovery of a body, an illicit meeting, a witness seeing a crime
being committed, a criminal act taking place, a telephone call, a chase, a
short journey etc)?
-A cff-t sdiscnisftJ G6n gbool .
Sl;
- Sh beres or shaft cub Jia R.eptao Po."-
- A^ h s€r3e5 soccre Sts,rlcrcre ^6'.
'J
-- fln athacc ocur:',
tl+ af ^,-^^, {=
e.o?"q
-.Ar:nbjluo"{ should tP make the audience think about or feet, what
2. The thefrEft), WHat
'issues'will it raise (revenge, sexuality, voyeurism, stalking, obsession,
greed etc)
a Hi Drtt.n c"orr-chsr 3arrFnl
o H?11 bPt l{ Ch"'(tsr osses$d ntcl -fntsrrsE,
",kh, !Cr -o*.:kuossd
ctLnnosphoe -*::
3. The narrative: how is it structured - classic narrative pattern or break with
convention, real time or different time zones, flashbacks/forwards, dreams
etc. Will there be dialogue? What about diegetic/ non-diegetic sound?
Ctqssfc cocrG5Le^ F-kLerc @}L CTFFC h*^So-."
:sHs?
leofos shor "h;;.. -Cccluq)tfcnel
"f
Kffi,e:Ti f;s,x'7/s
k--resce O+ .. Uoa.-- ,,
4. The character(s): who are ini:y)identify their roles, what are their
characteristics, including gender, appeamnce etc?
1**^..t,1E,"gue L- 2"*,-i,-, choraders. c.. o( *ohich c,:il.l b
o:f %,*.e.eeisgoing ta E< q. t ',tr U;;llq u:ha.n wtll
t/ s,tluij h* co.qsicv ot J^..r,re ar,cl (oro,-o, 5L
:;artir-e,l k
t" vt 't ;nxpf'h9;ffi,"hn
i,$!;"su3';H;.d;t r5rb=1( ?Le s
Gn
fs, r,;[ ffi b<-rnn P.*1eclh4 HararLrnot.)
lcrocferf-'
;;ffi jmmf"m,tub, i,i'%'tr
"**h#;)b biffi"ffitH#*t"bi
5. The sefirnq ano cnotce or locatton: wneFe tS tt Set:
le setting an
lft-.-.:i t rcog$l be- SeL ier ..
r Ei 9o'
C."aL€nur'ccfiryert,Tr,,6,
Y"fT*15 s-:94'se'
..ond h-*. €-'reryo.,t, L-f,e e)?
I)
look
Gr - do.rK4eenc , Shada4;t/ k-'+{:6^g sc}6tst esb.qt
[ours
LT-E
ffi ffi ikt'q,
e h.-rmf'ffi.' o<.r ri

3. 7. The camera work: the style you are aiming for
deose c;{rcn5 U" ooftso=hcrrot- khmuq aor cs-ffila qrrK'
qs ut as kl.< Stanjine .
- 6s'd h€a - s'5nga-H-se €*^hq1''t-'
"rrl,&?l.J ^:Pf} U"errf
- Csea,fs =Oe*r*? ;..'d ioksdtre d}skdrer+<""'
.
-6U< heo.d
B. The editing: edited as a continuous sequence, use of cross cutting, use of
montage, or combination?
C.*= C{ftq=q - q S' h:ctiens d C ql. I VS StsrtEv '
Crc,b,c'o-ti d -2 si hl<utros " "aJ. c-k,oo< 't'otn=nb
9. Has your idea been 'tested'against the key criteria (the B questions)?
y.., & o,r €xc('t 6 qs uie- & fft- ^a-ue qduo'c6'd
ii+f="g €Aufgc'c,e.'k a-od qs itlsin q. Secttdci G^<St.
ticere fnGt ooL b- *5 a'c.nPesb
r
10. Group responses?
c0 St tr' ho.rrer3er
scf i*jont kp TfqK€
t
ife U"e dd't rt Q'S the qrldtrc
'.t
Sure uX doo Lt
Otlo'CdcofiiCe-.]Ee
"G'a i hord
t 6ttor., Lt e erbrqct. rr
11. Teacher responses?

4. DETAILED TREATMENT FORM PROJECT: Name , R.: t- k ho.n, Pase No:
Group: N Working Title: Sub genret !{o."ar C',*
Camera work Action lconography Titles graphics Visualstyle
Soundtrack breakdown (Lighting, colours,
framing, angle, (who/ whaU how) (Location, backdrops,
V/O, dialogue,
perspective, key signifiers etc) sfx, transitions)
instruments(line by Iine)
movement)
Schcot bctts c8'! BIqnL JCTGS6 GO e"crs ^<r SroSSrrcor. anu'*s.6srt -"+ tone o-sd &-te B-$'btg irt lo '
cs<1..'e Sqgl+e. or,g u F
€quiPevrecq st €rxJrrEncfFt' a*- ogesis5 classr@cn
Fc^<t1o5o€ €-16rP-
I
{{6 o hcnaheryo a reor8 sdnot e..h*'€ ,6 s6,r6(rc"u, 5 lJ
J+
|
(Elk_., Qrr[ {'O CiesS . ggo'tFS
U q:iUnind,tr q-EcrtrEehtG(
r.rlq
hstE, atr.^e onddate QfrisG^ ilt te.
rb CcrSin *e ta,ccar6,'d. c"u.
tioe-erdio1. .-a ds
!-e- Qrcrsts". aC k-acrin ShE't c ^ GreSUfir&€
t 6t st" Gor*oot
pc$toqFrst Lrqt(r.t $.t wafr.^,ro
-. *L efS.*-oci U' Gtss &.+ c{s.-
Uiq o*Snprk- GJC 6-coe5h G,.st. 6otS*3rg7
iodsUnct .
til.s ond6txh6 ioscl* cata-s/ t iabUoq)
bqcr hccn€, {D 5' .,-- to".= .-F 5dU"
Sb"*"rLdtog ,.r:cc1or
aftd ac€t,.s (gt s
'{* pcss
b crsrecrks
5,
C*r'c Shob oe S,bq.rEg: iS Seeo Gor! be:6q$ eks€e.
droretic sand a€ a," u:o.tin{ ksqK- , icr q. dar,-to eefl)l
s..; iedei*43 han€, ordree,cc a n tjn'€
Ct+tdro Platog in Gese,
*
c-rl,st t-r-:qtth13 : b Gnt rd,.intss She O* ' h5k'5 *
s
crOn-di€opsc i'61^,rr'C 4re, *Eofr* se6
fs h.rt
CoqeueoCSE. a* ,.|..;+.s'rch;d(6r
Res.o6
-SC:ne ?
e'Fa'cs€' NoArsql setUn5
_f
b gur5tso(, t o.JCq tncudeS CLA .f
o € O ra.r"l"ojJ C crv.,,gt& tc.".e Cioge'P 6ft ',t ,rdierrd
clh<r d.attcs- sh+.x. cf r-PeePcrr
'
L { ",*,}".-
"ig .b,rerrer; ns< CbBb a
S.A drekict
h.o..ra c sosc'o€ aoa. Shots .d+ 41. e-..""*
CtiiiA''en eicr15r5' i &r€o 9or1rn5 !.Vrr<6 q.nx'o6'
U b srDc'ti seres s(e'E
3on af {c"lJpr €xhf€+,cre Cl4Sc.€ ,rri Un rSCo5rn '
j }egeAi6. ot 3)T.:t6+ b Csrnentl
SCrac-ser9
S arrd . b rq*,E Scr€gr be- hcosd"
z' atar <- -kcPcr*o
a-id-

5. DETAILED STORYBOARD PRoJEcr: Operi.,5 6S Ftfitrr Gh".Pug" ruo,
Shot No/ Visuals Camera Sound Titles Visual Notes
duration style/transition
P*o* -Tf"..< oeG(
.o) i&"tiercr
Screeoappe
No: Bcrg r"oith aaui- Hcllrd he6 DtQSSe So.sd ol :
pc<r€rt' <rr tS€ Qob Q ' ro toJ=icn Scncoi bett &13 onbo{. 3,- Si ts up
2 Pactsioq
ceaC15
rnis.rd d
*!''< ha< ! o€ 80" (ei3n'Aes e"d oF tOr-, rt'c$rt
ti u. d'is-
tp o€ fjne tj-€ 61666)evric hG"d sToe
q,rso dete'
Facrcs L,p ba
o..srd l6qug
r6Ofy .
t^c>crt ,
$icl' €
No: fpod {-$i-th t)tqpue S*r.d CaS.rq11o
Larqshoe A€ t-t e. c.ntslC tlrr udq.lgr d.:{
k-rcadPha=gs
-@r-
.
e"-- G.cYaS %tc-lont)Sts,]c5
bo
s NONC agn€r pc,rpr
+ th< rocd iecd. Fer io S[<rL-
No: p;q.uc Sarrd Shce errfr.)
S.r"ei bag Cra-ne sho&
oC&o'tstsF
a.bouC - Fc{
66 B i.,Js Rse AiclS'c5a:q1
fuoru€
1 Vi€!.)
d)K
Orrt-ffid
an Cn-nCh13
ko*-s
o.S S Le ."rqt
a-CrcEs,
'
Shot'
No:
Kt< hoUi"g C oSe ,rp aud tl,n*di€aGtic
rn rrsi e of tornr
k;ll<r fidue
cl d€furrcLrlg &yrn iotg inGr,t af
€,(be$ce (tog &.-rre bo cresle N)cq<
27 Ll-KG€a
€.g Koi(&
.-rg oF trfog.o an oj*-rosph,et
,', erngh<3)S A Lerroc,
<(iJTtg''tq -
=/q a4
oF Scccr:
h41tr e)emei