The Arts on the Farms Workshop

The Arts on Farms and in Farm-Based Education ,[object Object]

Pairing-up to share howartsfunction at our farms or schools

Images and DISCUSSION of arts-on-farms initiatives

OPEN SPACE TECHNOLOGY to reflect on themes and issues

Brainstorming the incorporation of the arts at YOUR farm

Art * To be continued… BLOG Activity! Drawings by Jeff Stratford, workshop cameraman!

What do the arts have to offer farms and farms the arts? Take a few minutes to write.

How do the arts function at your home farm or school, or at farms or programs you’ve visited? Partner up: one partner can address the question above while the other listens and then responds with questions. Then switch and repeat. Feel free to talk, to take notes and/or to draw diagrams or illustrations in the course of your conversation.

One thing you learned from your partner that you didn’t already know?

SLIDESHOW (You may want to take notes in your Arts & Farms table as we discuss) Visual Art, Education and Public Programs, Bronx, NY, Wave Hill: Public Garden and Cultural Center (1990-present) Arts Program, Chautauqua Series and Permaculture and Ecological Design, Sonoma County, CA, Occidental Arts and Ecology Center (OAEC) (1994-present) Shute Farm Studio, Somerset, South of England, Green Farm (2000) Crofting Connection, The UK, the Highlands & the Islands, Soil Association Scotland and Scottish Crofting Federation (2003-2005) Focus on Farmers, Dartmoor and Exmoor, England, Aune Head Arts, Beaford Arts, Greenwell, Runnage, Frenchbeer and Warren Farms (2003-2005) The Art Farm Project, Devon, England, Rocombe Art Farm (2003-present) The Garden, Los Angeles, CA, South Central Farm (2003-2008) Memorial to One of the Largest Urban Farms in America (South Central Community Garden, at 41st and Alameda Streets, Los Angeles, 1994-2006), Los Angeles, CA, Andrea Bower (2008) Victory Gardens 2007+, 2008+, 2009+, San Francisco, CA, Futurefarmers and the city of SF Benefit performances, Oakland, CA, Local musicians, Mo’ Better Food Program of The Familyhood Connection, Inc. (~2008) Neighborhood Harvest, Oakland, CA, Rock Paper Scissors Collective (RPS), Community Bridge Video, City Slicker Farms (2008) Five Senses Dinner Series, Farm Camp, Pocantico Hills, NY, Stone Barns (2008) The Greenhorns, Serve Your Country Food, The Greenhorns Guide for Beginning Farmers, from the Redwood Forest to the Gulf Stream Waters, The Greenhorns (2007-present)

Note: This is a sample of what I see to be the intersection of the arts and farming, one of many groupings that might have served to spur discussion. I have hands-on experience with most of the initiatives covered in the slideshow. In terms of bias, I have gone to school and worked at schools in the areas covered—in England, New York, and the San Francisco Bay Area. (At the same time, these are very active areas by anyone’s standards or points of reference.) When I have not stepped foot on the farm, site or association location presented in the slide show, I have made an effort to talk to people who have, to read up on the literature and to obtain images for presentation. When I have extensive experience either as a visitor, friend or educator at a particular farm, I try not to go too overboard with pictures from my personal photo albums… but I do! This is what I have to share. I hope you enjoy and I can’t wait to hear more about your experiences in the arts on farms.

Visual Art, Education and Public Programs Bronx, NY Wave Hill: Public Garden and Cultural Center (1990-present)

Sunroom Project, Visual Art Program, Wave Hill: Public Garden and Cultural Center

Family Art Project, Education and Community Program, Wave Hill: Public Garden and Cultural Center

School Partnership Program, Education and Community Program, Wave Hill: Public Garden and Cultural Center

http://www.barebooks.com/ School Partnership Program, Education and Community Program, Wave Hill: Public Garden and Cultural Center

Arts Program, Chautauqua Series and Permaculture and Ecological Design Sonoma County, CA Occidental Arts and Ecology Center (OAEC) (1994-present)

Landscape Painting, Chautauqua Revue, Occidental Arts and Ecology Center (OAEC)

Biodiversity and Permaculture on film, Occidental Arts and Ecology Center (OAEC)

Shute Farm Studio Somerset, South of England Green Farm (2000)

Accessible Educational Centre for the Arts, Shute Farm Studio, Green Farm

Crofting Connection The UK, the Highlands & the Islands Soil Association Scotland and Scottish Crofting Federation (2003-2005)

Crofting Connection, The UK, the Highlands & the Islands, Soil Association Scotland and Scottish Crofting Federation

Focus on Farmers Dartmoor and Exmoor, England Aune Head Arts, Beaford Arts, Greenwell, Runnage, Frenchbeer and Warren Farms (2003-2005)

Focus on Farmers, Aune Head Arts, Beaford Arts, Greenwell, Runnage, Frenchbeer and Warren Farms

The Art Farm Project Devon, England Rocombe Art Farm (2003-present)

NOT A FARM, BUT A WEBSITE V V V The Art Farm Project, Devon, England, Rocombe Art Farm

The Garden Los Angeles, CA South Central Farm (2003-2008)

The Garden, Los Angeles, CA, South Central Farm

Memorial to One of the Largest Urban Farms in America (South Central Community Garden, at 41st and Alameda Streets, Los Angeles, 1994-2006 Los Angeles, CA Andrea Bower (2008)

Graphite and color pencil on paper, 94 l/2" × 60"

Progress by Jen Schwarting for The Brooklyn Rail October 2008 : For a political piece that works, look at Andrea Bowers's powerfully designed (and lengthily titled) "Memorial to One of the Largest Urban Farms in America (South Central Community Garden, at 41st and Alameda Streets, Los Angeles, 1994-2006)," from 2008. It is a large drawing in graphite and colored pencil on paper showing a vast area of South-Central L.A. in an intricately rendered monochrome topographical map with the blocks of the community garden vigorously shaded in green. In the lower right-hand corner is a reproduction of a Los Angeles Times story about the garden's destruction. – Changing Times, Changing Notions: 'Progress' at the Whitney by Francis Morrone for the New York Sun, August 14, 2008 …positioned eight feet vertically on the wall, just inches above the floor. Opposite in approach to a public attraction, it requires the viewer to crouch down over the bottom right corner of the piece to read the reproduction of a 2006 Los Angeles Times article. The text chronicles the arrest of activists protesting the destruction—by a developer intending to sell it to a corporation—of a community garden, and one protester’s desperate attempt to stall the bulldozer by clogging the machine’s exhaust pipe with a vegetable. The work epitomizes the contemporary contradictions in the modern concept of progress that are so difficult to reconcile: development in the face of environmental destruction, and corporate wealth privileged over the self-sufficiency of the poor. Bowers’ piece beautifully lays this out in a stark abstraction in which the Google-earth view of the small farm plotted within the immensity of the city creates a graphic equal sign, one that does not add up to stability or equality.

Victory Gardens 2007+, 2008+, 2009+ San Francisco, CA Futurefarmers and the city of SF

http://www.futurefarmers.com/victorygardens/

Benefit performances Oakland, CA Local musicians, Mo’ Better Food Program of The Familyhood Connection, Inc. (~2008)

Fundraising, Mo’ Better Food

Neighborhood Harvest Oakland, CA Rock Paper Scissors Collective (RPS), Community Bridge Video, City Slicker Farms (2008)

$ = San Francisco Foundation, Oakland City Council and City of Oakland Cultural Funding Program + backyard gardenersand & = “Neighborhood Harvest” shown at “Food Justice Show”

Five Senses Dinner Series, Farm Camp Pocantico Hills, NY Stone Barns (2008)

Five Senses Dinner Series, Stone Barns Center for Food and Agriculture

Farm Camp, Stone Barns Center for Food and Agriculture

http://www.barebooks.com/ i.e. for reflection and processing… Farm Camp, Stone Barns Center for Food and Agriculture

The Greenhorns, Serve Your Country Food, The Greenhorns Guide for Beginning Farmers From the Redwood Forest to the Gulf Stream Waters The Greenhorns (2007-present)

Many activities may be drawn out of Ovid and farms, or gardens.— When I read a translation of Ovid's Metamorphoses with Oakland middle schoolers in the spring of 2003, we talked about repetition and variation, voice and tone. We walked through note-taking and life drawing exercises in response to the garden's growth and decay, eventually writing and illustrating myths of our own. The opening of seventh grade student Rebecca Morton's story illustrates the complementary impact of literature and nature on a young imagination:

Here sits a child in a room full of stars. Not a room as you or I would think of one, but there is no other name for it. Anyway, the boy thinks of it as a room and that is what counts. The stars are real stars. Now, slowly, the stars disperse and something else fills the room. There are no words to fully describe this thing. It is everything and nothing at once, all the matter in the universe and some that isn't anymore. The boy is barely four, small. That is, he would be if he was a human. In our years, he is as many centuries old and too big to comprehend or really even see.

Other examples of art-farm initiatives or the arts on farms ????????????

What are some of the ways in which the arts and farms came together in the slideshow and other examples shared? What do the arts have to offer farms and what do farms have to offer the arts?

The next few slides present some possibilities of the significance for the arts on farms. I will post them as you are thinking, for your reference in case you get stuck.

”…as designers we have tools and knowledge to create functional, sustainable solutions for a better social, economic, political environment. The organizational skills that come along with being a designer in terms of planning are such a resource. It is time NOW to put them to good use and offer our skills to groups that are working HARD towards a better world.” – Amy Franceschini, artist, farmer, activist

“Almost two years after its founding in a basement in Berkeley, California, The Greenhorns has matured from an idea for a recruitment film into a widespread national community. We are now happily rooted on my first commercial farm, Smithereen, on rented land in the Hudson Valley of New York. In the autumn of 2007, we officially began seeking out mentors and characters for a film, traveling the country with a confident intuitive sense of an emerging movement of young farmers and a series of borrowed cameras and generous cinematographers.”

What do the arts have to offer farms and what do farms have to offer the arts? ????? Does anyone have any questions that they think could lead to deeper discussion about the ways in which the arts enhance farm-based education?

OPEN SPACE TECHNOLOGY (OST) Whoever comes is the right people. Whatever happens is the only thing that could have. Whenever it starts is the right time. When it's over, it's over. The “Law of Two Feet” or mobility

Connection to cultural heritage

Activation or involvement of (more of) the senses

Design—chicken tractor design, tool and machine design, webdesign, food packaging design, book design, branding

Production and development of ‘art’ materials - paint, yarn

Moviemaking and journalism—for getting the words and images out, for articulation, reflection and impact on policy

Fundraising events, events in general

Music, reading, workshop venue

Temporary or long-term residence/ studio space,[object Object]

www.amadeplace.com To Get the Blog Rolling 1. Do you have a specific question about the arts as they are presently functioning in your farm or classroom? Please formulate and share this question using A Made Place blog (which I will email inviting you to join immediately following this workshop).

The Arts on the Farms Workshop

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