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Elements of
Poetry
2
The Speaker and The Poet
• Poets will often assumes a role or imitate
the speech of a person in a particular
situation.
• This “role” is referred to as the speaker,
voice, mask, or persona.
• The voice speaking a poem may sound like
it is the poet’s own, and it may be difficult
to separate the two, but there is usually a
distinction.
Diction and Tone
• Diction refers to the words and
grammatical constructions that the poet
uses in the creation of their persona.
• These choices may occur on a
subconscious level.
• These choices give the reader insight into
the persona of the poet.
3
Diction and Tone
• Speakers have attitudes toward
themselves, their subjects, and their
audiences.
• They choose their words, pitch, and
modulation based on these attitudes.
• These choices add up to the tone of the
poem.
• To find the tone, it is a good idea to read
the poem aloud.
– The reader must try to catch “the speaking tone of voice
somehow entangled in the words and fastened to the
page for the ear of the imagination.” (Frost)
4
Figurative Language
• Words have their literal meanings, but
they can also be used so that something
other than the literal meaning is implied.
• Common types of figurative language:
– Simile: items from different classes are
compared by a connective such as
“like,” “as,” “appears,” or “seems.”
5
Figurative Langaage
– Metaphor: Assert the identity, without a
connective, of terms that are literally
incompatible.
– Personification: The attribution of
human feelings or characteristics or
abstractions to inanimate objects.
– Apostrophe: Addressing a person or
thing that is not literally listening.
6
Usage of Figurative Language
• Figurative language forces the reader to
confront the connotations rather than the
denotations of written language.
– Connotations: suggestions, associations
– Denotations: dictionary definitions
• It is said to be different than ordinary
language, but many of these expressions,
due to repetition have become literal.
7
Usage of Figurative Language
• Good figurative language is usually
concrete, condensed, and interesting.
• It is not limited to literary writers. It is
used by most anyone who is concerned
with effective expression.
8
• Imagery refers to any element of setting
or character that takes on a figurative
significance.
• Much of literary imagery is based on the
patterned use of diction, such as word
choice.
– The types of figurative language
discussed previously are examples of
these patterns.
9
Imagery and Symbolism
Imagery and Symbolism
• Symbols: Images that are so loaded with
significance that it is not simply literal, and
it does not simply stand for something
else; it is both itself and the something
else that it suggests.
“The Infinite is made to blend with the
Finite, to stand visible, and as it were,
attainable there.” – Thomas Carlyle
10
Imagery and Symbolism
• Conventional Symbols: people have
agreed to accept them as standing for
something other than their literal
meanings.
– Cross = Christianity
– Rose = Love, Romance
11
Verbal Irony and Paradox
• Verbal Irony: The speaker’s words mean
more or less the opposite of what they
say.
– Overstatement (hyperbole)
– Understatement
• Paradox: the assertion of an apparent
contradiction
12
Poetic Structure
• Rhythm: Stresses at regular intervals
– Poets vary their rhythm according to
their purpose. These choices often
contribute to the meaning of the poem.
“Rhythm must have meaning. It cannot be
merely a careless dash off, with no grip and on
real hold on the words and sense, a tumty tum
tumty tum tum ta.” – Ezra Pound
13
• Meter: the pattern of stressed sounds
– Foot: basic unit of measurement
– End-stopped line concludes with a
distinct pause
– Run-on line has its sense carried over
into the next line with a pause
– Meter produces rhythm – a poem with
end-stopped lines will have a different
meter than one with run-on lines.
14
Poetic Structure
• Rhyme: the repetition of identical or
similar stressed sounds or sounds
– While rhythm is a basic element of
poetry, rhyme is not.
– Rhyme suggests order and may be
related to meaning. It brings two words
together, implying a relationship that
the reader may not have been aware of.
15
Poetic Structure
16
Poetic Structure
• Blank Verse and Free Verse
– Blank verse: unrhymed iambic
pentameter
– Free verse: rhythmical lines, varying in
length, adhering to no fixed metrical
pattern, and usually unrhymed. The
pattern is often based on repetition and
parallel grammatical structure.

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Elements of poetry

  • 2. 2 The Speaker and The Poet • Poets will often assumes a role or imitate the speech of a person in a particular situation. • This “role” is referred to as the speaker, voice, mask, or persona. • The voice speaking a poem may sound like it is the poet’s own, and it may be difficult to separate the two, but there is usually a distinction.
  • 3. Diction and Tone • Diction refers to the words and grammatical constructions that the poet uses in the creation of their persona. • These choices may occur on a subconscious level. • These choices give the reader insight into the persona of the poet. 3
  • 4. Diction and Tone • Speakers have attitudes toward themselves, their subjects, and their audiences. • They choose their words, pitch, and modulation based on these attitudes. • These choices add up to the tone of the poem. • To find the tone, it is a good idea to read the poem aloud. – The reader must try to catch “the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination.” (Frost) 4
  • 5. Figurative Language • Words have their literal meanings, but they can also be used so that something other than the literal meaning is implied. • Common types of figurative language: – Simile: items from different classes are compared by a connective such as “like,” “as,” “appears,” or “seems.” 5
  • 6. Figurative Langaage – Metaphor: Assert the identity, without a connective, of terms that are literally incompatible. – Personification: The attribution of human feelings or characteristics or abstractions to inanimate objects. – Apostrophe: Addressing a person or thing that is not literally listening. 6
  • 7. Usage of Figurative Language • Figurative language forces the reader to confront the connotations rather than the denotations of written language. – Connotations: suggestions, associations – Denotations: dictionary definitions • It is said to be different than ordinary language, but many of these expressions, due to repetition have become literal. 7
  • 8. Usage of Figurative Language • Good figurative language is usually concrete, condensed, and interesting. • It is not limited to literary writers. It is used by most anyone who is concerned with effective expression. 8
  • 9. • Imagery refers to any element of setting or character that takes on a figurative significance. • Much of literary imagery is based on the patterned use of diction, such as word choice. – The types of figurative language discussed previously are examples of these patterns. 9 Imagery and Symbolism
  • 10. Imagery and Symbolism • Symbols: Images that are so loaded with significance that it is not simply literal, and it does not simply stand for something else; it is both itself and the something else that it suggests. “The Infinite is made to blend with the Finite, to stand visible, and as it were, attainable there.” – Thomas Carlyle 10
  • 11. Imagery and Symbolism • Conventional Symbols: people have agreed to accept them as standing for something other than their literal meanings. – Cross = Christianity – Rose = Love, Romance 11
  • 12. Verbal Irony and Paradox • Verbal Irony: The speaker’s words mean more or less the opposite of what they say. – Overstatement (hyperbole) – Understatement • Paradox: the assertion of an apparent contradiction 12
  • 13. Poetic Structure • Rhythm: Stresses at regular intervals – Poets vary their rhythm according to their purpose. These choices often contribute to the meaning of the poem. “Rhythm must have meaning. It cannot be merely a careless dash off, with no grip and on real hold on the words and sense, a tumty tum tumty tum tum ta.” – Ezra Pound 13
  • 14. • Meter: the pattern of stressed sounds – Foot: basic unit of measurement – End-stopped line concludes with a distinct pause – Run-on line has its sense carried over into the next line with a pause – Meter produces rhythm – a poem with end-stopped lines will have a different meter than one with run-on lines. 14 Poetic Structure
  • 15. • Rhyme: the repetition of identical or similar stressed sounds or sounds – While rhythm is a basic element of poetry, rhyme is not. – Rhyme suggests order and may be related to meaning. It brings two words together, implying a relationship that the reader may not have been aware of. 15 Poetic Structure
  • 16. 16 Poetic Structure • Blank Verse and Free Verse – Blank verse: unrhymed iambic pentameter – Free verse: rhythmical lines, varying in length, adhering to no fixed metrical pattern, and usually unrhymed. The pattern is often based on repetition and parallel grammatical structure.