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MODULE ON MEDIA
PLANNING
Media Plan
TARGET
AUDIENCE
GRP’s
& TVR’s
CPRP’s
COVERAGE
or REACH
EFFECTIVE
REACH FREQUENCY
DISTRIBUTION
CPT’s
or CPM’sCIRCULATION
& READERSHIP
So much jargon…
what does it all mean ?
BASIC
MEDIA
TERMINOLOGIES
Target Audience
 The total potential audience that we would like
to communicate to
 SEC
 SEX
 Age
SEC GRID
Education
Illite- School School SSC/ Some Grad/ Grad/
rate upto 4 yrs/ 5-9 yrs HSC Coll. but Post Post
Occupation No formal not grad. Grad - Grad -
schooling Gen Prof.
Unskilled Workers E2 E2 E1 D D D D
Skilled Workers E2 E1 D C C B2 B2
Petty Traders E2 D D C C B2 B2
Shop Owners D D C B2 B1 A2 A2
Businessmen/
Industrialist
With no.of emp:
None D C B2 B1 A2 A2 A1
1-9 C B2 B2 B1 A2 A1 A1
10+ B1 B1 A2 A2 A1 A1 A1
Self Employed Prof. D D D B2 B1 A2 A1
Clerical/Salesmen D D D C B2 B1 B1
Supervisory level D D C C B2 B1 A2
Officers/Execs- Jun C C C B2 B1 A2 A2
Officers/Execs- B1 B1 B1 B1 A2 A1 A1
Mid/Sen.
Reach of media (Max. Poss)
Of the total audience the maximum number of
people that the medium covers.
 Television
 The number of people who watch television at least
once a week.
 Press
 The number of people who read any publication at least
once a week.
 Radio
 The number of people who listen to radio at least once
a week.
 Cinema
 The number of people who visit cinema at least once a
month.
Media Penetration
 It is the percentage of homes in a specified
area and TA that own at least one TV or
radio set or have a TV with a C&S
connection.
 Different from Reach
Television Ratings (TVR)
 The % of audience exposed to a particular
programme
 Peoplemeter TVRs
 A time averaged % of the audience universe across
a defined time period
Time weighted TVR...
Viewer Start End Total time viewed
(min.)
A 8.30 8.40 10
D 8.46 8.50 4
F 8.30 8.35 5
J 8.33 8.58 25
B/C/E/G/H/1 - - -
(Did not watch)
Calculation as per the Diary Method
 Reach ( 5 MIN.+ for A, F & J) : 3 / 10 x 100 = 30 TVR
Calculation as per the People Meter Method
 Time Weighted. TRP : 10/30 + 4/30 + 5/30 + 25/30 x 100 = 15 TVR
10
Note : The figure 30 in the numerator is the duration of the programme
Gross Rating Points (GRP)
 A measure of gross message weight
 It is a % duplicated figure
 A summation of all the TVRs for a particular
media schedule
 Alternately: GRP = Reach x AOTS
 A GRP is always a comparative
weight…by itself, it has no relevance.
The relationship...
GRP
GRP=Reach X AOTS
Reach% at 1+
R=GRP/AOTS
AOTS
A=GRP/Reach
 The net unduplicated number of people that
the plan covers at least once in the defined
period
Reach (%)
Reach
 Definition : The percentage of the target
audience who saw the commercial at least
once during a given campaign period
Reach
Definition : the percentage of the target audience
who saw the commercial at least once during a
given campaign period.
In practice :
Programme
Kyunki Saas...
Amanat
Movie
Heena
News
TVR
15
7
9
4
2
37 GRPs
Unduplicated Reach
15
6
7
3
1
32%
Cumulative Reach
15
21
28
31
32
32% Reach
Plan reach (%)
Veh A
100 people
Veh B
80 people
20 people read pub. A and pub. B
TG = 300
Plan Reach (%)
Veh A
80
Veh B
60
Dup
20
Plan reach = Total (A + B) - Dup (AB) or Exclusive (A+B+C)
{(100 + 80) - 20} or {80+60+20}
= 160
TG = 300
Total
readers
= 100
Total
readers
= 80
Plan reach = (160/300) x 100
= 53 %
 Definition :The number of times, on average,
the audience reached sees the
commercial during a given period.
Formula : AOTS = Total GRPs ÷ Reach or
GRPs = Reach x AOTS
Average OTS
 Definition : The number of times, on average, the
audience reached sees the commercial during a
given period.
Formula: AOTS = Total GRPs ÷ Reach
or
GRPs = Reach x AOTS
In Practice: 37 GRPs ÷ 32% Reach = 1.16 AOTS
Therefore, 32% of the target audience will see the
commercial on average 1.16 times during
the given period.
The relation between Reach &
AOTS ...
Inversely proportional
When the duplication is lower
Reach increases and AOTS decreases
Determines AOTS
Determines Reach
When the duplication goes up
Reach decreases and AOTS increases
Effective Frequency
 The number of times a message needs to be
exposed to the TG to make it relevant
 The OTS that works :
 The optimal OTS to be achieved within a time frame to
accomplish a specified objective
 The frequency estimator one such tool.
Effective Reach
The reach at effective frequency that is needed
to accomplish the specified objective
CPT
 Cost Per Thousand :
 A measure of cost effectiveness.
 The cost of a unit (10 secs) of a vehicle/ the
total number of target audience reached by the
vehicle in thousands.
Cost Per GRP
Definition : The cost of buying one rating point.
Formula : Cost ÷ GRPs = Cost per GRP
Cost Per GRP
Definition : The cost of buying one rating point.
Formula : Cost ÷ GRPs = Cost per GRP
In Practice : Rs .250,000 ÷ 15 GRPs =
Rs. 2174 cost per GRP
Quick Quiz
The following schedule was constructed against the target audience Housewives 18-49
years. The campaign cost is Rs 8 lakhs.
Programme
Kyunki Saas...
Amanat
Movie
Heena
Meri Saheli
Ramayan
Ally Mc Beal
Ghar Ek Mandir
TVR
15
7
9
4
2
5
1
5
Unduplicated Reach
15
6
7
3
2
2
1
1
37%
Cumulative Reach
15
21
28
31
33
35
36
37
37%
1) What GRP’s did this campaign achieve?
2) What is the AOTS ?
3) What is the cost per GRP?
4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the
campaign have achieved and what would the campaign reach have been?
Quick Quiz - Answer 1
The following schedule was constructed against the target audience Housewives 18-49
years. The campaign cost is Rs 8 lakhs.
Programme
Kyunki Saas...
Amanat
Movie
Heena
Meri Saheli
Ramayan
Ally Mc Beal
Ghar Ek Mandir
TVR
15
7
9
4
2
5
1
5
Unduplicated Reach
15
6
7
3
2
2
1
1
37%
Cumulative Reach
15
21
28
31
33
35
36
37
37%
1) What GRP’s did this campaign achieve?
2) What is the AOTS ?
3) What is the cost per GRP?
4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the
campaign have achieved and what would the campaign reach have been?
48
Quick Quiz
15+7+9+4+2+5+1+5
=48 GRPs
Quick Quiz - Answer 2
The following schedule was constructed against the target audience Housewives 18-49
years. The campaign cost is Rs 8 lakhs.
Programme
Kyunki Saas...
Amanat
Movie
Heena
Meri Saheli
Ramayan
Ally Mc Beal
Ghar Ek Mandir
TVR
15
7
9
4
2
5
1
5
Unduplicated Reach
15
6
7
3
2
2
1
1
37%
Cumulative Reach
15
21
28
31
33
35
36
37
37%
1) What GRP’s did this campaign achieve?
2) What is the AOTS ?
3) What is the cost per GRP?
4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the
campaign have achieved and what would the campaign reach have been?
1.3
Quick Quiz
48/37 = 1.3
Quick Quiz - Answer 3
The following schedule was constructed against the target audience Housewives 18-49
years. The campaign cost is Rs 8 lakhs.
Programme
Kyunki Saas...
Amanat
Movie
Heena
Meri Saheli
Ramayan
Ally Mc Beal
Ghar Ek Mandir
TVR
15
7
9
4
2
5
1
5
Unduplicated Reach
15
6
7
3
2
2
1
1
37%
Cumulative Reach
15
21
28
31
33
35
36
37
37%
1) What GRP’s did this campaign achieve?
2) What is the AOTS ?
3) What is the cost per GRP?
4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the
campaign have achieved and what would the campaign reach have been?
Rs. 16667
Quick Quiz
Rs.800000/48 =
Rs. 16667
Quick Quiz - Answer 4
The following schedule was constructed against the target audience
Housewives 18-49 years. The campaign cost is Rs 8 lakhs.
Programme
Kyunki Saas...
Amanat
Movie
Heena
Meri Saheli
Ramayan
Ally Mc Beal
Ghar Ek Mandir
TVR
15
7
9
4
2
5
1
5
Unduplicated Reach
15
6
7
3
2
2
1
1
37%
Cumulative Reach
15
21
28
31
33
35
36
37
37%
1) What GRP’s did this campaign achieve?
2) What is the AOTS ?
3) What is the cost per GRP?
4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the
campaign have achieved and what would the campaign reach have
been?
GRPs- 43
Reach-36%
Quick Quiz
48 - 5 = 43 GRPs
37 - 1 = 36% Reach
Channel Shares
 Out of the total TV viewing universe in the
specified time period what proportion of the
audience has viewed the channel.
Cumulative Reach
 The net unduplicated number of people that
have viewed a channel for at least a period
of 1 min within the specified time period.
ROS
Run on
schedule.
Refers to the
random running
of spots across
the entire day
RODP
Run on daypart
Refers to the
random running
of spots within a
specified time
band.
FCT
 Free commercial
time
 It is the amount of
secondage that is
bought on a
channel.
FPC
 Fixed point chart
 It is the time wise,
day wise
programming grid
for a particular
channel.
Used to signify the final rate/10 secs that is obtained
on a channel after the buying is complete.
 It is arrived after averaging out the paid and the
bonus component of the deal. For eg.
 Paid Value = Rs 150,000
 Paid secondage = 100 secs (ie @ Rs
15,000/10 secs)
 Bonus secondage = 50 secs
 Total secondage = 150 sec
 ER/10 secs = 150,000/15 = Rs 10,000
Effective Rate (ER)
Scheduling
Continuous
Time
Flighting
Time
Pulsing
Time
Burst
Time
TERMINOLOGIES IN A
COMPETITIVE
FRAMEWORK
 A relative media measure
 Brand spend in value as a % of the total
advertising expenditure of the category
 Gives the first level of indication of the level of
dominance of a brand in a certain time period.
 Does not take into account the duration
differentiation and the buying efficiencies of the
different players
 Data is monitored weekly at card rates by a third
party.
 In our case it is Time monitoring.
Share of Expenditure (SOE)
Share of Voice (SOV)
 A measure of media weight distribution
 Represents the brand GRP’s as a % of the total GRPs
delivered by the category
A more reliable measure of relative weights
 But not sensitive to duration.
 Avg. duration used should always be looked at in
conjunction.
TERMINOLOGIES IN
MARKET
PRIORITISATION
Basic numbers...
 Saliency or contribution:
 A percentage number
 The contribution of a state / city compared to
All India or Total
 Gives you the relative importance of a state /
city w.r.t other states / cities
 Growth rates
 A simple linear increase / decrease in sales
expressed in % across two time periods
Indices...
 A measure of per capita consumption in a
particular state / city for a brand or category w.r.t
defined TG dispersion in that city.
 BDI (Brand Development index)
 % contribution of state to total brand sales / % TG popl in that
state to total TG
 CDI (Category Development index)
 % contribution of state to total category sales / % TG popl in that
state to total TG
Help inter-state comparisons and relative media weight
setting.
Mapping for prioritisation...
Low CDI
High CDI
High BDI
Low BDI
Invest Potential Consolidate/
Strengthen
Ignore/Spillover Maintain/Threshold
ZOOMING IN ON
PRINT...
Press terminologies & concepts
Readership
 Average Issue readership
 A percentage / portion of the audience who read
the vehicle within the periodicity of it being
published
 Also referred to as reach of vehicle
 Sole Readers
 A percentage / portion of the audience who
reads only a particular vehicle and nothing else
Cost efficiency
 CPT (Cost per thousand)
 Cost of a defined creative unit say 100 cc or
Full Page/ the readership in thousands.
 CPC (Cost per copy)
 Cost of a defined creative unit say 100 cc or
Full Page/ the circulation in thousands.
Newspapers / Magazines
Circulation
Definitions : The number of copies each edition sells.
In Practice : The Readers Digest has a circulation of
58,000 copies.
Readership
Definition : The total number of adult readers for each
title.
In Practice : The Readers Digest has a circulation of
58,000, but an average of 8.5 readers per copy.
Total Readership = 8.5 x 58,000 = 493,000
NET TERMINOLOGY
Terminology…
 Uniform Resource Locator (URL)
 An Internet address
 A means of identifying an exact location on the
Internet
 http://www.rediff.com
 HTML (HyperText Mark-up Language)
 The set of codes that tells the web browser how
to display the page
Terminology…
 Rich Media
 Ads with Rich Media use Java, Flash, Shockwave to
generate banners with animations, form submissions
etc.
 Interaction with the user
 Cookie
 A packet of data stored on your computer’s hard drive by a
Web site
 The code reveals info about you (pages you’ve
visited, utilities used, etc.) that can be used for
targeting of ads
Terminology…
 Hit
 A hit is generated by every request made to a web
server.
 Eg. The Inbox, Compose etc. on Hotmail are treated
as different hits
 Impression
 One display of a banner to a single viewer
 Page View
 One download of a complete page
Terminology…
 Unique visitors
 The number of unique individuals who visit a site
within a specific period of time
WHILE PLANNING
QUESTION
YOURSELF….
1.What is the marketing/sales
objective?
 hold current users
 change user profile
 grab users from competition
 expand category ie.new users
 get current users to use more
2.What is the objective behind the current
burst ?
Specific sales objectives (if measurable)
 Brand task - Introduce, Maintain, Stimulate,
Reposition, Re-launch
3.What is the role of advertising ?
Increase awareness (measurable), generate trials etc.
 Will impact coverage, continuity, dominance,
frequency objectives in the plan
4.Which are the focus markets?
Mkt. wise sales salience over at least 4 data points (by quarter)
 Helps in market prioritisation and relative
media weight allocation
5.What is the competitive set ?
What are their regional pockets of strength ?
 Helps us look at the media in the context of
the overall marketing plan to counter
competition
 How is the category moving - growths, rural
vs urban etc. ?
6.What is the brand's distribution status by
geography, compared to the competition &
category ?
 Can lead to a decision to delay media break
in a mkt due to below -threshold distribution
7.Who are we talking to ?
 Demographics
 Psychographics
8.Where are current users coming from
?
(if not a new brand) TG definition & geography
 Can help identify the strong pockets
 Can impact the relative media weights for
each market.
 (Reach for width & frequency for depth)
9.Where has been the maximum lapsing and why
?
(if applicable)
 Can link this to media weights given.
Redefine threshold if there is a only media
solution
10.How much are the resources ?
 Budget determined by client, allocated by
agency
11.Are there any special
considerations that we need to bear in
mind ?
 Any market/category peculiarity that could
impact the planning process
 Client deals, below the line activities,
seasonality, purchase cycle etc.
12.Are there any creative size
mandatories ?
 Existing creatives
 New creatives with size restrictions
THE MEDIA PLANNING
PROCESS
The Unifying:M factor...
Money...Marketing...Media
My Kitty
Now that I have it,
what do I do?
Four key questions:
To whom
Where (mkt & broad mix)
How much
How & When (specific)
To Whom...
To whom...
Demographics
 Primary vs secondary
Psychographics
Mediagraphics
 C&S vs NC&S
Where - Markets...
Market Prioritisation
 Salience (% contribution)
 Growths
 Mkt wise share
movements - competitive
factors
 Distribution
How does our audience relate
to his/her media environment
 Where ...
 Context of media
The juggle...
Arriving at the right
media mix
Why a medium...
 Each medium has some inherent capabilities
 TV - a-v/active - emotional/demo
 Press - high involvement - information detail
 Radio - audio/passive - imagination/intimate
 Cinema - audio visual/unadulterated attention
 Outdoor - transient - announcement/localised
 Internet- interactive – one on one
Why a mix...
 Extend the reach beyond a single medium
 Highly fragmented mkts
 If the brand is targeting two different TG
 different strokes for different folks
 Different stimuli aid in making the
communication more memorable
 Media multiplier
 Launch impact
Quantitative...
 Maximum possible reach of a medium
(Max Pos):
 How does a medium fare in numeric terms
within our defined audience
 Eg: FM for teenagers, Women focus mags for
women etc.
Qualitative...
 Involvement
 This adds the qualitative layer and gauges not
just the numbers but also the quality of the
interaction with a medium.
 Average time spent ( Heavy/ medium /light.)
 Context of use.
Planning in a competitive
context
 Not always actionable insights but a
critical backdrop.
 MAP- Press (monthly)
 Medialogist - TV (weekly)
Competitive Tracking - Press
 Spends across brands on a regular basis
 Spot key trends
 Type of publications used
 Periodicity (Dailies v/s Magazines)
 Colour v/s B&W
 Seasonality
 Specific positions
 English v/s language press
Competitive Tracking - TV
 Spends across brands on a regular basis
 Spot key trends
 Channel mix
 Terrestrial vs satellite focus
 Regional vs national focus
 Average duration of spot
 Scheduling pattern
How much...
To get some jargon
into perspective:
 Reach
 Frequency/OTS
What is effective ?
75% @ 3+
Frequency based weight setting
Frequency :
‘How much is enough’
Krugman’s three hit theory :
1st exposure : What is it ? A cognitive (screening
out/ in) response
2nd exposure : What of it ? An evaluative
response
3rd exposure : The true reminder
All subsequent exposures : Repeats of the 3rd
exposure
How much is enough ?
 Given the budgets:
 Setting Effective frequency targets and
optimising reach at those levels
 The tool used:
 “The Effective
Frequency Estimator”
Media wt.
Poor
consumer
About the estimator...
 A model for arriving at an optimal
frequency level for a brand in a particular
market.
 Parameters used
Brand (Awareness) related
The media/market environment
Communication factors
BRAND FACTORS 1 2 3 4 5 6 7 8 9 10 Freq. Weights
Brand Lifecycle Established brand 10 Relatively New 10 10
Marketing Objective Maintaining MS 7 Increasing MS 7 5
Activity On going activity 10 Launch 10 10
Involvement High 6 Low 6 5
Proposition Established 8 New 8 10
MARKET/MEDIA FACTORS
Recent Support High 10 Low 10 5
Competitve activity Low 7 High 7 5
Media market ClutterLow 7 High 7 5
Market Support High 3 Low 3 10
Market Status MS high MS low 0
Brand Health/ MS TOMA>1.0 TOMA<1.0 0
Fav. Brand >1.0 Fav. Brand <1.0 0
Seasonality Non peak Peak 0
COMMUNICATION FACTORS
Ad Lifecycle Established 10 New 10 5
Message complexity Simple 4 Complex 4 5
Role of Ad Attitude 2 Behaviour 2 10
Ad message Persuasive 7 Non-Persuasive 7 5
Size of Ad Long 1 Short 1 5
No. of executions Single 1 Multiple 1 5
OPERATING FREQUENCY 6.3 100
Reach based weight setting
Setting reach objectives
Goal Orientation
 This approach is a bottom-up approach, which
flows from expected sales. An illustration :
Setting reach objectives
TG (Sec A/B, Rs.4000+, Women) =20,00,000
Sales estimate =100 Tons
Avg. consumption/TG HH in =250 gms
campaign period
Total consuming TG HH (2) / (3) = 4,00,000
(20% of TG)
Conversion ratio = 40%
(Awareness to Trial possible measure)
Therefore reach (4) / (5) = 50% of TG
Setting reach objectives
Maximising Efficiency
 This approach is strictly quantitative in nature,
with the primary objective of maximising
efficiency. It can be applied only when effective
frequency objectives have been set.
Setting reach objectives
 The point on a reach/frequency curve where
diminishing returns set in defines reach
objective.
GRPs / Cost
Reach %
80%
3+
4+
5+
The Recipe for a Media Plan
 A closer look at the cooking...
Defining Objectives-by TG and
Task
TG :
 Men for Citibank
credit cards
 Youth for
Valentine’s Day
Task :
 Rapid Reach build up
to induce trial
 Higher frequency at
threshold Reach for
repeat purchase
The Print Process ...
Defining Objectives Evaluation of vehicles
Vehicle selection
•Quantitative
•Qualitative
Plan iterations
(reach/costs)
Schedule
FINAL PLAN
Deliveries
The Television Process ...
The Task
How much is enough?
Defining Objectives -
Reach/Freq.
How do I get there ?
Programme selection
Budgets
The Television Process ...
Plan construction
and iterations (reach/costs)
Schedule
FINAL PLAN
Pre-plan
Deliveries
Monitoring Post plan deliveries
The Outdoor Process ...
Defining Objectives
(based on campaign, TG, markets,
budget)
Site selection
•Quantitative(size)
•Qualitative(location)
Site operation(Painting, vinyl)
Site monitoring
The internet process…
Defining objectives
(driving traffic/visits, building awareness)
Defining TG
(affinity groups, usage data)
Targetting options
(by country, city, time, day,
demographics, content,
geographic location)
Choosing a model
(banners, sponsorships/branding, email
marketing, referrals, keyword searches,
contests)
Evaluating a plan
(Site centric / user centric)
Beyond the numbers
The “feel” aspects …
Qualitative factors
II. Treatment of the vehicle…
 Supplements v/s Main issue
 Spots v/s Sponsorships
 Page position/break position
I . The choice of a vehicle…
Clutter
Reproduction/Reception quality
Editorial/programming environment
 TOI v/s Midday
 Star Plus v/s MTV
Flexibility of publication/TV channel
Plan Iterations
 Begins after selection of the final basket of
vehicles
 Build in insertions/spots across vehicles
across markets while keeping in mind
 Media objectives
 Period of activity
 Cost efficiencies
 Creative considerations, i.e. subjects to be
exposed, sizes/durations
 End product – FINAL PLAN
Scheduling
 Sequential exposure of creative subjects
 Weekend skew
 Cross scheduling
 Juggling subjects across publications/channels
keeping in mind
 Duplication
 Nature of vehicle
Deliveries
 Determine how the plan performs in the relevant
TG on quantitative parameters like
 Reach% @ 1+ i.e., how many people in our TG
got to see the ad at least once
 Reach% @ 3+ i.e., how many people in our TG
got to see the ad three times or more
 AOTS i.e., the average no. of exposures that my
ad gets in the TG.
 Measurable through Media Xpress
CREATIVE
MEDIA SOLUTIONS
 How do you choose from all media vehicles to
most powerfully, persuasively communicate your
brand?
 How it is delivered will add value to the Idea.
 Magic applies as much to media selection as to
creative development.
Start with the consumer
 Not what media do to people but what people do
with media
 How do consumers and channels of
communications interact?
 “We should understand better than anyone else
how people consume communications”.
Yesterday’s prevailing rule
“If you only have a hammer,
everything looks like a nail.”
Old Thinking Based on Two
Fallacies
1.We only make ads
2.The consumer is a stationary target for me to
hit
Hit Her Here.
Consumer
Consumer
No Response?
Consumer
Consumer
Hit Her Harder.
Consumer
Consumer
But in truth, she’s not a static
object waiting to be hit!
She’s always moving
 in process of persuading herself
 full of communication opportunities
 requires many different messages along the
way
 There are many contact points where the
consumer and persuasive communication can
intersect.
 Selling messages communicated via a variety
of channels creates greater synergy and
 Multiplies the power of the persuasion
Creative Media Use
Innovative use of a brand idea or
Inventive use of a Target Audience’s media
consumption
Think the box
In media …
 Leverage the existing properties of the
medium in a refreshing way
 Create new opportunities
SOME EXAMPLES
Hello to all our readers in high office.
 Adding value to the Branding Idea
 Strategic media decisions made prior to
creative development
 Early involvement with creative teams
Free Your Mind!!!
MEDIA OPERATIONAL
PROCEDURES
WORK FLOW
Approved Media Plan
Release Orders
Material
Requisitions from Servicing for a Media estimate
Media Estimate
Approved Estimate from Client
PRESENT SCENARIO
IDEAL
Requisition + Approved Media Plan
Media Estimate
Approved estimate + Material
Release Orders
THANK YOU

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Media Planningh Training

  • 2. Media Plan TARGET AUDIENCE GRP’s & TVR’s CPRP’s COVERAGE or REACH EFFECTIVE REACH FREQUENCY DISTRIBUTION CPT’s or CPM’sCIRCULATION & READERSHIP
  • 3. So much jargon… what does it all mean ?
  • 5. Target Audience  The total potential audience that we would like to communicate to  SEC  SEX  Age
  • 6. SEC GRID Education Illite- School School SSC/ Some Grad/ Grad/ rate upto 4 yrs/ 5-9 yrs HSC Coll. but Post Post Occupation No formal not grad. Grad - Grad - schooling Gen Prof. Unskilled Workers E2 E2 E1 D D D D Skilled Workers E2 E1 D C C B2 B2 Petty Traders E2 D D C C B2 B2 Shop Owners D D C B2 B1 A2 A2 Businessmen/ Industrialist With no.of emp: None D C B2 B1 A2 A2 A1 1-9 C B2 B2 B1 A2 A1 A1 10+ B1 B1 A2 A2 A1 A1 A1 Self Employed Prof. D D D B2 B1 A2 A1 Clerical/Salesmen D D D C B2 B1 B1 Supervisory level D D C C B2 B1 A2 Officers/Execs- Jun C C C B2 B1 A2 A2 Officers/Execs- B1 B1 B1 B1 A2 A1 A1 Mid/Sen.
  • 7. Reach of media (Max. Poss) Of the total audience the maximum number of people that the medium covers.
  • 8.  Television  The number of people who watch television at least once a week.  Press  The number of people who read any publication at least once a week.  Radio  The number of people who listen to radio at least once a week.  Cinema  The number of people who visit cinema at least once a month.
  • 9. Media Penetration  It is the percentage of homes in a specified area and TA that own at least one TV or radio set or have a TV with a C&S connection.  Different from Reach
  • 10. Television Ratings (TVR)  The % of audience exposed to a particular programme  Peoplemeter TVRs  A time averaged % of the audience universe across a defined time period
  • 11. Time weighted TVR... Viewer Start End Total time viewed (min.) A 8.30 8.40 10 D 8.46 8.50 4 F 8.30 8.35 5 J 8.33 8.58 25 B/C/E/G/H/1 - - - (Did not watch) Calculation as per the Diary Method  Reach ( 5 MIN.+ for A, F & J) : 3 / 10 x 100 = 30 TVR Calculation as per the People Meter Method  Time Weighted. TRP : 10/30 + 4/30 + 5/30 + 25/30 x 100 = 15 TVR 10 Note : The figure 30 in the numerator is the duration of the programme
  • 12. Gross Rating Points (GRP)  A measure of gross message weight  It is a % duplicated figure  A summation of all the TVRs for a particular media schedule  Alternately: GRP = Reach x AOTS  A GRP is always a comparative weight…by itself, it has no relevance.
  • 13. The relationship... GRP GRP=Reach X AOTS Reach% at 1+ R=GRP/AOTS AOTS A=GRP/Reach
  • 14.  The net unduplicated number of people that the plan covers at least once in the defined period Reach (%)
  • 15. Reach  Definition : The percentage of the target audience who saw the commercial at least once during a given campaign period
  • 16. Reach Definition : the percentage of the target audience who saw the commercial at least once during a given campaign period. In practice : Programme Kyunki Saas... Amanat Movie Heena News TVR 15 7 9 4 2 37 GRPs Unduplicated Reach 15 6 7 3 1 32% Cumulative Reach 15 21 28 31 32 32% Reach
  • 17. Plan reach (%) Veh A 100 people Veh B 80 people 20 people read pub. A and pub. B TG = 300
  • 18. Plan Reach (%) Veh A 80 Veh B 60 Dup 20 Plan reach = Total (A + B) - Dup (AB) or Exclusive (A+B+C) {(100 + 80) - 20} or {80+60+20} = 160 TG = 300 Total readers = 100 Total readers = 80
  • 19. Plan reach = (160/300) x 100 = 53 %
  • 20.  Definition :The number of times, on average, the audience reached sees the commercial during a given period. Formula : AOTS = Total GRPs ÷ Reach or GRPs = Reach x AOTS Average OTS
  • 21.  Definition : The number of times, on average, the audience reached sees the commercial during a given period. Formula: AOTS = Total GRPs ÷ Reach or GRPs = Reach x AOTS In Practice: 37 GRPs ÷ 32% Reach = 1.16 AOTS Therefore, 32% of the target audience will see the commercial on average 1.16 times during the given period.
  • 22. The relation between Reach & AOTS ...
  • 24. When the duplication is lower Reach increases and AOTS decreases Determines AOTS Determines Reach When the duplication goes up Reach decreases and AOTS increases
  • 25. Effective Frequency  The number of times a message needs to be exposed to the TG to make it relevant  The OTS that works :  The optimal OTS to be achieved within a time frame to accomplish a specified objective  The frequency estimator one such tool.
  • 26. Effective Reach The reach at effective frequency that is needed to accomplish the specified objective
  • 27. CPT  Cost Per Thousand :  A measure of cost effectiveness.  The cost of a unit (10 secs) of a vehicle/ the total number of target audience reached by the vehicle in thousands.
  • 28. Cost Per GRP Definition : The cost of buying one rating point. Formula : Cost ÷ GRPs = Cost per GRP
  • 29. Cost Per GRP Definition : The cost of buying one rating point. Formula : Cost ÷ GRPs = Cost per GRP In Practice : Rs .250,000 ÷ 15 GRPs = Rs. 2174 cost per GRP
  • 30. Quick Quiz The following schedule was constructed against the target audience Housewives 18-49 years. The campaign cost is Rs 8 lakhs. Programme Kyunki Saas... Amanat Movie Heena Meri Saheli Ramayan Ally Mc Beal Ghar Ek Mandir TVR 15 7 9 4 2 5 1 5 Unduplicated Reach 15 6 7 3 2 2 1 1 37% Cumulative Reach 15 21 28 31 33 35 36 37 37% 1) What GRP’s did this campaign achieve? 2) What is the AOTS ? 3) What is the cost per GRP? 4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the campaign have achieved and what would the campaign reach have been?
  • 31. Quick Quiz - Answer 1 The following schedule was constructed against the target audience Housewives 18-49 years. The campaign cost is Rs 8 lakhs. Programme Kyunki Saas... Amanat Movie Heena Meri Saheli Ramayan Ally Mc Beal Ghar Ek Mandir TVR 15 7 9 4 2 5 1 5 Unduplicated Reach 15 6 7 3 2 2 1 1 37% Cumulative Reach 15 21 28 31 33 35 36 37 37% 1) What GRP’s did this campaign achieve? 2) What is the AOTS ? 3) What is the cost per GRP? 4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the campaign have achieved and what would the campaign reach have been? 48
  • 33. Quick Quiz - Answer 2 The following schedule was constructed against the target audience Housewives 18-49 years. The campaign cost is Rs 8 lakhs. Programme Kyunki Saas... Amanat Movie Heena Meri Saheli Ramayan Ally Mc Beal Ghar Ek Mandir TVR 15 7 9 4 2 5 1 5 Unduplicated Reach 15 6 7 3 2 2 1 1 37% Cumulative Reach 15 21 28 31 33 35 36 37 37% 1) What GRP’s did this campaign achieve? 2) What is the AOTS ? 3) What is the cost per GRP? 4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the campaign have achieved and what would the campaign reach have been? 1.3
  • 35. Quick Quiz - Answer 3 The following schedule was constructed against the target audience Housewives 18-49 years. The campaign cost is Rs 8 lakhs. Programme Kyunki Saas... Amanat Movie Heena Meri Saheli Ramayan Ally Mc Beal Ghar Ek Mandir TVR 15 7 9 4 2 5 1 5 Unduplicated Reach 15 6 7 3 2 2 1 1 37% Cumulative Reach 15 21 28 31 33 35 36 37 37% 1) What GRP’s did this campaign achieve? 2) What is the AOTS ? 3) What is the cost per GRP? 4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the campaign have achieved and what would the campaign reach have been? Rs. 16667
  • 37. Quick Quiz - Answer 4 The following schedule was constructed against the target audience Housewives 18-49 years. The campaign cost is Rs 8 lakhs. Programme Kyunki Saas... Amanat Movie Heena Meri Saheli Ramayan Ally Mc Beal Ghar Ek Mandir TVR 15 7 9 4 2 5 1 5 Unduplicated Reach 15 6 7 3 2 2 1 1 37% Cumulative Reach 15 21 28 31 33 35 36 37 37% 1) What GRP’s did this campaign achieve? 2) What is the AOTS ? 3) What is the cost per GRP? 4) If Ghar Ek Mandir was not on the schedule, how many GRPs would the campaign have achieved and what would the campaign reach have been? GRPs- 43 Reach-36%
  • 38. Quick Quiz 48 - 5 = 43 GRPs 37 - 1 = 36% Reach
  • 39. Channel Shares  Out of the total TV viewing universe in the specified time period what proportion of the audience has viewed the channel.
  • 40. Cumulative Reach  The net unduplicated number of people that have viewed a channel for at least a period of 1 min within the specified time period.
  • 41. ROS Run on schedule. Refers to the random running of spots across the entire day RODP Run on daypart Refers to the random running of spots within a specified time band.
  • 42. FCT  Free commercial time  It is the amount of secondage that is bought on a channel. FPC  Fixed point chart  It is the time wise, day wise programming grid for a particular channel.
  • 43. Used to signify the final rate/10 secs that is obtained on a channel after the buying is complete.  It is arrived after averaging out the paid and the bonus component of the deal. For eg.  Paid Value = Rs 150,000  Paid secondage = 100 secs (ie @ Rs 15,000/10 secs)  Bonus secondage = 50 secs  Total secondage = 150 sec  ER/10 secs = 150,000/15 = Rs 10,000 Effective Rate (ER)
  • 46.  A relative media measure  Brand spend in value as a % of the total advertising expenditure of the category  Gives the first level of indication of the level of dominance of a brand in a certain time period.  Does not take into account the duration differentiation and the buying efficiencies of the different players  Data is monitored weekly at card rates by a third party.  In our case it is Time monitoring. Share of Expenditure (SOE)
  • 47. Share of Voice (SOV)  A measure of media weight distribution  Represents the brand GRP’s as a % of the total GRPs delivered by the category A more reliable measure of relative weights  But not sensitive to duration.  Avg. duration used should always be looked at in conjunction.
  • 49. Basic numbers...  Saliency or contribution:  A percentage number  The contribution of a state / city compared to All India or Total  Gives you the relative importance of a state / city w.r.t other states / cities  Growth rates  A simple linear increase / decrease in sales expressed in % across two time periods
  • 50. Indices...  A measure of per capita consumption in a particular state / city for a brand or category w.r.t defined TG dispersion in that city.  BDI (Brand Development index)  % contribution of state to total brand sales / % TG popl in that state to total TG  CDI (Category Development index)  % contribution of state to total category sales / % TG popl in that state to total TG Help inter-state comparisons and relative media weight setting.
  • 51. Mapping for prioritisation... Low CDI High CDI High BDI Low BDI Invest Potential Consolidate/ Strengthen Ignore/Spillover Maintain/Threshold
  • 52. ZOOMING IN ON PRINT... Press terminologies & concepts
  • 53. Readership  Average Issue readership  A percentage / portion of the audience who read the vehicle within the periodicity of it being published  Also referred to as reach of vehicle  Sole Readers  A percentage / portion of the audience who reads only a particular vehicle and nothing else
  • 54. Cost efficiency  CPT (Cost per thousand)  Cost of a defined creative unit say 100 cc or Full Page/ the readership in thousands.  CPC (Cost per copy)  Cost of a defined creative unit say 100 cc or Full Page/ the circulation in thousands.
  • 55. Newspapers / Magazines Circulation Definitions : The number of copies each edition sells. In Practice : The Readers Digest has a circulation of 58,000 copies. Readership Definition : The total number of adult readers for each title. In Practice : The Readers Digest has a circulation of 58,000, but an average of 8.5 readers per copy. Total Readership = 8.5 x 58,000 = 493,000
  • 57. Terminology…  Uniform Resource Locator (URL)  An Internet address  A means of identifying an exact location on the Internet  http://www.rediff.com  HTML (HyperText Mark-up Language)  The set of codes that tells the web browser how to display the page
  • 58. Terminology…  Rich Media  Ads with Rich Media use Java, Flash, Shockwave to generate banners with animations, form submissions etc.  Interaction with the user  Cookie  A packet of data stored on your computer’s hard drive by a Web site  The code reveals info about you (pages you’ve visited, utilities used, etc.) that can be used for targeting of ads
  • 59. Terminology…  Hit  A hit is generated by every request made to a web server.  Eg. The Inbox, Compose etc. on Hotmail are treated as different hits  Impression  One display of a banner to a single viewer  Page View  One download of a complete page
  • 60. Terminology…  Unique visitors  The number of unique individuals who visit a site within a specific period of time
  • 62. 1.What is the marketing/sales objective?  hold current users  change user profile  grab users from competition  expand category ie.new users  get current users to use more
  • 63. 2.What is the objective behind the current burst ? Specific sales objectives (if measurable)  Brand task - Introduce, Maintain, Stimulate, Reposition, Re-launch
  • 64. 3.What is the role of advertising ? Increase awareness (measurable), generate trials etc.  Will impact coverage, continuity, dominance, frequency objectives in the plan
  • 65. 4.Which are the focus markets? Mkt. wise sales salience over at least 4 data points (by quarter)  Helps in market prioritisation and relative media weight allocation
  • 66. 5.What is the competitive set ? What are their regional pockets of strength ?  Helps us look at the media in the context of the overall marketing plan to counter competition  How is the category moving - growths, rural vs urban etc. ?
  • 67. 6.What is the brand's distribution status by geography, compared to the competition & category ?  Can lead to a decision to delay media break in a mkt due to below -threshold distribution
  • 68. 7.Who are we talking to ?  Demographics  Psychographics
  • 69. 8.Where are current users coming from ? (if not a new brand) TG definition & geography  Can help identify the strong pockets  Can impact the relative media weights for each market.  (Reach for width & frequency for depth)
  • 70. 9.Where has been the maximum lapsing and why ? (if applicable)  Can link this to media weights given. Redefine threshold if there is a only media solution
  • 71. 10.How much are the resources ?  Budget determined by client, allocated by agency
  • 72. 11.Are there any special considerations that we need to bear in mind ?  Any market/category peculiarity that could impact the planning process  Client deals, below the line activities, seasonality, purchase cycle etc.
  • 73. 12.Are there any creative size mandatories ?  Existing creatives  New creatives with size restrictions
  • 76. Now that I have it, what do I do? Four key questions: To whom Where (mkt & broad mix) How much How & When (specific)
  • 78. To whom... Demographics  Primary vs secondary Psychographics Mediagraphics  C&S vs NC&S
  • 79. Where - Markets... Market Prioritisation  Salience (% contribution)  Growths  Mkt wise share movements - competitive factors  Distribution
  • 80. How does our audience relate to his/her media environment  Where ...  Context of media
  • 81. The juggle... Arriving at the right media mix
  • 82. Why a medium...  Each medium has some inherent capabilities  TV - a-v/active - emotional/demo  Press - high involvement - information detail  Radio - audio/passive - imagination/intimate  Cinema - audio visual/unadulterated attention  Outdoor - transient - announcement/localised  Internet- interactive – one on one
  • 83. Why a mix...  Extend the reach beyond a single medium  Highly fragmented mkts  If the brand is targeting two different TG  different strokes for different folks  Different stimuli aid in making the communication more memorable  Media multiplier  Launch impact
  • 84. Quantitative...  Maximum possible reach of a medium (Max Pos):  How does a medium fare in numeric terms within our defined audience  Eg: FM for teenagers, Women focus mags for women etc.
  • 85. Qualitative...  Involvement  This adds the qualitative layer and gauges not just the numbers but also the quality of the interaction with a medium.  Average time spent ( Heavy/ medium /light.)  Context of use.
  • 86. Planning in a competitive context  Not always actionable insights but a critical backdrop.  MAP- Press (monthly)  Medialogist - TV (weekly)
  • 87. Competitive Tracking - Press  Spends across brands on a regular basis  Spot key trends  Type of publications used  Periodicity (Dailies v/s Magazines)  Colour v/s B&W  Seasonality  Specific positions  English v/s language press
  • 88. Competitive Tracking - TV  Spends across brands on a regular basis  Spot key trends  Channel mix  Terrestrial vs satellite focus  Regional vs national focus  Average duration of spot  Scheduling pattern
  • 89.
  • 90. How much... To get some jargon into perspective:  Reach  Frequency/OTS What is effective ? 75% @ 3+
  • 92. Frequency : ‘How much is enough’ Krugman’s three hit theory : 1st exposure : What is it ? A cognitive (screening out/ in) response 2nd exposure : What of it ? An evaluative response 3rd exposure : The true reminder All subsequent exposures : Repeats of the 3rd exposure
  • 93. How much is enough ?  Given the budgets:  Setting Effective frequency targets and optimising reach at those levels  The tool used:  “The Effective Frequency Estimator” Media wt. Poor consumer
  • 94. About the estimator...  A model for arriving at an optimal frequency level for a brand in a particular market.  Parameters used Brand (Awareness) related The media/market environment Communication factors
  • 95. BRAND FACTORS 1 2 3 4 5 6 7 8 9 10 Freq. Weights Brand Lifecycle Established brand 10 Relatively New 10 10 Marketing Objective Maintaining MS 7 Increasing MS 7 5 Activity On going activity 10 Launch 10 10 Involvement High 6 Low 6 5 Proposition Established 8 New 8 10 MARKET/MEDIA FACTORS Recent Support High 10 Low 10 5 Competitve activity Low 7 High 7 5 Media market ClutterLow 7 High 7 5 Market Support High 3 Low 3 10 Market Status MS high MS low 0 Brand Health/ MS TOMA>1.0 TOMA<1.0 0 Fav. Brand >1.0 Fav. Brand <1.0 0 Seasonality Non peak Peak 0 COMMUNICATION FACTORS Ad Lifecycle Established 10 New 10 5 Message complexity Simple 4 Complex 4 5 Role of Ad Attitude 2 Behaviour 2 10 Ad message Persuasive 7 Non-Persuasive 7 5 Size of Ad Long 1 Short 1 5 No. of executions Single 1 Multiple 1 5 OPERATING FREQUENCY 6.3 100
  • 97. Setting reach objectives Goal Orientation  This approach is a bottom-up approach, which flows from expected sales. An illustration :
  • 98. Setting reach objectives TG (Sec A/B, Rs.4000+, Women) =20,00,000 Sales estimate =100 Tons Avg. consumption/TG HH in =250 gms campaign period Total consuming TG HH (2) / (3) = 4,00,000 (20% of TG) Conversion ratio = 40% (Awareness to Trial possible measure) Therefore reach (4) / (5) = 50% of TG
  • 99. Setting reach objectives Maximising Efficiency  This approach is strictly quantitative in nature, with the primary objective of maximising efficiency. It can be applied only when effective frequency objectives have been set.
  • 100. Setting reach objectives  The point on a reach/frequency curve where diminishing returns set in defines reach objective. GRPs / Cost Reach % 80% 3+ 4+ 5+
  • 101. The Recipe for a Media Plan  A closer look at the cooking...
  • 102. Defining Objectives-by TG and Task TG :  Men for Citibank credit cards  Youth for Valentine’s Day Task :  Rapid Reach build up to induce trial  Higher frequency at threshold Reach for repeat purchase
  • 103. The Print Process ... Defining Objectives Evaluation of vehicles Vehicle selection •Quantitative •Qualitative Plan iterations (reach/costs) Schedule FINAL PLAN Deliveries
  • 104. The Television Process ... The Task How much is enough? Defining Objectives - Reach/Freq. How do I get there ? Programme selection Budgets
  • 105. The Television Process ... Plan construction and iterations (reach/costs) Schedule FINAL PLAN Pre-plan Deliveries Monitoring Post plan deliveries
  • 106. The Outdoor Process ... Defining Objectives (based on campaign, TG, markets, budget) Site selection •Quantitative(size) •Qualitative(location) Site operation(Painting, vinyl) Site monitoring
  • 107. The internet process… Defining objectives (driving traffic/visits, building awareness) Defining TG (affinity groups, usage data) Targetting options (by country, city, time, day, demographics, content, geographic location) Choosing a model (banners, sponsorships/branding, email marketing, referrals, keyword searches, contests) Evaluating a plan (Site centric / user centric)
  • 108. Beyond the numbers The “feel” aspects …
  • 109. Qualitative factors II. Treatment of the vehicle…  Supplements v/s Main issue  Spots v/s Sponsorships  Page position/break position I . The choice of a vehicle… Clutter Reproduction/Reception quality Editorial/programming environment  TOI v/s Midday  Star Plus v/s MTV Flexibility of publication/TV channel
  • 110. Plan Iterations  Begins after selection of the final basket of vehicles  Build in insertions/spots across vehicles across markets while keeping in mind  Media objectives  Period of activity  Cost efficiencies  Creative considerations, i.e. subjects to be exposed, sizes/durations  End product – FINAL PLAN
  • 111. Scheduling  Sequential exposure of creative subjects  Weekend skew  Cross scheduling  Juggling subjects across publications/channels keeping in mind  Duplication  Nature of vehicle
  • 112. Deliveries  Determine how the plan performs in the relevant TG on quantitative parameters like  Reach% @ 1+ i.e., how many people in our TG got to see the ad at least once  Reach% @ 3+ i.e., how many people in our TG got to see the ad three times or more  AOTS i.e., the average no. of exposures that my ad gets in the TG.  Measurable through Media Xpress
  • 113.
  • 115.  How do you choose from all media vehicles to most powerfully, persuasively communicate your brand?  How it is delivered will add value to the Idea.  Magic applies as much to media selection as to creative development.
  • 116. Start with the consumer  Not what media do to people but what people do with media  How do consumers and channels of communications interact?  “We should understand better than anyone else how people consume communications”.
  • 117. Yesterday’s prevailing rule “If you only have a hammer, everything looks like a nail.”
  • 118. Old Thinking Based on Two Fallacies 1.We only make ads 2.The consumer is a stationary target for me to hit
  • 122. But in truth, she’s not a static object waiting to be hit! She’s always moving  in process of persuading herself  full of communication opportunities  requires many different messages along the way
  • 123.  There are many contact points where the consumer and persuasive communication can intersect.  Selling messages communicated via a variety of channels creates greater synergy and  Multiplies the power of the persuasion
  • 124. Creative Media Use Innovative use of a brand idea or Inventive use of a Target Audience’s media consumption
  • 126. In media …  Leverage the existing properties of the medium in a refreshing way  Create new opportunities
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  • 129. Hello to all our readers in high office.
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  • 136.  Adding value to the Branding Idea  Strategic media decisions made prior to creative development  Early involvement with creative teams Free Your Mind!!!
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  • 140. Approved Media Plan Release Orders Material Requisitions from Servicing for a Media estimate Media Estimate Approved Estimate from Client PRESENT SCENARIO
  • 141. IDEAL Requisition + Approved Media Plan Media Estimate Approved estimate + Material Release Orders