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i2cat, Anella
  Cultural,Citilab
Technologists, artists, citizens


                                      Artur Serra
                                     i2cat/Citilab
                                   SAT, Montreal
                                    Feb 16th 2011
Technologists
i2CAT Foundation
VISIONAIR
                     WP 5 - UHD NET
Ultra High Definition Imaging distributed on optic network
                     Grenoble Mar 2011
              I2CAT, PSNC, University of Essex, University of Twente
Partners

• 4 installations in Europe
  – I2CAT (Barcelona, Spain),
  – PSNC (Poznań, Poland),
  – University of Essex (Colchester, UK),
  – University of Twente (Twente, Netherlands).
• Visualization and networking
  – High resolution facilities
  – Interconnected with high speed optical networks




                                            Slide 5 / 2
Content Distribution Infrastructure
                                   Direct link to digital cities: Amsterdam,
                                             Meerhoven and TU/e campus




UK-wide Infrastructure
for advanced content
distribution                                                                   Networked Media Infrastructure for
                                                                               high quality content distribution in
                                                                               Poland




                         *To add
Partners: I2CAT
      Advanced Media equipment:
      • HD professional cameras
        and capture cards
      • 3D HD displays
      • 3D HD capture cards
      • 4K tiled displays (SAGE)
      • Advance videoconferencing software
      • Transcoders
The artists
La difussion
Dancing Q 2005 :
Entre Seoul et le Mercat de Flors a
            Barcelona
On commence avec l' interaction
Mais comment rejoindre les
villes et les citoyens?
Anella Cultural:
Un Internet des arts et des citoyens
Ajuntament Barcelona
La Xarxa Transversal:
un réseau de programeurs culturels
1. Établir la connection à très grande bande passante
entre les salles de Barcelona et les villes




                                      Gran Teatre del Liceu




 Teatre Bartrina - Reus
                                                                     Teatre Principal - Olot




         Teatre Monumental - Mataró
                                                              Teatre de l’Escorxador - Lleida


                      IP network entre 5 et 1Gpbs symetriques
2. Équiper les salles en studio de média

• 2 Pcs portables
• 1 audio card
• 1 HD projector
• Power amplifier
audio system.
• Audio mixer.
• Sony Anycast station
• Open sotware:Scenic,
DVTS, Videolan,...
3. Partager des événements culturels

                               Poetry
                               festivals
                               Training
                               Master Class
                               Workshops
                               Courses
                               Conferences
                               Performances
“ La difusión es donde la tecnologia ofrece
mayores oportunidades a la opera en el siglo
XXI” J. Matabosch.
La communication
Bi-directionnelle entre les
     centres culturels
Metamembrana 2008,
on commence la co-création
Marcel.lí Antunez
•   14 Interconnected cities

    Anella Cultural                                               •
                                                                      in the Catalan Territory
                                                                      19 Interconnected
                                                                      cultural Centers
•
    A user driven Media use case                                  •   59 Events programmed
                                                                      (accumulative February
                                                                      2010)
                                                                       −   11 Operas; 5 Festivals;
                                                                           16 Literature/poetry; 18
                                                                           Debates/formation; 1
                                                                           guide tour of an
                                                                           exhibition; 1 Theatre; 1
                                                                           visual arts production; 6
                                                                           others
                                                                  •   17.800 Audience
                                                                      (accumulative)
                                                                  •   3.500 Hours of digital
                                                                      stored Cultural content
                                                                       −   Objectives in 2010
                                                                              •    Interconnect 5 more
                                                                                  cities
                                                                              •   3 International
                                                                                  Projects (South-
                                                                                  America, Canada,
                                                                                  Center-Europe)
                                                                              •    To formalize the
                                                                                  management team of
                                                                                  the Cultural Ring
                                                                              •   To share more than
                                                                                  25 new events


Equipped with HD cameras, projectors, … perfect as a testbed for new media technologies
with users
The citizens
Artists live in a community
What is a Citilab?
The laboratory of the community
3
3
Evolution A: Open networks, open source,
open innovation

-1991.   “Internet is for everyone” ISOC.
-2000.   Web 2.0, Wikis, social netwoks
-2001.   Innocentive, crowdsourcing.
-2005.   “Democratizing innovation”....

-2006. Corelabs project: Open Living labs.
Evolution B: Telecenters, community access
networks, citilabs

-80s Freenets
-90s Community networks, telecenters,
  digital literacy,
-2000s. “Digital divide”
-2010, Social networks
Beyond..living labs, citilabs, innovation
  literacy
Citilab: The context
Cornellá de Llobregat

  Working class city in metropolitan area of BCN
    86.519 inhabitants,(INE 2009)
  . De-industrialization. Increasing service economy
    Elder population: 17,39% (BCN, 20,43%)
    Secondary educational centers (5).
    No university or tertiary center (BCN, 8)
    People with university degree, 9,31%. (BCN, 20,17%)
    Immigrants, 17,26% (BCN, 17,54%)

    http://www.diba.cat/hg2/menu_ind.asp
The current Citilab community

- Two ongoing fieldworks studies, Columbia Univ. and Universitat
   de Barcelona (J. Colobrans).
-In april 2010 Citilab has 4.500 registered members.
-85% of them coming from Cornella and neighbors cities.
-20% born in 42 countries outside Spain.
-24% of members have tertiary education (vs. 9% in Cornella)
-The basic question Citilab staff ask to the newcomer is:

   “What do you want to do?
  If you know how to do it , you can do it here by yourself.
  If not, we can help you.
  Sharing is our basic way of doing”.
Priority to local needs: bottom up approach.
-Discovering local needs and opportunities.
  Ethnografic fieldwork.
-Connecting local needs with global issues...or not yet.
-From innovative topics to research ones.

Examples:
Users                             Project            Research topic
-Retired people 55+........      Seniorlab..............AAL and others
-Second. Teachers (30-50s).. Digital Horchad......PLEs.
-Musicians, (20-30s)............ Musiclab...............Digital content
-Children (10-20).................. Scracht...............Comp.Thinking
Seniors are different!

-Current seniors are healthier, they have more money, and
  more free time for learning, for being creative, and why
  not for participating in innovative projects...
-Seniors (55-75) are not elders (80+).
-One of the few areas in which Europe is just ahead of the
  rest of the world
-Extension of neotenic characteristics. (Charlton, B.G. 2007)
-How about a senior industry?: senior fashion, senior
  universities,knowledge tourism, etc.
A living lab on e-learning
-The teachers need a living lab for innovating in
  teaching.
      – They are fed up of “technology harassment”
-The “Hort Digital”, an innovative project for building a
  LL on e-learning, specially for teachers
      – A Personal Learning Environment (PLE)
      – A Problem based Learning approach
-Results:
      – Very positive results with teachers
      – Support from the Dep. of Education to
          opening the project to other centers.
MUSICLab
Edutech: Computational thinking for
everyone

Scracht, learning programming with kids.
Citilab, where you can learn to innovate:



90s. “Internet is for everyone”
2010. To innovate is for everyone.
EnoLL-Europe 2010:
the tip of a global open living labs movement
Redesigning the whole “national innovation
systems”

The national innovation systems
  (Nelson,Rosenberg, Porter... 1993).

Characteristics:
     – Science-Technology-Industry
     – Science the Enless Frontier, V. Bush
     – Linear model. R&D--->Innovation
     – Triple Helix, Universities, Gov., Industry
     – Clusters, (Porter)...
2. Opening user-driven models of innovation
and research.
Characteristics:
-Open networks - Internet's E2E Principle
-Distributed virtual environments
-Bottom up approach
-From innovation to R&D.
-From innovation from periphery to the
  center.
-Long-Tail Innovation.
Tahrir Square, Feb 11, 2011
Moltes gracies
artur.serra@i2cat.net

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Technologists, artists, citizens

  • 1. i2cat, Anella Cultural,Citilab Technologists, artists, citizens Artur Serra i2cat/Citilab SAT, Montreal Feb 16th 2011
  • 4. VISIONAIR WP 5 - UHD NET Ultra High Definition Imaging distributed on optic network Grenoble Mar 2011 I2CAT, PSNC, University of Essex, University of Twente
  • 5. Partners • 4 installations in Europe – I2CAT (Barcelona, Spain), – PSNC (Poznań, Poland), – University of Essex (Colchester, UK), – University of Twente (Twente, Netherlands). • Visualization and networking – High resolution facilities – Interconnected with high speed optical networks Slide 5 / 2
  • 6. Content Distribution Infrastructure Direct link to digital cities: Amsterdam, Meerhoven and TU/e campus UK-wide Infrastructure for advanced content distribution Networked Media Infrastructure for high quality content distribution in Poland *To add
  • 7. Partners: I2CAT Advanced Media equipment: • HD professional cameras and capture cards • 3D HD displays • 3D HD capture cards • 4K tiled displays (SAGE) • Advance videoconferencing software • Transcoders
  • 10.
  • 11. Dancing Q 2005 : Entre Seoul et le Mercat de Flors a Barcelona
  • 12. On commence avec l' interaction
  • 13. Mais comment rejoindre les villes et les citoyens?
  • 14. Anella Cultural: Un Internet des arts et des citoyens
  • 16. La Xarxa Transversal: un réseau de programeurs culturels
  • 17. 1. Établir la connection à très grande bande passante entre les salles de Barcelona et les villes Gran Teatre del Liceu Teatre Bartrina - Reus Teatre Principal - Olot Teatre Monumental - Mataró Teatre de l’Escorxador - Lleida IP network entre 5 et 1Gpbs symetriques
  • 18. 2. Équiper les salles en studio de média • 2 Pcs portables • 1 audio card • 1 HD projector • Power amplifier audio system. • Audio mixer. • Sony Anycast station • Open sotware:Scenic, DVTS, Videolan,...
  • 19. 3. Partager des événements culturels Poetry festivals Training Master Class Workshops Courses Conferences Performances
  • 20. “ La difusión es donde la tecnologia ofrece mayores oportunidades a la opera en el siglo XXI” J. Matabosch.
  • 24.
  • 25. 14 Interconnected cities Anella Cultural • in the Catalan Territory 19 Interconnected cultural Centers • A user driven Media use case • 59 Events programmed (accumulative February 2010) − 11 Operas; 5 Festivals; 16 Literature/poetry; 18 Debates/formation; 1 guide tour of an exhibition; 1 Theatre; 1 visual arts production; 6 others • 17.800 Audience (accumulative) • 3.500 Hours of digital stored Cultural content − Objectives in 2010 • Interconnect 5 more cities • 3 International Projects (South- America, Canada, Center-Europe) • To formalize the management team of the Cultural Ring • To share more than 25 new events Equipped with HD cameras, projectors, … perfect as a testbed for new media technologies with users
  • 26.
  • 28. Artists live in a community
  • 29. What is a Citilab?
  • 30. The laboratory of the community
  • 31. 3 3
  • 32. Evolution A: Open networks, open source, open innovation -1991. “Internet is for everyone” ISOC. -2000. Web 2.0, Wikis, social netwoks -2001. Innocentive, crowdsourcing. -2005. “Democratizing innovation”.... -2006. Corelabs project: Open Living labs.
  • 33. Evolution B: Telecenters, community access networks, citilabs -80s Freenets -90s Community networks, telecenters, digital literacy, -2000s. “Digital divide” -2010, Social networks Beyond..living labs, citilabs, innovation literacy
  • 34. Citilab: The context Cornellá de Llobregat Working class city in metropolitan area of BCN 86.519 inhabitants,(INE 2009) . De-industrialization. Increasing service economy Elder population: 17,39% (BCN, 20,43%) Secondary educational centers (5). No university or tertiary center (BCN, 8) People with university degree, 9,31%. (BCN, 20,17%) Immigrants, 17,26% (BCN, 17,54%) http://www.diba.cat/hg2/menu_ind.asp
  • 35. The current Citilab community - Two ongoing fieldworks studies, Columbia Univ. and Universitat de Barcelona (J. Colobrans). -In april 2010 Citilab has 4.500 registered members. -85% of them coming from Cornella and neighbors cities. -20% born in 42 countries outside Spain. -24% of members have tertiary education (vs. 9% in Cornella) -The basic question Citilab staff ask to the newcomer is: “What do you want to do? If you know how to do it , you can do it here by yourself. If not, we can help you. Sharing is our basic way of doing”.
  • 36. Priority to local needs: bottom up approach. -Discovering local needs and opportunities. Ethnografic fieldwork. -Connecting local needs with global issues...or not yet. -From innovative topics to research ones. Examples: Users Project Research topic -Retired people 55+........ Seniorlab..............AAL and others -Second. Teachers (30-50s).. Digital Horchad......PLEs. -Musicians, (20-30s)............ Musiclab...............Digital content -Children (10-20).................. Scracht...............Comp.Thinking
  • 37.
  • 38.
  • 39. Seniors are different! -Current seniors are healthier, they have more money, and more free time for learning, for being creative, and why not for participating in innovative projects... -Seniors (55-75) are not elders (80+). -One of the few areas in which Europe is just ahead of the rest of the world -Extension of neotenic characteristics. (Charlton, B.G. 2007) -How about a senior industry?: senior fashion, senior universities,knowledge tourism, etc.
  • 40.
  • 41. A living lab on e-learning -The teachers need a living lab for innovating in teaching. – They are fed up of “technology harassment” -The “Hort Digital”, an innovative project for building a LL on e-learning, specially for teachers – A Personal Learning Environment (PLE) – A Problem based Learning approach -Results: – Very positive results with teachers – Support from the Dep. of Education to opening the project to other centers.
  • 43.
  • 44. Edutech: Computational thinking for everyone Scracht, learning programming with kids.
  • 45. Citilab, where you can learn to innovate: 90s. “Internet is for everyone” 2010. To innovate is for everyone.
  • 46. EnoLL-Europe 2010: the tip of a global open living labs movement
  • 47. Redesigning the whole “national innovation systems” The national innovation systems (Nelson,Rosenberg, Porter... 1993). Characteristics: – Science-Technology-Industry – Science the Enless Frontier, V. Bush – Linear model. R&D--->Innovation – Triple Helix, Universities, Gov., Industry – Clusters, (Porter)...
  • 48. 2. Opening user-driven models of innovation and research. Characteristics: -Open networks - Internet's E2E Principle -Distributed virtual environments -Bottom up approach -From innovation to R&D. -From innovation from periphery to the center. -Long-Tail Innovation.
  • 49. Tahrir Square, Feb 11, 2011