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Emily Dickinson
    1830-1886
• Born the second of three children in Amherst,
  Massachusetts
• Father was a lawyer and one of the wealthiest and
  most respected citizens in the town, as well as a
  conservative leader of the church
• Dickinson grew up regularly attending services at
  the Congregational First Church of Christ
  (Congregational churches essentially followed the
  New England Puritan tradition)
• She attended Amherst Academy, where she
  studied a modern curriculum of English and the
  sciences, as well as Latin, botany and
  mathematics
• Except for one year at Mount Holyoke Female
  Seminary (1847-48) and a visit to Washington,
  D.C., to visit her father, she spent her entire
  life in Amherst
• In her family library, she had access to many
  religious works as well as books by Emerson,
  other transcendentalists and current
  magazines
• Around 1850, she begins to write verse, which
  she circulates among a circle of friends
• Her poem “Sic transit gloria mundi” was
  published in the Springfield Daily Republican
  in 1852
• She spent sociable evenings with guests such
  as Samuel Bowles, editor of the Springfield
  Daily Republican
• She also enjoyed dancing, buggy rides, parlor
  games, and other forms of entertainment until
  she began to seclude herself
• Around 1860, she stopped visiting with other
  people and became a recluse
• In 1862, her poem “Safe in their alabaster
  chambers” appeared in the Springfield Daily
  Republican
• Around that time, she began her correspondence
  with Thomas Wentworth Higginson, a local
  intellectual, journalist, and anti-slavery activist
• She asked Higginson for advice with her poetry
   – Higginson had published an article entitled “Letter to a
     Young Contributor,“ in the Atlantic Monthly, in which he
     advised budding young writers
   – Dickinson sent him four poems, along with a letter asking
     “"Are you too deeply occupied to say if my Verse is alive?"
• Higginson responded with much praise and gentle
  criticism (“surgery”), but he advised her against
  publishing her poetry because of its raw form and
  subject matter
• Higginson became Dickinson’s intellectual
  mentor, even though he admitted feeling out
  of her league in poetical talent
• After Dickinson’s death, Higginson
  collaborated with Mabel Loomis Todd in
  publishing volumes of her poetry
• His edition was heavily edited for
  conventional punctuation and form, as well
  as content
• But, his edition helped Dickinson’s poetry
  gain quick national prominence
• While becoming more reclusive, Dickinson
  intensified correspondence with friends and
  output of poetry
• She suffered from eye-trouble in 1864 and
  1865
• The last 12 years she spent in self-imposed
  isolation in her parents’ home
• Allegedly, Dickinson dressed entirely in white
  and communicated only indirectly with visitors
  and friends, from behind a folding screen or via
  notes and gifts in a basket she let down from
  her window into the garden
• She spent most of these years reading and
  writing poetry
• Her most productive period coincided with the
  civil war, during which she wrote about 800
  poems
• She called writing poetry her business, “My
  Business is Circumference” (after Emerson’s
  term for poetry)
• She copied many of her poems into hand-
  sewn small booklets or “fascicles” and sent
  them as poetic gifts to family and friends
• Dickinson never married, although several
  men played an important role in her life
• Lively correspondence with Benjamin
  Franklin Newton on literary topics of the day
• Long correspondence with Higginson,
  although he ultimately did not recognize the
  worth of her poetry
• Close emotional bond to Charles Wadsworth,
  whom she had met on her journey home from
  Washington
• Strained relationship to her sister-in-law, Susan
  Gilbert, who was apparently the object of her
  desire in such homoerotic poems as “Her face
  was in a bed of hair”
• When Dickinson died in 1886 of Bright’s
  disease, her family and friends were surprised
  at the amount of work she left behind
• Her sister Lavinia found 40 notebooks and
  loose poems in a locked box in her bedroom
• The poems were not arranged and only 24
  were titled
Emily
Dickinson
February-
April 1848.
The Dickinson Homestead in
  Amherst, Massachusetts
The Dickinson Homestead in
  Amherst, Massachusetts
          (garden)
The Dickinson Homestead in
  Amherst, Massachusetts
         (bedroom)
The Dickinson
Homestead in
  Amherst,
Massachusetts
   (Dress)
Rhyme Scheme

Rhyme scheme is the pattern in
which the last words in lines of
poetry rhyme.

We record rhyming lines with letters.
The first two lines that rhyme would
be A; the next two would be B…and
so on. The rhyming lines do NOT
have to come right after another.
                                 16
Rhyme Scheme Examples
What lines in Mother Goose’s “Humpty
Dumpty” end in rhyming words?


       Humpty Dumpty sat on a wall.
      Humpty Dumpty had a great fall.
 All the king’s horses, and all the king’s men
    Couldn’t put Humpty together again!

                                         17
Rhyme Scheme Examples
What lines in Mother Goose’s “Humpty
Dumpty” end in rhyming words?


       Humpty Dumpty sat on a wall.
      Humpty Dumpty had a great fall.
 All the king’s horses, and all the king’s men
    Couldn’t put Humpty together again!

                                         18
Rhyme Scheme Examples
Once you have identified words that rhyme at
the end, label the lines in alphabetical order.


       Humpty Dumpty sat on a wall. A
      Humpty Dumpty had a great fall. A
All the king’s horses, and all the king’s men B
    Couldn’t put Humpty together again! B

                                          19
“Runaway” by Robert Frost
Below are the first few lines from “Runaway.”
What lines end in rhyming words?

Once when the snow of the year was beginning to fall,
We stopped by a mountain pasture to say, "Whose colt?"
A little Morgan had one forefoot on the wall,
The other curled at his breast. He dipped his head
And snorted to us. And then we saw him bolt.
We heard the miniature thunder where he fled,


                                               20
“Runaway” by Robert Frost
Below are the first few lines from “Runaway.”
What lines end in rhyming words?

Once when the snow of the year was beginning to fall,
We stopped by a mountain pasture to say, "Whose colt?"
A little Morgan had one forefoot on the wall,
The other curled at his breast. He dipped his head
And snorted to us. And then we saw him bolt.
We heard the miniature thunder where he fled,


                                               21
“Runaway” by Robert Frost
What is the rhyme scheme? (What letters would
you use to label these lines?)

Once when the snow of the year was beginning to fall, A
We stopped by a mountain pasture to say, "Whose colt?"
A little Morgan had one forefoot on the wall, A
The other curled at his breast. He dipped his head C
And snorted to us. And then we saw him bolt. B
We heard the miniature thunder where he fled, C

           Therefore, the rhyme scheme for these lines is
                           ABACBC.                          22
Rhythm
   Rhythm is the flow of the
    beat in a poem.
   Gives poetry a musical
    feel.
   Can be fast or slow,
    depending on mood and
    subject of poem.
   You can measure rhythm
    in meter, by counting the
    beats in each line.
   (See next two slides for
    examples.)
                                23
Rhythm Example
 The Pickety Fence by David McCord
The pickety fence
The pickety fence
Give it a lick it's
The pickety fence
Give it a lick it's
A clickety fence
Give it a lick it's a lickety fence
Give it a lick
Give it a lick
Give it a lick
With a rickety stick                  The rhythm in this poem is fast – to
                                      match the speed of the stick striking
pickety
                                      the fence.
pickety
pickety
                                                                   24
pick.
Rhythm Example
 Where Are You Now?

When the night begins to fall
And the sky begins to glow
You look up and see the tall
City of lights begin to grow –
In rows and little golden squares
The lights come out. First here, then there
Behind the windowpanes as though              The rhythm in this poem is
A million billion bees had built              slow – to match the night
Their golden hives and honeycombs             gently falling and the lights
                                              slowly coming on.
Above you in the air.

         By Mary Britton Miller

                                                                    25
ALLITERATION
• Consonant sounds repeated at the
  beginnings of words

   If Peter Piper picked a peck of pickled
  peppers, how many pickled peppers did
  Peter Piper pick?


                                       26
CONSONANCE
• Similar to alliteration EXCEPT . . .


• The repeated consonant sounds can be
  anywhere in the words

        “silken, sad, uncertain, rustling . . “


                                          27
Consonance
• Close repetition of the same
  consonant sounds, preceded by
  different vowel sounds
• Note: At the end of lines of poetry,
  this produces half-rhyme.
• Example:
           Flash and flesh.
           Breed and bread.
                                28
Consonance
• Find the Consonance in Our Homemade
  Limerick.
      “Sometimes, I wish I could wash,
      My reds with my whites, Josh.
      In a flash they’d be done,
      If I washed them as one,
      But a pink they would be make as they

     swish swash, swish swash.

                                      29
Consonance
“Sometimes, I wish I could wash,
     My reds with my whites, Josh.
     In a flash they’d be done,
     If I washed them as one,
     But a pink they would be make as they
     swish swash, swish swash.


Red – Consonance
                                     30
ASSONANCE
• Repeated VOWEL sounds in a
 line or lines of poetry.

 (Often creates near rhyme.)

 Lake Fate            Base
               Fade
  (All share the long “a” sound.)
                               31
ASSONANCE cont.
 Examples of ASSONANCE:
   “Slow the low gradual moan
       came in the snowing.”
                 - John Masefield


 “Shall ever medicine thee to that
            sweet sleep.”
             - William Shakespeare
                              32
Why are these
        important?
• Alliteration, Assonance, and
  Consonance are all useful in literature
  because they create a general flow.
• They all add a sense of lyricism to a
  poem, or a song.
• Also, used in tongue twisters.
    Example: Sally sells sea shells by
  the sea shore.
                                 33

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Emily dickinson bio

  • 1. Emily Dickinson 1830-1886
  • 2. • Born the second of three children in Amherst, Massachusetts • Father was a lawyer and one of the wealthiest and most respected citizens in the town, as well as a conservative leader of the church • Dickinson grew up regularly attending services at the Congregational First Church of Christ (Congregational churches essentially followed the New England Puritan tradition) • She attended Amherst Academy, where she studied a modern curriculum of English and the sciences, as well as Latin, botany and mathematics
  • 3. • Except for one year at Mount Holyoke Female Seminary (1847-48) and a visit to Washington, D.C., to visit her father, she spent her entire life in Amherst • In her family library, she had access to many religious works as well as books by Emerson, other transcendentalists and current magazines • Around 1850, she begins to write verse, which she circulates among a circle of friends • Her poem “Sic transit gloria mundi” was published in the Springfield Daily Republican in 1852
  • 4. • She spent sociable evenings with guests such as Samuel Bowles, editor of the Springfield Daily Republican • She also enjoyed dancing, buggy rides, parlor games, and other forms of entertainment until she began to seclude herself • Around 1860, she stopped visiting with other people and became a recluse • In 1862, her poem “Safe in their alabaster chambers” appeared in the Springfield Daily Republican
  • 5. • Around that time, she began her correspondence with Thomas Wentworth Higginson, a local intellectual, journalist, and anti-slavery activist • She asked Higginson for advice with her poetry – Higginson had published an article entitled “Letter to a Young Contributor,“ in the Atlantic Monthly, in which he advised budding young writers – Dickinson sent him four poems, along with a letter asking “"Are you too deeply occupied to say if my Verse is alive?" • Higginson responded with much praise and gentle criticism (“surgery”), but he advised her against publishing her poetry because of its raw form and subject matter
  • 6. • Higginson became Dickinson’s intellectual mentor, even though he admitted feeling out of her league in poetical talent • After Dickinson’s death, Higginson collaborated with Mabel Loomis Todd in publishing volumes of her poetry • His edition was heavily edited for conventional punctuation and form, as well as content • But, his edition helped Dickinson’s poetry gain quick national prominence
  • 7. • While becoming more reclusive, Dickinson intensified correspondence with friends and output of poetry • She suffered from eye-trouble in 1864 and 1865 • The last 12 years she spent in self-imposed isolation in her parents’ home • Allegedly, Dickinson dressed entirely in white and communicated only indirectly with visitors and friends, from behind a folding screen or via notes and gifts in a basket she let down from her window into the garden
  • 8. • She spent most of these years reading and writing poetry • Her most productive period coincided with the civil war, during which she wrote about 800 poems • She called writing poetry her business, “My Business is Circumference” (after Emerson’s term for poetry) • She copied many of her poems into hand- sewn small booklets or “fascicles” and sent them as poetic gifts to family and friends
  • 9. • Dickinson never married, although several men played an important role in her life • Lively correspondence with Benjamin Franklin Newton on literary topics of the day • Long correspondence with Higginson, although he ultimately did not recognize the worth of her poetry • Close emotional bond to Charles Wadsworth, whom she had met on her journey home from Washington
  • 10. • Strained relationship to her sister-in-law, Susan Gilbert, who was apparently the object of her desire in such homoerotic poems as “Her face was in a bed of hair” • When Dickinson died in 1886 of Bright’s disease, her family and friends were surprised at the amount of work she left behind • Her sister Lavinia found 40 notebooks and loose poems in a locked box in her bedroom • The poems were not arranged and only 24 were titled
  • 12. The Dickinson Homestead in Amherst, Massachusetts
  • 13. The Dickinson Homestead in Amherst, Massachusetts (garden)
  • 14. The Dickinson Homestead in Amherst, Massachusetts (bedroom)
  • 15. The Dickinson Homestead in Amherst, Massachusetts (Dress)
  • 16. Rhyme Scheme Rhyme scheme is the pattern in which the last words in lines of poetry rhyme. We record rhyming lines with letters. The first two lines that rhyme would be A; the next two would be B…and so on. The rhyming lines do NOT have to come right after another. 16
  • 17. Rhyme Scheme Examples What lines in Mother Goose’s “Humpty Dumpty” end in rhyming words? Humpty Dumpty sat on a wall. Humpty Dumpty had a great fall. All the king’s horses, and all the king’s men Couldn’t put Humpty together again! 17
  • 18. Rhyme Scheme Examples What lines in Mother Goose’s “Humpty Dumpty” end in rhyming words? Humpty Dumpty sat on a wall. Humpty Dumpty had a great fall. All the king’s horses, and all the king’s men Couldn’t put Humpty together again! 18
  • 19. Rhyme Scheme Examples Once you have identified words that rhyme at the end, label the lines in alphabetical order. Humpty Dumpty sat on a wall. A Humpty Dumpty had a great fall. A All the king’s horses, and all the king’s men B Couldn’t put Humpty together again! B 19
  • 20. “Runaway” by Robert Frost Below are the first few lines from “Runaway.” What lines end in rhyming words? Once when the snow of the year was beginning to fall, We stopped by a mountain pasture to say, "Whose colt?" A little Morgan had one forefoot on the wall, The other curled at his breast. He dipped his head And snorted to us. And then we saw him bolt. We heard the miniature thunder where he fled, 20
  • 21. “Runaway” by Robert Frost Below are the first few lines from “Runaway.” What lines end in rhyming words? Once when the snow of the year was beginning to fall, We stopped by a mountain pasture to say, "Whose colt?" A little Morgan had one forefoot on the wall, The other curled at his breast. He dipped his head And snorted to us. And then we saw him bolt. We heard the miniature thunder where he fled, 21
  • 22. “Runaway” by Robert Frost What is the rhyme scheme? (What letters would you use to label these lines?) Once when the snow of the year was beginning to fall, A We stopped by a mountain pasture to say, "Whose colt?" A little Morgan had one forefoot on the wall, A The other curled at his breast. He dipped his head C And snorted to us. And then we saw him bolt. B We heard the miniature thunder where he fled, C Therefore, the rhyme scheme for these lines is ABACBC. 22
  • 23. Rhythm  Rhythm is the flow of the beat in a poem.  Gives poetry a musical feel.  Can be fast or slow, depending on mood and subject of poem.  You can measure rhythm in meter, by counting the beats in each line.  (See next two slides for examples.) 23
  • 24. Rhythm Example The Pickety Fence by David McCord The pickety fence The pickety fence Give it a lick it's The pickety fence Give it a lick it's A clickety fence Give it a lick it's a lickety fence Give it a lick Give it a lick Give it a lick With a rickety stick The rhythm in this poem is fast – to match the speed of the stick striking pickety the fence. pickety pickety 24 pick.
  • 25. Rhythm Example Where Are You Now? When the night begins to fall And the sky begins to glow You look up and see the tall City of lights begin to grow – In rows and little golden squares The lights come out. First here, then there Behind the windowpanes as though The rhythm in this poem is A million billion bees had built slow – to match the night Their golden hives and honeycombs gently falling and the lights slowly coming on. Above you in the air. By Mary Britton Miller 25
  • 26. ALLITERATION • Consonant sounds repeated at the beginnings of words If Peter Piper picked a peck of pickled peppers, how many pickled peppers did Peter Piper pick? 26
  • 27. CONSONANCE • Similar to alliteration EXCEPT . . . • The repeated consonant sounds can be anywhere in the words “silken, sad, uncertain, rustling . . “ 27
  • 28. Consonance • Close repetition of the same consonant sounds, preceded by different vowel sounds • Note: At the end of lines of poetry, this produces half-rhyme. • Example: Flash and flesh. Breed and bread. 28
  • 29. Consonance • Find the Consonance in Our Homemade Limerick. “Sometimes, I wish I could wash, My reds with my whites, Josh. In a flash they’d be done, If I washed them as one, But a pink they would be make as they swish swash, swish swash. 29
  • 30. Consonance “Sometimes, I wish I could wash, My reds with my whites, Josh. In a flash they’d be done, If I washed them as one, But a pink they would be make as they swish swash, swish swash. Red – Consonance 30
  • 31. ASSONANCE • Repeated VOWEL sounds in a line or lines of poetry. (Often creates near rhyme.) Lake Fate Base Fade (All share the long “a” sound.) 31
  • 32. ASSONANCE cont. Examples of ASSONANCE: “Slow the low gradual moan came in the snowing.” - John Masefield “Shall ever medicine thee to that sweet sleep.” - William Shakespeare 32
  • 33. Why are these important? • Alliteration, Assonance, and Consonance are all useful in literature because they create a general flow. • They all add a sense of lyricism to a poem, or a song. • Also, used in tongue twisters. Example: Sally sells sea shells by the sea shore. 33