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ADDICTED TO MEANING
HOW GOOD TECHNICAL COMMUNICATION
     IS LIKE BAD MAGIC TRICKS


              Kai Weber
            @techwriterkai
     #tcworld12 - 23 October 2012
PROGRAM
  Intro: Who am I and what do I know?

1. What is meaning…
   … and why should technical communicators care?

2. How does meaning work in communication…
   … and why does it still fail in tech comm?
   Semiotics

3. How and why we create meaning…
   … and how to create meaningful documentation?
   Mental models
WHO AM I AND WHAT DO I KNOW?
WHAT IS MEANING?




         Wisdom       Nothing lasts...

        Knowledge     Used to be File menu

        Information   Open, Save, Print

           Data             Office 2007
WHAT IS MEANING?




            Wisdom       Nothing lasts...
 MEANING




           Knowledge     Used to be File menu

           Information   Open, Save, Print

              Data             Office 2007
WHAT IS MEANING?
   Can be in information, more valuable in knowledge

   Allows us to “connect the dots”

   Answers “why should I care?” and “what do I do?”

   Turns information into relevant & applicable knowledge
WHY SHOULD TECHNICAL COMMUNICATORS CARE?
It’s what we do:
Turn information into relevant & applicable knowledge

Proof in tech comm principles & methods:
 Know your audience!
  … so documentation is relevant to reader
 Task-oriented documentation
  …so documentation is applicable in situation
HOW MEANING WORKS IN COMMUNICATION




         Omits meaning!

   Shannon & Weaver (1949) – process theory
HOW MEANING WORKS IN COMMUNICATION
Communication:
 Production and exchange of meanings…

 … by people interacting with messages…

 … in cultural contexts.




   Fiske (1990) – semiotics
HOW MEANING WORKS IN COMMUNICATION

                   Message: “Signs”

                 Conventions: “Codes”
Sender                                  Receiver
                   Media: “Channels”

                   Culture: “Context”



   Fiske (1990) – semiotics
HOW MEANING WORKS IN COMMUNICATION
                             Semiotics                Tech Comm
                         diagnoses problems          offers solutions

                       Represent “stuff”         Definitions clarify with
Message: “Signs”
                       arbitrarily               images and glossaries

                       Include or exclude        Language standards
Conventions: “Codes”
                       social or ethnic groups   ensure accessibility

                       Allow or restrict         Social media invite
Media: “Channels”
                       feedback                  collaboration
WHY DOES MEANING FAIL IN TECH COMM?
   Aren’t message, conventions, and media clear?

   There is no meaning
    but the one created by the reader.
    > TC: Sometimes “meaningless”

   Each individual situation is
    a new beginning, another page one.
    > TC: FAQs rarely work


   von Foerster (1949ff.) – radical constructivism
HOW WE CREATE MEANING
We combine our current situation…
… with past experience…
… by matching mental models.

   Semi-consciously selected, incomplete images
   What (we think) we understand of the world
   Shape how we face the world
       What (we think) our options are
       How we try to solve problems
       How confident we are in what we do
HOW WE CREATE MEANING
HOW WE CREATE MEANING
HOW WE CREATE MEANING




Image credit: jwarletta
HOW WE CREATE MEANING
HOW WE CREATE MEANING
Mental models
 Flexible and adaptable, within limits

 Support meaningful knowledge
       How we approach a task
       How we react to a problem
       How we look for help
   Inert, uncontrollable
HOW WE CREATE MEANING
Mental models
 Flexible and adaptable, within limits

 Support meaningful knowledge
       How we approach a task
       How we react to a problem
       How we look for help
   Inert, uncontrollable
   In tech comm:
    Designer vs. user
       Norman (1988)
WHY WE CREATE MEANING
We are addicted to meaning!

   Conspiracy theories
   Pop lyrics, “mondegreens”
   Logos
       Janoff (1977)




                                Image credit: Marcin Wichary
WHY WE CREATE MEANING
We are addicted to meaning!

   Because we want to understand and do stuff:
    What does this mean? How does this work?

   Because we seek order:
    How does this hang together? How to connect the dots?
WHAT IS MEANINGFUL USER ASSISTANCE?
1. Relevant to user, applicable to stituation
2. Or a way ahead, a workaround
3. Or an explanation
4. Or understanding and sympathy
HOW TO CREATE MEANINGFUL USER ASSISTANCE
1. Understand how we create meaning

2. Adjust to mental models of users
    Observe user behaviour
    Offer several paths: Tasks and roles/personas
    Serve inertia



3. Apply minimalism
    Assist users in connecting the dots
    Focus on process and outcome, not product
    Encourage skills and experimentation
FURTHER READING AND SOURCES
1.   DIKW Pyramid
2.   Shannon & Weaver’s process theory (1949)
3.   Fiske on semiotics (1990) (chapters 3 & 4)
4.   von Foerster on radical constructivism (interviews in German)
5.   Mental models
      in user interfaces
      Norman: The Design of Everyday Things (1988)
6.   Mondegreens in pop lyrics
7.   Creating meaning in Phil Collins’s “In the Air Tonight”
8.   Janoff, designing the Apple logo (1977)
9.   Carroll on minimalism (1998), (esp. chapter 2)
THANK YOU! KEEP IN TOUCH!




@techwriterkai




                            kaiweber.wordpress.com

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Addicted to Meaning: How Technical Communicators Can Create Meaningful Documentation

  • 1. ADDICTED TO MEANING HOW GOOD TECHNICAL COMMUNICATION IS LIKE BAD MAGIC TRICKS Kai Weber @techwriterkai #tcworld12 - 23 October 2012
  • 2. PROGRAM Intro: Who am I and what do I know? 1. What is meaning… … and why should technical communicators care? 2. How does meaning work in communication… … and why does it still fail in tech comm? Semiotics 3. How and why we create meaning… … and how to create meaningful documentation? Mental models
  • 3. WHO AM I AND WHAT DO I KNOW?
  • 4. WHAT IS MEANING? Wisdom Nothing lasts... Knowledge Used to be File menu Information Open, Save, Print Data Office 2007
  • 5. WHAT IS MEANING? Wisdom Nothing lasts... MEANING Knowledge Used to be File menu Information Open, Save, Print Data Office 2007
  • 6. WHAT IS MEANING?  Can be in information, more valuable in knowledge  Allows us to “connect the dots”  Answers “why should I care?” and “what do I do?”  Turns information into relevant & applicable knowledge
  • 7. WHY SHOULD TECHNICAL COMMUNICATORS CARE? It’s what we do: Turn information into relevant & applicable knowledge Proof in tech comm principles & methods:  Know your audience! … so documentation is relevant to reader  Task-oriented documentation …so documentation is applicable in situation
  • 8. HOW MEANING WORKS IN COMMUNICATION Omits meaning!  Shannon & Weaver (1949) – process theory
  • 9. HOW MEANING WORKS IN COMMUNICATION Communication:  Production and exchange of meanings…  … by people interacting with messages…  … in cultural contexts.  Fiske (1990) – semiotics
  • 10. HOW MEANING WORKS IN COMMUNICATION Message: “Signs” Conventions: “Codes” Sender Receiver Media: “Channels” Culture: “Context”  Fiske (1990) – semiotics
  • 11. HOW MEANING WORKS IN COMMUNICATION Semiotics Tech Comm diagnoses problems offers solutions Represent “stuff” Definitions clarify with Message: “Signs” arbitrarily images and glossaries Include or exclude Language standards Conventions: “Codes” social or ethnic groups ensure accessibility Allow or restrict Social media invite Media: “Channels” feedback collaboration
  • 12. WHY DOES MEANING FAIL IN TECH COMM?  Aren’t message, conventions, and media clear?  There is no meaning but the one created by the reader. > TC: Sometimes “meaningless”  Each individual situation is a new beginning, another page one. > TC: FAQs rarely work  von Foerster (1949ff.) – radical constructivism
  • 13. HOW WE CREATE MEANING We combine our current situation… … with past experience… … by matching mental models.  Semi-consciously selected, incomplete images  What (we think) we understand of the world  Shape how we face the world  What (we think) our options are  How we try to solve problems  How confident we are in what we do
  • 14. HOW WE CREATE MEANING
  • 15. HOW WE CREATE MEANING
  • 16. HOW WE CREATE MEANING Image credit: jwarletta
  • 17. HOW WE CREATE MEANING
  • 18. HOW WE CREATE MEANING Mental models  Flexible and adaptable, within limits  Support meaningful knowledge  How we approach a task  How we react to a problem  How we look for help  Inert, uncontrollable
  • 19. HOW WE CREATE MEANING Mental models  Flexible and adaptable, within limits  Support meaningful knowledge  How we approach a task  How we react to a problem  How we look for help  Inert, uncontrollable  In tech comm: Designer vs. user  Norman (1988)
  • 20. WHY WE CREATE MEANING We are addicted to meaning!  Conspiracy theories  Pop lyrics, “mondegreens”  Logos  Janoff (1977) Image credit: Marcin Wichary
  • 21. WHY WE CREATE MEANING We are addicted to meaning!  Because we want to understand and do stuff: What does this mean? How does this work?  Because we seek order: How does this hang together? How to connect the dots?
  • 22. WHAT IS MEANINGFUL USER ASSISTANCE? 1. Relevant to user, applicable to stituation 2. Or a way ahead, a workaround 3. Or an explanation 4. Or understanding and sympathy
  • 23. HOW TO CREATE MEANINGFUL USER ASSISTANCE 1. Understand how we create meaning 2. Adjust to mental models of users  Observe user behaviour  Offer several paths: Tasks and roles/personas  Serve inertia 3. Apply minimalism  Assist users in connecting the dots  Focus on process and outcome, not product  Encourage skills and experimentation
  • 24. FURTHER READING AND SOURCES 1. DIKW Pyramid 2. Shannon & Weaver’s process theory (1949) 3. Fiske on semiotics (1990) (chapters 3 & 4) 4. von Foerster on radical constructivism (interviews in German) 5. Mental models  in user interfaces  Norman: The Design of Everyday Things (1988) 6. Mondegreens in pop lyrics 7. Creating meaning in Phil Collins’s “In the Air Tonight” 8. Janoff, designing the Apple logo (1977) 9. Carroll on minimalism (1998), (esp. chapter 2)
  • 25. THANK YOU! KEEP IN TOUCH! @techwriterkai kaiweber.wordpress.com