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Best New Books, so Far, in 2011
 Graphic Novels, Comics and
        Sequential Art
 for Tweens and Young Adults
                                 Kimberly Black 
             UTK School of Informa6on Sciences 
                                   July 22, 2011 
Agenda
•  How to Read a Graphic Narra6ve 
•  Some Bests for Tweens 
•  Some Bests for Young Adults 
  

HOW TO READ GRAPHIC
NARRATIVE…
Basic Terms
•  Image 
   –  “the memory or idea of an object or experience recorded either 
      mechanically (photography)  or by hand (drawing).” 
•  Graphic Narra6ve 
   –  “a generic descrip6on of any story that employs image to 
      transmit an idea. Film and comics both engage in graphic 
      narra6ve.” 
•  Comics 
   –  “A form of sequen6al art, oTen in the form of a strip or book, in 
      which images and text are arranged to tell a story.” 
•  Sequen6al Art 
   –  “Images deployed in a specific order.” 


  Will Eisner, Graphic Storytelling and Visual Narra6ve, Norton, 1996, p. xvii 
Reading Comics

“The reading process in comics is an extension of text. In text alone the process 
of reading involves word‐to‐image conversion.  Comics accelerates that by 
providing the image.  When properly executed, it goes beyond conversion and 
speed and becomes a seamless whole.  In every sense, this misnamed form of 
reading  is en6tled to be regarded as literature because the images are 
employed as a language.   There is a recognizable rela6onship to the 
iconography and pictographs of logographic (or character based) wri6ng 
systems, like Chinese hanzi and Japanese kanji.  When this language is employed 
as a conveyance of ideas and informa6on, it separates itself from mindless 
entertainment.  This makes comics a storytelling medium.” 
         ‐‐ Will Eisner, Graphic Storytelling and Visual Narra6ve, Norton, 1996, p. xvii 
Reading Comics - Stereotypes


“In comics, images are generally impressionis6c. Usually, they are rendered with economy 
in order to facilitate their usefulness as a language.  Because experience precedes analysis, 
the intellectual diges6ve process is accelerated by the imagery provided by comics.”  
                      ‐‐ Eisner Graphic Storytelling and Visual Narra6ve p. 9 


The visual economy of comics relies on stereotypes. 
 
“Comic book art deals with recognizable reproduc6ons of human conduct. Its drawings 
are a mirror reflec6on, and depend on the reader’s stored memory of experience to 
visualize an idea or process quickly.  This makes necessary the simplifica6on of images 
into repeatable symbols. Ergo stereotypes.” 
                      ‐‐ Eisner Graphic Storytelling and Visual Narra6ve p. 11 
My Observations
•  Try not to judge literary value on the basis of linguis6cs/text alone; the 
   reading process of graphic narra6ve is a li`le different than reading prose  – 
   the complexity of textual grammar used in graphic narra6ve isn’t always 
   indica6ve of the complexity or value of the work; also don’t rely on supplied 
   age/grade ranges (many graphic narra6ves work across ages).  
•  Different people may see different things in a graphic novel –  
   comprehension  of graphic narra6ve depends on the capacity of the reader 
   to empathize, and also the cultural competence and life experience of the 
   reader 
•  Different styles of narra6ve appeal to different people – theme, 
   characteriza6on, pacing, illustra6on style, etc. are integral to visual 
   sequen6al narra6ve and preferences are a ma`er of personal taste.  There is 
   an enormous range of sub‐genres and visual styles used. 
•  Images have the poten6al to impact people in  more visceral way than does 
   text.  “Disturbing” imagery is not just depic6ons of  gratuitous blood/gore or 
   nudity –  the emo6onal intensity from a connec6on with a character in a 
   visual depic6on can be very impacdul (you oTen can’t see this impact when 
   flipping through looking for a par6cular type of image) 
  

TWEENS
Smile
•  By Raina Telgemeier with 
   color by Stephanie Yue 
•  Scholas6c, 2010 
•  978‐0545132060, $10.99 
•  Online version (black and 
   white): h`p://
   www.webcomicsna6on.c
   om/raina/smilecomics/
   toc.php 
•  Book Trailer: h`p://
   www.youtube.com/
   watch?v=vjAmPnXq9Dc 
Binky to the Rescue
          •    By Ashley Spires 
          •    Binky Adventure Series 
          •    Kids Can Press, 2010 
          •    978‐1554535972, $8.95 
          •  Binky Adventure Series: h`p://
             www.kidscanpress.com/US/
             Search.aspx?
             k=2009&type=4&p=0&itemsperp
             age=10&s=SortTitle+ASC 
Binky Under Pressure 
•    By Ashley Spires 
•    Binky Adventure Series 
•    Kids Can Press, Sept. 2011 
•    978‐1554535040, 
     $16.95Binky Adventure 
     Series: h`p://
     www.kidscanpress.com/
     US/Search.aspx?
     k=2009&type=4&p=0&ite
     msperpage=10&s=SortTitl
     e+ASC 
Lunch Lady and the Summer
    Camp Shakedown
             •    Jarre` J. Krosoczka 
             •    Alfred A. Knopf, 2010 
             •    978‐0375860959, $6.99 
             •    Series website: h`p://
                  www.lunchladycomics.com 
Lunch Lady and the Field Trip
          Fiasco 
               •  Jarre` J. Krosoczka 
               •  Knopf Books for Young 
                  Readers, Sept. 2011 
               •  978‐0375867309, $6.99 
               •  Series website: h`p://
                  www.lunchladycomics.com 
Anya’s Ghost 
•  Vera Brosgol 
•  First Second, 2011 
•  978‐1596435520, 
   $15.99 
•  First chapter online: 
   h`p://firstsecondbooks.com/
   anyas/anya.html 
•  Book Trailer: h`p://
   www.amazon.com/gp/mpd/
   permalink/m2EJLZMRNTF140/
   ref=ent_x_link 
Lost and Found: Three by Shaun
 Tan (Lost and Found Omnibus)
•  Shaun Tan 
•  Omnibus edi6on, Arthur 
   A. Levine Books, 2011 
•  978‐0545229241, $21.99 
•  Three stories 
       •  The Red Tree 
       •  The Lost Thing  
           –  2011 Academy Award for 
              Best Animated Short Film 
       •  The Rabbits 
•  “Lost Thing” trailer ‐ 
  h`p://www.youtube.com/
  watch?v=kikA9pUAnWs 
Zeus: King of the Gods
     (Olympians)
           •  George O’Connor 
           •  First Second, 2010 
           •  1596434317, $9.99 
           •  h`p://olympiansrule.com/ 
               –  Ac6vi6es and teacher’s 
                  guides available on 
                  website 
Athena: Grey-Eyed Goddess
           (Olympians)
•  George O’Connor 
•  First Second, 2010 
•  1596434325, $9.99 
•  h`p://olympiansrule.com/ 
    –  Ac6vi6es and teacher’s 
       guides available on 
       website 
Hera: The Goddess and Her
           Glory
            •  George O’Connor 
            •  First Second,  July 2011 
               forthcoming 
            •  978‐1596434332, $9.99 
            •  h`p://olympiansrule.com/ 
                –  Ac6vi6es and teacher’s 
                   guides available on 
                   website 
  

YOUNG ADULT….. 
Vietnamerica: A Family's
              Journey
•  GB Tran 
•  Villard , 2011 
•  Book Trailer: h`p://
   www.amazon.com/gp/
   mpd/permalink/
   m25GW6X4Y32CAY/
   ref=ent_x_link 
•  Three parts 
   –  Family memoir 
   –  Historical context and 
      aTermath of Vietnam War 
   –  Emigrant Experience  
      (Refugee Experience) 
Anne Frank: The Anne Frank House 
    Authorized Graphic Biography 

•  Sid Jacobson and Ernie 
   Colón 
•  Hill and Wang, 2010 
•  0809026856, $16.95 
•  Publisher’s Resources 
   (includes links to a 
   video and teacher’s 
   guide): h`p://
   us.macmillan.com/
   annefrank‐2 
Harry Po`y and the Deathly Boring: An 
    All‐New Unauthorized Parody 
•  Stefan Petrucha – 
   writer 
•  Rick Parker – Ar6st 
•  Papercutz Slices, 2010 
•  978‐1597072175, $6.99 
•  Book Trailer: h`p://
  www.amazon.com/gp/mpd/
  permalink/m29PD0X4TY5N14/
  ref=ent_x_link 
X'ed Out
    •  Charles Burns  
    •  Pantheon, 2010 
    •  978‐0307379139, 
       $19.95 
    •  Author interview at 
       Comic Book Resource: 
      h`p://
      www.comicbookresources.c
      om/?
      page=ar6cle&id=28938 
Americus
•  MK Reed and Jonathan 
   Hill 
•  First Second, 2011 
•  978‐1596437685, 
   $18.00 
•  Currently available as 
   webcomic: 
   –  h`p://
      saveapathea.com/ 
How to Understand Israel in 60
             Days or Less
•  Sarah Glidden 
•  Clem Robins ‐ le`erer 
•  Ver6go, 2011 
•  978‐1401222345, 
   $19.99 
•  Author interview at 
   Comics Alliance: h`p://
     www.comicsalliance.com/
     2010/11/02/sarah‐glidden‐how‐
     to‐understand‐israel‐in‐60‐days‐
     or‐less‐interview/ 
Daytripper
•  Gabriel Bá, Fábio Moon 
•  Ver6go, 2011 
•  978‐1401229696, 
   $19.99 
•  Author video interview 
   at NY ComicCon: h`p://
  www.newsarama.com/common/
  media/video/player.php?
  aid=40010 
Demo Volume 2
      •  Brian Wood (Author), Becky 
         Cloonan (Illustrator) 
      •  Ver6go, 2011 
      •  978‐1401229955, $17.99 
      •  Six stories 
         –    The Waking Life of Angels 
         –    Pangs 
         –    Volume One Love Story 
         –    Waterbreather 
         –    Stranded 
         –    Sad and Beau6ful Life 
      •  Review from Indie Pulp blog: 
        h`p://indiepulp.blogspot.com/
        2010/08/review‐demo‐
        volume‐2.html 
          

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Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
 

Dr. Kimberly Black - Best of the Best So Far, 2011 Workshop

  • 1. Best New Books, so Far, in 2011 Graphic Novels, Comics and Sequential Art for Tweens and Young Adults Kimberly Black  UTK School of Informa6on Sciences  July 22, 2011 
  • 3.    HOW TO READ GRAPHIC NARRATIVE…
  • 4. Basic Terms •  Image  –  “the memory or idea of an object or experience recorded either  mechanically (photography)  or by hand (drawing).”  •  Graphic Narra6ve  –  “a generic descrip6on of any story that employs image to  transmit an idea. Film and comics both engage in graphic  narra6ve.”  •  Comics  –  “A form of sequen6al art, oTen in the form of a strip or book, in  which images and text are arranged to tell a story.”  •  Sequen6al Art  –  “Images deployed in a specific order.”  Will Eisner, Graphic Storytelling and Visual Narra6ve, Norton, 1996, p. xvii 
  • 5. Reading Comics “The reading process in comics is an extension of text. In text alone the process  of reading involves word‐to‐image conversion.  Comics accelerates that by  providing the image.  When properly executed, it goes beyond conversion and  speed and becomes a seamless whole.  In every sense, this misnamed form of  reading  is en6tled to be regarded as literature because the images are  employed as a language.   There is a recognizable rela6onship to the  iconography and pictographs of logographic (or character based) wri6ng  systems, like Chinese hanzi and Japanese kanji.  When this language is employed  as a conveyance of ideas and informa6on, it separates itself from mindless  entertainment.  This makes comics a storytelling medium.”   ‐‐ Will Eisner, Graphic Storytelling and Visual Narra6ve, Norton, 1996, p. xvii 
  • 6. Reading Comics - Stereotypes “In comics, images are generally impressionis6c. Usually, they are rendered with economy  in order to facilitate their usefulness as a language.  Because experience precedes analysis,  the intellectual diges6ve process is accelerated by the imagery provided by comics.”      ‐‐ Eisner Graphic Storytelling and Visual Narra6ve p. 9  The visual economy of comics relies on stereotypes.    “Comic book art deals with recognizable reproduc6ons of human conduct. Its drawings  are a mirror reflec6on, and depend on the reader’s stored memory of experience to  visualize an idea or process quickly.  This makes necessary the simplifica6on of images  into repeatable symbols. Ergo stereotypes.”      ‐‐ Eisner Graphic Storytelling and Visual Narra6ve p. 11 
  • 7. My Observations •  Try not to judge literary value on the basis of linguis6cs/text alone; the  reading process of graphic narra6ve is a li`le different than reading prose  –  the complexity of textual grammar used in graphic narra6ve isn’t always  indica6ve of the complexity or value of the work; also don’t rely on supplied  age/grade ranges (many graphic narra6ves work across ages).   •  Different people may see different things in a graphic novel –   comprehension  of graphic narra6ve depends on the capacity of the reader  to empathize, and also the cultural competence and life experience of the  reader  •  Different styles of narra6ve appeal to different people – theme,  characteriza6on, pacing, illustra6on style, etc. are integral to visual  sequen6al narra6ve and preferences are a ma`er of personal taste.  There is  an enormous range of sub‐genres and visual styles used.  •  Images have the poten6al to impact people in  more visceral way than does  text.  “Disturbing” imagery is not just depic6ons of  gratuitous blood/gore or  nudity –  the emo6onal intensity from a connec6on with a character in a  visual depic6on can be very impacdul (you oTen can’t see this impact when  flipping through looking for a par6cular type of image) 
  • 9. Smile •  By Raina Telgemeier with  color by Stephanie Yue  •  Scholas6c, 2010  •  978‐0545132060, $10.99  •  Online version (black and  white): h`p:// www.webcomicsna6on.c om/raina/smilecomics/ toc.php  •  Book Trailer: h`p:// www.youtube.com/ watch?v=vjAmPnXq9Dc 
  • 10. Binky to the Rescue •  By Ashley Spires  •  Binky Adventure Series  •  Kids Can Press, 2010  •  978‐1554535972, $8.95  •  Binky Adventure Series: h`p:// www.kidscanpress.com/US/ Search.aspx? k=2009&type=4&p=0&itemsperp age=10&s=SortTitle+ASC 
  • 11. Binky Under Pressure  •  By Ashley Spires  •  Binky Adventure Series  •  Kids Can Press, Sept. 2011  •  978‐1554535040,  $16.95Binky Adventure  Series: h`p:// www.kidscanpress.com/ US/Search.aspx? k=2009&type=4&p=0&ite msperpage=10&s=SortTitl e+ASC 
  • 12. Lunch Lady and the Summer Camp Shakedown •  Jarre` J. Krosoczka  •  Alfred A. Knopf, 2010  •  978‐0375860959, $6.99  •  Series website: h`p:// www.lunchladycomics.com 
  • 13. Lunch Lady and the Field Trip Fiasco  •  Jarre` J. Krosoczka  •  Knopf Books for Young  Readers, Sept. 2011  •  978‐0375867309, $6.99  •  Series website: h`p:// www.lunchladycomics.com 
  • 14. Anya’s Ghost  •  Vera Brosgol  •  First Second, 2011  •  978‐1596435520,  $15.99  •  First chapter online:  h`p://firstsecondbooks.com/ anyas/anya.html  •  Book Trailer: h`p:// www.amazon.com/gp/mpd/ permalink/m2EJLZMRNTF140/ ref=ent_x_link 
  • 15. Lost and Found: Three by Shaun Tan (Lost and Found Omnibus) •  Shaun Tan  •  Omnibus edi6on, Arthur  A. Levine Books, 2011  •  978‐0545229241, $21.99  •  Three stories  •  The Red Tree  •  The Lost Thing   –  2011 Academy Award for  Best Animated Short Film  •  The Rabbits  •  “Lost Thing” trailer ‐  h`p://www.youtube.com/ watch?v=kikA9pUAnWs 
  • 16. Zeus: King of the Gods (Olympians) •  George O’Connor  •  First Second, 2010  •  1596434317, $9.99  •  h`p://olympiansrule.com/  –  Ac6vi6es and teacher’s  guides available on  website 
  • 17. Athena: Grey-Eyed Goddess (Olympians) •  George O’Connor  •  First Second, 2010  •  1596434325, $9.99  •  h`p://olympiansrule.com/  –  Ac6vi6es and teacher’s  guides available on  website 
  • 18. Hera: The Goddess and Her Glory •  George O’Connor  •  First Second,  July 2011  forthcoming  •  978‐1596434332, $9.99  •  h`p://olympiansrule.com/  –  Ac6vi6es and teacher’s  guides available on  website 
  • 20. Vietnamerica: A Family's Journey •  GB Tran  •  Villard , 2011  •  Book Trailer: h`p:// www.amazon.com/gp/ mpd/permalink/ m25GW6X4Y32CAY/ ref=ent_x_link  •  Three parts  –  Family memoir  –  Historical context and  aTermath of Vietnam War  –  Emigrant Experience   (Refugee Experience) 
  • 21. Anne Frank: The Anne Frank House  Authorized Graphic Biography  •  Sid Jacobson and Ernie  Colón  •  Hill and Wang, 2010  •  0809026856, $16.95  •  Publisher’s Resources  (includes links to a  video and teacher’s  guide): h`p:// us.macmillan.com/ annefrank‐2 
  • 22. Harry Po`y and the Deathly Boring: An  All‐New Unauthorized Parody  •  Stefan Petrucha –  writer  •  Rick Parker – Ar6st  •  Papercutz Slices, 2010  •  978‐1597072175, $6.99  •  Book Trailer: h`p:// www.amazon.com/gp/mpd/ permalink/m29PD0X4TY5N14/ ref=ent_x_link 
  • 23. X'ed Out •  Charles Burns   •  Pantheon, 2010  •  978‐0307379139,  $19.95  •  Author interview at  Comic Book Resource:  h`p:// www.comicbookresources.c om/? page=ar6cle&id=28938 
  • 24. Americus •  MK Reed and Jonathan  Hill  •  First Second, 2011  •  978‐1596437685,  $18.00  •  Currently available as  webcomic:  –  h`p:// saveapathea.com/ 
  • 25. How to Understand Israel in 60 Days or Less •  Sarah Glidden  •  Clem Robins ‐ le`erer  •  Ver6go, 2011  •  978‐1401222345,  $19.99  •  Author interview at  Comics Alliance: h`p:// www.comicsalliance.com/ 2010/11/02/sarah‐glidden‐how‐ to‐understand‐israel‐in‐60‐days‐ or‐less‐interview/ 
  • 26. Daytripper •  Gabriel Bá, Fábio Moon  •  Ver6go, 2011  •  978‐1401229696,  $19.99  •  Author video interview  at NY ComicCon: h`p:// www.newsarama.com/common/ media/video/player.php? aid=40010 
  • 27. Demo Volume 2 •  Brian Wood (Author), Becky  Cloonan (Illustrator)  •  Ver6go, 2011  •  978‐1401229955, $17.99  •  Six stories  –  The Waking Life of Angels  –  Pangs  –  Volume One Love Story  –  Waterbreather  –  Stranded  –  Sad and Beau6ful Life  •  Review from Indie Pulp blog:  h`p://indiepulp.blogspot.com/ 2010/08/review‐demo‐ volume‐2.html