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Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marqués de Dalí de
Pubol(May 11, 1904 – January 23, 1989), known as Salvador Dalí , was a
prominent Spanish surrealist painter born in Figueres, Spain.
Dalí was a skilled draftsman, best known for the striking and bizarre images in
hissurrealist work. His painterly skills are often attributed to the influence
of Renaissancemasters.His best-known work, The Persistence of Memory, was
completed in 1931. Dalí's expansive artistic repertoire included film, sculpture, and
photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for
luxury and my love of oriental clothes"to a self-styled "Arab lineage", claiming that
his ancestors were descended from the Moors.
Salvador Domingo Felipe Jacinto Dalí i Domènech
was born on May 11, 1904, at 8:45 am GMT in the
town of Figueres, in the Empordà region, close to the
French border inCatalonia, Spain.Dalí's older brother,
also named Salvador (born October 12, 1901), had
died of gastroenteritis nine months earlier, on August
1, 1903. His father, Salvador Dalí i Cusí, was a
middle-class lawyer and notary whose strict
disciplinary approach was tempered by his wife,
Felipa Domenech Ferrés, who encouraged her son's
artistic endeavors. When he was five, Dalí was taken
to his brother's grave and told by his parents that he
was his brother's reincarnation, a concept which he
came to believe.Of his brother, Dalí said, "...[we]
resembled each other like two drops of water, but we
had different reflections."He "was probably a first
version of myself but conceived too much in the
absolute." Images of his long-dead brother would
reappear embedded in his later works,
including Portrait of My Dead Brother (1963).
Dalí also had a sister, Ana María, who was three years younger. In 1949, she published a book about her
brother, Dalí As Seen By His Sister.His childhood friends included future FC
Barcelona footballers Sagibarba and Josep Samitier. During holidays at the Catalan resort of Cadaqués,
the trio played football together.
Dalí attended drawing school. In 1916, Dalí also discovered modern painting on a summer vacation trip
to Cadaqués with the family ofRamon Pichot, a local artist who made regular trips to Paris.The next year,
Dalí's father organized an exhibition of his charcoal drawings in their family home. He had his first public
exhibition at the Municipal Theater in Figueres in 1919.
In February 1921, Dalí's mother died of breast cancer. Dalí was 16 years old; he later said his mother's
death "was the greatest blow I had experienced in my life. I worshipped her... I could not resign myself to
the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul." After her
death, Dalí's father married his deceased wife's sister. Dalí did not resent this marriage, because he had a
great love and respect for his aunt.
In 1922, Dalí moved into the Residencia de
Estudiantes (Students' Residence) in Madrid and
studied at the Real Academia de Bellas Artes de
San Fernando. A lean 1.72 m (5 ft. 7¾ in.) tall,Dalí
already drew attention as an eccentric and dandy.
He had long hair and sideburns, coat, stockings,
and knee-breeches in the style of
English aesthetes of the late 19th century.
At the Residencia, he became close friends with
(among others) Pepín Bello, Luis Buñuel,
and Federico García Lorca. The friendship with
Lorca had a strong element of mutual passion, but
Dalí rejected the poet's sexual advances.
However it was his paintings, in which he
experimented with Cubism, that earned him the
most attention from his fellow students. At the time
of these early works, Dalí probably did not
completely understand the Cubist movement. His
only information on Cubist art came from magazine
articles and a catalog given to him by Pichot, since
there were no Cubist artists in Madrid at the time.
In 1924, the still-unknown Salvador Dalí illustrated a book for the first time. It was a publication of
the Catalan poem Les bruixes de Llers ("The Witches of Llers") by his friend and schoolmate,
poet Carles Fages de Climent. Dalí also experimented with Dada, which influenced his work throughout
his life.
Dalí was expelled from the Academia in 1926, shortly before his final exams when he was accused of
starting an unrest.His mastery of painting skills was evidenced by his realistic The Basket of Bread,
painted in 1926.That same year, he made his first visit to Paris, where he met Pablo Picasso, whom the
young Dalí revered. Picasso had already heard favorable reports about Dalí fromJoan Miró. As he
developed his own style over the next few years, Dalí made a number of works heavily influenced by
Picasso and Miró.
Some trends in Dalí's work that would continue throughout his life were already evident in the 1920s. Dalí
devoured influences from many styles of art, ranging from the most academically classic, to the most
cutting-edge avant garde. His classical influences included Raphael, Bronzino, Francisco de
Zurbarán, Vermeer, and Velázquez. He used both classical and modernist techniques, sometimes in
separate works, and sometimes combined. Exhibitions of his works in Barcelona attracted much attention
along with mixtures of praise and puzzled debate from critics.
Dalí grew a flamboyant moustache, influenced by 17th-century Spanish master painter Diego Velázquez.
The moustache became an iconic trademark of his appearance for the rest of his life.
00000

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00000

  • 1.
  • 2. Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marqués de Dalí de Pubol(May 11, 1904 – January 23, 1989), known as Salvador Dalí , was a prominent Spanish surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in hissurrealist work. His painterly skills are often attributed to the influence of Renaissancemasters.His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"to a self-styled "Arab lineage", claiming that his ancestors were descended from the Moors.
  • 3. Salvador Domingo Felipe Jacinto Dalí i Domènech was born on May 11, 1904, at 8:45 am GMT in the town of Figueres, in the Empordà region, close to the French border inCatalonia, Spain.Dalí's older brother, also named Salvador (born October 12, 1901), had died of gastroenteritis nine months earlier, on August 1, 1903. His father, Salvador Dalí i Cusí, was a middle-class lawyer and notary whose strict disciplinary approach was tempered by his wife, Felipa Domenech Ferrés, who encouraged her son's artistic endeavors. When he was five, Dalí was taken to his brother's grave and told by his parents that he was his brother's reincarnation, a concept which he came to believe.Of his brother, Dalí said, "...[we] resembled each other like two drops of water, but we had different reflections."He "was probably a first version of myself but conceived too much in the absolute." Images of his long-dead brother would reappear embedded in his later works, including Portrait of My Dead Brother (1963).
  • 4. Dalí also had a sister, Ana María, who was three years younger. In 1949, she published a book about her brother, Dalí As Seen By His Sister.His childhood friends included future FC Barcelona footballers Sagibarba and Josep Samitier. During holidays at the Catalan resort of Cadaqués, the trio played football together. Dalí attended drawing school. In 1916, Dalí also discovered modern painting on a summer vacation trip to Cadaqués with the family ofRamon Pichot, a local artist who made regular trips to Paris.The next year, Dalí's father organized an exhibition of his charcoal drawings in their family home. He had his first public exhibition at the Municipal Theater in Figueres in 1919. In February 1921, Dalí's mother died of breast cancer. Dalí was 16 years old; he later said his mother's death "was the greatest blow I had experienced in my life. I worshipped her... I could not resign myself to the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul." After her death, Dalí's father married his deceased wife's sister. Dalí did not resent this marriage, because he had a great love and respect for his aunt.
  • 5. In 1922, Dalí moved into the Residencia de Estudiantes (Students' Residence) in Madrid and studied at the Real Academia de Bellas Artes de San Fernando. A lean 1.72 m (5 ft. 7¾ in.) tall,Dalí already drew attention as an eccentric and dandy. He had long hair and sideburns, coat, stockings, and knee-breeches in the style of English aesthetes of the late 19th century. At the Residencia, he became close friends with (among others) Pepín Bello, Luis Buñuel, and Federico García Lorca. The friendship with Lorca had a strong element of mutual passion, but Dalí rejected the poet's sexual advances. However it was his paintings, in which he experimented with Cubism, that earned him the most attention from his fellow students. At the time of these early works, Dalí probably did not completely understand the Cubist movement. His only information on Cubist art came from magazine articles and a catalog given to him by Pichot, since there were no Cubist artists in Madrid at the time.
  • 6. In 1924, the still-unknown Salvador Dalí illustrated a book for the first time. It was a publication of the Catalan poem Les bruixes de Llers ("The Witches of Llers") by his friend and schoolmate, poet Carles Fages de Climent. Dalí also experimented with Dada, which influenced his work throughout his life. Dalí was expelled from the Academia in 1926, shortly before his final exams when he was accused of starting an unrest.His mastery of painting skills was evidenced by his realistic The Basket of Bread, painted in 1926.That same year, he made his first visit to Paris, where he met Pablo Picasso, whom the young Dalí revered. Picasso had already heard favorable reports about Dalí fromJoan Miró. As he developed his own style over the next few years, Dalí made a number of works heavily influenced by Picasso and Miró.
  • 7. Some trends in Dalí's work that would continue throughout his life were already evident in the 1920s. Dalí devoured influences from many styles of art, ranging from the most academically classic, to the most cutting-edge avant garde. His classical influences included Raphael, Bronzino, Francisco de Zurbarán, Vermeer, and Velázquez. He used both classical and modernist techniques, sometimes in separate works, and sometimes combined. Exhibitions of his works in Barcelona attracted much attention along with mixtures of praise and puzzled debate from critics. Dalí grew a flamboyant moustache, influenced by 17th-century Spanish master painter Diego Velázquez. The moustache became an iconic trademark of his appearance for the rest of his life.