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Western Europe During the Reformation, C. 1560.
Lucas Cranach the Elder
Martin Luther (1533)




Key date: 95 theses, 1517
Wittenburg, Germany
Hans Holbein the
Younger
Henry VIII (1540)
Saint Peter’s Basilica
Renaissance: Michelangelo (1546-93)

Baroque: Carlo Maderno westwork (1607-15)
Bernini colonnades (1620)
Gianlorenzo Bernini. David. 1623. Height 5’ 7”.
Gianlorenzo Bernini.
  Cornaro Chapel,
Church of Santa Maria
 Della Vittoria, Rome.
     1642–1652.
Borromini,
San Carlo alle Quattro Fontane, Rome
(1665-76)
Saint Peter’s Basilica
Baldacchino by Bernini (1624-33)

Pieter Jansz Saenredam
Church interior (1649)
Netherlands
Pieter Jansz
Saenredam

Utrecht Church
interior (1645)
Iconoclasm
Bruegel (the Elder), Preaching of John the Baptist (1565)
Juan Bautista de Toledo and Juan de Herrera. The Escorial. 1563–1584.
Velazquez:
 Maids of
Honor, 1656
Antonio de
                    Pereda,
                Still Life with
                 Ebony Desk
                      1652



1005116-screen.jpg
Hyacinthe Rigaud. Louis XIV. 1701. 9’ 2" × 7’ 10 3/4”.
Chateau de Versailles: Palace of Louis XIV (1669-84)
Andre Le Norte, Louis Le Vau, Charles Le Brun, Jules Hardoin Mansart
French Baroque
Chateau de Versailles: Palace of Louis XIV
(1669-84)
Andre Le Norte, Louis Le Vau, Charles Le Brun,
Jules Hardoin Mansart
French Baroque

King’s apartments

Hall of Mirrors
John Vanbrugh,
Blenheim Palace (1705-20)
Oxfordshire, England

English Baroque
Caravaggio. Bacchus. 1595–1596. 37 × 33 1/2”.
Caravaggio:
Calling of
St. Mathew
    1597


-tenebrism
Caravaggio: Doubting Thomas, 1603
An example for formal
                                    analysis using
                                 Wolfflin’s categories:
                       22-17   Raphael, School of Athens
                                      (1509-11)
                                      Vatican, Rome




Rembrandt, The Night
   Watch(1642)
     Amsterdam
22-17
        Rembrandt,
         The Night
          Watch
          (1642)
         Amsterdam
Rembrandt:
Self Portrait
  (1653)
Rembrandt: Three Crosses     Rembrandt,
       (1653)                 The Night
                               Watch
   First and Fourth States     (1642)
                              Amsterdam
Robert Hooke, Micrographia (1667)
Rembrandt: Anatomy Lesson of Dr. Tulp (1632)
Gerard ter Borch. The Suitor's Visit. c. 1658. 32 1/2 × 29 5/8”.
Johannes Vermeer
Girl with the
Pearl Earring (1662)
Johannes Vermeer
Music Lesson (1662-
65)
Pieter Claesz. Still Life with Tazza. 1636.
Thomas Smith,
Self-Portrait
(1690)

British American--
Baroque
Flask. Ming Dynasty, 1426–35.
Designer Daniel Marot,
French and Dutch Baroque comes to England ca. 1700

Yellow Salon, China Pavillion (1763) Sweden
Chinoiserie - objects designed ‘in the Chinese taste’

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Review exam 2

Notas del editor

  1. Saint Peters Carlo Maderno westwork 1607-15
  2. Francesco Borromini (1599-1667)
  3. http://www.nationalgallery.org.uk/paintings/rogier-van-der-weyden-and-workshop-the-exhumation-of-saint-hubert
  4. King’s apartments
  5. Blenheim Palace John Vanbrugh 1705-12 1716-25 Blenheim Palace dining room salon 1704-20
  6. Raphael, School of Athens , 1510-11 Stanza della Segnatura, Vatican, Rome Fresco 28’ x 18’ Commissioned by Pope Julius II to decorate the Papal apartments Group of thinkers of Greek, Athenian tradition. Attempt to sum up all the wisdom in the world. On either side in the great all are statues of Apollo (left) God of Light and rationality, poetry & music, and Athena (right) Goddess of Wisdom. They are the patron gods of the arts and of wisdom , who oversee the interactions. Center is Plato LEFT (philosophy of “spiritual ” non worldly, realm of “ideas” Platonic ideal -- points upward) to the heavens, and Aristotle RIGHT (philosophy of affairs of man, individual). The are silhouetted against the sky. Plato is an idealized portrait of Leonardo da Vinci. On Plato’s side are ancient philosophers, men concerned with the ultimate mysteries that transcend the world and on Aristotle’s side are the philosophers and scientists concerned with nature and human affairs. Summing up and outdoing of things done before (Massacio’s Tribute Money -circle of figures, Leonardo’s Last Supper -different figures fused together)
  7. Raphael, School of Athens , 1510-11 Stanza della Segnatura, Vatican, Rome Fresco 28’ x 18’ Commissioned by Pope Julius II to decorate the Papal apartments Group of thinkers of Greek, Athenian tradition. Attempt to sum up all the wisdom in the world. On either side in the great all are statues of Apollo (left) God of Light and rationality, poetry & music, and Athena (right) Goddess of Wisdom. They are the patron gods of the arts and of wisdom , who oversee the interactions. Center is Plato LEFT (philosophy of “spiritual ” non worldly, realm of “ideas” Platonic ideal -- points upward) to the heavens, and Aristotle RIGHT (philosophy of affairs of man, individual). The are silhouetted against the sky. Plato is an idealized portrait of Leonardo da Vinci. On Plato’s side are ancient philosophers, men concerned with the ultimate mysteries that transcend the world and on Aristotle’s side are the philosophers and scientists concerned with nature and human affairs. Summing up and outdoing of things done before (Massacio’s Tribute Money -circle of figures, Leonardo’s Last Supper -different figures fused together)
  8. Creator: Vermeer, Johannes, 1632-1675 Title: Girl in a Turban Date: 1660-5 Material: oil on canvas Measurements: 46.5 x 40 cm Repository: Mauritshuis (Hague, Netherlands) Subject: Painting--Netherlands--17th C. A.D Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
  9. Creator: Vermeer, Johannes, 1632-1675 Title: Music Lesson Title: Lady at Virginals with Gentleman Date: c.1662-65 Material: oil on canvas Measurements: 73.3x64.5cm Repository: Buckingham Palace (London, England) Subject: Painting--Netherlands--17th C. A.D Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
  10. Creator: Smith, Thomas, fl. 1650-1693. Title: Self-portrait Work Type: Oil paintings. Work Type: Self-portraits. Date: ca. 1690. Material: Canvas. Measurements: 24 1/2 x 23 3/4 inches. Description: "Oil on canvas. Worcester Art Museum"--Catalog. Accession Number: #1948.19 Subject: Smith, Thomas, fl. 1650-1693. Subject: Painting, American--17th century. Subject: Painting, American--18th century. Collection: The Carnegie Arts of the United States Collection Source: Data from : University of Georgia Libraries
  11. Side chair Daniel Marot Yorkshire 1700 VAM Melville Bed 1700 Daniel Marot VAM China display Daniel Marot 1700 Yellow Salon Chinese Pavillion 1763 Drottningholm Sweden