The document provides guidance on developing a roadmap for implementing e-portfolios. It discusses assessing needs, planning, implementing, and evaluating e-portfolios as a complex change requiring a structured approach. It outlines 8 steps to lead change, including preparing for change, developing a strategy, conducting needs assessments, designing outcomes, implementing, evaluating, and celebrating success. Reflection, assessment, skills development, and interconnecting technical, business and human systems are important considerations for e-portfolio implementation.
3. •What’s the
purpose or goal for
the use of the
technologies?
•What contractual
or business
agreements will be
needed with
vendors, providers,
and partners?
•What technology is
needed? Is it likely
to become industry
standard?
•What is the
compatibility with
existing and
anticipated
technologies?
•What is the
readiness level of
the key
stakeholders—both
attitude and skill?
•What change
management and
project
management
processes do we
need to put in
place?Human
Systems
Business
Systems
Technical
Systems
INTERCONNECTED SYSTEMS
4. WHAT TYPE OF CHANGE?
Developmental Change
Increasing skills of staff and leadership. Improving
the performance of a team or group. Improving the
quality of services.
Transitional Change
Doing something differently. Dismantling the old way
of doing things and putting into place the new,
desired state.
Transformational Change
A fundamental shift in the way stakeholders views
themselves and their world that results in changes in
how they operate and interact with others.
5. ROADMAP FOR LEADERS
#1: Prepare
for Change #2:
Develop a
Change
Strategy
#3:
Conduct a
Needs
Assessmen
t
#4: Design
Desired
State/Outcom
e
#5: Develop an
Implementation
Plan
#6: Implement
the Change
#7: Evaluate
and Course
Correct
#8: Celebrate
and Integrate the
New State
6. ROADMAP – PT. 1-2
Step 1: Prepare for Change
Build a case for change
Assess organization readiness for change
Step 2: Develop a Change Strategy
Consider different strategies for different
types of change
Develop a Communications Strategy
7. CHANGE STRATEGIES, TARGET, TOOLS
Types Developmental Transitional Transformational
Strategies Provide individual
and group
feedback.
Analyze the current
state and design
and implement the
desired state.
Develop a
comprehensive
change strategy to
include content,
people and
process.
Targets/Goals/Visio
n
Set performance
targets
Establish a clear
goal and objectives
Create a shared
vision
Tools: • Skills training
• Coaching
• Personal
training and
development
• Project
management
tools
• Process
mapping
• Action plans
• Roadmap
• Action research
• Personal and
organizational
core values
8. ROADMAP PT. 3-4
Step 3: Conduct a Needs Assessment
Assess Current State
Determine technical requirements
Assess staff and other stakeholders’ skills and attitudes
Conduct a risk analysis
Step 4: Design Desired State/Outcome
Confirm the old way is going away
Assess the impact of the desired change on all aspects of the
organization
Gather and respond to feedback from key stakeholders
Ensure managerial alignment and commitment to support the
new state
9. ROADMAP PT. 5-6
Step 5: Develop an Implementation Plan
Build a Project Plan
Develop a Human Resource Plan
Develop a Process for Monitoring and Evaluating
Develop a Communications Plan
Step 6: Implement the Change
Implement the project action plan(s)
Monitor and acknowledge progress toward
milestones
Monitor and manage risks
Communicate with key stakeholders
10. ROADMAP PT. 7-8
Step 7: Evaluate and Course Correct
Monitor desired outcomes
Make course corrections
Evaluate impact to business, technology and human systems
Capture “lessons learned” for future efforts
Establish a process for continuous improvement
Step 8: Celebrate and Integrate the New State
Declare and celebrate completion of the implementation phase
Acknowledge and reward extra effort and achievements
Share “lessons learned” with key stakeholders
Reinforce desired state in performance reviews, policies and
procedures
17. “A Vision Statement can paint a picture which
creates a sense of desire and builds
commitment to reaching the vision.”
http://www.teal.org.uk/vl/vl3vlead.htm
“A Vision statement: … concentrates on the
future; it is a source of inspiration; it provides
clear decision-making criteria.
http://en.wikipedia.org/wiki/Strategic_planning
“A vision statement is a vivid idealized
description of a desired outcome that
inspires, energizes and helps you create a
mental picture of your target. It could be
a vision of a part of your life, or the
outcome of a project or goal.”
http://www.timethoughts.com/goalsetting/vision-statements.htm
18. VISION STATEMENTS…
“The purpose is to create a mental picture
charged with emotion that can serve to
energize and inspire you and your team.
Take as much space as you need to
accomplish this goal.”
http://www.timethoughts.com/goalsetting/vision-statements.htm
A Vision is defined as 'An Image of the future we
seek to create'. It should be short, clear, vivid,
inspiring and concise without using jargon,
complicated words or concepts.
http://www.samples-help.org.uk/mission-statements/vision-statements.htm
19. FEATURES OF AN EFFECTIVE VISION
STATEMENT MAY INCLUDE:
Clarity and lack of ambiguity
Paint a vivid and clear picture, not ambiguous
Describing a bright future (hope)
Memorable and engaging expression
Realistic aspirations, achievable
Alignment with organizational values
and culture, Rational
Time bound if it talks of achieving
any goal or objective http://en.wikipedia.org/wiki/Strategic_planning
21. 1 PARAGRAPH!
What is your
“elevator
speech”
describing
your Vision
for
ePortfolios?
22. A CALIFORNIA SCHOOL DISTRICT K-12 VISION
Electronic portfolios foster
meaningful learning by allowing
all students to evaluate their
growth over time, to share their
achievements and strengths with
others, and to improve their own
skills through reflection and goal
setting.
23. ONE NYC SCHOOL’S VISION
An electronic portfolio will allow students
to create a collaborative, portable,
personal space that fosters self-reflection,
promotes academic accomplishments,
and highlights individual growth. Through
the integration of technology and the
collection of digital artifacts, students will
be able to showcase their achievements
to peers and educators, while helping
envision their future goals.
24. VISION STATEMENT FOR A UNIVERSITY IN THE
SOUTH
We envision students using an electronic
portfolio as an integral part of their
education to reflect on learning, to
integrate their knowledge, to learn more
deeply, to shape curricular choices and
goals, and to showcase skills and
accomplishments.
25. YOUR TEAM’S TASK
Brainstorm Vision
What is your vision for e-portfolios?
(“your elevator speech”)
Brainstorm Action Plan Steps
What is on your “to do” list?
What changes need to happen?
What support do you need?
31. DUAL SKILL DEVELOPMENT
Students
Collection/
Digitizing
Selection/
Organizing
Reflecting
Goal-Setting
Presentation
Teacher/Faculty/Ment
or
Pedagogy –
Facilitate portfolio
processes
Role of Reflection
Assessment
Model own Portfolio
Learning
+ Technology Skills
32. WHAT IS REFLECTION?
Major theoretical roots:
Dewey
Habermas
Kolb
Schön
Dewey: “We do not learn from
experience…we learn from
reflecting on experience.”
Discuss…
33. MOON ON REFLECTION
One of the defining
characteristics of surface
learning is that it does not
involve reflection (p.123)
34. performance
self-reflectionforethought
knowledge for planning actions
and imagination
reflection for action
knowledge for acting/doing
reflection in action
context
knowledge of self derived from doing
reflection on action
HOW MIGHT AN E-PORTFOLIO SUPPORT
DEVELOPMENT OF PERSONAL KNOWLEDGE,
REFLECTION, AND METACOGNITION?
Norman Jackson
Higher Education Academy, U.K.
35. SELF-REGULATED LEARNING
ABRAMI, P., ET. AL. (2008), ENCOURAGING SELF-REGULATED LEARNING THROUGH
ELECTRONIC PORTFOLIOS. CANADIAN JOURNAL OF LEARNING AND TECHNOLOGY, V34(3)
FALL 2008.
HTTP://WWW.CJLT.CA/INDEX.PHP/CJLT/ARTICLE/VIEWARTICLE/507/238
Goals Captions/Journals
Change over Time
36. WHAT ARE EFFECTIVE SELF-REGULATION
PROCESSES?
Performance or
Volitional
Control
Processes that occur in
action and affect
attention and action
DURING
Forethought
Influential processes which
precede efforts to act and
set the stage for action.
BEFORE
Self-Reflection
Processes which occur
after performance efforts
and influence a person’s
response to that
experience
AFTERWade, A. & Abrami, P., Presentation at ePortfolio Montreal, May 2008.
37. BEFORE
Goal setting increases self-
efficacy and intrinsic interest
Task Analysis
Goal setting
Strategic Planning
Self-motivation beliefs increase
commitment
Self-motivational beliefs:
Self-efficacy
Outcome expectations
Intrinsic interest/value
Goal Orientation
Forethought
Influential processes which
precede efforts to act and
set the stage for action.
Wade, A. & Abrami, P., Presentation at ePortfolio Montreal, May 2008.
GOALS
38. DURING
Self-control processes help
learners to focus on tasks and
optimize efforts
Self-instruction
Imagery
Attention focusing
Task Strategies
Self-observation allows learners
to vary aspects of their
performance
Self-recording
Self-experimentation
Performance
or Volitional
Control
Processes that occur
action and affect attention
and action
Wade, A. & Abrami, P., Presentation at ePortfolio Montreal, May 2008.
Captions
Journals
39. AFTER
Planning and implementing a
strategy provides an
evaluation metric for learners
to attribute successes or
failures (to effort), rather than
low ability
Self-judgment
Self-evaluation
Casual attribution
Self-reaction
Self-satisfaction/affect
Adaptive-defensive response
Self-
Reflection
Processes which occur
after performance efforts
and influence a person’s
response to that
experience
Wade, A. & Abrami, P., Presentation at ePortfolio Montreal, May 2008.
Change
over
Time
42. WRITING A REFLECTION - 1
HTTP://WWW.NCPUBLICSCHOOLS.ORG/PBL/PBLREFLECT.HT
M
1. Select: What evidence/artifacts have you
included?
2. Describe: This step involves a description
of the circumstances, situation or issues
related to the evidence or artifact. Four "W"
questions are usually addressed:
Who was involved?
What were the circumstances, concerns,
or issues?
When did the event occur?
Where did the event occur?
43. WRITING A REFLECTION - 2
HTTP://WWW.NCPUBLICSCHOOLS.ORG/PBL/PBLREFLECT.HT
M
3. Analyze: "digging deeper."
• "Why" of the evidence or artifact
• "How" of its relationship to teaching practice
4. Appraise: In the previous three steps, you have described and
analyzed an experience, a piece of evidence, or an activity. The
actual self-assessment occurs at this stage
as you interpret the activity or evidence
and evaluate its appropriateness and
impact.
5. Transform:This step holds the greatest
opportunity for growth as you use the
insights gained from reflection in
improving and transforming your
practice.
45. MY WEBSITES SUPPORTING REFLECTION
https://sites.google.com/site/reflection4learni
ng/
http://electronicportfolios.org/reflection/index.
html
46. PRIORITIZING ACTIVITIES
Most important features in ePortfolio system
selection (more input from academic
departments?)
Assessment Management: one or two
systems?
Host on in-house server or hosted system?
Student cost? Fee or Free?
Longevity of student data stored?
Graduation? Lifelong?
47. ASSESSMENT
What are you assessing in a portfolio?
What is your purpose for assessing
portfolios?
How are you assessing student portfolios?
Rubrics?
Inter-rater consistency/reliability
48. FORMS OF ASSESSMENT
Formative
Assessments
Provides
insights for the
teacher
Assessment FOR
Learning
Provides
insights for the
learner
Summative
Assessments
(Assessment OF
Learning or
Evaluation)
Provides
insights (and
data) for the
institution
Nick Rate (2008) Assessment for Learning & ePortfolios, NZ Ministry of Ed
49. TWO “PARADIGMS” OF ASSESSMENT (EWELL, 2008)
Assessment for
Continuous
Improvement
Assessment for
Accountability
Strategic Dimensions:
Purpose
Stance
Predominant Ethos
Application Choices:
Instrumentation
Nature of Evidence
Reference Points
Communication of
Results
Uses of Results
Formative
(Improvement)
Internal
Engagement
Multiple/Triangulation
Quantitative and
Qualitative
Over Time, Comparative,
Established Goal
Multiple Internal
Channels and Media
Multiple Feedback Loops
Summative (Judgment)
External
Compliance
Standardized
Quantitative
Comparative or Fixed
Standard
Public Communication
Reporting
Ewell, P. (2008) Assessment and Accountability in America Today: Background and Content. P.170
50.
51.
52.
53.
54. SPU SCORING PROCESS
First of all, our candidates pay an assessment fee of $60
when they enter the program. For that, the bPortfolio gets
scored three times.
The first is a simple format check and we hire student
help to do that.
The second is scored using a rubric and we use trained
scorers for that and pay them $25/bPortfolio.
The third is using the rubric and again, the scorer gets
$25/bPortfolio scored.
We have one faculty person who handles the logistics
and we pay him an extra fee for a) assembling and
training the scorers, b) making the scoring assignments,
c) putting all of the scoring results together for the
assessment coordinator.
Frank Kline, Seattle Pacific University
55. SPU SCORING PROCESS (PT. 2)
When our scoring assignment is made, the name of the student
along with the URL for the bPortfolio are sent out. The folios are
divided up more or less arbitrarily across all of the scorers. The
scorer opens the spreadsheet with the name, the URL, the cells
to enter the scores, and the rubrics for each standard right
there. They click on the URL which takes them directly to the
bPortfolio they score. They determine the score and enter it on
the spreadsheet. They determine what comments they want to
make and leave them on the blog. They move on to the next
scoring task.
When they are done, they save the spreadsheet with the scores
entered, and send it back to the faculty who does the
logistics. He connects them and sends them on to the
Assessment Coordinator. That's the basic process in outline
form.
We have about 250 bPortfolios to score per year and it's
growing! We have about 10-15 people who are doing the scoring,
so each does between 15 and 25 bPortfolios.
Frank Kline, Seattle Pacific University
56. 56
HOW WILL YOU DEVELOP SKILLS?
Brainstorm strategies (or questions) you can
use to develop the skills necessary for
implementing electronic portfolios in your
organization.
OR
Brainstorm strategies (or questions)
for building skills in assessing student
portfolios.
59. 59
DON’T DOUBLE YOUR LEARNING!
CONSIDER COGNITIVE OVERLOAD!
When learning new tools,
use familiar tasks;
When learning new tasks,
use familiar tools.
Barrett, 1991
60. INSTITUTIONAL PORTFOLIOS
What happens when a learner
leaves or transfers?
Learners’
Digital Archives
and presentation
portfolios
Class
portfolios
Guidance
portfoliosEmployment
portfolios
Institution’s
server or
online
service
Limited
Time
Frame
Institutional
data
Blogs
Faculty-generated
evaluation data
Academic
focus
Social
networks
61. SEPARATE SYSTEMS LEARNER-CENTERED
Learners maintain collection across the
lifespan, institutions maintain evaluation
data & links
Learners’
Digital Archive & Blog
Learner-owned
Lifelong Web Space
Class
portfolio
Guidance
portfolio
Employment
portfolio
Institution’s
Server or
Service &
Purposes
Limited
Time
Frame
hyperlinks
Institutional
data
Meta-tags
Faculty-generated
evaluation data
Life-wide
focus Social
networks
62. WHY WEB 2.0?
Access from Anywhere!
Interactivity!
Engagement!
Lifelong Skills!
Mostly FREE!
All you need is an <EMBED>
63. WEB 2.0 IS BECOMING THE
PERSONAL LEARNING ENVIRONMENT
OF THE “NET GENERATION”
Learning that is…
Social and Participatory
Lifelong and Life Wide
Increasingly Self-Directed
Motivating and Engaging
… and Online!
64. TOOLS, TOOLS, TOOLS!
Recommendations
Commercial Vendors: keep up with current
technology trends – interactivity & mobile!
Institutions: Value student learning as much
as data collection or accountability
Schools: Recognize/incorporate students’
out-of-school technology experiences – Don’t
block! Educate about Digital Citizenship!
Web 2.0 Tool Providers: Don’t pull a “Ning”
66. ADD-ONS TO GOOGLE APPS BY YEAR END
Additional Google Applications soon to
be included inside GoogleApps
Education domains:
67. CREATING AN E-PORTFOLIO WITH
GOOGLE APPS OR WORDPRESS
1. Storage = Google Docs
2. Reflective Journal = Blogger or
WordPress
3. Presentation =
Google Sites
69. STAGES OF PORTFOLIO DEVELOPMENT
Level 1
• Collection -- Creating the Digital Archive
(regularly – weekly/monthly)
– Digital Conversion (Collection)
– Artifacts represent integration of technology in
one curriculum area (i.e., Language Arts)
70. BRAINSTORM - LEVEL 1
What are some strategies you currently use
to integrate technology across the
curriculum?
What types of digital documents do students
create?
Where are these digital
documents stored?
72. STAGES OF PORTFOLIO DEVELOPMENT
Level 2
• Collection/Reflection (Immediate
Reflection on Learning & Artifacts in
Collection) (regularly)
– organized chronologically (in a blog?)
– Captions (Background Information on
assignment, Response)
– Artifacts represent integration of technology
in most curriculum areas (i.e., Language
Arts, Social Studies, Science, Math)
73. BRAINSTORM - LEVEL 2
How are you supporting student reflection on
their learning?
How are you providing feedback on student
learning?
Who is currently blogging
with students? Give a
brief description.
74. TIMELINE
74
Sept Oct Nov Dec Jan Feb Mar Apr May
Level 1 X X X X X X X X X
Level 2 X X X X X X X X
Level 3 ? XXX
Level 1: Collection
Level 2: Collection + Reflection
Level 3: Selection +
Presentation
76. STAGES OF PORTFOLIO DEVELOPMENT
Level 3
• Selection/Reflection and Direction
(each semester? End of year?)
– organized thematically (in web pages or
wiki)
– Why did I choose these pieces? What am I
most proud to highlight about my work?
– What do they show about my learning?
– What more can I learn
(Goals for the Future)?
• Presentation (annually)
77. BRAINSTORM - LEVEL 3
How might you support student presentation
of their achievement?
What are strategies you could use to engage
students in showcasing their work?
81. “EVERYDAY-NESS”
How can we make ePortfolio development
a natural process integrated into
everyday life with everyday tools?
Lifelong and Life Wide Learning
90. SIMILARITIES IN PROCESS
Major differences:
extrinsic vs.
intrinsic motivation
Elements of True
(Intrinsic) Motivation:
Autonomy
Mastery
Purpose
91. PINK’S MOTIVATION BEHAVIOR
Type X - Extrinsic
fueled more by extrinsic
rewards or desires
Type I – Intrinsic
Behavior is self-directed.
X
I
92. SUCCESSFUL WEBSITES = TYPE I APPROACH
People
feel good
about
participating.
Give users
autonomy.
Keep system as open as
possible. - Clay Shirky
94. MASTERY & EPORTFOLIOS
Exhilaration in Learning
Sports? Games?
Compliance vs.
Personal Mastery
Open Source movement
(Wikipedia vs. Encarta)
Make a contribution
95. MASTERY & EPORTFOLIOS (2)
ePortfolio:
Flow
Showcasing
Achievements
Increased self-awareness and self-
understanding
“Only engagement can produce Mastery.”
(Pink, 2009, p.111)
102. COMPONENTS OF ACTION PLAN
Vision
Skills needed
Students
Teachers/Faculty
Resources needed
Human Systems
Technological Systems
Incentives
Leadership
1. Prepare for Change
2. Develop Change Strategy
3. Needs Assessment
4. Design Desired Outcome
5. Implementation Plan
6. Implement
7. Evaluate and Course
Correct
8. Celebrate New Outcome
103. COMMUNICATION PLAN
Identify Stakeholders in Portfolio
Implementation Process
“Who do you need to talk to when you get
back to your school?”
Develop Initial Communication Plan for each
stakeholder group
Brainstorm strategies you can use to
communicate your vision for implementing
electronic portfolios in your organization.
103
104. SOME QUESTIONS TO ASK AT BEGINNING:
What is the context for ePortfolio
development?
What is the organization’s readiness for
change?
Who are the various stakeholders?
What is the leadership’s commitment to the
process?
What is the vision for
ePortfolios in the
organization?
106. 106
LIFE PORTFOLIO – PLANNING FOR AN
EXTENDED MIDLIFE TRANSITION (50-90)
Passions and
pursuits
New possibilities
Visualize a new
life
Not “retirement”
but “rewirement”
108. 108
PORTFOLIO WAY OF THINKING
Portfolios can be timeless
What really matters in life?
Discover or rediscover passion…
Create a legacy…
Turn careers into callings,
success into significance…
To make a difference…
An ongoing, ageless framework for self-
renewal
109. 109
STRATEGIES FOR A PORTFOLIO LIFE
Tell the Story of Your Life
Accomplishments Leave Clues
… + self-esteem
Connect with Others
Network
Develop Your Goals… Change…
Goals -- Purpose
Revise, Reflect, Rebalance
Story
Goals
Share
110. BEGIN WITH A WORKING PORTFOLIO
Adopt social networking strategies:
Maintain a blog/reflective journal
(Blogger or WordPress) Comments =
Conversation
Create a PLN on Twitter
Follow and Invite Followers
Sharing ideas/links/current events – Post
Collect digital copies of your work
Set up GoogleDocs account and upload Office
Docs into one place
113. ORGANIZE A PRESENTATION PORTFOLIO BASED
ON THEMES
Use Pages in Blogger or
WordPress
http://blog.helenbarrett.org/
Use Google Sites
http://sites.helenbarrett.net/portfolio/
Use a Wiki
114. DR. HELEN BARRETT
Researcher & Consultant
Electronic Portfolios & Digital Storytelling for Lifelong
and Life Wide Learning
eportfolios@gmail.com
http://electronicportfolios.org/
Twitter: @eportfolios
http://slideshare.net/eportfolios
Notas del editor
Process of Change
Drawn from the literature on Organizational Development
E-portfolios are disruptive technologies!
Most technology projects include two or more types of change. To support this change, different strategies, targets and tools may be needed, e.g.
Essentially, industries, companies and people go through the 5 stages of: 1) heh, this is cool, 2) yeah, we all think this cool, 3) woah, we were sold down the river, 4) no, come to think of it, used in the right way, this can be good and finally 5) this has become part of what we do."
The ePortfolio Community needs to pay attention to the OD Community: those professional who understand and facilitate Change.
There are two skills that are needed across the lifespan with both ePortfolio Development and social networking: Technology and Reflection.
The boundaries are blurring between eportfolios and social networks. As we consider the potential of lifelong e-portfolios, will they resemble the structured accountability systems that are currently being implemented in many educational institutions? Or are we beginning to see lifelong interactive portfolios emerging as… mash-ups in the Web 2.0 cloud, using Blogs or wikis or Twitter,Facebook or Ning,Flickr or Picasa or YouTube, etc.?
How do portfolios and reflection fit into the learning process?BEFORE - goal-setting (reflection in the future tense), DURING - immediate reflection (in the present tense), where students write (or dictate) the reason why they chose a specific artifact to include in their collectionAFTER - retrospective (in the past tense) where students look back over a collection of work and describe what they have learned and how they have changed over a period of time (in a Level 3 portfolio)
iTunes U broadcast from Seattle University on bPortfolios and Reflective activities
Just like Social NetworksRefer to my TEDxASB talk on YouTube
There are many similarities between these two processes; the major differences are often in extrinsic vs. intrinsic motivation Dan Pink describes the essential elements of true (intrinsic) motivation in his new book, Drive, the concepts of autonomy, mastery, and purpose.
Pink says, “It is devoted to becoming better and better at something that matters. And it connects that quest for excellence to a larger purpose.” (p. 80-81) Pink identifies two types of Motivation Behavior: Type X Extrinsic, fueled by extrinsic rewards or desires. And Type I Intrinsic, where behavior is self-directed. I am on a campaign to make electronic portfolios a more intrinsically-motivated process.
Pink quotes Internet scholar Clay Shirky ...the most successful websites and electronic forums have a certain Type I approach [to motivation] in their DNA. They're designed-often explicitly--to tap into intrinsic motivation. You can do the same with your online presences if you listen to Shirky and: Create an environment that makes people feel good about participating.Give users autonomy.Keep the system as open as possible. That’s also good advice for developing ePortfolios.
The urge for Self-Direction is basic human need.It is a Natural state to be Active and EngagedePortfolio Implementation should adopt the motivating characteristics of autonomy found in social networksChoiceVoiceSharing and FeedbackImmediacy
According to a tweet I read from ChadHamady, True Mastery NOT possible without FUN! (Chad Hamady@chamady Twitter, January 16, 2010)There is an inherent exhilaration in Learning“It’s fun to get better at something!” – Why do we play Sports and Games?Is it for Compliance or Personal MasteryLook to the Open Source movement (popularity of Wikipedia vs. the demise of Microsoft’s Encarta) – Authors and programmers look for Challenge and Improvement – To make a contribution to the greater good
In their spare time, people gravitate toward activities where they gain masteryePortfolio Implementation should adopt the motivating characteristics of mastery found in social networksFlow,Showcasing Achievements,Increased self-awareness and self-understanding“Only engagement can produce Mastery.” (Pink, 2009, p.111)
Csíkszentmihályi popularized the concept of Flow as a feeling of energized focus. According to Wikipedia, it is a single-minded immersion and represents perhaps the ultimate in harnessing the emotions in the service of performing and learning. In flow the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task.
We should use ePortfolios to document our MASTERY of skills and content. Showcase our Achievements! Share our Expertise!Support Personal & Professional Development!
Pink’s third concept is Purpose. All of us want to be part of something larger than ourselvesWhen people learn, they want to know the relevance of what they are learningThe more people understand the big picture, the more they will be engaged