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FMP Production Log
FMP
BRAINSTORM
Graphic Novel/Comic Book,
Set in medieval times focus
on a hunting story or a
scouting mission
Set of comic strips over a
series of newspapers or
magazines
Electronic comic strip released
online over a period of weeks o
months
Graphic Novel set in
the early 1900’s
focusing on a jazz
singer of importance
before their fame or
rising to their fame
3D model of a 1900’s jazz club
environment
Adobe Illustration of a series of old
fashioned 1900’s posters displaying jazz
music and blues instruments to be shown in
music stores to either attract jazz fans or
increase peoples interest in jazz and blues.
3D model of an
idea for a new
style of jazz club
set in town
For my Final Major Project I settled on the idea of creating
a graphic novel based the iconic jazz singer Ella Fitzgerald.
The main reason I chose this as my final idea is because I
enjoy listening to her kind of music and already knew a lot
about her life and backstory beforehand. This is because I
grew hearing about her from my grandmother and
became invested in her work later on. Therefore I know I
would understand the characters and the time and age.
I focused on Ella Fitzgerald because she is my favourite
jazz singer, and the most relatable for me. I decided to
include other jazz singers who would make guest
appearances or be more involved in the actual plot like
Nina Simone, Ethel Waters and Nat King Cole.
Settling on an Idea
Gathering Research
For my research I went into Manchester Town
and entered a few different stores that sold
comics and graphic novels and merchandise like
that.
I took previously written up questionnaires and
asked as many people as I could about their
preferences to Graphic Novels genre, make and
style, and their purpose of being in the store on
that day. I got more than ten responses, including
one from the store owner.
Ideas Generation, using research collected
From handing out my questionnaires I have
discovered that the majority of comic and graphic
novel fans prefer hardback books to any other
kind, and would be interested in my idea.
Therefore I have decided to continue working
with my black hardback sketchbook for the
Graphic novel and with the general idea of Ella
Fitzgerald’s rise to fame.
Qualitative and Quantitative Research
Forums and Polls,
On carrying out my different types of research (qualitative
and quantitative) I went online to look at statistics of the
best sold kind of graphic novels over the past few years and
the best sold genre and type. This was to get a general
overlook of the preferences of the community as a whole
rather than a close inquiry of specific people’s preferences.
I also looked at numerous comics and graphic novel forums
and polls to witness the overall outlook of the specific
audience of people.
Carrying out visual research
Visiting Manchester Art Gallery and Dawson’s Music Store
To carry out extra research I visited
Manchester Art Museum and the Dawson’s
music store to look at 1900’s work more
closely. I found quite a few pieces from the
early 1900’s time frame and photographed
them including furniture and place settings.
When I visited Dawson’s music store to look
for brass instruments such as saxophones
and trumpets that would have been played
back in the 1920’s time. Unfortunately they
didn’t have anything that matched what I
was looking for in stock and only had lyrics
and note books on jazz music so I went
online instead when I returned home and
collected images from their website of old
fashioned types of saxophones and
trumpets and uploaded them onto my blog.
Storyline and Character List
The main focus of the project is the storyline as it is essentially a novel. I would create the project by first creating the
rough outline of what would happen, usually by using bullet points to convey the story in small parts from the beginning to
the end, and then read over it and check it to make sure that it flowed well. The bullet points therefore provide structure
to the project, the basic shell of the idea if you will.
I would specifically focus on Ella Fitzgerald's’ life and biography. This would give me a clear idea of what happened in her
early life so I could use the general scenarios in my novel so it appears if only a little realistic and follows most truths of
her life. I would be respectful above all else and show her in a good light so as not to offend anyone, but also because
she has been a idol to both me and my grandmother. I would hopefully create unique and interesting characters with a
story of their own and their own personality, without veering from the original concept of following Ella.
The title ‘Hollow Queen’ came to me because Ella Fitzgerald was originally the Queen of Jazz. I decided on the title
because I already had an idea of how I could put a fantastical twist into the storyline to add intrigue.
I was thinking that I could add the fictional idea of a temptation which offered her fame and wealth such as a
underhand, back street voodoo character, or demons of some sort beckoning her to accept a deal for glory. This was
mainly because when she was younger she went through a very difficult time which made her vulnerable and
unpredictable, including the death of her mother Tempie and her boyfriend Joe, being sent to a rehabilitation school ,
being beaten and living rough. So the story would revolve around whether the Queen of Jazz chose to believe a charlatan
gifted her talent, and that she did not earn it, or that she worked for her passion all her life.
• Provide structure
• Break up the storyline into smaller main points
• Separate storyline into larger chapters so I
understand where in the story I am (beginning,
middle toward the end)
Pre Production
The main materials I would require to complete this project I fortunately have easy access to. These
resources include a good quality pencil, and hardback sketchbook, and accompanying drawing tools such as
rulers, erasers, sharpeners etc. Once the novel is sketched out, I will decide whether or not to ink it with fine
liners and Indian ink to make it stand out, or leave the original work and scan it in to add black tone as well
as hints of colour. If I decided to add colour to the novel I would use Photoshop or another computer
program to add hints of light colour in a mainly black and white world.
I also worked out what Copyright Issues could arise with the creation of my project
I should presume that any work published after 1922 will be protected under the US. Copyright law. A work
that isn’t protected by the copyright law is known as public domain and is available to be used freely. If it is
under intellectual properties law then unauthorised use may be okay. A principle known as “fair use” allows
me to copy small parts or pieces of a work without obtaining permission but as is left to interpretation, can
be a risk.
The obvious risk of not requesting permission would be being sued. It is recommended that I seek
permission if I am unsure whether it is public domain or not. A fee may be required to continue working
with permission depending on the factors.
To seek permission I must identify the owner of the rights of the work that I wish to use. For my graphic
novel I wish to use a fictional representation of somebody who actually existed Ella Fitzgerald. Sadly the
Queen of Jazz passed away June 15th 1996 in Beverly Hills, USA; therefore I would have to search for her
predecessor who would be the owner of her estate in the present. I would have to do this for any other
person I wish to use as well.
Carried Out Visual Research Reference Images For Characters
Temperence
Fitzgerald
(Tempie- Ella’s mother)
Dizzy Gillespie's band
Chick Webb
Ray Brown
Ella Fitzgerald Ethel Waters Billie Holiday
Benny Carter
Paul
Robeson
Duke
Ellington
Character Sketches and drawing styles
Ella Fitzgerald
Studies
Character
Ideas
Carried Out Visual Research for Characters
Taken from Stephen Poliakoff’s Dancing on the Edge
Sneaky and dishonest, disreputable
amongst the dead, which is how
Tempie knows of him
Changes over time,
becomes thinner and
more skeletal and
deranged, his true
self begins to show
through as the
Demon slowly takes
his youth and health
because he is not
being paid the full
amount.
Like how the Beldam
from Coraline
changes over time
because Coraline
disobeys her and
doesn’t believe her.
Dresses refined to fit in with the time and
everyone else, is conniving and calculating when
it comes to deals, there is always a catch,
usually payment for the demon
Carried Out Visual Research and Inspiration for the Trickster
Carried Out Visual Research and Inspiration for the Demon
Discolouration of the eyes, red, yellow, black,
white, an abnormal colour with no showing
pupils or iris, just one whole abnormal colour
Appears mainly
human so she can
blend in when in
public but can
change her face,
remove her cover
easily
Taken from popular American television show Supernatural, Dragon Age cinematic trailer ‘Sacred Ashes and Concept Art World
Beginning Production
Visual Research, Graphic Novel Styles and Covers
Some of My favourite Inspiring
Artists
Jo Chen
Draws for Buffy the Vampire Slayer
comics and Graphic Novels. Her work
mainly Focuses on Buffy, but she has
Also contributed works to Other
comics. I love her style of art and
composition of the pages she creates,
the soft melding colours provide a
soothing tone, and realistic feel to all
the characters portrayed.
Evaluation of Project
pending

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Production log for fmp v1

  • 1. FMP Production Log FMP BRAINSTORM Graphic Novel/Comic Book, Set in medieval times focus on a hunting story or a scouting mission Set of comic strips over a series of newspapers or magazines Electronic comic strip released online over a period of weeks o months Graphic Novel set in the early 1900’s focusing on a jazz singer of importance before their fame or rising to their fame 3D model of a 1900’s jazz club environment Adobe Illustration of a series of old fashioned 1900’s posters displaying jazz music and blues instruments to be shown in music stores to either attract jazz fans or increase peoples interest in jazz and blues. 3D model of an idea for a new style of jazz club set in town
  • 2. For my Final Major Project I settled on the idea of creating a graphic novel based the iconic jazz singer Ella Fitzgerald. The main reason I chose this as my final idea is because I enjoy listening to her kind of music and already knew a lot about her life and backstory beforehand. This is because I grew hearing about her from my grandmother and became invested in her work later on. Therefore I know I would understand the characters and the time and age. I focused on Ella Fitzgerald because she is my favourite jazz singer, and the most relatable for me. I decided to include other jazz singers who would make guest appearances or be more involved in the actual plot like Nina Simone, Ethel Waters and Nat King Cole. Settling on an Idea
  • 3. Gathering Research For my research I went into Manchester Town and entered a few different stores that sold comics and graphic novels and merchandise like that. I took previously written up questionnaires and asked as many people as I could about their preferences to Graphic Novels genre, make and style, and their purpose of being in the store on that day. I got more than ten responses, including one from the store owner.
  • 4. Ideas Generation, using research collected From handing out my questionnaires I have discovered that the majority of comic and graphic novel fans prefer hardback books to any other kind, and would be interested in my idea. Therefore I have decided to continue working with my black hardback sketchbook for the Graphic novel and with the general idea of Ella Fitzgerald’s rise to fame.
  • 5. Qualitative and Quantitative Research Forums and Polls, On carrying out my different types of research (qualitative and quantitative) I went online to look at statistics of the best sold kind of graphic novels over the past few years and the best sold genre and type. This was to get a general overlook of the preferences of the community as a whole rather than a close inquiry of specific people’s preferences. I also looked at numerous comics and graphic novel forums and polls to witness the overall outlook of the specific audience of people.
  • 6. Carrying out visual research Visiting Manchester Art Gallery and Dawson’s Music Store To carry out extra research I visited Manchester Art Museum and the Dawson’s music store to look at 1900’s work more closely. I found quite a few pieces from the early 1900’s time frame and photographed them including furniture and place settings. When I visited Dawson’s music store to look for brass instruments such as saxophones and trumpets that would have been played back in the 1920’s time. Unfortunately they didn’t have anything that matched what I was looking for in stock and only had lyrics and note books on jazz music so I went online instead when I returned home and collected images from their website of old fashioned types of saxophones and trumpets and uploaded them onto my blog.
  • 7. Storyline and Character List The main focus of the project is the storyline as it is essentially a novel. I would create the project by first creating the rough outline of what would happen, usually by using bullet points to convey the story in small parts from the beginning to the end, and then read over it and check it to make sure that it flowed well. The bullet points therefore provide structure to the project, the basic shell of the idea if you will. I would specifically focus on Ella Fitzgerald's’ life and biography. This would give me a clear idea of what happened in her early life so I could use the general scenarios in my novel so it appears if only a little realistic and follows most truths of her life. I would be respectful above all else and show her in a good light so as not to offend anyone, but also because she has been a idol to both me and my grandmother. I would hopefully create unique and interesting characters with a story of their own and their own personality, without veering from the original concept of following Ella. The title ‘Hollow Queen’ came to me because Ella Fitzgerald was originally the Queen of Jazz. I decided on the title because I already had an idea of how I could put a fantastical twist into the storyline to add intrigue. I was thinking that I could add the fictional idea of a temptation which offered her fame and wealth such as a underhand, back street voodoo character, or demons of some sort beckoning her to accept a deal for glory. This was mainly because when she was younger she went through a very difficult time which made her vulnerable and unpredictable, including the death of her mother Tempie and her boyfriend Joe, being sent to a rehabilitation school , being beaten and living rough. So the story would revolve around whether the Queen of Jazz chose to believe a charlatan gifted her talent, and that she did not earn it, or that she worked for her passion all her life. • Provide structure • Break up the storyline into smaller main points • Separate storyline into larger chapters so I understand where in the story I am (beginning, middle toward the end)
  • 8. Pre Production The main materials I would require to complete this project I fortunately have easy access to. These resources include a good quality pencil, and hardback sketchbook, and accompanying drawing tools such as rulers, erasers, sharpeners etc. Once the novel is sketched out, I will decide whether or not to ink it with fine liners and Indian ink to make it stand out, or leave the original work and scan it in to add black tone as well as hints of colour. If I decided to add colour to the novel I would use Photoshop or another computer program to add hints of light colour in a mainly black and white world. I also worked out what Copyright Issues could arise with the creation of my project I should presume that any work published after 1922 will be protected under the US. Copyright law. A work that isn’t protected by the copyright law is known as public domain and is available to be used freely. If it is under intellectual properties law then unauthorised use may be okay. A principle known as “fair use” allows me to copy small parts or pieces of a work without obtaining permission but as is left to interpretation, can be a risk. The obvious risk of not requesting permission would be being sued. It is recommended that I seek permission if I am unsure whether it is public domain or not. A fee may be required to continue working with permission depending on the factors. To seek permission I must identify the owner of the rights of the work that I wish to use. For my graphic novel I wish to use a fictional representation of somebody who actually existed Ella Fitzgerald. Sadly the Queen of Jazz passed away June 15th 1996 in Beverly Hills, USA; therefore I would have to search for her predecessor who would be the owner of her estate in the present. I would have to do this for any other person I wish to use as well.
  • 9. Carried Out Visual Research Reference Images For Characters Temperence Fitzgerald (Tempie- Ella’s mother) Dizzy Gillespie's band Chick Webb Ray Brown Ella Fitzgerald Ethel Waters Billie Holiday Benny Carter Paul Robeson Duke Ellington
  • 10. Character Sketches and drawing styles Ella Fitzgerald Studies Character Ideas
  • 11. Carried Out Visual Research for Characters Taken from Stephen Poliakoff’s Dancing on the Edge
  • 12. Sneaky and dishonest, disreputable amongst the dead, which is how Tempie knows of him Changes over time, becomes thinner and more skeletal and deranged, his true self begins to show through as the Demon slowly takes his youth and health because he is not being paid the full amount. Like how the Beldam from Coraline changes over time because Coraline disobeys her and doesn’t believe her. Dresses refined to fit in with the time and everyone else, is conniving and calculating when it comes to deals, there is always a catch, usually payment for the demon Carried Out Visual Research and Inspiration for the Trickster
  • 13. Carried Out Visual Research and Inspiration for the Demon Discolouration of the eyes, red, yellow, black, white, an abnormal colour with no showing pupils or iris, just one whole abnormal colour Appears mainly human so she can blend in when in public but can change her face, remove her cover easily Taken from popular American television show Supernatural, Dragon Age cinematic trailer ‘Sacred Ashes and Concept Art World
  • 14. Beginning Production Visual Research, Graphic Novel Styles and Covers
  • 15. Some of My favourite Inspiring Artists Jo Chen Draws for Buffy the Vampire Slayer comics and Graphic Novels. Her work mainly Focuses on Buffy, but she has Also contributed works to Other comics. I love her style of art and composition of the pages she creates, the soft melding colours provide a soothing tone, and realistic feel to all the characters portrayed.