This document summarizes connectivity and cultural heritage projects in Nunavut. It discusses:
1) Isuma Productions' work producing Inuktitut films and pioneering Indigenous digital media networks to share stories.
2) Current challenges of high internet costs and low bandwidth in Nunavut that limit access.
3) Projects using new technologies like media players and mobile apps to engage youth, preserve language, and inform communities about development issues.
4) The goal of the research to improve access, connect Inuit voices to heritage, and create cultural capacity through multimedia platforms.
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
Nunavut Connectivity Overview
1.
2. Overview
Connectivity Capacity of Nunavut
Presented by Erin Yunes
Igloolik Isuma Productions
Presented by Gabriela Gamez
Mobilizing Inuit Cultural Heritage:
a multi-media / multi-platform re-engagement
of voice in visual art and performance
Presented by Anna Hudson and Angela Norwood
4. Population of Inuit in Canada
Inuit in Canada: 59,445
Nunavut Population: 35,591
Annual growth rate: 2.2%
Currently Inuit is one of the fastest
growing populations in Canada.
5. 10 Largest Nunavut Communities
Source: Calculations based on July 2013 Population Estimates
published by the Government of Nunavut
Total Populations with
% of Age Groups between 5-64
6. Broadband Availability by Speed and Province/Territory
Percentage of Households, 2011
Source: CRTC Data Collection/Backbone Magazine
7. Cost of Internet: Qiniq
Average Cost basic internet
Nunavut: $80.00
Average Cost basic internet in
southern Canada: $39.00
14. Connectivity: Moving Forward
Community Voice:
Just today I was communicating with my older children
about how in February our internet bill was $700 and
how I cannot afford to pay that monthly. We have the
'best' package from NorthWesTel that provides 30 gigs
but when we go over then it costs a lot of money.
17. Proposed Satellite System: Via Sat II (2016)
Planned launch in
2016
Double the
bandwidth
economics of
ViaSat-1
Provide seven
times the coverage
area
20. Fiber Optic Concerns
Credit: Nunavut Fibre Optic Feasibility Study – March 2012
Global Fiber Optic Outage Map
44%
21%
15%
20%
Causes of Fiber Breaks Worldwide
Fishing
Unknown
Anchor
Errosion/Dri
lling
21. The Bottom Line: Connecting with the World
Artists Bill Nasogaluak (Tuktoyaktuk) and Kuzy Curley (Cape Dorset)
were commissioned to design, build, and install an Inukshuk
in New Delhi as a sign of harmony between Canada and India.
22. Conclusion
The Now
• Current connectivity is creating pockets of exclusion for Inuit
• Highlights social inequalities
• Actions are structured by communication limitations
Call to Action
• Provide Inuit a space to challenge the dominant cultural framework
• Build a community of interaction
• Fostering broader participation with greater sovereignty
23. Igloolik Isuma Productions
1990
First Inuit owned independent production company, producing
Inuktitut-language video documenting Inuit culture and recreating
past history from an Inuit point of view.
24. Atanarjuat The Fast Runner
2001
Atanarjuat The Fast Runner, the first Inuktitut-language feature-length film wins
Caméra d‟Or at the 2001 Cannes Film Festival and 2002 Genie Award for Canada‟s
Best Picture. Isuma‟s second feature, The Journals of Knud Rasmussen, is the
Opening Night selection of the 2006 Toronto International Film Festival.
25. Indigenous Film Network (IFN)
2006
An initiative to expand feature film distribution by bringing aboriginal films through high-
definition video projections to over 200 remote Inuit, First Nations, and other indigenous
communities across Canada and internationally.
26. IsumaTV
2007
After 20 years and 35 films, Isuma Distribution International launches
IsumaTV, the first media website devoted to films and videos by and for Inuit and
indigenous people worldwide.
27. Indigenous media networks on IsumaTV
ImagineNATIVE
Canada
Wapikoni
Quebec &
abroad
CLACPI
Latin America
By 2012, IsumaTV carries over 5000 films and videos in 56 languages, its
network includes channels from the National Film
Board, ImagineNATIVE, CLACPI, Wapikoni, NCSNWT, NITV, IBC, Maori
TV, KNR.
28. Customized websites for indigenous media makers
By having their website integrated on IsumaTV, indigenous media makers are
able to make their channel look the way they want, are linked to other indigenous
media makers and audiences, and distributed to remote communities.
29. Challenges
High satellite bandwidth rates for Northern Inuit and Aboriginal Canadians:
• Slow download speeds
• Expensive monthly bandwidth caps
$80-$90 / month
Nunavut
1 Mb/s download
$80-$90 / month
Toronto, Vancouver, Toro
nto
100 Mb/s download
Download Speed Comparison
in 2014
• New government subsidies promise to increase northern internet to only 5Mb/s download
by 2020, when faster southern speeds will exceed 300 Mb/s download for the same price.
•As Canada moves into the digital age at full speed in coming decades, state-of-the-art
services in health care, education, mental health, economic development, job
training, cultural preservation and minority language rights all will depend on very high
speed internet for the streaming and download of large media files.
30. Media Players
2009
The „Media Player‟ technology bypasses the bandwidth speed and cap problems faced by
remote communities. Upload and download of media files are faster as they are only
transferred to and from the world wide web once, after which they are stored on the
media player. This means streaming media is not only faster but takes up little of the
user's bandwidth.
31. IsumaTV in Schools
2010
Through media players and mobile technologies, IsumaTV allows students and
teachers to learn from 5000 Inuit and Aboriginal films and videos in 56 languages
from around the world.
32. IsumaTV in the Community
2011
IsumaTV broadcasts online programming 24/7 to home TVs through local cable
channels; streams community radio stations live online; and allows high-speed
download and upload of local videos.
33. Artisans of Today‟s Communities (ARTCO)
2011
Engaging Inuit and Cree children and youth across cultural divisions
by using digital media and mobile devices to share
experiences, resolve common problems and find new ways to
communicate across old barriers towards a better future.
34. Installing a media player in a community to broadcast
24/7 Inuit films and local media productions is a long
process of negotiations, obtaining permits and organizing
resources.
Briefly, the process consists of:
- Negotiating with the local Coop and the Arctic Co-
operatives Limited (ACL).
- Identifying a physical space and local human resources.
- Identifying the funding to pay for salaries and internet
connection.
- Flying-in the media player and installing.
Challenges in Nunavut
35. Digital Indigenous Democracy
2013
internet + television + radio + live broadcast used to „Decide Together‟
DID adapts modern new media to the urgent needs of Nunavut communities facing an
upsurge in global warming and transnational mining development.
36. In 2013 IsumaTV opened TV channels in Igloolik, Pangnirtung, Arviat, Cambridge Bay and
Taloyoak, with a channel planned soon for Iqaluit. This service is offered to the remaining 20
Nunavut communities by the end of 2015.
Using state-of-the-art local servers
IsumaTV provides 24/7 viewing of 1000 Inuit films
37. Multimedia Human Rights Impact Assessment
2013
This project influenced the Nunavut Impact Review Board (NIRB) recommendations to
the Baffinland company. They indicated that there should be a multimedia website to
inform and monitor all activities during the entire process.
Tools that allow stakeholders of a proposed business operation and investment to
understand the potential positive and negative impacts in terms of human rights.
38. IsumaTV 2014
• Creates models to bridge the digital divide for Indigenous communities.
• Gives Inuit a say in developer‟s arctic ambitions.
• IsumaTV participates formally (i.e. Public Hearings of NIRB and CRTC inquiries).
• We share our model with other indigenous communities worldwide.
40. INFORM
Videos uploaded to IsumaTV‟s local servers by science
researchers, government agencies, mining companies or Inuit organizations
inform Inuit at high-speed for free when the same videos on Youtube are too
slow and costly to download in Nunavut‟s bandwidth-capped communities.
41. Mobilizing Inuit Cultural Heritage (MICH)
Inuit leadership working together with southern universities and government funding
agencies can deliver 24/7 Inuktitut TV, high-speed internet download and online
radio to every Nunavut community by the end of 2015.
Creating and mobilizing content
42. 24/7 Inuktitut Media in schools, community television, radio, home
computers and personal devices, strengthens Inuit
Qaujimajatuqangit, Inuit language, cultural education, public
health, economic development, job training, and opportunities for Inuit
youth to join the global digital age.
43.
44. Social Sciences and Humanities Research Council of Canada
Partnership Grant
“The only way to be on par [with Qallunaat] is to tell
stories in your own language.”
Dr. Zacharias Kunuk, O.C., Filmmaker
“We need to begin using the internet as a tool, not
a toy”
Susan Enuaraq, Nunavut Arctic College, Inuit Studies Program
Mobilizing Inuit Cultural Heritage:
a multi-media / multi-platform re-engagement of voice in
visual art and performance
45. Fig. 1. Venn diagram representing Information and Communication
Technologies as the engine for mobilizing Inuit cultural heritage
46. Inuit Qaujimajatuqangit as a basis for business
Guiding Principles of Inuit Qaujimajatuqangit
Government of Nunavut’s version
1. Respecting others, relationships and caring for people
2. Fostering good spirit by being open, welcoming and inclusive
3. Serving and providing for family and/or community
4. Decision making through discussion and consensus
5. Development of skills through practice, effort and action
6. Working together for a common cause
7. Being innovative and resourceful in seeking solutions
8. Respect and care for the land, animals and the environment
47. Research Goal and Objectives:
ACCESS to the advanced information and communication
technologies
CONNECTION of Inuit voice to objects of Inuit cultural heritage
CREATION of Inuit cultural capacity
54. AUDIENCES:
Web 2.0 social media, live-streaming, and internet TV are powerful
mechanisms for linking Inuit orality and materiality and, therefore, of
imaging an Inuit worldview aesthetic first and foremost for Inuit.
55. Cross-sector co-creation of knowledge and understanding
Inuit art produced
for a southern
market is “one of
the „interventions‟
that has fostered
and safeguarded
Inuit culture in the
face of numerous
affronts to our
sovereignty”
56. Inuit radio, film and video
Language preservation
is an increasingly
pressing concern
58. The role of connectivity in community development
59. Small business and connectivity
“The students will realize they are not only able to play, but also participate in
the creation of everything that surrounds them. . . It will show a career path
possibility that may seem otherwise unattainable.”
~ Ryan Oliver, founder of Pinnguaq
In 2012 the United Nations backed a resolution that states all people have a right to freedom of expression on the internet. At the UN Human Rights Council for Internet Freedom Ambassadors argued, “to the same extent that you have to protect and promote traditional freedom of expression in the offline world, you have to protect freedom of expression in the online space."
One of the largest challenges for connectivity in Nunavut is the sheer geographic disbursement of the population. According to Statistics Canada there are about 59,000 Canadians that identify as Inuit. Of that population about 60% reside in Nunavut. Currently, Inuit is one of the fastest growing populations in Canada
The territory has a young population with about 84% falling between the ages of 5-64. This grouping of about 30,000 individuals represents the population that is most likely to benefit directly from connectivity for education, business, or cultural purposes. Currently, Nunavut relies solely on satellite connectivity.
As the majority of Canadians have access to broadband speeds of 25-100 megabytes per second, those who have access to the internet in Nunavut are restricted to extremely slow connection speeds at a higher cost. Speeds of over 5 megabytes per second are not available in the territory.
The average cost for basic internet in Nunavut is about $80 per month. Basic plans in southern Canada are about half that price and are faster than their counterpart in Nunavut, with far less usage restrictions. For businesses, the cost for prime internet can run as high as $300-500 a month and it is not always reliable.
Internet capability reached Nunavut in 1995. In 2000 the Federal Government established the Nunavut Broadband Task Force. Its mission was to prepare a strategy and advise the Government on how to make high-speed broadband Internet available to all Northern communities by the year 2004.
From that Task Force, the Nunavut Broadband Development Corporation was founded as a not-for-profit which acts as an advocate for the community to access federal funding. The NBDC’s task is to get affordable and reliable Internet access into every Nunavut community. The NBDC has been highly influential in securing funding and internet access.
They created a business plan that made the two most popular providers, Qiniq and NorthwesTel, available in the region. They secured dedicated bandwidth for Nunavut classrooms, generated $9.9 million in wages and salaries, and initiated a broadband training program.
The NBDC secured over $66 million in federal investments between 2003-2016. Other federal contributions include the National Satellite Initiative which paved the way for subsidize rates to Nunavut customers. They funded QINIQ network upgrades which provided file transfer and video conferencing capabilities.
In 2011, the federal Knowledge Infrastructure Program collaborated with Nunavut Arctic College to replace existing infrastructure with fiber optic cabling for their five campuses and 25 Learning Centers. This has enabled connectivity for all communities to the main satellite and provides a much broader bandwidth.
Even though there has been a lot of improvement in connectivity in the territory since 1995 there is still a long way to go. Here is a map of the current internet coverage in the territory. User experiences range from good to spotty to terrible. On the business side the biggest barriers are transferring large files and receiving software updates.
Residents also struggle often splitting bandwidth between family members. One community quote that I thought was especially compelling was from a mother who told us that her internet bill was $700 in February. [ BREATH ] So even if you spend the money for the best packages the hidden costs and overage fees can be astronomical. I'd say my internet connection is reasonable compared to other Nunavut communities. It is a pain though to be paying the amounts I pay for residential service ($180/month) with a limit on bandwidth usage (20 GB).
It is important to analyze these connectivity issues now as the current generation of satellites are expected to retire within the next 5 years. As equipment becomes obsolete there have been proposals for the installment of new technologies. 2012 marked the launch of ViaSat-1, the highest capacity satellite available today.
Telesat provides service across North America but it does not reach a large portion of northern consumers. They ran a two month test in Iqaluit, providing service on par with southern Canada. They estimate that an approved project could be expanded within a year but it would cost over 160 million dollars to implement.
ViaSat-2, projected to launch in 2016, is designed for seven times the coverage area of Via-sat 1. This would provide a practical but expensive plan for upgrading the communications infrastructure. This satellite would ensure that every community has robust communications facilities to prevent service disruption.
An alternative to satellite is fiber optic cabling. Canadian company, Arctic Fibre, is vying to install a 15,000 km cable providing service from Tokyo to London through Nunavut. Construction is projected to begin in May and would be completed by January 2016.
Arctic Fibre would not service consumers but sell to governments and trading companies who determine the price of network speed. Arctic Fibre’s plan, green lit by the Nunavut Impact Review Board, would bring bandwidth through Cambridge Bay to Iqaluit, however it could leave as much as 48% of the population without service.
Though cable infrastructure brings quality connections to Nunavut, service interrupting breaks occur for many reasons including anchors, fishing, and erosion. The typical repair time is a minimum of 10 days. Aside from service concerns, Arctic Fiber is facing many hurdles such as environmental impact and competition from international companies.
The Canadian Nunavut Territory is one of the most rural and remote regions on the planet. High-speed telecommunications networks are essential for not only linking the widely dispersed population but to enable Inuit to further their cultural, educational, social, and economic goals.
It is important to establish broadband as a basic human right is because it solidifies diversity on the web, ensuring that all voices can be heard. In today’s society internet access is a critical component to joining the global conversation. Not only is connectivity essential to developing community and individual digital identities but it is critical to economic expansion, education, promoting heritage, and integrating new mediums into cultural expression.
This slide is about language and the internet – and the ability to tell stories through video, through Facebook. How we share and promote our culural identities. The question is: what`s your bandwith?We`re convinced that it`s not enough to achieve the goals these quotes set out.
This is a Venn diagram outlining the project big picture. The meta-question is: Can the experience of camp life – where Inuit children learned everything they needed to know for survival from their family – be recreated in the virtual realm? This project tests the web’s capacity to mobilize a 360° perspective on the world – balancing skills of fine creation with astute observation – that shaped Inuit cultural identity over millennia.
The project aligns with the Guiding Principles of Inuit Qaujimajatuqangit, the framework of Inuit Traditional Knowledge upon which government, education and business models are meant to be built across Nunavut.
We argue that survival (cultural survival) – and not just for Inuit – depends on:
Sporadic, low-bandwith, and costly internet in communities across the Canadian arctic means that the existing platform of digital Inuit culturecontent cannot be accessed by the majority of Inuit nor can Inuit participate in its future internet presence.
Povirnituq – a Peterboy monumental sculpture commemmorating the first Inuktitut dictionary. Understanding the colonial legacy highlights the necessity for Inuit (and us all) to – Learn about your past, to build pride. ``Being proud of your past, you gain faith. Without faith, there is no hope. And without hope there is nothing”
The answer to the questions… Is…..Creative thinking is not just for artists. (It`s for societies and for world populations)
The most important contemporary cultural events in the Canadian arctic are the annual music and arts ‘festivals’ which have grown since their inception in the 1980s. Increasingly they`ve been sites of collision for global and local cultures. These collisions (satellite TV, internet, travel) are at the generational forefront of Inuit cultural survivance in the 21st century.
What is Inuit art and what is its future without the internet.Our opportunity, however, is to model new approaches to curating Indigenous content within a global artistic community.
Our Knowledge Mobilization Plan focusses on the tremendous potential of Information and Communication Technologies to bridge the isolation of Inuit in communities separated by vast distances. The digital age we picture uses the internet to restore and sustain dialogic communication for Inuit across time and place.
We understand “Inuit” to mean teachers, students, artists, elders, and community members whose identity, well-being, and language preservation are affected by their access to on-line culturally relevant resources, improved communication technologies which overcome arctic community isolation, and opportunities to network within the circumpolar Indigenous arts scene.
In the current moment of globalization Inuit are still not heard. The disruption of Inuit oral tradition occurred during World War II when traditional life lived on the land ended with forced community settlement, the introduction of capitalism, and formal schooling of children. For Heather Igloliorte, a curator and emerging Inuk scholar, Inuit art produced for a southern market is “one of the ‘interventions’ that has fostered and safeguarded Inuit culture in the face of numerous affronts to our sovereignty” (McMaster, 2011). Her proposition recognizes museum collections as a powerful cultural resource for storytelling and, therefore, of Inuit traditional knowledge. Let`s make this material accessible – on line – in the arctic.
Inuit radio, film and video hold a stronger northern presence due to the introduction of radio technology during World War II, and of programming and broadcasting initiatives during the 1970s. We seek to preserve old media archives, alongside new recordings accessed through social media and on-line databases. , moreover, are platforms of oral communication which remove colonial barriers of Inuit self-expression, created by linguistic and educational gaps. Zacharias Kunuk, the director of Igloolik Isuma Production’s award winning film, Atanarjuat – which was the first feature film ever to be written, directed and acted entirely in Inuktitut – sees technology as a decolonizing tool. By supporting orality, this technology – the camera and social media – “makes you equal” (McMaster, 2011). Language preservation is an increasingly pressing concern. As elders pass, families lose linguistic access to their stories. Inuktitut language preservation remains overlooked, however, as indicated by its absence in the National Geographic’s high-profile Enduring Voices Project (http://travel.nationalgeographic.com/travel/enduring-voices/).
Local entrepreneurs confirm the lack of Inuit voice in northern web-based projects. Small businesses such as the communication design firm Atiigo Media and its website division, Katittut, mediate the communications goals and needs of clients who tend to be government agencies and users who tend to be outside Nunavut. A business model built on serving needs of Nunavummiut as clients and agents of their own messaging has yet to be successful. Kelly Craver of Katittut identifies the need for basic digital literacy among Nunavummiut as fundamental for using web-based platforms for successful community development.
One example cited as a model for effective use of social media is Feeding My Family, which began as a Facebook page founded by LeeseePapatsie with the goal of creating “a forum where Northerners can come together to work toward positive change, despite the distance that separates our communities.”The sense of collective sharing of knowledge is present, but there is no apparent strategy for moving their effort outside the social media realm for positive change.
Building on a basis of respect for the IQ (traditional knowledge) principle of Pilimmaksarniq or “aquiring skills through practice, effort and action” the digital gaming company Pinnguaq has launched the Nunavut Code Club, at which participants ranging from age 6 to 20 use code to develop games. The participants make games individually and through collaboration. Pinnguaq and Code Club founder, Ryan Oliver says, “Long term, my hope is that this interest leads to futher pursuit of computer science and eventually that Nunavummiut are able to compete and represent themselves on the world stage through technology.
Oliver compares computer and digital technology to snow mobiles as being now essential not only for commercial success in the north, but indeed for community survival in the global economy. We are not alone in recognizing the potential of the Dept. of Education to play a role in providing resources to address the pervasive digital divide. Instruction in fields ranging from graphic communications and web site design, to digital gaming and other forms of programming, can draw upon creative and collaborative skills and provide paths to entrepreneurship and participation in the larger economy.
A concrete example in which we see potential is the online platform called Behance. It is designed for graphic designers and other commercial artists to claim agency over the commission and distribution of their work, through group cooperation. Entrepreneurial Inuit artists envision similar platforms for themselves for creative and financial empowerment potential.
The statistical evidence is compelling. The arts and crafts sector in Nunavut currently engages 20 % of the Nunavut work force, and the arts sector activities contribute an estimated $30 million annually to Nunavut’s economy. The impact of web access to Inuit digitized media and object collections on the future of visual art practice is a keenly anticipated economic driver.
Cultural health is the core element of I.Q., and is the basis for every other kind of health for Inuit because in it resides the sense of identity, the collective social supports for the individual, and the sense of belonging grounded in positive relationships that nurture individuals and communities now and for future generations.: be honest; be humble; be informed; be open; be patient; express a willingness to learn; educate locally; hire/purchase locally; maintain communication; respect local cultures, customs, and authority; try new things; and use local language. We envision this research within the centralized domain of I.Q. related to the primary research objectives of ACCESS, CONNECTION, and CREATION