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“Photographs are a link to the eternal”
from Photography, by London and Upton
~Traditional Portraiture
~Environmental Portraiture
~Portraits using props/clothing
~Portraits that rely on gesture
~Portraits taken from the back
~Portraits with shadows and reflections
~Self-Portraits
Traditional Portraiture
~ A straight forward approach to photographing a
person with emphasis placed on the face of the
subject.
~ The object is to capture a physical likeness of the
subject, as close to reality as possible.
Julia Margaret Cameron,
Mrs. Herbert Duckworth, 1867
Sandy Edwards, from the book
Paradise is a Place,1997
Bob Gruen
John Lennon, 1999
Environmental Portraiture
~ A portrait of a person taken in front of background
or setting which helps to relay something
meaningful about that person.
Arnold Newman,
Piet Mondrian, 1942
Bernd Lohse,
Bookkeeper at the Minolta
Company, Osaka, 1951
Arthur Tress,
Boy in a Fire-Bombed Store 1969
Portraits using props/clothing
~Using an object or article of clothing that relates to
your subject can help to convey something unique
about that person.
Danny Lyon,
Spanky and Cowboy 1965
Edward Steichen,
Gloria Swanson, 1926
Arnold Newman,
Igor Stravinsky, 1946
Portraits that rely on gesture
~By capturing your subject’s body language, i.e. a
distinctive hand movement or facial expression,
you can provide insight into the personality or
profession of the individual you are photographing.
Yosef Karsh,
Martha Graham, 1948
Roy DeCarava,
Coltrane No.24, 1963
Alfred Stieglitz,
Georgia O’Keeffe, 1920?
Georgia O’Keeffe,
Calla Lilies, 1923
Portraits from the back
~It is possible to create a meaningful rendering of a
person without focusing on their face.
Onesipe Aguado,
Woman Seen From the Back,
1862
Imogen Cunningham,
Jane and Alice and Imogen,1940
Portraits with shadows or
reflections
~Using the many different qualities of light and
shadow can help to add another layer of interest and
depth to a photograph.
Lee Friedlander,
New York City, 1960
Imogen Cunningham,
Roi Partridge, 1922
Self-Portraits
~Alone with the camera, you can create an honest
and revealing portrait of yourself.
Ilse Bing, Self-Portrait
with Mirrors,1957
Ashley Knight-Greenfield,
Self-Portrait, 2001
Whitney Hart,
Self-Portrait, 2001
More Student Work
Yume Kitasei,
Portrait of her Twin, 2001
Susannah Ludwig,
Portrait of her Twin, 2001
Ariana Constant,
Portrait of her Sister, 2001
Raffi Holznyc-Pimental,
Portrait of his Brother, 2001
The End
Bibliography
Hirsch, Robert. Seizing The Light, A History of Photography. Boston: McGraw-
Hill, 2000.
London and Upton. Photography, Sixth Edition. New York: Addison-Wesley
Educational Publishers,Inc., 1998.
Philippi, Simone, editor. 20th Century Photography Museum Ludwig Cologne.
Cologne, Germany: Taschen, 1996.
Mears and Edwards. Paradise Is A Place. Sydney, Australia: Random House,
1997.
Friedman and Friend. From Yesterday To Today, The Beatles. Boston: Little,
Brown and Company, 1996.
Time-Life Editors. Life Library of Photography, Photographing Children. New
York: Time-Life Books, 1971.
Hambourg, Apraxine, Daniel, Rosenheim, and Heckert. The Waking Dream,
Photography’s First Century. New York: The Metropolitan Museum of Art, 1993.
Bibliography
Greenough and Hamilton. Alfred Stieglitz, Photographs and Writings.
Washington, DC: National Gallery of Art, 1983.
Arrowsmith and West, editors. Georgia O’Keeffe & Alfred Stieglitz, Two Lives.
New York: HarperCollins Publishers/Callaway Editions, 1992.
Wolf, Sylvia. Julia Margaret Cameron’s Women. Chicago: Art Institute of
Chicago, 1998.
Friedlander, Lee. Lee Friedlander Photographs. New York: Haywire Press, 1978.
Galassi, Peter. Roy De Carava, A Retrospective. New York: The Museum of
Modern Art, 1996.
Lorenz, Richard. Imogen Cunningham Portraits. Boston: Little, Brown and
Company, 1997

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