1. DADA Artistic and literary movement reflecting a widespread nihilistic protest against all aspects of Western culture, especially against militarism during and after World War I (1914-1918)

14. Overturned Blue Shoe with Two Heels Under a Black Vault (Soulier bleu renversé à deux talons, sous une voûte noire), ca. 1925. Painted wood, 79.3 x 104.6 x 5 cm. Peggy Guggenheim Collection. 76.2553 PG 53. Jean Arp © 2003 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.

21. (c. 1450-1516) Bosch, Hieronymous Garden of Earthly Delights Outer wings, "Creation of the World" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid

23. Bosch, Hieronymous Garden of Earthly Delights Left wing, "Paradise" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid

24. Garden of Earthly Delights (center panel) 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid

25. Garden of Earthly Delights Right wing, "Hell" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid

26. Bosch, Hieronymous Garden of Earthly Delights Detail of bird-headed monster (right wing) c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid

27. The Man-Tree, pen and bistre, Albertina at Vienna.

29. Atropos also called The Fates Las Parcas 1820-23 Oil on gesso transferred to linen 123 cm x 266 cm Museo del Prado Madrid Spain

30. Goat also called Witches Sabbath 1820-23 Oil on gesso Prado Museum, Madrid 140 cm x 438 cm

31. Fight with Cudgels also called Duel with Cudgels 1820 – 1823 Oil on plaster 123 cm x 266 cm Prado Museum, Madrid Asmodea 1820-23 Oil on gesso 48 1/2 inches by 104 1/2 inches Prado Museum, Madrid

32. SATURNO Saturno devorando a su hijo 1820 – 1823 Oil on plaster 146 cm x 83 cm Museo del Prado, Madrid, Spain

33. RUBENS SATURNO OLEO SOBRE LINO 1686 MESEO DEL PRADO MADRID, ESPAÑA

34. WILLIAM BLAKE 1757 – 1827 INGLATERRA

35. Blake, William (1757-1827), English poet, painter, and engraver, who created a unique form of illustrated verse; His unique style was imaginative and visionary and was a radical departure from the type of art generally produced in the late 18th century . . Blake, William The Ancient of Days 1794 Relief etching with watercolor 23.3 x 16.8 cm (9 1/8 x 6 7/8 in.) British Museum, London

37. William Blake, Pietà , 1795 , Tate Gallery

38. Blake, William The Body of Abel Found by Adam and Eve c. 1825 Watercolor on wood 32 x 43 cm (12 3/4 x 17 in.)

39. HENRI ROUSSEAU “ EL ADUANERO” 1844 – 1910 1885 DESPUES DE SU JUBILACION

40. Rousseau, Henri The Sleeping Gypsy 1897 Oil on canvas 51" x 6'7" (129.5 x 200.7 cm) The Museum of Modern Art, New York LA REALIDAD SE VE SUPERADA POR LA MAGIA Y EL MISTERIO QUE INFUNDEN LOS TONOS MATIZADOS Y LOS ESPACIOS CONFUSOS

41. Rousseau, Henri Woman Walking in an Exotic Forest (Femme se promenant dans une foret exotique) 1905 Oil on canvas 39 3/8 x 31 3/4 in. (99.9 x 80.7 cm) The Barnes Foundation, Merion, Pennsylvania

42. Henri Rousseau THe Dream 1910 Oil on canvas 6' 8 1/2" x 9' 9 1/2" The Museum of Modern Art, New York

43. Marc Chagall (1887-1985) Russian-born French painter. Born to a humble Jewish family in the ghetto of a large town in White Russia, Chagall passed a childhood steeped in Hasidic culture. Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.

44. LA MUJER Y LAS ROSAS 1929

45. RECUERDOS, DELIRIO, INGENUIDAD, ROMANTICISMO

46. GIORGIO DE CHIRICO 1888 – 1978 Nació en Grecia Estudió en Atenas, Munich, Florencia, Turín y París FUNDADOR DE LA PINTURA METAFISICA

47. "The case of Giorgio de Chirico is one of the most curious in art history. An Italian, born in 1888 and raised partly in Greece - where his father, an engineer, planned and built railroads - he led a productive life, almost Picassoan in length; he died in 1978. He had studied in Munich, and in his early twenties, under the spell of the Symbolist painter Arnold Böcklin , he began to produce a series of strange, oneiric cityscapes. When they were seen in Paris after 1911, they were ecstatically hailed by painters and poets from Picasso to Paul Éluard; before long de Chirico became one of the heroes of Surrealism .

48. ANDROMACA Giorgio de Chirico (Italian, born in Greece, (1888–1978)

50. A riadne , Giorgio de Chirico (Italian, born in Greece, (1888–1978) 1913 Oil and graphite on canvas;135.6 x 180.3 cm , MET

51. CANCION DE AMOR

56. MARX ERNST (1891-1976 ) Alemania,

57. Max Ernst The Hat Makes the Man . 1920. Gouache, pencil, ink, and cut-and-pasted collotypes, (35.6 x 45.7 cm). MOMA "seed-covered stacked-up man seedless waterformer (‘edelformer') well-fitting nervous system also tightly fitted nerves! (the hat makes the man) (style is the tailor),"

58. MARX ERNST (Alemania, 1891-1976 ) The Kiss (Le Baiser), 1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection.

59. Napoleon in the Wilderness . (1941) Oil on canvas, (46.3 x 38.1 cm) The Museum of Modern Art, New York.

60. 1944 El ojo del silencio Oleo sobre tela. 108 x 141 cm. Museo: Washington University Art Gallery. Saint Louis

61. MAN RAY 1890 – 1976 AMERICANO PINTOR Y FOTOGRAFO DE VANGUARDIA Trabajos cinéticos, rayografías, etc.

64. OSCAR DOMINGUEZ (1904 – 1957) MAQUINA DE COSER ELECTRO-SEXUAL 1935

65. Oscar Domínguez 1935 Madera pintada, hierro y papel 41x33x12 cm. Firmada y fechada en el dorso

67. Federico García Lorca (1898-1936) 1921-conoce a Dali 1924-en Cadaqués con Dali 1927-presenta “Mariana Pineda” con decorados de Dali 1929-”El poeta en Nueva York” (divulga su identidad sexual)

71. 1957 1937 1957

72. FIGURA EN LA VENTANA 1925

73. PLACERES ILUMINADOS 1929

74. 1929 Portrait of Paul Eluard

76. "Galarina"; 1944 portrait of Gala Salvador Dalí

79. Dalí's love for his Galatea was legendary, and there is little doubt that her influence can be seen in all his work. She was ten years older than he, a strong personality in her own right, and his fiercest critic and protector. And for him, she was the subject of every work. When she died before him, the air went out of his creative tires. Galatea of the Spheres 1952 Teatre-Museu Dalí, Figueras

81. ATOMIC LEDA 1949

82. Galatea of the Spheres 1952 Teatre-Museu Dalí, Figueras

83. GEROME 1890 oil masterpiece, " Galatea and Pygmalion ," by Jean-Léon Gérome. Based on the Greek myth: The artist Pygmalion was on a quest to sculpt his ultimate vision of womanhood. Seeing the beauty of his final sculpture, he fell in love. Aphrodite, the Goddess of Love and Beauty, felt pity for the lovesick artist and, breathing life into the statue, united Galatea and Pygmalion.

86. Portrait of Paul Eluard Fernand Léger 1952 Gouache on paper SIZE: h: 68.1 x w: 50.5 cm

87. LA PERSISTENCIA DE LA MEMORIA 1931

88. Jean-Francois Millet, (1814-1875) The Angelus 1857-59 Oil on canvas (55.5 x 66 cm) Musee d'Orsay, Paris

89. Meditation on the Harp (1932 - 34)

90. REMINISCENCIAS ARQUEOLOGICAS DEL ANGELUS DE MILLET 1935

91. MUEBLES-NUTRIENTES 1934

92. CANIBALISMO EN OTOÑO 1936 - 37

93. 1937

94. Slave Market with the Disappearing Bust of Voltaire (1940)

95. Jean Antoine Houdon. Voltaire. 1781. Marble 20 inches.