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Realism,[object Object],Christina’s World,[object Object],By Andrew Wyeth, 1948,[object Object]
Overview,[object Object],Inspired by the positivist view of the second half the 19th century, which was the faith in all knowledge derived from science, and the belief that these methods would solve all human problems,[object Object],Realism, therefore, was the accurate and apparently objective description (through painting) of the ordinary, observable world,[object Object],Introduced the contemporary to art and rejected Classicism and Romanticism ,[object Object],Wanted to reproduce ignored aspects of contemporary life and society ,[object Object],For the first time ordinary people and everyday activities were considered worthy subjects for art,[object Object],Began in the 1850s in France,[object Object],The Gleaners ,[object Object],By Jean-Francois Millet, 1857,[object Object]
Overview Cont’d,[object Object],In the broadest sense, realism is when something has been well observed and accurately depicted,[object Object],Examples of realism in in these terms can be found throughout history and all around the world,[object Object],A fondness of humble subjects and homely details can be found very early also,[object Object],Realism made a resurgence during the final years and aftermath of WWI in the so-called, “Return to Order”   also known as “Modern Realism” in England, traditionisme in France, and “Neue Sachlichkeit”/ “Magic Realism” in Germany,[object Object],New York Restaurant,[object Object],By Edward Hopper, 1922,[object Object]
Overview Cont’d,[object Object],Trompe l’oeil: “fool the eye”; a technique which creates the illusion that the objects depicted actually exist,[object Object],Examples of this can be found from antiquity to the present day,[object Object],Fallen Monarchs,[object Object],By William Bliss Baker, 1886,[object Object]
Important Realist Painters,[object Object],Henri Cadiou,[object Object],Ford Madox Brown,[object Object],Jean BaptisteSiméonChardin,[object Object],Gustave Courbet,[object Object],Honoré Daumier,[object Object],Thomas Eakins,[object Object],Winslow Homer,[object Object],Jean-Francois Millet,[object Object],Rembrandt van Rijn,[object Object],Théodore Rousseau,[object Object],Edward Hopper,[object Object],Andrew Wyeth,[object Object],Max Schmitt in a Single Scull,[object Object],By Thomas Eakins, 1871,[object Object]
Tenant Farmer ,[object Object],By Andrew Wyeth, 1961,[object Object]
Helga,[object Object],By Andrew Wyeth,[object Object]
The Laundress,[object Object],By Honoré Daumier,[object Object],Three Women in a Church,[object Object],By Wilhelm Leibl, 1882,[object Object]
Hiding in the Haycocks,[object Object],By William Bliss Baker, 1881,[object Object]
Nighthawks,[object Object],By Edward Hopper, 1942,[object Object]
Madame X,[object Object],By John Singer Sargent, 1884,[object Object]
Gustave Courbet,[object Object],French painter who led the Realist movement in 19th-century French painting,[object Object],Made bold social commentary in his work,[object Object],Painted subjects that were considered vulgar, such as the rural peasantry and the working conditions of the poor,[object Object],Believed that the only possible source for a living art is the artist’s own experience (not any attempt to portray the past or future),[object Object],Depicted the harshness in life and challenged contemporary academic ideas of art,[object Object],Grew up in a household that held very anti-monarchial feelings (grandfather fought in the French Revolution),[object Object],Studied Spanish, Flemish, and French painters,[object Object]
Medium of Choice For Realist Painters,[object Object],The medium of choice for Courbet and many Realist artists was oil on canvas,[object Object],Other mediums used in Realist paintings include acrylic, watercolor, and egg tempera,[object Object]
The work of Gustave Courbet fits into Realism because:,[object Object],The paintings depict things as they are as accurately as possible in order to create the illusion of reality,[object Object], His subjects were often the everyday and ordinary, such as the poor, prostitutes, contemporary landscapes, and peasants,[object Object], He openly rejected the established, academic modes of painting and subjects that were idealized, such as in Romanticism or Classicism 	,[object Object]
The Painter’s Studio,[object Object],[object Object]
The painting exhibits a heightened reality that makes it almost dreamlike, with figures that are both real and symbolic.

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