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Collision
               By
Ashley Jackson & Hannah Rewbury




                Bridgwater College
                hyperlinkfilms@hotmail.com
FADE IN.
INT. ELDERLY MAN’S HOUSE - SITTING ROOM - DARK ROOM
EDDIE sits down in armchair, one leg crossed over the other.

                     EDDIE
           Aah a bit of peace and quiet. Now
           where’s my pipe?
Rummages in cardigan hung over chair.
          Rose likes the smell of baccy, but
          she always complains that I tap my
          pipe on my heel, or wipe the edge
          with the curtains.
Chuckles and taps the pipe on his heel and sucks on pipe.
          Rose always gets my dinner about
          now. (smiles to himself) We like
          to have a bowl of soup and a crusty
          roll. Tomato’s her favorite.
Ruffles hair.
          She said it was my hair that
          attracted her, ruffled with a hint
          of James Dean. (pause) Everyone
          loves Rose.

CUT TO shot of dress in bedroom on mannequin.
          With her Marylin Monroe curves;
          she’ll always be a star to me.
          Don’t know what she ever saw in me.
          Always said I was the rock that
          kept her anchored.

Sucks pipe.
                                                      CUT TO.
INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM

Evelyn is sat at a dressing table, running a brush through
her hair.
                     EVELYN
           One hundred brushes every night-
           that’s what my mother insisted we
           did before bedtime. I like to look
           my best. Richard wants me to play
           the part, hostess with the mostess.
Laughs.
           Entertaining all his clients
2.

CUT TO dining room, table set for dinner party. EVELYN is
stood holding a bottle of wine and fills a glass, talking to
the empty room.
          "yes Mr Hiroshura, the veal is
          locally sourced. Would you care for
          more wine?"
CUT TO EVELYN back in the bedroom at the dressing table.
Picks up glass of wine and sips.
          Cheers. Richard never likes me to
          drink before 6, but what the hell.
          When the cat’s away the mice will
          play.
Laughs and sips wine.

                                                     CUT TO.
INT. ELDERLY MAN’S HOUSE - BEDROOM - DARK ROOM
EDDIE picks up nightgown and lays on bed and inhales smell
from nightgown.
                    EDDIE
          Chanel number 5, Rose’s favourite.
CUT TO dressing table and Chanel bottle.
          She always said it was her one
          luxury. I used to collect my loose
          change in an old biscuit tin and
          when it was full I would go to
          Jolley’s and buy her a bottle. Her
          skin is still as soft as silk.
CUT TO bathroom. Taps running.
          A simple girl she would say - ponds
          face cream for me and a drop of
          almond oil in my bath.

CUT TO mirror. EDDIE walks forward towards the mirror with
night gown in hand.
               (Smiling)
          She would let me scrub her back -
          come closer Eddie she would say.
          Tendrils of hair falling down and
          brushing her neck. Oh to kiss her
          slender neck. That is what I will
          miss the most.
Drape nightgown over mirror.

                                                     CUT TO.
INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM
3.


EVELYN picks up perfume bottle with stopper and dabs behind
ears.
                    EVELYN
          Richard and I went to Grasse last
          year. He treated me to my own
          parfum.
EVELEYN places stopper back in bottle.
          (Pronounced in French - parfaa) A
          top note of verbier with bottom
          notes of vanilla and ylang ylang
          (pronounced yang). Good job my
          mother had the foresight to
          christen me with a decent name,
          l’eau d’Evelyne (pronounced
          Evehlean) has a much more
          distinctive edge to it.
               (Sounding bitter)
          Imagine if you were called Rose.
CUT TO hospital ward and bed, with a sign on the wall
reading ’Rose’.
          Eau d’Rose sounds like a lavatory
          cleaner.
                                                        CUT TO.
INT. ELDERLY MANS HOUSE - BEDROOM - DARK ROOM

EDDIE sat on the edge of the bed gazing ahead, unfocused.
                    EDDIE
          Why Rose? Did you grow tired of
          your bingo and nights down the
          club? Was the rough at the edges
          one time bad boy not good enough
          for you?
Sighs.
          I will always love you Rose. My
          beautiful fragrant Rose.
Lays down on bed, runs arm up Rose’s side of the bed.
                                                        CUT TO.

INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM
EVELYNE putting on red lipstick, then walks to the wardrobe
and takes out silk ties.
4.

                    EVELYN
          I have been a good wife, obedient,
          subservient, housekeeper and cordon
          bleu cook. Richard has always been
          attracted to the finer things in
          life. He used to call me his Geisha
          girl.
Fingers silk ties and puts around neck.
          What ever possessed you to put it
          about with a brassy barmaid? I’ve
          turned a blind eye in the past but
          this really hurts.
                                                       CUT TO.

INT. ELDERLY MANS HOUSE - BEDROOM - DARK ROOM
EDDIE sits at the dressing table and picks up Rose’s
belongings in turn.

                    EDDIE
          You always were attracted to the
          smooth ones, especially if they had
          the patter and (siren sounds fade
          in) a fast car.

CUT TO ambulance leaving hospital.
          A silver XJs with leather seats,
CUT TO car stopped on road, hazards flashing.
          No competition hey? He out did me.

FADE TO EDDIE on dressing table stool. (sirens fade out as
well)
          What did I tell you Rose?
CUT TO shot of no seat belt warning on dashboard of car.
          Clunk Click every trip, why were
          you so careless?
CUT TO EDDIE on stool.
          No time for Goodbyes now.

EDDIE sobs and sinks down onto dressing table.
                                                       CUT TO.
INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM

EVELYN frantically starts stripping the bed.
She picks up Richards PJs and sits on the end of the bed.
5.


                      EVELYN
            What are you going to do now
            Richard, ? Or should I call you
            Dick? How does it feel to be all
            alone?
                 (Sounding bitter)
            Was there a lot of blood, red like
            a Rose, trying to impress her were
            you? Well she’s gone now.
                 (Sounding wistful)
            You know, don’t you. I will be
            here, waiting.
FADE OUT.

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Collision draft 3

  • 1. Collision By Ashley Jackson & Hannah Rewbury Bridgwater College hyperlinkfilms@hotmail.com
  • 2. FADE IN. INT. ELDERLY MAN’S HOUSE - SITTING ROOM - DARK ROOM EDDIE sits down in armchair, one leg crossed over the other. EDDIE Aah a bit of peace and quiet. Now where’s my pipe? Rummages in cardigan hung over chair. Rose likes the smell of baccy, but she always complains that I tap my pipe on my heel, or wipe the edge with the curtains. Chuckles and taps the pipe on his heel and sucks on pipe. Rose always gets my dinner about now. (smiles to himself) We like to have a bowl of soup and a crusty roll. Tomato’s her favorite. Ruffles hair. She said it was my hair that attracted her, ruffled with a hint of James Dean. (pause) Everyone loves Rose. CUT TO shot of dress in bedroom on mannequin. With her Marylin Monroe curves; she’ll always be a star to me. Don’t know what she ever saw in me. Always said I was the rock that kept her anchored. Sucks pipe. CUT TO. INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM Evelyn is sat at a dressing table, running a brush through her hair. EVELYN One hundred brushes every night- that’s what my mother insisted we did before bedtime. I like to look my best. Richard wants me to play the part, hostess with the mostess. Laughs. Entertaining all his clients
  • 3. 2. CUT TO dining room, table set for dinner party. EVELYN is stood holding a bottle of wine and fills a glass, talking to the empty room. "yes Mr Hiroshura, the veal is locally sourced. Would you care for more wine?" CUT TO EVELYN back in the bedroom at the dressing table. Picks up glass of wine and sips. Cheers. Richard never likes me to drink before 6, but what the hell. When the cat’s away the mice will play. Laughs and sips wine. CUT TO. INT. ELDERLY MAN’S HOUSE - BEDROOM - DARK ROOM EDDIE picks up nightgown and lays on bed and inhales smell from nightgown. EDDIE Chanel number 5, Rose’s favourite. CUT TO dressing table and Chanel bottle. She always said it was her one luxury. I used to collect my loose change in an old biscuit tin and when it was full I would go to Jolley’s and buy her a bottle. Her skin is still as soft as silk. CUT TO bathroom. Taps running. A simple girl she would say - ponds face cream for me and a drop of almond oil in my bath. CUT TO mirror. EDDIE walks forward towards the mirror with night gown in hand. (Smiling) She would let me scrub her back - come closer Eddie she would say. Tendrils of hair falling down and brushing her neck. Oh to kiss her slender neck. That is what I will miss the most. Drape nightgown over mirror. CUT TO. INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM
  • 4. 3. EVELYN picks up perfume bottle with stopper and dabs behind ears. EVELYN Richard and I went to Grasse last year. He treated me to my own parfum. EVELEYN places stopper back in bottle. (Pronounced in French - parfaa) A top note of verbier with bottom notes of vanilla and ylang ylang (pronounced yang). Good job my mother had the foresight to christen me with a decent name, l’eau d’Evelyne (pronounced Evehlean) has a much more distinctive edge to it. (Sounding bitter) Imagine if you were called Rose. CUT TO hospital ward and bed, with a sign on the wall reading ’Rose’. Eau d’Rose sounds like a lavatory cleaner. CUT TO. INT. ELDERLY MANS HOUSE - BEDROOM - DARK ROOM EDDIE sat on the edge of the bed gazing ahead, unfocused. EDDIE Why Rose? Did you grow tired of your bingo and nights down the club? Was the rough at the edges one time bad boy not good enough for you? Sighs. I will always love you Rose. My beautiful fragrant Rose. Lays down on bed, runs arm up Rose’s side of the bed. CUT TO. INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM EVELYNE putting on red lipstick, then walks to the wardrobe and takes out silk ties.
  • 5. 4. EVELYN I have been a good wife, obedient, subservient, housekeeper and cordon bleu cook. Richard has always been attracted to the finer things in life. He used to call me his Geisha girl. Fingers silk ties and puts around neck. What ever possessed you to put it about with a brassy barmaid? I’ve turned a blind eye in the past but this really hurts. CUT TO. INT. ELDERLY MANS HOUSE - BEDROOM - DARK ROOM EDDIE sits at the dressing table and picks up Rose’s belongings in turn. EDDIE You always were attracted to the smooth ones, especially if they had the patter and (siren sounds fade in) a fast car. CUT TO ambulance leaving hospital. A silver XJs with leather seats, CUT TO car stopped on road, hazards flashing. No competition hey? He out did me. FADE TO EDDIE on dressing table stool. (sirens fade out as well) What did I tell you Rose? CUT TO shot of no seat belt warning on dashboard of car. Clunk Click every trip, why were you so careless? CUT TO EDDIE on stool. No time for Goodbyes now. EDDIE sobs and sinks down onto dressing table. CUT TO. INT. ELDERLY LADY’S HOUSE - BEDROOM - DARK ROOM EVELYN frantically starts stripping the bed. She picks up Richards PJs and sits on the end of the bed.
  • 6. 5. EVELYN What are you going to do now Richard, ? Or should I call you Dick? How does it feel to be all alone? (Sounding bitter) Was there a lot of blood, red like a Rose, trying to impress her were you? Well she’s gone now. (Sounding wistful) You know, don’t you. I will be here, waiting. FADE OUT.