Menerapkan teknik pengambilan gambar produksi kd 7 english

Applying Image Capturing
Production Engineering.

Describe about multimedia

Applying Image Capturing Production
Engineering

The film is a work of
art that comes
from a
combination of
many elements,
such as sound,
images, and
motion, etc..

Hal.: 2 Isikan Judul Halaman Teknologi Informasi dan Komunikasi

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The government itself defines the film as follows:

"Film is a cultural art works that are mass
communication media to hear the view is based
on cinematography with selluloid recorded on
tape, videotapes, video discs


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or materials other technological inventions in the form,
type, size of the chemical, electronic processes or other
processes or without voice or dapt performed and
displayed with the project system mechanic, electronic
and / or other (th Film Act. 1992, Chapter I, Article 1 ). "


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• The film is a series of many frames images shown in
certain speed.
* Video is a series of many picture frame that contains
the stages of a movement / skuen who played with a
certain speed.


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DEFINITION CAMERA

The camera is one important aspect in the making of
the film, the camera functions that take / record
scenes directed by the director and then visualized by
the players that make the scenes.


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# The camera operated by
the usual film crew
called the cameraman.

# Cameraman, the camera
operates in accordance
with the director.


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There are a few things to note relating to the camera device.
Before any shooting is a good idea if a cameraman
preparations as follows:

* Mastery of the camera device to be used. Should follow the
written rules on the use of the manual book. Understand
the strengths and weaknesses.


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* Once familiar with the ins and outs of the camera, the
scene also understand what and how the technique is
desired.
* Creating a breakdown of equipment to be used like a
battery, microphone, extension cord, etc..
* Make sure the battery in good shape and full, and all the
facilities at the camera worked well.


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In video production activities / movies, there are many
kinds of cameras are used. The division of a video
camera / film divided over the media used to store
data (image & sound) that have been taken. Just as
in photography, who has taken pictures stored on the
roll of film. But in this type of camera, film rolls in
addition there are also magnetic tape to store the
voice data.


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In a 1-second shots, it takes
about 30 frames the film.
The type of film used is a
positive film (slides), in
which to view its contents
should be washed in the
laboratory first film and is
projected by using a
special projector.


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TYPE - TYPE CAMERA

# In general there are 2 types of cameras:

1. Analog (AV)
The data is stored as a stream of strong signals (waves) on
the camcorder tape. This type of camera types including
VHS, S - VHS, 8mm, and Hi - 8.


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2. Digital (DV)

Camera digital video recorder stores data in binary
code format of bits per byte which consists of series
1 (on) and 0 (off). Types of cameras include mini DV,
and Digital 8.


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KIND - KIND VIDEO

Analog Video:

1. Usually used cassette (tape)
2. Magnetic tape-based
3. Requires digital compression of the order to
transferred to the computer.
4. Excess full colors
5. Weakness will experience thirst as
time.


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 # Type - type of Video Analog:

 1. U Matic
 2. Betamax
 3. VHS
 4. S-VHS


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 Video Digital:

 1. Can record sound and images at the same
time.
 2. CCD (Charge Couple Device)
 3. There is no reduction in image compression
process


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* Types of Digital Video:

1. Mini DV
2. DV Cam
3. DVC Pro


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PART - PART VIDEO CAMERA


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In general, the parts consisting of a video camera:

1. Battery for power supply
2. Place tape
3. Zoom
4. Recorder button
5. Output port video / audio
(can be analog or digital)


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6. Focus Ring
7. Preview window (View Fender)
8. Microphone
9. Light controls
10. Keys Player (for playing back
video).
11. DC input terminal.


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CAMERA TYPES

Type of camera used in the movie is very diverse kinds,
but the camera roughly divided into three namely:


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1. 1. Camera images (still photography)
2. The camera produces photo images that are not
moving (still single picture). The raw material comes
from the image storage selluloid tape, so that after
making the recording must be processed again with
the chemical processing.


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Example:

Analog cameras digital cameras


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2. Camera film (cinema photography)
Camera film has the same material with the camera image
and the results obtained are different, the movie camera
to produce a moving image or still commonly called
motion.


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Example :

8 mm camera 16 mm camera 35 mm camera.


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3. Video camera (video photography)
Vide for the camera itself has much in common with a
movie camera for producing a moving picture (still
motion), but what distinguishes the raw material in the
form of video tapes after shooting results could be
viewed as the image optically and electronically.


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Example :

Betacam camera MiniDV HDCam


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Operating the video camera

@. Step-by-step video camera operation:


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1. Remove the lens cap
2. Move the position of the power button off
to the camera by pressing and hold
down the key, then push down
3. Open the LCD screen, by pressing the key
LCD screen, and then opened in the
direction of the arrow. Viewfinder
automatically going to die
4. Press the start / stop to start recording.
Press the start / stop again to stop
recording.


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@. The steps to install the tape on the camera handy
are:
1. Press the release button in the direction of the arrow and
open the lid.


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2. Insert a tape with cassette glass window position seen
from above and press the center of the rear cassette.


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3. After the cassette holder automatically fall down and
then press the cover tape.


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How It Works Digital Camera.


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If we know the pictures in the camera, then when do
we shoot can take into account and would like to imagine
what the look or the output of the object that we will capture
in the camera.


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By the time we pressed the shutter button, the camera happens
in stages to process the image. Although only briefly felt, but
the stage is done in the digital camera long enough. It's just
that, the process is done very quickly. Here is a description
of the process:


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Lens to capture an image, and then forwarded to the panel
catcher image. Catcher image or so-called CCD sensor,
which also serves as a view finder, sending images to the
LCD. While the DSLR camera, the image is also passed to
the reflection mirror that reflects the image to the window
peep (eye finder).


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 Images are captured by the lens, color filter is passed on
to then be captured by the CCD or image sensor. The
distance between the lens and the sensor is known as
the focal length. This distance will also be a factor in the
lens.


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 CCD task is to transform the analog signal (image
captured by the lens) into an electrical signal. In this
CCD sensors there are millions of points known as
pixels. So the term pixels or megapixels on digital
cameras actually refers to the number of points on this
sensor. The smaller the sensor and the more points the
sensor, the more refined and higher resolution images
produced.


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 Images are captured by the CCD sensor forwarded to
the image processing tasks to process all the data from
the CCD sensor into digital data of image format files,
and compression processing according to the selected
image format (RAW, JPEG, etc.). In this section other
than the role chipset, software (firmware) from the
camera in question also determines the outcome of the
picture.


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The second part is what will determine the character of the
digital camera. That is why, each of their cameras have
software and its own chipsets in their cameras.

The last process is to send the image files in the selected
format to the storage (storage) or memory card. Typically, a
SD memory card, CF and so on.


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The next stage is the process conducted outside the camera.
But in the modern digital cameras, still provides a direct
printing option called PictBridge, ExifPrint and so on.


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Thus the process of drawing on a digital camera. But
these steps only basic or foundation of almost all
digital cameras. In some brands of digital cameras,
usually still add a few processes to improve picture
quality, including the addition of features on
casement or software applications.


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 Additional Features Additional features of the
software functions on the level more often we
meet, for example, the addition of frame images,
effects such as the Sephia photos, black and
white, etc.. Although these effects in addition to
nature only, but sometimes very helpful to
reduce the image during printing.


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Some additional features are very useful is the backlight,
which is photographing objects back light, white balance,
face recognition for photography as well as anti-shake
models that have cameras on each term as varied as anti-
shake, MEGA OIS, VR (Vibration Reduction), Super steady
shot, and so on.


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LEARNING TO USE THE VIDEO CAMERA.


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Basic Video Camera Operation Camera there are
various brands, shapes, and variants. So is the image
storage media also vary. Examples of famous brands
including: Sony, Panasonic, Phillips, Ikegami, JVC, and
others. Of the various brands that each has different
variants and shapes. Began amateur camera, semi
professional and professional cameras. Image storage
media including: Betacam, Dvcam, DVC Pro, MiniDV, or
shaped card (memory card).


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For beginner users / amateurs auto mode is usually
enough to get a standard image. But in certain
conditions, auto mode can not we use to get a picture in
accordance with our will. That is why the professional
Cameraman often use the manual mode of operating the
camera.


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The Main Control
There are six basic control on the camera:
1. Exposure:
* Aperture * Shutter Speed
* (ND Filter) * (Gain)
2. Color Filter
3. White Balance
4. Zoom
5. Focus
6. Audio Levels


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Aperture, Shutter speed, ND filters, and gain is part of the
exposure.

-Exposure: exposure I could simply mean the camera lighting.
To obtain a normal image, not dark (under exposure) and
not very bright (over exposure) should be noted:


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· Aperture (diaphragm) In the television cameras
also called Iris, which is a thin metal sheet arranged in
such a way that can be opened and closed to adjust the
amount of light entering the camera lens. Iris as our
pupils can grow and shrink according to the incoming
light.


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When Iris is opened as wide as possible, the lens
sends light maximum with the camera, otherwise when
opening the iris diaphragm opening is reduced to narrow,
so that light entering the camera a bit. Not the diaphragm
is measured in f-stop: f/1.4 - f/22. smaller f-stop number
= large diaphragm openings, larger f-stop number =
small diaphragm opening. Iris settings manually can be
done by rotating the iris ring on the camera lens.


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· Shutter Speed

shutter speed is usually the standard in the
television camera 1 / 50. unless you want to use the
shutter effect or to synchronize with the object, the new
Shutter Speed in the ON position for the next match we
can choose our destination.


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· ND Filter

ND filter (Neutral Density) serves to reduce the
intensity of light that is too strong without affecting
the quality of light colors. This filter is used when
light conditions are too hard, like a sunny midday.


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· Gain
In contrast to the ND filter, gain of function when taking
pictures in less light, which in normal circumstances
when the opening maximum f-stop (f/1.4) is still under
exposure. With Gain exposure we can lift digitally, the
consequences become a little coral image (cracked).


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Color Filter
Function to change or match the light coming into the
camera. Generally, the video camera has two color
correction filters. For shooting indoors with tungsten light
(red) filters we put 3200 º K and for shooting with the sun
lighting filter we use 5600 º K.


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Sunlight contains blue. If we install the filter 2
(5600 º K) to the sun, we actually put on an
orange filter to compensate for the blue color of
the sun. More light bulb contains the color red, so
we put a filter no.1 (3200 º K) is bluish.


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Light source of higher intensity light containing blue,
light source intensity low beam contains more red. The
difference is the color of light depends on the temperature
and measured with a degree Kelvin.


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. White Balance
The intensity of light varies at different times and
different places in a day. Outside sunlight (daylight) has
a temperature of approximately 5600 º K, the light bulb in
the room has a temperature of approximately 3200 º K,
TL lights have temperatures between 5000 º K, 6000 º K.
because the intensity of light is very different from the
color correction filter can not produce the right white
color.


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Thus the video camera is also equipped with buttons to set
the white balance. The easiest way is for the white
balance by pointing the camera to the white stuff
whatever is in the same light conditions with the light that
we use to record the scene.


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How to set the white balance: * First match with the
color correction filter light conditions that we use .*
Point the camera shooting of any white stuff on the
camera zoom until you see the viewfinder white only.


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* Press the AWB (Auto White Balance)
* The camera is ready to record.

Note:
"The camera should be in the white balance again when the
light changed circumstances".


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TECHNICAL PICK VIDEO CAMERA IMAGES

The video camera is a camera device that is used
to move moving picture and save them on
certain media, which then will be processed.

Video Camera Type
Based on the format:
~ Analog
~ Digital


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2) Based Media Record:
`` Betamax Betacam
`VHS` Memory stick
`` Mini Disc 8mm
`VHS-C
`DV (Digital Video)
`Mini DV


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Retrieving Images

Kind of shooting angle is:

1. Normal Angle
Position the camera parallel to the height of the eye
(the focus) object is taken.


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2. High Camera Angle
Angle of the objects that look so
impressive small objects. This
technique has a dramatic impression
of the value of "dwarf".


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3. Low Camera Angle

Angle from the direction of the objects
that look so impressive large objects.
This technique has the great value
dramatic/ prominance, authoritative,
powerful, dominant.


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4. Bird's Eye View
Shooting technique that is above the height of the
object. The result will look spacious environment
and other things seem small and scattered.

5. Subjective Camera Angle
Retrieval technique in which the camera trying to
engage the audience in the event. As if the camera
lens as the eye of the spectator or one of the actors
in the scene.


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6. Objective Camera Angle
Retrieval technique in which the camera presents in
accordance with reality.

7. Eye Level
Shooting angle parallel to the object. The results
showed catch someone's eye view. This technique
does not have a dramatic but natural impression.


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8. Frog Eye
Shooting angle with the height of
the camera parallel to the
base / bottom position of the
object or lower. The result will
look as if the audience's eyes
represent the eyes of frogs.

9. Over Shoulder
taking pictures from behind the
shoulder.


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 Kinds of views at the time of recording the
image is:

 Extreme Close Up (ECU / XCU):
 Shooting a very detailed look like the player's
nose or lips or tip of the heel of the shoe.


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· Big Close Up (BCU):
Taking pictures of the limited head-to -
chin.

· Close Up (CU):
Images taken from close range, only part of the object
that looks like just his face alone, or a pair of new
shoes feet.


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· Medium Close Up (MCU):
Almost the same as MS, if the object of people and
taken from the chest upwards. · Medium Shot (MS):
Retrieval of medium-range, if the object of it is visible
only half his body alone (from the stomach / waist
up). · Knee Shot (KS):
Object shooting from head to knee.


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· Full Shot (FS):
Object shooting in full from head to toe.
· Long Shot (LS):
Decision as a whole. Images taken from a distance, all
objects exposed to the background object.
· Medium Long Shot (MLS):
Images taken from a reasonable distance, so if for
example there are 3 objects of the whole will be
seen. If the object is a person looking from head to
knee.


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· Extreme Long Shot (XLS):
Images taken from very far distance, you'll enjoy no longer the object but
the background. Thus it can be seen the position of the object to its
environment.
· One Shot (1S):
Taking pictures of objects.
· Two Shot (2S):
Shooting two people.
· Three Shot (3S):
Shooting three people.
· Group Shot (GS):
Shooting a group of people.

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CAMERA MOVEMENT
Pan, Panning is a horizontal camera movement (horizontally)
from left to right or vice versa
a). Pan right (moving the camera around to the right)
b). Pan left (the camera moves around to the left)
Tilt, Tilting is a vertical camera movement, looking up from
bottom to top or vice versa
a). Tilt up: up to top
b). Tilt down: up and down


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 Dolly, Track is on the movement tripot or dolly toward or away from the
subject
 a). Dolly in: approaching the subject
 b). Dolly out: stay away from the subject
 Pedestal is on the camera movement can be raised pedestal down.
Currently used Porta-Jip Traveler.
 a). Pedestal up: the camera is increased
 b). Pedestal down: camera revealed


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 Crab is the camera movement laterally or sideways,
running parallel to the current subject.
 a). Crab left (move left)
 b). Crab right (move to the right)
 Arc is a turn around the camera movement of objects from
left to right or vice versa.


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• Zoom.
• zoom lens is a movement toward or away from the optical object,
by changing the lens focal length from the narrow perspective to a
wide angle of view or vice versa

• a). Zoom in: closer objects from long shot to close-up
• b). Zoom out: keep the object of close-ups to long shots
• Follow:
• Camera movements follow a moving object.
• Crane shot:
• Camera movement is mounted on the crane wheels.


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 Fading:
 Substitution images slowly. If the images fade in and fade out
appears if the image disappears and the cross-fade if the image 1
and 2 interchanged simultaneously.
 Framing:
 Object is in framing Shot. In the frame when entering the frame and
the frame out if the exit frame.
 Track is tracking camera movement toward or away from the object.
 a). Track in: moving the camera toward the object
 b). Track out: move the camera away from the object
 Follow The camera follows an object moving in the direction.


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 Shooting techniques without moving the camera, so
quite a moving object:

 · Object moves parallel to the camera.
 · Walk In: The object moved toward the camera.
 · Walk Away: Objects moving away from the camera.

 This technique is said because not only rely angle,
image size, camera movements and objects but also
other elements such as light, property and the
environment. Average shooting by using these
techniques produce more dramatic impression.


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· Backlight Shot: shooting techniques to lighting on the object from
behind.
· Reflection Shot: making techniques that are not directed to its object
but from the mirror / water that can reflect the image of the object.
· Door Frame Shot: pictures taken from outside the door while the scene
was in the room.
· Artificial Framing Shot: objects such as leaves or twigs placed in front
of the camera so as if the object is taken from behind the branches.


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· Jaws Shot: a camera object as if surprised to see the camera.
· Framing with Background: the object of focus in front of the
background but there appear so beautiful impression.
· The Secret of Foreground Framing Shot: making objects that were in
front until the background so that the fusion scene.
· Tripod Transition: the camera position above the tripod and move from
one object to another object rapidly.


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· Artificial Hairlight: given the object hair effects of artificial light so shine
and more dramatic.
· Fast Road Effect: techniques taken from the car was speeding.
· Walking Shot: This technique takes a picture of the current object.
Usually used to indicate who was walking in a hurry or pursued by
something.


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· Over Shoulder: taking pictures from behind the object, the
object is usually only seen the head or shoulders only.
Obtaining this to show that the object was seeing things or
objects can also chatting.
· Profile Shot: if two people are in dialogue, but the shot from
the side, one showing the camera first and second camera
showed the second person.


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For the professional cameramen often also do the white
balance manually is to set the Color Temperature in the
menu on the camera.
Zoom
Zooming is a zoom lens movement toward or away from the
optical object, by changing the lens focal length from the
narrow perspective (telephoto) to a wide angle (wide
angle).


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1. Zoom in: closer objects from long shot to close-up
2. Zoom out: keep the object of close-ups to long shots.
3. Zooming can be done in two ways:
a). Manual: by turning the zoom ring on the lens
b). Servo: Usually there servo zoom button on the handle
so affordable camera the finger at the camera operates.


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Focus
The focus is the proper lens settings for a certain
distance. Picture said the focus when the
resulting image projected by the lens falls on the
surface of the tube or CCD clear and sharp. Thus
appear also in the viewfinder and monitor. Depth
of field or depth of field is a field where the
objects in front of and behind the main object
was in focus. Technically, the shot with a wide
depth of field allows cameramen to follow the
object movement. Narrow depth of field that
requires us to continuously follow focus if the
camera or object moves.

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In aesthetic depth of field was instrumental in creating a visual
perspective on the whole scene (shot) .* 3 things that
determine the depth of field: 1. The lens focal length lens
focal length = depth of the narrower the field or any other
word more tipis.2 focus. Bigger f-stop/iris iris opening
(smaller f-stop) = narrower depth of field / focus
increasingly thin. For example f/16 depth field is wider than
f/2.0


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3. Distance of the camera with the object
a). The farther the distance the camera with the object = wider
field
depth.
b). The closer the object = camera increasingly narrow
depth of field.


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Audio Levels
Do not ignore the audio level on the camera
because in addition to image quality, audio
quality is also important. Remember TV is a
combination of image and sound. There is a
picture without a good audio is very disturbing to
viewers even information that will be delivered is
not up to the audience. Set the audio level should
not be under or over (peak).


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Stages Maximizing the Use Video Camera

1. Know and Understand Camera Video
All equipment must be used correctly - is controlled
so that the shooting minimize future errors.

2. Decent Videotape Views and Saved
The videotape is said to be seen and feasible saved
if meet 4 requirements: sufficient lighting, focus,
stable and sufficient duration.


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3. Decent Videotape Enjoyed
Decent video recording must meet the rule enjoyed - the rule as follows:

a). Balance, Framing, Compositions: Horizontal Lines, Vertical Lines,
Ratio Thirds, Diagonal Lines, Triangle, Perspective, Looking Room,
Walking Room, Head Room, the Golden Mean, Background,
Foreground.

b). Frame Cutting Points: Extreme Close Up, Big Close Up, Close Up,
Close Up Medium, Medium Shot, Medium Long Song, Long Shot,
Extreme Long Shot.


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c). Other Types Of Shot: 2 Shot, 3 Shot, Group Shot, Over Shoulder
Shot, Establishing Shot.

d). Camera Movement: Panning (Left, Right, Up, Down), Tracking (In,
Out, Follow, Revolve), Truck (Left, Right), Zooming (In, Out)

e). Camera Angle # 1: Normal Angle, Low Angle, High Angle

f). Camera Angle # 2: Objective Camera, Camera subjective

g). Shot By Camera Positions: Face Shot, ¾ Shot, Profile Shot, Over
Shoulder Shot

h). Shooting Rules: Jump Cut, Crossing The Line, Continuity.

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4. Videotape of the Finish and Watch Fair
A videography work is finished and ready for general audience through
the stages below:

a). Pre-Production: The process of planning and preparation of
production in accordance with the needs, objectives and the
intended target audience. Facilities including the preparation and
production techniques, operational mechanisms and creative
design (research, writing an outline, scenario, storyboard, etc..).
b). Production: The process of taking pictures in the field (shooting).


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c). Post Production: The process of editing the
editing room, combining the results of the video
recordings with various other audiovisual
elements.

d). Presentation: Presenting the results of edits
(editing) in a format ready to watch (cassette,
VCD, DVD, etc..)

e). Distribution: The dissemination of the work of
videography (screening, sales, broadcasting,
webcasting, etc..).

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Caring for Battery Power and Stock Videos
A Shooting

@. Element Performance criteria:
Coordinate material stock 01 video 1.1.
Coordination with relevant personnel and
understand and ensure the requirements for
video stock shots.
1.2. Certainty ratio schedule and taking pictures
with the relevant personnel.


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1.3. The selection of all the necessary stock and that can
used and ensure that stock is available in a number of
Sufficient to meet the needs of production schedule needs.
1.4. Monitoring of existing stocks associated with end dates
stock.
1.5. Completeness of all necessary stock demand and
certainly available at the time of filming.
1.6. Handling and storage of video stock to avoid
damage and protection of the environment at risk.


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1.7. Completeness of documents and tape labeling, according
to company requirements.
1.8. Certainty of all equipment and stock available at the right
location and at the time of filming.
1.9. Taking pictures and recording the order with complete
drills camera report carefully.
1.10. Documentation stock used for production and stocks for
shooting conclusions.


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National Work Competence Standards Indonesia
Sector Information and Communications Technology Sub-
Sector Multimedia and Audio Visual Resources Caring
Battery and Stock Videos for A Shooting
1.11. Monitoring of stock and notification of relevant personnel
to ensure that the stock is still enough available amount
during the production


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02. Set the time code:
2.1. Setting the time code according to the
company's instructions.
2.2. The selection and setting of time code
according to the requirements of the production.
2.3. Setting time codes synchronized with other
equipment when necessary.


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03 Preparing, recorded videotapes and
check image video:

3.1. Examination tape heads are damaged or soiled
prior to the record.
3.2. Preparation of videotape with the markers and
the tone and playing back the tape to check the
tape.
3.3. Labeling all the tapes carefully.
3.4. Recording and checking the video tape in the
camera for recording.
3.5. Readiness taking pictures with personnel-
related.


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04 Filling and maintaining long battery
filmmaking:

4.1. Certainty that the supply of sufficient and there
battery.
4.2. Battery to be used have been charged enough.
4.3. Battery charging according to company
recommendations.
4.4. Battery charged that the shooting
requirements.
4.5. Battery labeling according to status.


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Organizing Cables - Camera Cable

01 Selecting and preparing the camera cable:

1.1 Coordination with the relevant personnel and
cable requirements to ensure
shooting.
1.2 Cable selected and recognized the mistake and
damage, to then be
corresponding improvement according to skill level.


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1.3 Handling, repair and assembly re -
cable fault according to safety requirements and the
appropriate manufacturer's instructions.
1.4 The submission of a complex repairs on
technical specialists with consultation to the relevant
personnel.
1.5 rig documentation, in accordance with company
requirements.
1.6 Ensure that all cables can operate and available at the
location and the time is right when shooting

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Handling the camera cable 02:
2.1 Ensure appropriate resources and available
energy.
2.2 Use the camera plans and information cable
to ensure the cable places and
running cables.
2.3 Determination of the place, and the length of
cable run
according to the camera motion and anticipation of
crossing the cable is reduced.
2.4 Portrayal plan to prevent a cable node or
twist when in use.

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2.5 Connect the power cable from the contactor to the
camera.
2.6 cables secured to prevent tension
plug.
2.7 Route verifiable and regular cable, so that the unit
controlling the camera, hanging wires, cables spread
ramps have been complete in accordance with the motion
plan
camera and fulfilled in a safe manner.

Engineering

2.8 All confirmed the camera cable from the point
the right outlet to the camera and
certainly does not hinder the camera
used in the manufacture of production.
2.9 Ensure that the cable is installed cameras
have functions and does not endanger personnel
involved in making films or
the general public.


Engineering
03 Noting the shooting:

3.1 To participate in meetings or hearings
before production if necessary, and certainly the end of
camera motion and the motion of the cable understood.
3.2 Communication with relevant personnel during the
shooting and determined the position and
motion of the camera cable and the signal according to
the instructions
received.
Consistent reaction at 3.3 signal received from
relevant personnel and ensure consistency
time without making mistakes.

Engineering

3.4 camera cable is moved without disturbing
operation of the camera operator and worked
together with other personnel to get
the desired camera motion.

3.5 Ensure that the camera operator does not
collide with other elements.

3.6 Operation completed without damaging the cable
equipment or injure personnel.


Engineering

Camera cable 04 breaks down:

4.1 All cable extended and confirmed cable
the wound to avoid
strain and damage.
4.2 cables are free of certain circular complexity
and quite safe.
4.3 Cable packed in clean and safe condition
to avoid damage and ready for
moved if necessary.


Engineering

4.4 Reporting and documentation of the damaged cable
and the necessary treatment at the relevant personnel.

4.5 Work in left field its original state, certainly there is no
detrimental effect on the field work.


Engineering

FUNCTION CLAPPERBOARD

But when you are recording using a
video camera recorder, pictures and
sound will be aligned as recorded on
the same tape. Starting from
duration, number / name of the
scene, shooting date, and the
shooting sequence number.
* Clapperboard is a way to handle the
process of equalization or
synchronization. The bottom board
clapperboard usually used for
expression.


Engineering

 Things to Look For:

 What to Look For In Image Capturing:
 1. Do not break the imaginary line / directional line. If this
is done, then the image will be impressed by a collision
or back - back, also called jump shoot. Note head room,
adequate space at the top head.


Engineering

3. Consider looking room, living a balanced eye.
4. Note the nose position, set right on the nose position in
the middle layer television.
5. Avoid sporius object, objects - objects that interfere with
the composition.
6. All the images we record must have the motivation and
information.


Engineering

7. Note the continuity, sustainability, the story not to get
lost, so the story line intact.
8. Try to always do the edit by camera when taking
pictures, especially for when - a very short time, which
takes pictures as soon as possible.
9. Special Coverage on interviews taken looking toward a
different room each guest speaker (to the right of x to the
left) to avoid monotony.


Engineering

10. To facilitate the editing process, while taking
still establish a minimum 8 ", as well as zooming /
panning give beginning and end still 8“.
11. Setting audio min max 3.0 db 0 db (lower atmosphere).


SMK NEGERI 2 CIKARANG BARAT

The End


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