17. Claude Monet (1840 -1926) “Main path through the Garden at Giverny” Date: 1901 Location of Origin: FranceMedium: oil on canvas 17
18. Poppy field in hollow near Giverny date: 1885 medium: oil on canvas size: 46 x 81 cm 18
19. Andrea del Verrocchio Daviddate: 1465 location: Florence medium: bronze with gold details 19
20. Andrea del Verrrochio Christ and St. Thomas, Orsanmichelle, Date: 1479 Size: bronze Location: Florence 20
21. Andrea del Verrocchio(Andrea di Michele di Francesco de’Cioni) Baptism of Christ Date: 1472-1475 Medium:Oil on wood Size: 171 x 151 cm Uffizi, Florence 21
22. Attributed to Dasavanta, Shravana, And Madhava Khurd Badi’usszman Fights Iraj to a Draw From the Hamzanama. c. 1567-72 Opaque watercolor on cotton, 26” x19” MAK– Austrian Museum of Applied Arts/Contemporary Art Landhaur, a friend of Hamza is in the background on an elephant. In the foreground Prince Badi’uzzaman (in orange) fights Iraj, a warrior. Hamza is an uncle of the Prophet Muhammed. 22
23. Attributed to Dasavanta and Mukhlis Hamza's Spies, Sent to Locate the Missing MalikBahman, Sneak Into the City of Qimar Where They Kill the Sleeping Guards Date:1575 Medium: opaque watercolor and gold on cotton fabric 23
24. James Hampton (1909-1964) The Throne of the Third Heaven of the Nations' Millennium General Assembly Date: 1950-64 Location: Smithsonian Institute, Washington Medium: Gold and Silver aluminum foil, colored kraft paper and plastic sheets over wood 24
39. Louise Bourgeois Woman with Packages date: 1949 Medium: bronze, polychromed Size: 65 x 18 x 12” Untitled date: 1996 Medium: cloth, bone, rubber and steel Size: 300.3 x 208.2 x 195.5 cm 39
87. Tea bowl. Japan Aestheticsis a term that was coined by the early 18th century German philosopher Alexander Baumgarten. The word was derived from the Greek word aisthanomani and was used to describe the field of knowledge gained by sensory experience combined with emotional response. Aesthetics – The branch of philosophy dealing with such notions as the beautiful, the ugly, the sublime, the comic, etc., as applicable to the fine arts, with a view to establishing the meaning and validity of critical judgments concerning works of art, and the principles underlying or justifying such judgments. 87
96. Ann Hamilton 96 Mantle, Installation at the Miami Art Museum, 1998. Eight tables, eleven shortwave radio receivers, voice, chair, figure Steel block, sewing implements, 33 wool coats, and approximately 60,000 fresh cut flowers; 16’ x 24’ x 72’