False Confessions From Innocent People

False Confessions From Innocent People
Police interrogate suspects on a daily basis, but how can they tell if the confession is real? We have
all heard, at one time or another of someone confessing to a crime they didn't commit. Then your
next thought is "I would never confess to something I didn't do". The only way you can be a 100%
sure of that is if you have been through an interrogation before. This paper is going to define
"confession" and tell how an innocent person will confesses to a crime they didn't commit. This
paper will also show the history of interrogations.
Imagine yourself in a deep sleep when all of a sudden there is a loud banging at the front door at 3
a.m.; half asleep you walk to answer the door and as soon as you open it you are confronted by the
police, demanding that you come with them to the station to answer some questions. When you
arrive at the station you are placed in a small room, maybe it is overly bright or really dim; the
temperature could be frigid or hot as an oven. You are left alone for a period of time maybe minutes
or hours. What will you do with your time? Will you sit at the table or will you lie on the floor and
fall asleep? The whole time you are trying to figure out why you are here and telling yourself that it
will get all worked out when the detectives come in and then you will go home. Or will you? In
1962, Criminal Interrogation and Confessions was written by John E. Reid and Fred Inbau.
According to Robert Kolker he wrote, the book breaks down the
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Kamala Das Poetry Summary
Chapter 1
Introduction:
Kamala Das (1934–2009) is one of the most significant feminine voices of Indian English poetry.
Often her vocabulary, idioms, choice of words and some syntactical construction are part of what
has been termed the Indianization of English. As a confessional poet Kamala Das' poetry deals with
the pathos of women, emerging from a possessive role to the point of discovering and asserting the
individual liberty. Since confessional poetry is largely subjective and autobiographical, the poet gets
the chance to pour her heart into the poetry. Because of its autobiographical nature the confessional
poetry deals with the instant feelings of the writers which again associates the personal experiences
of the readers also. Through her poetry, Kamala Das not only expresses the inner feelings but she
also projects herself as a feminist poetic voice who is always asking for a dignified place of honor
and identity.
Kamala Das' poetry tends to explore the man–woman relationship where she tries to uncover and
subvert the politicized patriarchal representation of gendered identity. She openly revolts against the
traditionally accepted womanhood concepts in the Indian society, and urges the women not to
pretend like a nympho that makes them a puppet of masculine world. She raises her voice against
the norms of society which want female to fit into the traditional framework. The frankness with
which Kamala Das depicts her personal relationship about love, sex, loneliness

How Can Confessional Poetry Help Us Express Ideas And...
Previously acquired knowledge and skills applied in this lesson
– Literary Elements: tone, theme, mood, author's purpose, repetition
– Poetry Analysis Elements: speaker, impression, context
– Students must actively participate in classroom discussion and respond to teacher and peers in a
respectful and educational manner.
– Open–ended exit ticket response
Goals, Objectives, and Standards
1. Academic goal(s): How can confessional poetry help us express ideas and beliefs we wish our
teachers knew? Specific objectives (stated in observable and/or measurable terms):
a. Students will use analyze and discuss a poem in an appropriate group discussion.
b. Students will use literary elements to dissect and discuss a confessional poem.
c. Students will use poetry to express their own beliefs on what they wish their teachers knew about
them.
Standards:
CCSS.ELA–LITERACY.RL.9–10.4
Determine the meaning of words and phrases as they are used in the text, including figurative and
connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone
(e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).
By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the
grades 9–10 text complexity band proficiently, with scaffolding as needed at the high end of the
range.
Cite strong and thorough textual evidence to

Why Is Robert Lowell Confessional Poetry
Robert Lowell is a brilliant writer and poet. He is one of the geniuses of his time. Paul N. Calvert
said, "The period in which Robert Lowell wrote has been called "The Age of Lowell," a testament to
his genius as a poet," and this poet was truly a genius. Lowell was born on March 1, 1917 and died
on September 12, 1977. Throughout his lifetime, Lowell wrote many poems and even a few books,
but he is mostly famous for his works of poetry and the movement in which he utilized. Lowell is
famous for complying with the form of Confessional Poetry, a literary term which will later be
defined. Some poems demonstrate this movement more than other poems, but most, if not all, of
Lowell's poems contain the ideas of Confessional Poetry. These poems often ... Show more content
on Helpwriting.net ...
However, this poem is one of the most prominent. Temple Cone simply stated that ""Skunk Hour" is
an important example of confessional poetry" and this is a true statement. This poem also has
aspects of Lowell's life; more specifically, "aspects of Lowell's personal, psychology life," (Cone).
The man in the poem is described as ill and this depicts "Lowell's personal, psychology life,"
(Cone). Another clue that points out that this is a Confessional Poem, is found in lines one through
three: "Nautilus Island's hermit / heiress still through winter in her Spartan Cottage; / her sheep still
graze above the sea," (Lowell). These lines actually depict where Lowell, a man who comes from a
"very old, upper–class American family," spent several summers: Castine, Maine. The setting of this
poem alone tells the reader that this is confessional poetry. The poem is set up in a place Lowell is
very familiar with; this is partly why this poem is considered Confessional. In the poem, the narrator
seems to be struggling in life and is almost depressed and then this "skunk" appears. The skunk in
the poem "provides a counterforce to the devastating effects of the world at large," and it distracts
the speaker from his depression and therefore turn his focus to survival rather than thriving (Cone).
This "counterforce" or "skunk" can be seen in the last two stanzas of the poem. Lowell describes the
illness or depression that the speaker is

Analysis Of Sylvia Plath's The Bell Jar
Literature often illustrates the mundane is such a manner that the imagination of the common reader
is spurred into a world of emotions that previously remained untapped or dormant. To elicit such a
response requires the ability of a powerful writer that often in tandem achieves notoriety that
transcends generations; for example, Sylvia Plath left a significant impression on the world,
especially that of writing, despite her early passing at the age of thirty. It can be seen that the work
of Sylvia Plath is often idolized due to the broad and relatable nature of the subject matter that is
emotional strife; this work, then, is of great value to society and the world of literature as it teaches
those reading that emotion is not something sparse, but wholehearted and running through the veins
of every individual. Plath is most well known for her work that was heavily influenced by her
ongoing mental illness, clinical depression. The vast majority of her poems, if not all, covered the
subject of her emotional struggles she faced throughout her life. This can be seen within her novel
The Bell Jar, which is her most admired and studied publication (as well as required in most
curriculums across the United States). Notably, The Bell Jar was published less than a month before
her suicide in the beginning of 1963. The raw nature of her writing is what drew a wide spectrum of
people in, for all people have emotions, but she was one of the few that dared to publicize thoughts
that

Sylvia Plath is an American Writer who Writes Confessional...
Sylvia Plath is an American writer, commonly known for her poetry works. Her poetry can be
categorized as "confessional poetry", which are poems about the poet's personal life. Her two most
famous published collections of poems are The Colossus and Other Poemsand Ariel, but it was not
until after Plath's death that The Bell Jarwas published. The Bell Jar is considered a more personal
and semi–autobiographical novel. Throughout Sylvia Plath's lifetime, she suffered mentally since
she was a little girl. Her father's death when she was only eight years old estranged her from herself
and others, including her own mother where she felt that she had to act as a happy and successful
daughter. This is not the only time in her life where she had to put on a show. She also had to
pretend to be supportive wife in front of her husband's friends due to her mental illness. Because of
her depression, Plath attempted suicide at the age of 20 and failed but ten years later, she eventually
died of suicide. Sylvia Plath's background and the way she lived her life influenced her to depict her
inner struggles in life and to express her thoughts through her poetry. Sylvia Plath uses a lot of
symbolism in her poetry as well as many other literary devices, especially in her poem "Ariel".
When Plath was younger, she had a horse named Ariel. Ariel in the poem is meant to symbolize
Plath, the rebellious spirit that the female speaker of the poem aspires to be. It also symbolizes the
transcendence

Analysis Of Hughes 's Poem ' Light Of This '
However, the ambiguity of Hughes 's poetry may be derived not so much from a desire to obscure
truthful representation, but from the inherently traumatic impact of this act of writing. In light of
this, Hughes 's fragmentary syntax and the episodic construction of the Birthday Letters sequence,
may well be understood as a literal manifestation of his attempt to pull together a "scattered,
dispersed, or lost" series of recollections (Freeman, 30); the trauma of which constantly resists any
easy assimilation into language. Usually within the discourse of psychoanalysis, it is simply the
process of describing a traumatic experience, representing it within language, which forces it to be
externalized, contained and thus assuaged. While Hughes certainly seeks to attain this same
catharsis, through a kind of "scriptotherapy" (Henke, xxii) his poetic style simultaneously invokes
the raw and uncooled processes of its own production. As John Carey writes in a review for the
Sunday Times, "The language is like lava, its molten turmoils hardening into jagged shapes, still hot
from the earth 's core." ("Fatal Attraction"). In order to understand Hughes 's magmatic poetry more
effectively, it is useful to consider Julia Kristeva 's conception of the "signifying process" (84) as
proposed in Revolution in Poetic Language (1979). Kristeva conceives of communicative acts as
composed of a balance between "symbolic" and "semiotic" aspects (95, The Kristeva Reader). The
"symbolic" may be

Meaning Of Confessional Poetry
Confessional Poetry was the term given to the works of a group of American poets–including
Robert Lowell, Anne Sexton, John Berryman, Sylvia Plath, W. D. Snodgrass, and less often
Theodore Roethke and Allen Ginsberg–who were writing verse in the late nineteen–fifties and
sixties. This label, "confessional," was so named– misnamed–by critic M. L. Rosenthal in a 1959
review of Robert Lowell's Life Studies, because of the personal voice and colloquial style the
volume presented which was unlike the formality of Lowell's previous collections. For their subject
matter these poets used parts of life not ordinarily presented in the public domain, such as frank
revelations about marital infidelities, experiences with drug and alcohol addictions, mental
breakdowns, and suicide attempts. Yet Rosenthal's term, "confessional," radically simplified the
work that it labeled. Not only did many famous figures such as Sylvia Plath, Anne Sexton, and John
Berryman committed suicide in this school but also used their poems as a public forum for engaging
in literal and philosophical ... Show more content on Helpwriting.net ...
In contemplating her own feelings and reasons for suicide, Sylvia Plath weighs how to emerge, and
learn, from her own death wish: "How is it done? Talking and becoming aware of what is what and
studying it is a help"102. In fact, Plath's most successful poems are spoken by personas who address
their survival of attempted suicide. It is her speakers that wish to die and so defiantly fail at
completing their own suicides that interest me most. The speaker of the poem "Lady Lazarus"
infamously claims that "Dying / is an art," and it is Plath's artistry of suicide which makes her poetry
so successful.103 Her speakers are perfected in their inability to die–thus, Plath's success of the
failed

The Poetry Of Confessional Poetry
Poetry isn't just a mere play on words to make something sound fancy, rather it is a personal piece of
artwork that defines the moment for what it is.
With the coming of the late 1950s to the 1960s, there arose a new style of poetry, they called it
confessional poetry. In the complete literary sense, confessional poetry translates to personal poetry
or rather in the first person. Confessional poetry is more than just that, confessional poetry is a
platform or rather a stage where the emotions and personal experiences of poet make something as
beautiful as poetry. Confessional poetry did touch upon touchy subjects like mental illness, suicide,
sexuality and so on.
As the times progressed there were quite a few poets who came out to dabble ... Show more content
on Helpwriting.net ...
Ginsberg is to have recalled hearing "a very deep earthen grave voice in the room, which I
immediately assumed, I didn't think twice, was Blake's voice." He added to that by saying "the
peculiar quality of the voice was something unforgettable because it was like God had a human
voice, with all the infinite tenderness and anciency and mortal gravity of a living Creator speaking
to his son." With this encounter in mind, Ginsberg was rather keen to have such images and
abnormal experiences in the future. So with that, he started experimenting with various special kinds
of drugs. Drugs were already a part of Ginsberg's life, he's done it with fellow friends back in
college. Yet, at this point is when he discovered psychedelic drugs. He is said to have written some
of his best works while he was under the influence of drugs. He wrote the second part of Howl on
peyote, Kaddish with amphetamines, and "Wales–A Visitation" with LSD. When The Paris Review
interviewed Allen Ginsberg for our Spring 1966 issue, he stated a feeling of conflict about
hallucinogens. The wacky effects on one's consciousness that the drugs give you, Ginsberg was
pleased with the effect.–"you get some states of consciousness that subjectively seem to be cosmic–
ecstatic, or cosmic–demonic"–rather his body wasn't taking it in

Summary Of Abortion By Anne Sexton
In Anne Sexton's poem "The Abortion", she uses literary devices to reflect her heart wrenching
decision of whether or not to abort one of her children, which reflects the style of confessional
poetry because she is sharing her personal feelings and experiences. Anne Sexton was a famous poet
of confessional poetry, where the poets write about their private experiences with feelings about
death, trauma, and depression in their lives. Anne Sexton wrote from the point of view of an upper
middle class woman. She had two children, and the stress of having them, gave her life long
depression. Sexton was sent to a psychiatric hospital after the birth of her second child. "The
Abortion" displays all of Sexton's feelings that she has about her abortion.
Sexton sets off the poem "[driving] south" (Sexton 5). She is describing her trip to go and get her
child aborted, and she sees the "road sunken like a gray washboard" (9). The road is extremely
rough and bumpy, which is often an unpleasant surface to drive on. The negative connotation of her
car ride there is making her trip start off horribly and she has not even gotten to the worst part of it
yet. The 'gray' description of the road makes it seem lifeless, which reflects how Sexton is feeling on
her trip. She also sees "grass as bristly and stout as chives" (14). Chives are a tall green plant that
look like grass, which she describes as 'bristly'. Indicating that the grass is rough and scratchy. This
gives it a negative connotation

The Influence Of Witchcraft In Arthur Miller's The Crucible
In "The Crucible", there was a supernatural influence. Three reasons on why the girls obviously did
witchcraft is that on page 12, Betty wakes up and starts to yell what she and Abigail did the night
the witchcraft happened.. Also, on pages 22–24, Abigail is trying to put the blame on Tituba but
Tituba hears her and starts to deny it. Also, Abigail threatens the group of girls that were involved in
the witchcraft. Also, Sarah Good confesses to being involved with the Devil and Mary shares that
Sarah's spirit was trying to strangle people in the courtroom. Lastly, Abigail confesses to the fact
that witchcraft is the reason why Betty is sick. Firstly, on page 12, Betty wakes up and start to yell
about what happened the night of the witchcraft. When Betty wakes up she first yells "I want my
mama!" While that may seem normal, Betty's mama was dead and buried for awhile. She then yells
to Abigail "You drank blood, Abby, you drank blood!" Abigail then shushes her and Betty yells
again saying "You did, you did! You drank a charm to kill John Proctor's wife!" She most likely did
drink blood for that reason because Abigail had a secret relationship with John Proctor. This reason
can prove that the witchcraft did actually happen because there is no reason that can help the fact
that Betty started to confess about what happened that night. There is no excuse that gives Betty a
pass to be able to start yelling about the fact that Abigail drank blood. Secondly, on pages 22–24,
Abigail

Theme Of Visual Imagery And Symbolism In The Poem Wilfred...
Decapitated Souls: A Study of Visual Imagery and Symbolism in Wilfred Owen's "Disabled" and
Sylvia Plath's "The Applicant"
Poetry often harbors an individual's outlook on society and harnesses their feelings into a work of
literature that evaluates the existential situation and holds a mirror to humanity. The poems
"Disabled", by World War I poet Wilfred Owen, and "The Applicant" by Confessional poet Sylvia
Plath, are renditions of self–identity. In his poem, Wilfred Owen discusses the dark, post–war
neglect faced by a war veteran as he struggles to adapt to his life after being decapitated on the
battlefield and secluded from society. Whereas, Sylvia Plath's monologue illustrates women
essentially stripped of identity and being forced to conform to gender stereotypes. Both poems make
use of visual imagery and symbolism to reflect the discrimination that leads to segregation within
society and dehumanization of spirit.
The poems, "Disabled" and "The Applicant" both make use of imagery to identify dehumanization
of spirit, however, both poets approach the idea with different images and perspectives. The anti–
war poem exhibits the rejection felt by the wounded speaker, presumably Owen, through solemn
imagery. The poem illustrates that no matter how honorable the speaker's sacrifice appeared, his role
in the post–war lifestyle is to be in the sidelines while people "touch him like some queer disease"
(Owen 13) because of his disability. The poem further moves on to reveal

Sylvia Plath: The Exemplary Confessional Poet
Emerging in the 1950s and 1960s, confessional poetry was essentially an autobiographical style of
writing. Often focusing on topics that were taboo at the time like mental illness and suicide, it is no
surprise that Sylvia Plath wrote poetry in this style. Plath suffered from depression most of her life
and used writing as an outlet (Spinello). In her works "Cut," "I Am Vertical," and "Lady Lazarus,"
Plath exemplifies confessional poetry through the themes of resentment, death, and mental illness.
To understand why Plath is placed in the literary category that she is, there needs to be knowledge
of her personal life. Born in 1932 in Massachusetts, Plath led a short and tragic life. Even as a young
girl she excelled in academics, but her ... Show more content on Helpwriting.net ...
Death can also be seen very simply in "I Am Vertical" when one reads, "But I would rather be
horizontal," (1) and in "Lady Lazarus" when Plath says, "Dying/ Is an art, like everything else. /I do
it exceptionally well," (43–45).
In her poetry, the reader can often forget that Plath is not the speaker. This is because in her poems,
"there is no slippage between the poet and the voice of the poem" (Kendall 14). The topic of death
was not a common theme in poetry at the time Plath was writing. Both of these aspects of her poetry
are what make her writing stand out. In almost all of her works, a reader can find a reference to
death. More importantly, a reader can find Plath's thoughts about death and how she views it. That is
what classifies her works as confessional poetry.
By the time she died in 1963, Plath had attempted suicide three times, the final attempt being
successful. With that knowledge, it is no surprise that a common theme in her poetry is mental
illness. In the poem "Cut", a poem essentially about self harm, Plath writes, "What a thrill–––/ My
thumb instead of an onion," (1–2). This poem shows the "balance of pain and exhilaration" (Kendall
142) when the "victim and the victimizer are one in the same" (Spinello). In "I Am Vertical" the
speaker seems to be saying that it would be better to be dead when the poem reads, "Thoughts gone
dim./ It is more natural to me, lying down," (16–17). In

Essay On All My Pretty Ones By Anne Sexton
Crumbling under her myriad selves, Anne Sexton's poetry reveals through the journey of words the
labyrinthine setting that resides inside a disturbed mind. Intimate, almost with a sense, similar to
that of trespassing someone's private journals, her works bared her deepest and often darkest desires
for the world to read, scrutinize and often condemn. Poetry for her was a recluse, a momentary
escape route from her otherwise troubled mental state; keeping her more or less sane to survive the
wild, twisted world she built around her.
The genre of Confessional Poetry fit Sexton like a glove. She enrolled for workshops from Robert
Lowell at the Boston University and made close acquaintances with the likes of Sylvia Plath and
George Starbuck, meanwhile enhancing her only too verbally extrovert spirit. Over countless
martinis at the Ritz–Carlton, the two women compared suicide attempts, discussed their mutual
enchantment with death, critiqued each other's work, and gossiped over drinks and free potato
chips.*
While studying confessional poetry, it is of key importance to understand that these poems do not
intend to ... Show more content on Helpwriting.net ...
Alluding perhaps in the same vein as Macduff in Shakespeare's tragedy, Macbeth, the collection
chronicles her coming to terms with the vicious circle of life and inevitability hovering over the
living. The twin deaths of Sexton's parents in 1959 (her mother's succeeded by her father's) led her
to cling on to writing for dear life. Her poems thinly conceal her feelings of bitterness towards them
and thus vividly capture the essence of the conflict between holding them responsible for desolating
her and lamenting their loss. Using it as a vehicle to transport herself from these worldly sufferings,
she used poetry as a defense, as a healing ointment to veil the scarring of her

Confessional Nature Of Anne Sexton Poetry
1. Introduction
Since life writing has become a major trend, a new light has been shed on confessional artists. The
impact which their personal experience had on their work has been more carefully examined and
evaluated, as a literary recording of self became their token of recognition. Anne Sexton, one of the
leading poets of the confessional trend, is not an exception, her literary heritage and inclusion at to
the mode being, however, equivocal. Sexton's texts require from their readers a deep insight into a
number of contexts where they are firmly anchored. The emanation of self was a reason for the poet
to start writing, a key concept in her poems, and, eventually, one of the factors causing her self–
destruction. Even Sexton's late work, ... Show more content on Helpwriting.net ...
Heavy drinker as he was, Anne's father neglected his parenting duties, whereas her mother, an
elusive and indifferent person, would have rather passed on the care of the children to nannies.
Craving for her attention and acceptance, Anne would become receptive to her mother's moods and
extremely susceptible to criticism, which would shape the poet's future character, as well as enhance
her inferiority complex. Taking into consideration the confessional nature of Sexton's poetry, critics
and readers have been suspecting other pathologies in her family history, for some poems deal with
the problem of incest. Nevertheless, Anne's relatives and later psychiatrists have unanimously
denied these assumptions indicating that her numerous mental disorders caused memory failures.
The poet's forging of her biography and her psychiatric ailments will be elaborated on in the
chapters to follow. As an outsider and rebel, Anne received wide recognition among peers in her
teenage years. She became attractive and thoroughly aware of her sexuality which, together with her
biting language, was considered inappropriate in a conservative circle and caused her troubles. To
make her time pass more pleasantly, Anne was busy with fleeting flirtations, but did not engage in
any artistic activities or other interests. In fact, she led a type of life she despised; her youth was
shallow and all she had in prospect was the lot of a housewife. Little did she know, however, about
this role in 1948 when she met her future husband, Alfred Sexton, whom she married in the fear of
being pregnant. As she later admitted, "Before I was married I had never washed one dish or seen
how you fried an egg or baked a potato" (Middlebrook 1991: 23). Anne had had some minor
professional experience in modeling, but being a wife, she was spending her time idly, overwhelmed
by listlessness and exasperation. To alleviate her boredom, she became

The Formicarius ( Ant Hill ) Of Johannes Nider
The Formicarius (Ant Hill) of Johannes Nider, written in Latin in the 1430's, tells about activities in
the Bernese Alps and other territories, based mainly on testimony Nider had obtained from a secular
judge from Bern and from an inquisitor. (Levack, 2013) Nider also received testimony from a man
from the Bernese territory who went by the name of Peter, a Benedictine monk, and an inquisitor
from the convent at Lyons. Nider states that the judge from Bern told him stories about the torture of
alleged witches and the confessions that some of them made at their trials, as well as details from
various trials that presided over. Peter told Nider stories of when he not only drove suspected
witches out of Bernese, but also of when he burned many of them as their punishment for being
labeled as a witch.
This text also goes on to state that Nider also met a Benedictine monk who, many years before their
introduction, acted as "a necromancer, juggler, buffoon, and strolling player, well–known as an
expert among the secular nobility." (Internet History Sourcebooks Project) The most interesting
story in the text however, is the recount of another young man, who was arrested and eventually
burned after being found guilty of being a witch. This man and wife, who was also a witch, were
previously arrested but had escaped confinement from Peter. Their escape only further solidified the
belief that they were in fact witches and they were eventually arrested again and brought back

Bluffing Essay
Researchers have shown that the bluff techniques used by interrogators to induce guilty suspects to
confess also increased the chances that innocent suspects will do the same in hopes that the evidence
that the interrogator is bluffing about will prove their innocence. To test this, researchers conducted
an experiment which led to two other on this matter. The first experiment was conducted to find
answers to three things: how bluffing effects subjects' internalization and willingness to make
confessions that are untrue, does having a witness that also confirms the subjects' innocent prevent
the suspect from making a fake confession, and to make comparisons between two tactics,
presenting fake evidence and bluffing.
In experiment 1, subjects ... Show more content on Helpwriting.net ...
Experiment 2 also found this to be true where 57.9% of subjects confessed. Internalization only
occurred in the first experiment and 9.9% did this. In experiment 2, bluffing caused the amount of
fake confessions to increase,74%, and this was found to be significant. Experiment 3 had 57.6% of
subjects confess that they worked together during the individual portion. For the control group that
included bluffing, they had an increase in confessions rates to 70% and 50% in the condition where
subjects were innocent. Diagnosticity was shown to be high in control group where 87% of subjects
confessed when they were truly guilty, however, it did decrease in the bluff group, 50% because
innocent subjects confessed. The researchers of these three studies showed how the bluffing
technique used by interrogators may cause innocent subjects to confess to crimes in which they did
not commit in hopes that they will eventually be proven innocent although this is not its original
intention. Researchers were also able to conduct studies that allowed them to fix some of the
limitations to prior studies by adding the ability for subjects to provide reasons why they confessed.
However, future research is still needed to provide more information on this topic and bring light to
the risk that these techniques bring to innocent

Breaking Up With Daddy: Sylvia Plath on Human Relations
As is inherent within the tradition of confessional poetry, a subgenre of lyric poetry which was most
prominent from the fifties to the seventies (Moore), Sylvia Plath uses the events of her own tragic
life as the basis of creating a persona in order to examine unusual relationships. An excellent
example of this technique is Plath's poem "Daddy" from 1962, in which she skilfully manipulates
both diction, trope and, of course, rhetoric to create a character which, although separate from Plath
herself, draws on aspects of her life to illustrate and make points about destructive, interhuman
relations. Firstly that of a father and daughter, but later also that of a wife and her unfaithful
husband. Like her fellow confessionals such as Anne ... Show more content on Helpwriting.net ...
And I said I do, I do. (64–67) This again includes an element of Plath's own life, seeing as her
husband Ted Hughes cheated on her before they became divorced. The image of an unfaithful
partner is especially amplified if we closely examine the line And a love of the rack and the screw.
(66) and think about the duality of its meaning. Both the words "rack" and "screw" can point
towards torture instruments of the middle ages, but also, especially in more modern times, to certain
sexual imagery (Moore). This choice of words with multiple meanings serves to evoke the idea of a
woman deeply tormented by the acts of her cheating lover, which in the case of this poem, simply
adds to the anger she feels towards her father because the husband was intended as a replacement
for him. The dominant image of a father figure that we are left with after reading this poem is far
from a loving or pleasant one. In fact, it is rather the opposite. The "Daddy" whom the speaker is
addressing in this poem ends up being portrayed as a vampire, who "the villagers" (77) – perhaps
the people surrounding the speaker– never seemed to be fond of. This strengthens the image of a
highly dysfunctional relationship, rather than a "normal," loving one. As readers, we have to ask
ourselves about the reliability of Plath's character; however, seeing as she is clearly emotionally
unstable. We learn about at least one suicide attempt in the lines At

Song Analysis of Hands Down by Dashboard Confessional Essay
"Hands Down"
By: Dashboard Confessional
Song Analysis
Everyone has that one song they can listen to over and over again. There are various reasons people
press the repeat button, whether it be the sound of the singer's voice, the quality of their
musicianship, or their heartfelt lyrics and the story they tell. The song "Hands Down", by Dashboard
Confessional tells the story of a day–in–the–life of lead singer, Chris Carrabba, in high school.
Carrabba has said that this song is about the best day he has ever had, and introduces it as such at
concerts. Dashboard Confessional effectively uses paradox, irony, imagery, and repetition, to enable
the listener to create a visual and experience emotions felt by the writer. "Hands ... Show more
content on Helpwriting.net ...
The boy is hoping for something as simple as a kiss, and this simple action would please him so
much that it would "kill" him. The boy is willing to give up everything in order to experience this
kiss and end his life on a happy note.
Another literary device used in "Hands Down" is irony. During the middle of the song, this line sets
the mood for the story and the presumed expectations of a teenage relationship.
"The words are hushed, let's not get busted.
Just lay entwined here, undiscovered,
Safe in here from all the stupid questions:
"Hey did you get some?"
Man, that is so dumb.
Stay quiet, stay near, stay close, they can't hear, so we can get some."
In most relationships sex is an essential and expected part, even for teenagers. Many teen
relationships are subjected to the scrutiny of their peers on whether or not they are "getting some".
This stanza is ironic because in the beginning it says how dumb the questions about "getting some"
are, yet at the end it talks about doing just that. At the very end of the song, Dashboard uses imagery
to describe the little things that you will always remember, and the one special night that was meant
to be ordinary, yet turned out to be so incredibly wonderful.
"Hands down, this is the best day I will ever remember.
I'll always remember the sound of the stereo,

Illusion and Reality in Ryunoske Akutagawa´s In a Grove
Japanese writer Ryunoske Akutagawa makes it difficult to distinguish the differences between
illusion and reality. "It suited his ironic taste to play the illusionist who leaves his audience staring
blankly into a mirror". We see this in Akutagawa story "In a Grove" because each of three main
characters gives conflicting confession, and each have a motivation to possibly lie. Tajomaru was
the first of the three main characters to confess, and throughout his confession he is motivated to
establish a greater reputation for himself knowing he has nothing to lose. Tajomaru willingly
confesses to the police commissioner that he was the one who murdered Takehiko. He later elevates
himself to the same level as the police commissioner. "Am I the only one who kills people? You,
you don't use your swords. You kill people with your power, with your money. Sometimes you kill
them on the pretext of working for their good. It's true they don't bleed. They are in the best of
health, but all the same you've killed them. It's hard to say who is a greater sinner, you or me". By
elevating himself to the same status as the commissioner he is making himself an equal to justify
that both of them are murderers and that they are the same. Tajomaru also told the police
commissioner that he untied Takehiko before there battle. "I untied him and told him to cross
sword". In this quote Tajomaru wants to be view as a fair and honorable person. He further
establishes his reputation when he described the

Justice In The Crucible
The Crucible Essay Isn't America the home of Liberty and Justice for all? Well then, you'd be
surprised to hear that every year there are hundreds of cases where confessions are either coerced or
otherwise forced through illegal means by the police.(Source #3) Through the novel "The Crucible"
and the article "A True Confession" legal processes can be seen to have a bias against defendants, in
that defendants can be prey to coercion and intimidation by the prosecution or law enforcement,
reflecting major flaws in justice systems themselves despite the expectation by people that justice
systems ought to be fair. In addition, the similar injustices of these two, despite their extremely
different backgrounds, can be seen as something inherent to human nature and the way that
authority is formed in societies and how that authority tends towards injustice towards those that it
has control over.
The Crucible is a fiction novel by Arthur Miller that takes place in Salem, Massachusetts at around
1962. It is about how people lose their lives and how the town is almost brought to ruin because of
witchcraft accusations. In the novel, it can be seen that the trial system is grossly unfair, with only
an accusation being required in order to send someone to jail, allegedly due to [insert witchcraft is
invisible crime quote], and from there "to the gallows"(Miller ?). In addition, there is no appeal
system in Salem, with the accused not having any way that they can clear their name, as

Analytical Essay: Heartfelt Confession
The priest's intervention, protection, and instruction help Jackie reject the dark, judgmental theology
of Mrs. Ryan as well as the false facade of Nora's piety and control, bringing him to an
understanding of the absolution a proper, heartfelt Confession provides. The priest enters the
confessional as "a little light" (179) that will bring Confession out of the dark teachings of Mrs.
Ryan. Because Jackie is so concerned with Ryan's teachings about Hell, he ends up talking to the
priest "upside–down" (179), like his view of Confession. Immediately after Jackie falls "flat on [his]
back" (179), as if he was cast out of the confessional and into Hell, the priest rushes out "look[ing]
something terrible" (180) to accept him back in. When Nora comes along and attacks Jackie, the ...
Show more content on Helpwriting.net ...
In Confession, the priest affirms Jackie's thoughts about his grandmother by calling her "a bad case"
(181), making Jackie feel better for thinking about killing her. However, he still makes sure that
Jackie knows that he is "a terrible child" (181), so he can have the sorrow for those thoughts that is
necessary to make a good Confession. Telling Jackie that "there's a lot of people" (181) he'd like to
attack with a knife, the priest assures Jackie that his thoughts are normal, but then lets him know
that those thoughts are dangerous by telling him that "hanging is an awful death" (181) and that
everyone who killed their grandmother said " 'twas never worth it" (181). The priest makes Jackie so
comfortable with him and Confession, despite Mrs. Ryan's fire and brimstone teachings, that they
were in the confessional "for a full ten minutes talking" (182). From the time he enters the
confession box, the priest affirms, protects, and guides Jackie, teaching him what Confession is
really about and showing him the way into a comic

Anne Sexton : The Life Of Anne Sexton
Some may find it very difficult to express inner feelings. Others may be uncomfortable to talk about
reality within sex, adultery, or the personal everyday life. However, one woman was able to create
an open mind to many and approach those feelings, most don't speak of, through the art of poetry.
Anne Sexton, originally named Anne Gray Harvey and the daughter of Mary Gray Staples and
Ralph Churchill Harvey, was born November 9, 1928 in Newton, Massachusetts. One may believe
being the daughter of a successful businessman would make Sexton quite comfortable and content,
however, that is not the case at all. Sexton's relationship with her parents was neglectful and
somewhat abusive. Her closest confidant was her maiden great–aunt, Anna Dingley, whom Sexton
called "Nana." As years passed Nana started to have serious mental breakdowns and was
institutionalized. This traumatized Sexton and she soon developed attachment issues from her
parents hostility and neglect. As she attended public school, problems began to arise. She was not
the most disciplined child in public schools and occasionally disobeyed her teachers. Later on,
Sexton was recommended for counseling; however, her parents refused and shipped their her away
to a boarding school instead.
Anne Sexton, a brilliant mind trapped in a conservative society, was sent to Rodgers Hall Boarding
school by her parents instead of seeking professional psychological guidance. There, Sexton started
finding her passion of writing and

Anne Sexton
Anne Sexton believed that the most interesting poetry was written out of personal experience.
Everything she had been through, her hospitalization, her affairs, her insanity, the loss of her
parents, and great–aunt, gave her things to write about. She uses poetry as one of her outlet. She
writes out her problems. Her writing was a part of her therapy.
As a child, Anne Sexton had to be the center of attention, "a demanding child" (Self–Portrait in
Letter 3). When Anne was younger, she thought of herself as an outcast and unwanted (Hall 3).
Anne's great–aunt Nana died in July 1954. She thought the death of Nana was her fault. This was
proved in some of the poetry that Anne wrote, "I knew you forever and you were always old, / ...
In March 1960, her father–in–law was killed in a car accident. Anne expressed her feeling of guilt in
these events by writing. "I am depressed, My mother is dying of cancer. My mother says I gave her
cancer" (Hall 6). Her father was ready to remarry, but he died before the marriage could happen.
Anne remembers what happened in All My Pretty Ones:
This year, solvent out sick, you meant to marry that pretty widow in a one–month rush.
But before you had that second chance, I cried on your fat shoulder. Three days later you died.
(All The Pretty Ones 5)
The first volume of her poetry to be published was To Bedlam and part Way Back, in March 1960.
Her second volume All My Pretty Ones was dedicated to the dead family members. It was
nominated for National Book Award. Anne was starting to gain recognition as a poet by the fall of
1960. She got a job with a literary and a lecture agency. Anne was awarded grants, invited to appear
on television, and give interviews.
M. L. Rosenthal, a critic, might be responsible for the labeling of Anne's writing as ‘confessional
poetry'. Whoever intended it, it was a term both helpful and too limited, and very possibly the
conception of a confessional school has by now done a certain amount of damage (Hall 33). "All the
confessional poets suffered mental illness. Most spent time in mental hospitals. Some committed
suicide" (Hall 35). According to Rosenthal, breakdown and suicide are parts

The Colossus Poem Analysis
Whether it be confessional or imagist, poetry provides a way to define all emotions and express any
suppressed feelings with a literary approach. Similarly, the confessional poem "The Colossus" by
Sylvia Plath and the imagist poem "The Charge of the Light Brigade" by Alfred, Lord Tennyson
both depict the emotional trauma caused due to the loss of lives. Plath's poem "The Colossus"
expresses the absence of her father and its impact on her life personally. Whereas, Tennyson's
narrative poem "The Charge of the Light Brigade" explores the grief of violence and sufferings of
war due to the lost lives of many soldiers fighting in the war and the remembrance of their glory.
The common use of vivid imageries and metaphors shape the theme of death and suffering in both
of the poems. Plath and Tennyson show the contrasting ideas of loss and grief and how it changes
the lives of individuals and how it forms the society as it is presently viewed. Plath's "The Colossus"
and Tennyson's "The Charge of the Light Brigade" address the theme of death and suffering, with
the use of imageries throughout the poems. Plath's use of imageries depicts the effect of her father's
death her personal life. On the contrary, Tennyson's poem uses imageries to delineate the overall
effect of war on the society. Plath describes her emotional and mental state by saying "Thirty years
now I have labored/To dredge the silt from your throat" (8,9). Plath creates an evocative imagery of
violence to reveal the

The Crucible: Why Do Innocent People Give In?
"Why do innocent people give in?"; "No one would confess to a crime they didn't do!". Words along
these lines have been widely voiced by many, be it vocally or not, when the situation arises. But it is
easier for outsiders to make those statements when they themselves are not caught up in a position
with very few choices and very high pressure. Despite happening years apart from each other,
Salem's witch trials and modern police interrogation process bear striking similarities in that both
have condemned countless innocents for crimes they did not commit. It shows that no matter how
advanced the world is becoming, there will always be inequality.
Back then, Salem was ruled by English law, which stated that if a person was found misbehaving, ...
"... I don't think I was some kind of monster in making a death threat to a suspect (Ichikawas). Just
like Deputy Governor Danforth throughout "The Crucible", how he would care nothing for the
suspects (Miller 1952), prosecutors does not think anything of it, while to the suspects, it's their
lives and their existence the prosecutors are speaking lightly of, so there's no surprise that they'd feel
like there's no escaping unless they confess. Additionally, the confession statement written by the
prosecutors was not parallel with the truth (Oi 2013). "After I grilled the suspect for 8 hours, I got
him to sign this statement even though he didn't say a single word of it, my boss was pressuring me
to get his confession so I thought I couldn't go home without it (Ichikawas)." It is obvious that it did
not matter to them if the confession was true or false, as long as the prosecutor could get the
confession, as he is also under pressure from the higher power. This is very similar to the very end
of "The Crucible" when John Proctor decided that he would confess (Miller 1952). The court
members forced him to write a false confession and sign his name under it knowing it is indeed a lie
(Miller 1952). This unfairness plague has such a tight hierarchy which can be very

The Confessional Style Of Poetry
Julia Krieman Sensei Drugan ENC 1101.012 16 October 2016
"The world gives you so much pain and here you are making gold out of it." (Kaur, 185) This
excerpt from Rupi Kaur's collection of confessional poems, Milk and Honey, shows her feelings
towards poetry as an art. It explains how the confessional style of poetry allows artists to transform
their pain and feelings into art. Art is always changing, new ideas are brought about, artists create
with different purposes. The art of poetry is constantly evolving, poets introduce different ideas and
styles based on the message they are trying to portray. The confessional style of poetry is one that
allows the poet to speak freely; it is personal and allows the author to share emotions, thoughts, and
feelings. Within the last decade the confessional style of poetry has changed because of the growth
of certain social issues. It has become a way for poets to express their feelings towards topics like
these or describe their personal experiences in a poetic way. Writing in the confessional style of
poetry has allowed poets to have more freedom in recent years to discuss and write their feelings
towards specific, pressing topics such as feminism and mental illnesses.
In recent years, poetry has become a way for poets to describe their feelings and opinions of the
social issue that has the new title of feminism. The confessional style allows artists to draw from
their own experiences and traumas and create poetry. It gives them the

Confessional Poetry Essay
Confessional poetry is a style that emerged in the late 1950's. Poetry of this type tends to be very
personal and emotional. Many confessional poets dealt with subject matter that had previously been
taboo. Death, trauma, mental illness, sexuality, and numerous other topics flowed through the works
of the poetry from this movement. Confessional poetry was not purely autobiographical, but did
often express deeply disturbing personal experience. (Academy of American Poets)
Three important poets who are typically associated with the confessional poetry movement are Anne
Sexton, Allen Ginsberg, and Denise Levertov. An analysis of selected works from these poets yields
a deeper insight into the individual poets and the broad ... Show more content on Helpwriting.net ...
Much of her poetry deals with topics such as sexual abuse, suicide, addiction, relationships, and
sexuality. Of interest is the liberated feminist aspect of her work which can be seen in such poems as
"The Ballad of the Lonely Masturbator". Throughout her adult life, and until her death in 1974,
Anne Sexton plied her unique brand of poetry as a form of therapy and expression. Sexton stated:
"My analyst told me to write between our sessions about what I was feeling and thinking and
dreaming." (Poetry Foundation)
"45 Mercy Street" is an example of Anne Sexton's late work, just prior to her suicide. Released in a
posthumous collection, this poem extends past the idea of confession. "45 Mercy Street" is a pure
cry for help from a tortured psyche which has already decided that death is the only viable escape.
Sexton's work is a case study in severe depression and bipolar disorder. Regarding her classification
as a confessional poet, Sexton often disliked the term, yet still applied it to herself on occasion. In
an interview with Patricia Marx, Sexton stated: "If anything influenced me it was W. D. Snodgrass'
Heart's Needle.... It so changed me, and undoubtedly it must have influenced my poetry. At the same
time everyone said, 'You can't write this way. It's too personal; it's confessional; you can't write this,
Anne,' and everyone was

Summary Of Frank OConnor's First Confession
In the two stories First Confession and Where Are You Going, Where Have You Been The two main
characters are Connie and Jackie. They both are in situations where they are living lies until each is
forced to confront the truth about themselves, and this act of confrontation is freeing them both
spiritually, even though in Connie's case it could lead to her death. In the story First Confession the
author Frank O'Connor doesn't use any references that relate it back to events in history. Regardless
of this, there is some developments of context to Catholicism. In the story, Where Are You Going,
Where Have You Been by Joyce Carol Oates there is a reference or inspired by four murders.
Therefore, both Connie and Jackie find themselves at a crossroads to find the truth about their lives.
These two characters are on a journey where one may face death and the other has to face a higher
authority. In the story, First Confession, Jackie is the antagonist in the story and he is dealing with a
lot of negativity around him. Jackie also is living in lies himself and throughout the story he is
forced to find out his identity. Jackie's problems started when his grandfather passed away, and his
grandmother came to live with him. Jackie is a young boy who is about to go to his first confession,
and he is scared to death and does not want to go and face a priest. His has been somewhat
dishonest through the story, so he is contemplating confessing the truth to the priest or not to confess

Drew Sullivan's Short Story
Drew Sullivan was torn between his Catholic guilt and feeling free for the first time. It has been a
couple of weeks since he fucked Kyle. Drew's kitchen shades were permanently closed, hence their
playful peek–a–boo weekend ritual came to an abrupt stop. In Drew's mindset, temptation had been
thwarted.
They shared no more sexual jibes. Not even fleeting glances.
Coach Sullivan decided to immerse himself into the Fall Varsity Football training schedule. Hell, it
was already August. He needed to man–up. He owed it to St Thomas Academy. Besides, his
reputation was on the line.
It was only a freaking one–time event. It didn't mean anything, Drew told himself.
And, repeated to no prevail.
Something had to happen. Coach Sullivan wanted ... Show more content on Helpwriting.net ...
You see, I only fucked Kyle. Raw. Shooting my babies deep inside his moist, warm hole. God it felt
phenomenal."
Drew's cock was stiff as a board curved upwardly, and begging to be freed from his pants. That's
when Father O'Malley heard the distinctive sound of Drew unzipping his Docker pants.
Oh, My God, thought Father O'Malley, Not again!
Father O'Malley sensed the heat between them as he began deeply breathing. He loosed his collar
and began unbuttoning his shirt exposing his moderately hairy porcelain white chest. Father
O'Malley joined Sullivan in unzipping his pants and having his cock spring liberated from his
confining tighty–whities.
"Tell me more, my Son. And don't leave out any detail, " Father O'Malley said with baited
anticipation.
Sullivan nodded with the understanding. Father O'Malley was horny. Sullivan like Father O'Malley
began removing his clothes, while he described Kyle's Sunday morning stroll to the pool and his
prancing bubble butt with that black butt–plug buried inside as a tease.

It didn't let long, Sullivan thought as the confessional screen was suddenly removed by Father
O'Malley. Now, they were

Pastoral Conversation Of A Confessional Nature
moving a chair to the front of the church so that a member could lead worship while sitting and
without having to navigate the stairs to the lectern. 5) Will you regard all pastoral conversation of a
confessional nature as a trust between the person concerned and God? Yes I will, unless they are an
imminent threat to themselves or another person. I am up front about that caveat before I have any
conversation with someone seeking counsel. 6) Provide evidence of experience in peace and justice
ministries. Our church hosts JFON (Justice for our Neighbors) every month. I have been able to
attend some of these events as well as support it through sharing information with the congregation
about the valuable work they do. I referred an attendee of our church to JFON for help with getting
a work ID number and now he is the janitor at our churches. We have started Handcrafted Hope
which is a fair trade and local artisan gift shop in the church. We continue to expand it and to
educate people on the value of knowing where your money is going. We are planning to host a
racism workshop in the Columbus Junction church the beginning of next year. Lately myself and
other members of the local ministerial association have joined the advisory board for our local
Community Action Program. We are working together to create awareness of the programs available
at CAP and have raised money specifically to be used for emergency housing needs. 2–4 pages for
the Historical question 1.

Confessional Poetry Of Sylvia Plath
In the early 20th century, the Modernist philosophical movement dominated literature. Despite the
maturity of the topics the world faced during the time, literature erred on the conservative side and
avoided personal issues such as depression, sexuality, and trauma. In the 1950's, however, Sylvia
Plath emerged to spearhead a new era of writing in the form of Confessional poetry. Plagued with
depression, suicidal tendencies, and trauma tied to her father's death, Plath explored these taboo
themes in her poetry. Alongside a few other influential writers of the period, Plath's intense and
intimate poems hailed the start of a revolutionary literature movement ("A Brief Guide to
Confessional Poetry"). Death, victimization, and a negative father–complex were the leading themes
in Plath's life, and inspired much of her work, including the poems "The Colossus," and "Daddy."
Sylvia Plath's parents met when her father, a renowned German professor named Otto, taught
Sylvia's mother, Aurelia at Boston University. Born on October 27, 1932, in Boston, Massachusetts,
Sylvia Plath had an ordinary childhood, but the peace was broken in 1934 when Otto fell ill with an
advanced stage of diabetes. He died five years later on November 5, 1940 ("Sylvia Plath
Biography"). Otto's death profoundly traumatized Sylvia, aged eight at the time; upon hearing of his
death, Plath said, "I shall never talk to God again." (O'Connor). Plath, simultaneously a depressed
but dazzling student, developed a talent

Mrs. Ryan and the Priest Influence Jackie's Attitude To...
How do Mrs. Ryan and the priest influence Jackie's attitude to religion?
"First Confession" is the story of how Jackie, a seven year old boy, makes his first confession before
his first communion. The story takes place in Ireland at the beginning of the 20th century and is
based on O'Connor's own childhood. It is interesting to see how two opposite characters, Mrs. Ryan
and the priest, can influence so much the kid's thoughts: Mrs. Ryan instills him fear while the priest
helps him to overcome this fear.
Mrs. Ryan is the women encharged of preparing Jackie and his class–mates to take their first
communion. She has to get them closer to God and turn them into good Catholics. Apart from what
Jackie had learnt from his parents and other ... Show more content on Helpwriting.net ...
He thought some of his sins were too horrible as to be confessed to a priest, and tried to bypass
confession by staying at home the day he was going to confess at school. But that wasn't enough to
escape from it, even though he was "scared to death."
Jackies second link to religion was the priest with whom he made his first confession. Jackie
immediately likes the priest as he defends him from his sister Nora the moment he meets him. After
calling Nora a "vixen" and Jackie a "poor man" and "big hefty fellow", Jackie thinks he is
"intelligent above ordinary", and immediately tells him his major sin. Although it takes him a while
to react, the priest seems to understand Jackie when he's told that he planned to kill his grandmother
with a kitchen knife, and shows interest in the kids' plans. This makes Jackie feel close to the priest
and really comfortable, to the extent of being sorry of having to leave. He thought he was "the most
interesting character he'd ever met in the religious line", and leaves the church happily and with no
fear of returning.
Although both characters want to obtain the same

"Fiesta 1980” and “Daddy” Essay
"Fiesta 1980" and "Daddy" Both poems are about memories of the relationship with their father.
However, the experiences are very different. The children presented in "Fiesta 1980" by Junot Diaz
and "Daddy" by Silvia Plath suffers an internal struggle because of their fathers. In "Fiesta 1980"
there is a chance to improve the relationship where as in "Daddy" there is no hope because the
father is dead. In "Fiesta 1980" we can tell the story is told in the first person by and adolescent
Latino boy. The story is mainly about the struggles of an immigrant family as they wake up from a
nightmare in Santo Domingo only to find themselves in another nightmare, except this time it's in
America. Yunior's dad is abusive and is pretty much a ... Show more content on Helpwriting.net ...
When the father takes Yunior on short trips in the van, so Yunior can practice not vomiting, Yunior
enjoys the time alone with his dad and feel loved. It is interesting how Junior only experiences
carsickness in the lime green van his father drives. He notes that he "never had trouble with cars
before that van was like my curse". I can assume that since Junior first met his father's mistress
during a trip in the van, which leads me to believe that Yunior associates the vehicle with the
crushing emotional distress of learning of his father's infidelity. I feel the poem "Daddy" is a work
of rage and powerlessness of her hate towards her father's death and then how she tried to control
this rage by creating a new father in her husband. Her husband is seen in two metaphors, a Nazi and
a vampire. The vampire "drank her blood", which shows his possessiveness over her. Which
correlates once more to how her husband is a model of her father: they both confined her. The
metaphor of Nazis brings an understanding of her personal pain and suppression. In my opinion of
the two works the one that seem to deal with the theme in a more constructive, realistic, or positive
way is "Fiesta 1980". Parts of this story are funny, but mostly there is a sense of real tension
between the mother and her sons. However later in the story even this relationship is a source of
conflict as Yunior and Rafa must conceal their father's indiscretions. I would argue that the brothers

A Comparison Between Elizabeth Bishop And James Wright
Sephora Solomon
Professor Wojahn
Poetry ENGL 345
29 October 2017
First Paper: Elizabeth Bishop, James Wright comparison As masters of imagery, both Elizabeth
Bishop and James Wright composed vivid poetry as a road map to a significant closing. Bishop and
Wright often opted to dramatic gestures or statements at the closing of their poems rather than the
predictable expected metaphor. Use of dramatization leaves the reader with complete understanding
of the narrative's key message. Replacing the metaphorical ending to rather be embedded in the deep
imagery of their work.
In their days, Bishop and Wright lived as outsiders' due to the social norms during the mid 1900's. In
the mid 1900's, women barely had any rights and faced many ... Show more content on
Helpwriting.net ...
Bishop's "The Fish" and Wright's "A Blessing" are structured around metaphorical imagery to create
balance between beauty that is known and unknown. Both poems intentionally begin and end with
meticulous imagery for the reader to see through the story. Visionary insights of the speaker's
experience in each poem every step of the way builds the readers imagination.
The narrator of "The Fish" initially stresses to portray the fish as worn out comparing its skin to
"ancient wall–paper" (Bishop 11). When the narrator caught the "tremendous" (Bishop 1) fish she
observed he didn't fight, but his gills fought the struggle to strain the "terrible oxygen" (Bishop 23)
being in air. The narrator illustrates visually dense phrases when comparing the fish eye to her own
recognizing they are "larger than mine/ but shallower, and yellowed" (Bishop 35–36). Not a shift in
his eye then describes his iris as "seen through the lenses/ of old scratched isinglass" (Bishop 40).
Becomes an eye–opening moment for the speaker and even the boat, becoming a moment of
empathy and understanding. "I stared and stared/ and victory filled up/ the little rented boat,"
(Bishop 67) the vivid personification prepared the reader to understand the dramatic narrative.
Completing the image for the reader, "...everything/ was rainbow, rainbow, rainbow! / and I let the
fish go" (Bishop 74–75) Bishop's strong use of imagery and personification suggests the fish to hold
a

The Importance Of Poetry In Literature
Danish Faruqi
Sometimes you come to hate things not because of what they are, but because of what meant to you.
They haven't done anything particularly done anything to you directly. But them being in your
presence doesn't help. I don't hate a lot of things, and in literature, that list is even smaller. Through
my experiences in 12th grade, I realized my new–found hatred for confessional poetry and its
effects. Due to my experiences, I don't appreciate or rather take notice to literature that might be
very interesting.
For our Highschool, 12th grade was an interesting year, especially since this was the first year that
an inter–school debate – talks would take place. Something that was sponsored by the chancellor
and the mayor. Before we even knew about this competition, our class was chosen. When we got to
know about this, the class and the teacher didn't share the same enthusiasm, to say the least. We
were reluctant to participate in anything that put us in front of cameras or other people. But the
teacher was startled and proud that one of her classes was chosen to participate. And thus, the race
to compete was on.
Since the debate – talks were on Virginia Woolf's A Room of One's Own, it required us to
understand her style of writing – Stream of Consciousness. From there on, our part was to
understand a book which has multiple meanings and multiple perspectives. To make things easier,
our teacher chose to use confessional poetry as a method to uplift only

Analysis Of Two Lovers And A Beachcomber By Sylvia Plath
Sylvia Plath and "Two Lovers and a Beachcomber by the Real Sea" Sylvia Plath, while one of the
best–known poets of the 20th century, has diminished in popularity to the modern audience. Despite
this, Plath's work is still poignant today with its self–examination of life in the context of poor
mental health and its confessional style that has become a staple of American literature. On October
27, 1932, Sylvia Plath was born to Aurelia Schober and Otto Plath, both immigrants of Germanic
descent. Although she was born in Boston, Sylvia Plath spent her childhood years in Winthrop,
Massachusetts, a smaller coastal town. Unfortunately, Plath lost her father to diabetes–related
complications in November of 1940 at the young age of eight; however, her eighth year of life also
brought her the publication of her first poem in the children's section of The Boston Herald. Two
years later, the Plath family moved to Wellesley, Massachusetts, so her mother could work at Boston
University and support the family. Plath excelled at her school in Wellesley and began to receive
prizes and awards for her writing. Along with her natural intelligence, this culminated in a
personality that her mother described as "precocious" as well as the development of perfectionist
tendencies that would afflict her significantly later in life (Barnard 15). Similarly, America's
entrance into World War II in 1944 contributed to Sylvia Plath's pessimistic outlook on human
nature. Additionally, as she grew up and

Rough Draft For The Crucible
Asmar Kalif
Hour: 5
English Paper
Crucible Rough Draft In the novel The Crucible by Arthur Miller, the story was based on
McCarthyism. This book is based on a real story and real people. John Proctor tore up his
confession and goes to his death because he can't lie about himself and ruin his reputations. He also
doesn't want people to think he is a bad person by confessing a lie just to save his life. John Proctor
knew that if he confessed he would make himself look guilty and his friends who didn't do anything
would look guilty. "I speak my own sins, I cannot judge another I have no tongue for it"(Act
IV,#148). "They think to go like saints, I like not to spoil their name"(Act IV,#148)."Then who will
judge me? God ... Show more content on Helpwriting.net ...
" Because it is my name, because I cannot have another in my life ! Because I lie and signed myself
to lies,(Act IV,#150). "You will not use me! I am no Sarah good or Tituba, I am john proctor! You
will not use me! It is not a part of salvation that you should use me,"(Act IV,#149). "Damn the
village! I confess to god, and god has seen! It is enough,"(Act III,149) John proctor wanted to keep
his pride and still confess to being a witch. . John proctor is trying to tell us that there is no need for
everyone in salem to know about his confession as long as god seen him write it and and the court
has seen him write it. John proctor also says "god does not need my name nailed upon the church!
god sees my name; god know how black my sins are"
(Act IV,#149). John proctor wants to be guilty but he doesn't want everybody to know "then it is
proved. Why must I say it,"(Act IV,#149). John proctor would rather die than to make everybody
who died look guilty. John proctor said, "why must it be written," (Act III,143). He is trying to be
guilty but doesn't want everybody to know. If people knew that he confessed not only would he
make himself look bad but he would also make his friends look bad because he is confessing lies
about them and ruin both theirs and his reputation. Before John confessed he said to his wife "I have
been thinking I would confess to them"(Act III,#143). He

Confessional Poetry Essay
Confessional Poetry
I have done it again. One year in every ten I manage it –
A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot
A paperweight, My face featureless, fine Jew linen.
This excerpt comes from the poem "Lady Lazarus" by Sylvia Plath, one of the most famous – and
infamous – poets of the 20th century. Many of Plath's poems, such as this one, belong to a particular
school of poetry known as Confessional Poetry. With a distinct style all their own, Plath and her
fellow Confessional poets will be forever remembered for their brutal honesty, emotionality, and the
personal quality of their poems.
Confessional ... Show more content on Helpwriting.net ...
Confessional poetry gained its momentum in 1959 with the publication of Robert Lowell's Life
Studies and W.D. Snodgrass's Heart's Needle. Robert Lowell was born in Boston in 1917, and
initially entered the world of poetry by writing formal poems in the style of the New Critics.
Although he received ample praise for his work, Lowell's personal life wasn't so happy – he dealt
with marital strife and serious depression, and was hospitalized on a number of occasions. In his
mid–fifties, he was influenced by other Confessional poets to delve deeper into his personal
experience, and consequently attempted more autobiographical and free–style poems. His poem
"Man and Wife" reflects his marital troubles when it concludes:
Now twelve years later you turn your back Sleepless, you hold your pillow to your hollows like a
child, your old–fashioned tirade – loving, rapid, merciless – breaks like the Atlantic Ocean on my
head.
This poem nicely reflects the autobiographical aspect of Confessional poetry, as anyone aware of
Lowell's personal life would realize how true the words ring. Poems filled with so much genuine
emotion help to bring the reader into an empathic position, and to actually imagine being in the
speaker's situation.
W.D. Snodgrass was born in Pennsylvania in 1926. His book Heart's Needle won the Pulitzer Prize

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