SlideShare a Scribd company logo
1 of 32
Download to read offline
WAYFINDING
SIGNAGE
+ TYPOGRAPHY
OF SIGNS
TYPES
A
A


B
A
C
B
D
Orientation
Direction
Destination/Location
T Y P E S O F S I G N S
ORIENTATION
Allows the traveller to make up his/her
mind on where to go and how best to
get there
Creating the “travel plan”
Sign types such as maps and directories
best serve this need
A
C
B
D
T Y P E S O F S I G N S
DIRECTION
Directs the traveller along his/
her way
Most archaic of all sign types—
is as old as civilization
Signs in this category almost al-
ways involve the use of arrows
A


B
T Y P E S O F S I G N S
DESTINATION
Also known as location or identification
signs
Used to mark the actual destination
Indicates the final goal of travel, as well
as all the destinations in between that
act as “stepping stones” before reaching
final destination
A
T Y P E S O F S I G N S
REGULATORY
Not directly related to the way-
finding process
Includes signs for general safety,
security, fire safety, mandatory
information, instructions, and
general information
Usually mandated by law

ACCESSIBILITY
DESIGN FOR
1 9 9 0 , A M E N D E D 2 0 0 8
AMERICANS WITH
DISABILITIES ACT (ADA)
US civil rights law that prohibits discrimination
based on disability
Disability is defined as “a physical or mental
impairment that substantially limits a major life
activity”
A D A A G , S E C T I O N 4 . 3 0
ADA SIGNAGE
GUIDELINES
Section 4.30 of ADA Accessibility Guidelines
Section 4.30.2 Character Proportion
“Letters and numbers on signs shall have a width-
to-height ratio between 3:5 and 1:1 and a stroke-
width-to-height ratio between 1:5 and 1:10.”
viewing distance in feet
Recommended for ada compliance Under ideal conditionslettercapheightininches
0
1
2
3
4
5
6
50 100 150 200 250 300
For optimal legibility
letter height should fall
into shaded range.
For ada compliance, it is
recommended that letter
height be at least 4 inches at a
viewing distance of 100 feet.
Under ideal conditions, a letter
height of 2 inches is visible at
a viewing distance of 100 feet.
Section 4.30.3 Character Height
Since ‘ideal conditions’ generally involve a hypo-
thetical test subject with 20/20 vision viewing the
signage at a 90° angle with optimal lighting and no
distractions, it is unrealistic to design for such cases
The ADA requirements are much more reflective of
real-life applications
A D A A G , S E C T I O N 4 . 3 0 . 3
CHARACTER HEIGHT
x
0.5x
60 inches
Latch side
of door
1525 mm
Section 4.30.6 Mounting Location + Height
J U N E 2 0 0 5
ONTARIANS WITH
ACCESSIBILITY FOR
DISABILITIES ACT (AODA)
Lays the framework for the development
of province-wide mandatory standards
on accessibility in all areas of daily life
Defines terms and mandates administration,
penalties, and the establishment of an
Accessibility Standards Advisory Council
J U L Y 2 0 1 0
FINAL PROPOSED ACCESSIBLE
BUILT ENVIRONMENT
STANDARD
Section 6.o Communication Elements + Facilities
Developed by Accessible Built Environment Standards
Development Committee
Covers elements currently regulated by Ontario’s
Building Code (Ontario Regulation 350/06), and those
elements that are not currently regulated by Ontario’s
Building Code, such as play areas and amusement parks
Section 6.1 Signage
a. sans serif
b. mixture of upper and lower case
c. stroke-width-to-height ratio between 1:5
and 1:10, based on uppercase O
d. have a character height in accordance with
Table 6.1.1.1, based on an uppercase O
e. tonal contrast at least 70% with background
f. matte or glare-free finish
S E C T I O N 6 . 1
SIGNAGE
STANDARDS
Section 6.1.1
Font for Print Signs
AODA Table 6.1.1.1 Font Height + Viewing Distance
MINIMUM
CHARACTER
HEIGHT
8
6
4
3
2
1
200
150
100
75
50
25
mm mmin in
FUNCTIONAL
VIEWING
DISTANCE
6000
4600
2500
2300
1500
750
236
181
98
91
59
30
x
0.5x
47 inches
59 inches maximum
minimum
Latch side
of door
Top letter line not to exceed 60
inches (1525 mm) from floor
1200 mm
1500 mm
AODA Section 6.1.4.2.2 Mounting Location + Height
Room620
SYSTEMS
NUMBERING
R O O M N U M B E R I N G
UNIT SYSTEM
A grid is constructed of the smallest possible
units on each floor
Each unit gets a number, starting on the
right-hand side from the major point of access
(elevator, staircase) and continue to increase
in that direction
Number of room is the number of the unit in
which the room door is located
C.O.P.C.O.P.
C.O.P.
C.O.P.
600
604 607680 687661
610
616
683676
612
615
684675
608681 688662
601
605 606679 686 690660
609
617
682677
613
611
614
685678
618620631 627635
664
641
671
649
652
655
674
658
651
654
657
646
668
642
672
650
645
667
643
673
644
666
624626628630632634
621622623
602 603
619629 625633
665
640
670
648
653
656
673663
659
647
669
637
100 McCaul St, 6th Floor Unit room numbering system
U N I T S Y S T E M
ADVANTAGES
Point(s) of access to the floor(s) are a
logical starting point
Room sequence increases logically from
lowest to highest room number
Flexibility of the numbering system will
allow for restructuring of rooms into
larger or smaller units
LEGIBILITY
TYPOGRAPHIC
W A Y F I N D I N G
TYPEFACE LEGIBILITY
According to Paul Arthur, the most important
factor in wayfinding typographic legibility is
the ratio of x-height to cap height
Arthur’s research indicates that the optimum
ratio for signage purposes is at least 3:4
This conclusion is disputed by other type ex-
perts, most notably Erik Spiekermann
Frutiger Roman
Frutiger Bold
Helvetica Regular
Interstate Regular
Gotham Medium
Helvetica Medium
Interstate Bold
Transport D Medium
Gotham Bold
Helvetica Bold Condensed
Typefaces with a x-height to cap height ratio of 3:4
T Y P E F A C E
SHAPE RECOGNITION
In the early 1960s, Miles Tinker’s re-
search indicated that mixed upper and
lower case letters were approximately
12% more efficient than either all caps or
all lower case letters
Tinker’s research, however, was focused
on books, and its application to signage
was later challenged
stopped
STOPPED
Recognition Upper- and lower-case letter vs all caps
Fasten Seat Belts
FASTEN SEAT BELTS
fasten seat belts
Recognition Which is easier to read?
T Y P E F A C E L E G I B I L I T Y
HALATION
Reversed (white on black) type will appear to
be 10 to 12 percent larger than positive (black
on white) type
Known as halation or irradiation because a
light image on a dark field will seem to radiate
and as a result appears considerably larger
A B C D
A B C D
Halation Which set of letters looks larger?
Arthur, Paul, & Passini, Romedi. Wayfinding: People,
Signs and Architecture. McGraw-Hill Ryerson, 1992.
Accessible Built Environment Standards Development
Committee. Final Proposed Accessible Built Environ-
ment Standard. Ontario Ministry of Community and
Social Services, 2010.
Smitshuijzen, Edo. Signage Design Manual. Lars Müller
Publishers, 2007.
Tinker, Miles. Legibility in Print. Iowa State University
Press, 1963.
United States Access Board. Americans with Disabilities
Act and Architectural Barriers Act Accessibility Guide-
lines. US Department of Justice, 2004.
S I G N S + T Y P O G R A P H Y
REFERENCES
CHRISTOPHER
03/2014
GDES 3B08
MOOREHEAD

More Related Content

What's hot

Lecture 2 slides of elements of spacemaking
Lecture 2 slides of elements of spacemakingLecture 2 slides of elements of spacemaking
Lecture 2 slides of elements of spacemaking
Abhishek Mewada
 
Indoor and outdoor acoustics
Indoor and outdoor acousticsIndoor and outdoor acoustics
Indoor and outdoor acoustics
phele1994
 
Visually impaired as a design challenge
Visually impaired as a design challenge Visually impaired as a design challenge
Visually impaired as a design challenge
Husam AlMuzainy
 
Building service final pdf
Building service final pdfBuilding service final pdf
Building service final pdf
杉 江紫
 
Auditorium: A Case Study on Acoustic Design Presentation
Auditorium: A Case Study on Acoustic Design PresentationAuditorium: A Case Study on Acoustic Design Presentation
Auditorium: A Case Study on Acoustic Design Presentation
jisunfoo
 

What's hot (20)

Lecture 2 slides of elements of spacemaking
Lecture 2 slides of elements of spacemakingLecture 2 slides of elements of spacemaking
Lecture 2 slides of elements of spacemaking
 
Lighting fixtures types
Lighting fixtures typesLighting fixtures types
Lighting fixtures types
 
Multilevel car parking
Multilevel car parkingMultilevel car parking
Multilevel car parking
 
Indoor and outdoor acoustics
Indoor and outdoor acousticsIndoor and outdoor acoustics
Indoor and outdoor acoustics
 
Plan, section, elevation revised
Plan, section, elevation revisedPlan, section, elevation revised
Plan, section, elevation revised
 
Lighting Analysis Project 1
Lighting Analysis Project 1Lighting Analysis Project 1
Lighting Analysis Project 1
 
Architectural details
Architectural detailsArchitectural details
Architectural details
 
Visually impaired as a design challenge
Visually impaired as a design challenge Visually impaired as a design challenge
Visually impaired as a design challenge
 
Building service final pdf
Building service final pdfBuilding service final pdf
Building service final pdf
 
Lecture 5 - Colours and Materials - Commercial-Institutional Interiors VDIS10009
Lecture 5 - Colours and Materials - Commercial-Institutional Interiors VDIS10009Lecture 5 - Colours and Materials - Commercial-Institutional Interiors VDIS10009
Lecture 5 - Colours and Materials - Commercial-Institutional Interiors VDIS10009
 
Auditorium design ppt
Auditorium design pptAuditorium design ppt
Auditorium design ppt
 
Architectural Acoustics
Architectural AcousticsArchitectural Acoustics
Architectural Acoustics
 
Exhibition & space design portfolio • 2015
Exhibition & space design portfolio • 2015Exhibition & space design portfolio • 2015
Exhibition & space design portfolio • 2015
 
Auditorium: A Case Study on Acoustic Design Presentation
Auditorium: A Case Study on Acoustic Design PresentationAuditorium: A Case Study on Acoustic Design Presentation
Auditorium: A Case Study on Acoustic Design Presentation
 
Why Inclusive Design Is For Us All - Accessibility and Life Safety vs. Inclus...
Why Inclusive Design Is For Us All - Accessibility and Life Safety vs. Inclus...Why Inclusive Design Is For Us All - Accessibility and Life Safety vs. Inclus...
Why Inclusive Design Is For Us All - Accessibility and Life Safety vs. Inclus...
 
Lighting Design Principles in Interior Architecture.
Lighting Design Principles in Interior Architecture. Lighting Design Principles in Interior Architecture.
Lighting Design Principles in Interior Architecture.
 
Minimum Accessible provision
Minimum Accessible provisionMinimum Accessible provision
Minimum Accessible provision
 
Lighting & Acoustic Analysis
Lighting & Acoustic AnalysisLighting & Acoustic Analysis
Lighting & Acoustic Analysis
 
Inter state bus terminal - Litrature study
Inter state bus terminal - Litrature studyInter state bus terminal - Litrature study
Inter state bus terminal - Litrature study
 
Basic Design - Primary elements: Planar & Volumertic
Basic Design - Primary elements: Planar & VolumerticBasic Design - Primary elements: Planar & Volumertic
Basic Design - Primary elements: Planar & Volumertic
 

More from Chris Moorehead (11)

creative_directions_talk_lo_res
creative_directions_talk_lo_rescreative_directions_talk_lo_res
creative_directions_talk_lo_res
 
idl_work
idl_workidl_work
idl_work
 
intuitive_wayfinding
intuitive_wayfindingintuitive_wayfinding
intuitive_wayfinding
 
info_processing
info_processinginfo_processing
info_processing
 
time_management
time_managementtime_management
time_management
 
structural_elements
structural_elementsstructural_elements
structural_elements
 
type_classification
type_classificationtype_classification
type_classification
 
typography_fundamentals
typography_fundamentalstypography_fundamentals
typography_fundamentals
 
binding_types_v2
binding_types_v2binding_types_v2
binding_types_v2
 
mapping_systems
mapping_systemsmapping_systems
mapping_systems
 
Typography + Music Packaging
Typography + Music PackagingTypography + Music Packaging
Typography + Music Packaging
 

wayfinding_typography

  • 4. T Y P E S O F S I G N S ORIENTATION Allows the traveller to make up his/her mind on where to go and how best to get there Creating the “travel plan” Sign types such as maps and directories best serve this need A C B D
  • 5. T Y P E S O F S I G N S DIRECTION Directs the traveller along his/ her way Most archaic of all sign types— is as old as civilization Signs in this category almost al- ways involve the use of arrows A   B
  • 6. T Y P E S O F S I G N S DESTINATION Also known as location or identification signs Used to mark the actual destination Indicates the final goal of travel, as well as all the destinations in between that act as “stepping stones” before reaching final destination A
  • 7. T Y P E S O F S I G N S REGULATORY Not directly related to the way- finding process Includes signs for general safety, security, fire safety, mandatory information, instructions, and general information Usually mandated by law 
  • 9. 1 9 9 0 , A M E N D E D 2 0 0 8 AMERICANS WITH DISABILITIES ACT (ADA) US civil rights law that prohibits discrimination based on disability Disability is defined as “a physical or mental impairment that substantially limits a major life activity”
  • 10. A D A A G , S E C T I O N 4 . 3 0 ADA SIGNAGE GUIDELINES Section 4.30 of ADA Accessibility Guidelines Section 4.30.2 Character Proportion “Letters and numbers on signs shall have a width- to-height ratio between 3:5 and 1:1 and a stroke- width-to-height ratio between 1:5 and 1:10.”
  • 11. viewing distance in feet Recommended for ada compliance Under ideal conditionslettercapheightininches 0 1 2 3 4 5 6 50 100 150 200 250 300 For optimal legibility letter height should fall into shaded range. For ada compliance, it is recommended that letter height be at least 4 inches at a viewing distance of 100 feet. Under ideal conditions, a letter height of 2 inches is visible at a viewing distance of 100 feet. Section 4.30.3 Character Height
  • 12. Since ‘ideal conditions’ generally involve a hypo- thetical test subject with 20/20 vision viewing the signage at a 90° angle with optimal lighting and no distractions, it is unrealistic to design for such cases The ADA requirements are much more reflective of real-life applications A D A A G , S E C T I O N 4 . 3 0 . 3 CHARACTER HEIGHT
  • 13. x 0.5x 60 inches Latch side of door 1525 mm Section 4.30.6 Mounting Location + Height
  • 14. J U N E 2 0 0 5 ONTARIANS WITH ACCESSIBILITY FOR DISABILITIES ACT (AODA) Lays the framework for the development of province-wide mandatory standards on accessibility in all areas of daily life Defines terms and mandates administration, penalties, and the establishment of an Accessibility Standards Advisory Council
  • 15. J U L Y 2 0 1 0 FINAL PROPOSED ACCESSIBLE BUILT ENVIRONMENT STANDARD Section 6.o Communication Elements + Facilities Developed by Accessible Built Environment Standards Development Committee Covers elements currently regulated by Ontario’s Building Code (Ontario Regulation 350/06), and those elements that are not currently regulated by Ontario’s Building Code, such as play areas and amusement parks Section 6.1 Signage
  • 16. a. sans serif b. mixture of upper and lower case c. stroke-width-to-height ratio between 1:5 and 1:10, based on uppercase O d. have a character height in accordance with Table 6.1.1.1, based on an uppercase O e. tonal contrast at least 70% with background f. matte or glare-free finish S E C T I O N 6 . 1 SIGNAGE STANDARDS Section 6.1.1 Font for Print Signs
  • 17. AODA Table 6.1.1.1 Font Height + Viewing Distance MINIMUM CHARACTER HEIGHT 8 6 4 3 2 1 200 150 100 75 50 25 mm mmin in FUNCTIONAL VIEWING DISTANCE 6000 4600 2500 2300 1500 750 236 181 98 91 59 30
  • 18. x 0.5x 47 inches 59 inches maximum minimum Latch side of door Top letter line not to exceed 60 inches (1525 mm) from floor 1200 mm 1500 mm AODA Section 6.1.4.2.2 Mounting Location + Height Room620
  • 20. R O O M N U M B E R I N G UNIT SYSTEM A grid is constructed of the smallest possible units on each floor Each unit gets a number, starting on the right-hand side from the major point of access (elevator, staircase) and continue to increase in that direction Number of room is the number of the unit in which the room door is located
  • 21. C.O.P.C.O.P. C.O.P. C.O.P. 600 604 607680 687661 610 616 683676 612 615 684675 608681 688662 601 605 606679 686 690660 609 617 682677 613 611 614 685678 618620631 627635 664 641 671 649 652 655 674 658 651 654 657 646 668 642 672 650 645 667 643 673 644 666 624626628630632634 621622623 602 603 619629 625633 665 640 670 648 653 656 673663 659 647 669 637 100 McCaul St, 6th Floor Unit room numbering system
  • 22. U N I T S Y S T E M ADVANTAGES Point(s) of access to the floor(s) are a logical starting point Room sequence increases logically from lowest to highest room number Flexibility of the numbering system will allow for restructuring of rooms into larger or smaller units
  • 24. W A Y F I N D I N G TYPEFACE LEGIBILITY According to Paul Arthur, the most important factor in wayfinding typographic legibility is the ratio of x-height to cap height Arthur’s research indicates that the optimum ratio for signage purposes is at least 3:4 This conclusion is disputed by other type ex- perts, most notably Erik Spiekermann
  • 25. Frutiger Roman Frutiger Bold Helvetica Regular Interstate Regular Gotham Medium Helvetica Medium Interstate Bold Transport D Medium Gotham Bold Helvetica Bold Condensed Typefaces with a x-height to cap height ratio of 3:4
  • 26. T Y P E F A C E SHAPE RECOGNITION In the early 1960s, Miles Tinker’s re- search indicated that mixed upper and lower case letters were approximately 12% more efficient than either all caps or all lower case letters Tinker’s research, however, was focused on books, and its application to signage was later challenged
  • 27. stopped STOPPED Recognition Upper- and lower-case letter vs all caps
  • 28. Fasten Seat Belts FASTEN SEAT BELTS fasten seat belts Recognition Which is easier to read?
  • 29. T Y P E F A C E L E G I B I L I T Y HALATION Reversed (white on black) type will appear to be 10 to 12 percent larger than positive (black on white) type Known as halation or irradiation because a light image on a dark field will seem to radiate and as a result appears considerably larger
  • 30. A B C D A B C D Halation Which set of letters looks larger?
  • 31. Arthur, Paul, & Passini, Romedi. Wayfinding: People, Signs and Architecture. McGraw-Hill Ryerson, 1992. Accessible Built Environment Standards Development Committee. Final Proposed Accessible Built Environ- ment Standard. Ontario Ministry of Community and Social Services, 2010. Smitshuijzen, Edo. Signage Design Manual. Lars Müller Publishers, 2007. Tinker, Miles. Legibility in Print. Iowa State University Press, 1963. United States Access Board. Americans with Disabilities Act and Architectural Barriers Act Accessibility Guide- lines. US Department of Justice, 2004. S I G N S + T Y P O G R A P H Y REFERENCES