2. Director: Doug Liman
 Born 24 July 1965 in New York City.
 Graduated from Brown University in 1988.
 Graduated from USC School of Cinema-Television (1992).
 As of 2001, Doug Liman is the Vice Chairman of HYPNOTIC, an
entertainment production company.
Liman’s Trademarks:
 Use of Steadicam shots.
 Use of humour in unusual settings.
 Use of characters doubling as spies or agents.

3. Film: „The Bourne Identity‟
Released on 6th September 2002.
Stars:
Franka Potente, Matt Damon and
Chris Cooper.
Box Office:
Budget:
$60,000,000 (estimated)
Opening Weekend:
$27,118,640 (USA)
Gross:
$121,468,960 (USA)
Production Companies:
Universal Pictures
Kennedy/Marshall Company
Hypnotic
Kalima Productions GmbH & Co. KG
Stillking Films

4. The water is dark and gloomy with shadows adding mystery to the
shot. Flashes of lightning reveal a corpse floating in the water. We
presume it is dead as it isn't swimming. It look as if we are looking at
the corpse from inside the water as if we are a fish (shark) increasing
tension as there may be upcoming danger.

5. The is the establishing shot showing a boat at sea so the
audience can instantly know the setting of the film.
The lighting is dark and the audience can just about see the
rain- the sound of the waves crashing, the rain pouring and
lightning striking assures the audience that there is a storm.

6. This scene adds tension as it looks as if the people in the room are
being spied on or watched by someone outside of the group. All the
audience can hear are non-diegetic sounds and the sound of cards
being placed on the table the silence is eerie and unnerving creating
more tension and fear to the scene.

7. A title appears with a flash of lightning stating the whereabouts of the boat
(Mediterranean sea) this shot is cold and scary as it is very dark with the sea-the
lightning emphasizes the shadows created by the waves making the sea look
mysterious, making the audience think ‘what lurks beneath the waters?’
The contrast between the dark sea and the men in the boat is unsettling. We can
tell that it is safe inside the boat as the men are happy with no expression of fear
as they drink alcohol and smoke while playing cars. There expressions make the
audience think they are having a good time as a man wins at cards- the clearly
aren’t worried by the storm outside.
As they are having fun this makes the audience think nothing bad so far has
happened and as they are in ease and laughing ,the audience is in suspense as we
have already seen the floating body in the sea however they haven’t so we are
ahead of them.

8. The man stumbled many times whilst walking up the ship proving that the storm is
rough. He is wearing a yellow raincoat which contrasts the seriousness of the scene-
with a corpse floating in the water and a storm brewing- this is almost comical and
adds tension to the scene as his raincoat doesn’t fit in with the setting. Also as
lightning flashes it reveals half his face making him look ghost like, mysterious and
scary as we can only see his features when the lightning flashes this adds
unsettlement to the scene.

9. The floating corpse seems dead adding fear and suspense to the
scene as we whether he is dead or not, and if he is dead, why he
is dead- maybe everyone is in danger as there is something in the
water. This makes the audience gripping to find out more.

10. The blood on the man makes the audience associate with pain
and therefore fear of what caused the pain. The man says the
corpse is dead so when his hand suddenly moves the audience
is startled as it was unsuspected and surprising. A man says ‘e
vivo’ in Italian meaning it’s alive leaving the audience shocked
and in suspense to find out what happens to the protagonist
character when and if he wakes up.

11. The cut-in-shot of the blade creates tension as we don’t know what is
being cut apart from a foam like material. Could it be to hurt or save
someone? Blades are usually associated with pain so this makes the
audience uses the blade as a parallel to oncoming danger.

12. We see bullet shots in Matt Damon’s back adding horror and a sense of
danger to the scene. The shots make the audience wonder why someone
wants him dead- it was a shot from behind so to disallow him from seeing
who it fired the shot therefore it must have been from an enemy. This shot
also makes the man seem ‘super hero’ like as he is still alive after being shot
twice.
The shot of the scissors adds fear for the main character to the scene as we
don’t know what the other man is going to do with them. It also makes the
man using the scissors seam professional.

13. The shot confirms that the man is possibly trained in surgery and knows what
he is doing as he uses medical equipment to carefully remove bullets with a
steady hand suggesting he has had experience in doing similar work before. We
know that Matt Damon is in safe hands as the man helps him by taking out
bullets.
The blood attached to the bit of metal in his back makes the audience feel
fearful and queasy which adds horror to the scene.
The audience is left in suspense when it is revealed that it was a tracker in his
back- is he a spy? If he is being tracked he must be wanted by someone as with
a tracker he can’t escape. Also the light is in red, this could be a connotation for
danger that is to come

14. This close up of Matt Damon strangling the man shows the
other mans fear and Damon's violence this scene adds
tension and suspense to the film as we know the man is
innocent and good but Damon doesn’t.

15.  .The film opens with a low angle shot of what appears to be a body floating
at sea.
 . The establishing shot of the ocean has a flash of lighting, indicating the film
is a thriller.
 . A close up shot of the fisherman's face, looking out to sea, and then a POV
shot of the fisherman noticing Bourne‟s body, shows us that Bourne is a
central character in the film.

16.  . A medium shot of Bourne being pulled out of the water and then a
close up of the doctor, who is clutching a first aid kit. The hand held,
shaky camera adds realism, as if we were on the boat. The audience is
drawn into the film.
. A panning shot of Bourne and the close up of the cutting of his wetsuit
indicate that Bourne is a mysterious character.
 . The close up of the bullet removed from Bourne‟s back identifies that
he has been attacked and is possibly still in danger .
 .The 180 degree, shot-reverse shot of the conversation between Bourne
and the doctor adds fluency and realism to the scene.

17.  . The close up of Bourne as he faints show that the protagonist is human,
hence he is flawed.

18.  The film‟s production company was UNIVERSAL and is introduced at the
beginning of the film.
 The setting for the opening of the film is shown via the use of sub-titles.
 Jump cuts from the face of the fisherman to Bourne‟s body in the sea
increase tension in the film.

19.  The film‟s title, „The Bourne Identity‟ fades in and off screen, with light blue
lettering on a black background.
 The scene cuts from the warm interior of the boat to the stormy sea outside
in order to highlight the danger the protagonist is in.

20.  As Bourne and the doctor argue, shot-reverse shots add realism to the
scene and, their fast pace, highlight Bourne‟s frantic confusion.

21. . The title of the film, „The Bourne Identity‟ is coloured blue against a black
background, suggesting that the tone of this film may be
dark. Also the letters of the title form in a complex manner,
implying that the narrative of the film may be complex.
. There is a crime at the core of this narrative, the protagonist has been shot in the
back.
. The narrative begins to establish enigmas, why has the protagonist been shot?
Why is there a tracking device within his body? Why has he lost his memory?
The audience expects each of these enigmas to be resolved as the film continues.

22. . The protagonist is disempowered by the person who has shot him; he is left
with no memory of who he is or what has happened to him and is weak on his feet.
. Extraordinary events take place in ordinary situations; a group of fishermen find
a body in the sea, the protagonist has been shot and is found to have a tracking
device concealed within his body.
. There are themes of voyeurism. We, the audience, gain a glimpse into the life
of the protagonist. We learn that he is being tracked, the connotation of which is
that he is working for an intelligence service, a notion reinforced by the subtitle
in the next scene, Central Intelligence Agency
Langley, Virginia

23. . We are shown a „flaw‟ of the protagonist, he has been shot and left for dead in the
sea. He has lost his memory, replying, when asked what his name is, “I don‟t
know”. He is extremely weak on his feet and requires the help of the doctor on the
boat.

24. Thriller conventions and four technical aspects: mise-en-scene, camera
angles and shots, editing and sound are used to create an effective opening
to „The Bourne Identity‟.
The crime that has taken place sets a dark tone within the scene. The tone
is emphasised by the dark, harsh lighting of the scene. The setting of the
scene is secluded and surrounded by a vicious storm, highlighting the
terrible situation the protagonist is in.
Throughout the scene the protagonist is seen to be vulnerable, highlighted
by low angle shots and his dialogue, presenting to us a „flaw‟ of his. The
audience is drawn in by this and the enigmas that surround the protagonist.
An extraordinary event has taken place in an ordinary situation and the
audience become intrigued. The interior of the boat, warm and well lit, is
contrasted brutally with the sea in which the protagonist lies, cold and
stormy, as the scene cuts continuously from each setting. The unusualness
of the event is emphasised.
The audience also become drawn into the film through themes of
voyeurism; we are briefly shown glimpses of the protagonist‟s life as it
becomes clear that he is being tracked and that someone has attacked him.