Personalized Home Entertainment and Human Behaviour

A specific presentation on new forms of linear video possibilities. Ten ways to create new experiences for viewers/participants based around film/TV forms. Delivered as part of the 3rd LAMP residential in Western Australia in May 2006. In summary: To attract audiences across the range of media delivered across this sea of devices and delivery channels: •Audiences want to be able to push and pull their content without barriers •Advertising will lead innovation and dominate even more in cross-media markets •Professional producers will differentiate themselves from UGC by creating interactive cross-media, or multi-layer rather than mono-media •Do not forget where the audiences are moving to

Beyond Linear, TV 2.0, The Future of Film and TV

A keynote presentation at IADIS Multi Conference on Computer Science and Information Systems 2009 Algarve, Portugal 17 – 23 June 2009 THE FRAGMENTS OF PLAY Inter-connected, Co-Created Social Media Entertainment There are many media revolutions taking place the most powerful of which is still the transition from passive to participatory media. This is exemplified by the collision/mashup of games, TV and films as a new dominant immersive form and part of the on-going transformation of one way story-telling to co-created and distributed. This talk will investigate the nature of the playful, networked audience across online worlds & games, participatory film & TV and location based stories all helping to define social media entertainment. How are new audiences being classified, by their age, behaviours or how they themselves tell their new stories across multi-platform, multi-sensory environments. Some key paradigms and enabling services and technologies to be explored will include mixed reality, personalization, inhabited TV, emotional intelligence, machinima, cross-media identity and distributed play.

The Fragments of Play - Transocialmedia Entertainment

Presentation given on 3 April 2009 in the new AFTRS theatre as part of a LAMP 'Interactive' Workshop. A new taxonomy by Gary Hayes and an overview of the form & many of serious games, brief history & their natural affinity with documentary. The intersection between documentary filmmaking and games will be explored in this seminar and workshop, providing deep insight into the potential of Serious Games. Both games and stories have long been recognised as powerful learning tools. Their combination in the 21st century has the potential to provide learning experiences that are collaborative and globally connected. What are the best examples of Serious Games and where are they heading? How can Serious Games be employed by educators, corporations or non-profit organizations? Screen Australia and the ABC have recently announced a funding initiative in the area of Serious Games. This seminar will bring you up to speed with the latest developments in serious games and provide an opportunity to present your own concepts and workshop ideas with experts in an afternoon workshop.

L Watson Library Visit Project

lolacolleen

Games: Seriously

Brands in Social Virtual Worlds - Subtle Alchemy or Dangerous Chemistry?

A brief 10 minute presentation given by Gary at the Content Crises and Convergence Roundtable Day in Sydney on Aug 8 2011. Run by the ARC Centre for Excellence for creative industries and innovation - more details of the day here. http://cci.edu.au/events/content-crisis-and-convergence and podcasts to follow shortly. The talk extended an article Gary made back in March 2011 here http://www.personalizemedia.com/10-reasons-public-multi-platform-funding-is-broken-ways-to-fix-it/

What's Wrong with Transmedia Content? Where's the Funding?

A presentation given by Gary Hayes the Director of Australia's Laboratory for Advanced Media Production at a seminar at the Museum of Sydney on 17 May 2006. THE MIXED REALITY PERFECT STORM “I think we are really approaching a perfect storm, a mixed reality perfect storm, because we are seeing several things happening. The first one is a long history of games based on TV and films, the foundations are already there. Another force creating this storm is virtual worlds, particularly the exponential growth of customisable ones and more importantly external integration into them. The third force is audience behaviour. They are involved in far more simultaneous activity particularly between broadband web and TV. The fourth element to this perfect storm is actually what is happening to TV and film, especially live reality TV becoming more game like and film becoming fantasy based. All of these forces together are creating a really potent mix” Gary Hayes 17 May 2007 Gary looks at the four forces that are coming together to create perfect conditions for this hybrid form of entertainment. He looks back 10 years at early inhabited TV 3D world experiments when he was an innovation producer at the BBC and then forward to the latest cross-over services where TV properties become virtual and where the virtual world appears inside traditional forms. He looks at virtual worlds such as there.com, second life, PS3 Home, Habbo Hotel, Neopets etc: and how properties such as Big Brother, Laguna Beach, The Hills, Pimp My Ride and a range of consumer brands that are creating engaging and immersive hybrid entertainment.

TV vs Metaverse - The Mixed Reality Perfect Storm

A short 15 minute presentation given by Gary Hayes at the Sydney Writers Festival on Thurs 22nd May 2008 as part of a session looking at the visualisation and installation of poetry inside Second Life and other metaverses. Gary investigates the three levels of Sublime Immersion that are indicative of how art is currently being created inside these Social Virtual spaces - Authored, Resonant and Co-creative. It includes some latest statistics and research on the inhabitants of the world and some images from several well known installations and events across Second life

Sublime Immersion - Art in Second Life

A prez from Gary Hayes at the GameTech inaugural conference at Luna Park in Sydney Australia, 22 June 2011 Covering Experiential Augmented Reality, Multi Platform Storytelling, Business Models, Locative Role Playing, Locat-inima, Pervasive Entertainment, Devices, Transmedia etc: Initial brief - Assessing the concept of Pervasive Entertainment and how it is affecting the games industry - How are brands extending to transmedia? - Reviewing the business models behind geo-social / augmented reality games - Learning form relevant case studies - What models of media production, distribution, and consumption are implied by these future visions of entertainment?

Pervasive Entertainment - Games, Film, Physical, Print & TV merged with socia...

With the Internet and social networks, some new business models have emergied. Consider Flickr. Anybody can sign up and use the service for free. Only a fraction of the users get pro account and pay. How can Flickr make money on that? It turns out that services like this can. Many businesses make money by giving things away. How can that possibly work? The music business has suffered severly with digital distribution of content. Should musicians put all there songs on YouTube? What is the future business model for music? In this lecture we look at new busines models, include the business of free.

L20 New Business Models

Ólafur Andri Ragnarsson

New Roads, New Directions, New Markets A presentation given to an ABC and invited audience in Sep 2005 about the changing Australian media landscape and emerging types of content that producers need to be considering. Delivered by Gary Hayes, Director LAMP and former Senior Producer & Development Manager BBCi 95-04 In Summary • Over the next 12 months, advanced broadband video service distribution to TV, PC and mobile will start to create the real worldwide marketplace • Early wins for producers with compelling, interactive & unique content • Tell your stories appropriately across multiple platforms • Content producers need to begin creating IP and new formats NOW • LAMP is part of that process.

New Roads, New Directions, New Markets

A presentation by Gary Hayes to the Advertising and Marketing Summit Conference in Sydney on 22 July 2008. Marketing Opportunities in Social Virtual Worlds • Engaging with consumers in social and game virtual worlds • Overview of the explosive growth of casual worlds and latest business models • Insight into popular worlds including Second Life, Habbo, Google Lively and DIY Virtual Worlds. Gary Hayes :: Head of Virtual World Development :: The Project Factory

Cloud Music Business

Mynority Iam

Five Technologies That Are Transforming Print Sales Today

Jeffrey Stewart

Web Foundation - Introduction

Ikthog

Marketing Opportunities in Social Virtual Worlds

A presentation given to open the Screenwest Digital Lab in Perth in March 2015. The talk focuses on user centric, experience design and challenges the audience to consider more holistic interaction approaches, especially to consider it their project really moves beyond the lower levers of interactivity. The final sections of the presentation look at interactive documentary, some game changer services and tech for storytelling and ends on the importance of parallel production and a taster of the EPOC.

La actualidad más candente (16)

RU Game? Games & Public Libraries

Beyond Linear, TV 2.0, The Future of Film and TV

The Fragments of Play - Transocialmedia Entertainment

L Watson Library Visit Project

Games: Seriously

Brands in Social Virtual Worlds - Subtle Alchemy or Dangerous Chemistry?

What's Wrong with Transmedia Content? Where's the Funding?

TV vs Metaverse - The Mixed Reality Perfect Storm

Sublime Immersion - Art in Second Life

Pervasive Entertainment - Games, Film, Physical, Print & TV merged with socia...

L20 New Business Models

New Roads, New Directions, New Markets

Cloud Music Business

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Más de Gary Hayes

What is interactivity anyway? Beyond Story,Tech & Futurism. Designing Experie...

A 2nd day keynote at Merging Media 2013 in Vancouver Canada. Slides formatted for widescreen. A 50 min prez. http://mergingmedia.ca/events/mm2013/conference/overview/ - features an inserted "Transmedia State of the Industry" ten measures special :) From idea to proof of concept to build to users and back again - here's a quick review of opportunities in some of the latest multi-platform production techniques and services. How do we make choices with so many digital media platforms and Apps available to us now? What methodologies can we use to find the most appropriate medium and technology to adopt for our latest story property? With so many distribution channels, how do we create, reach and ensure that we are user centric and able to distribute and grow our Multiplatform creations? Transmedia Guru, recent ABC TV Multiplatform Product Manager and StoryLabs CEO, Gary Hayes, maps out the challenges faced in designing a cohesive story universe today.

Navigating the Expanding Transmedia Multiplatform Universe and State of the I...

A public presentation given by Gary Hayes (as Product Dev Manager ABC TV Multiplatform) at Connected Entertainment 2012 Expo, Melbourne November 21-22. Section of conference: Killer Content - The key ingredient in the success of connected entertainment A Tall Order! How do consumers want to connect with content on their TV? What type of content is connecting with audience markets worldwide? What is the key in engaging them and keeping them engaged? Content discovery, participation TV and device control considerations Providing a unified content experience across all devices Gary Hayes , (then) Product Development Manager, ABC TV Multi Platform  ABC

Killer 2nd Screen and Social TV: Production Methodology

Accompanying post http://www.personalizemedia.com/navigating-the-world-of-multi-platform-transmedia-rituals/ Given at Colab's Envisage Keynote at Auckland University on 23 March 2011 by Gary Kayes. A short talk that looks at recent evolution of multi platform and changing user behaviour. It will highlight the reason traditional storytellers, marketeers and service providers are, for their own survival, needing to develop new transmedia forms. What are some of the most compelling examples thus far, is there really a business here and where are we truly headed? Gary will take us on a short ride through a fragmented media landscape and some of the transmedia attempts to help glue it back together again.

Fragments of Attention - Transmedia Alchemy

Two presentations given by Gary Hayes in Melbourne for a Film Victoria conference called 'Arresting Audiences' - film.vic.gov.au/www/html/199-speakers.asp - First one is around Talking to Audiences (building community and trans-social-media storytelling) second called Small Screen, Big Connections - is a brief focus on interesting Australian networked media services & some new social TV behaviours.

Arresting Audiences, Co-creating Communities, Transmedia Storytelling

Augmented Reality Barriers & Drivers for Widespread Adoption

A presentation by Gary Hayes at a LAMP 'Interactive' seminar VIRTUAL STORY: THE ART AND CRAFT OF MACHINIMA on Thurs 14 May 2009 at AFTRS, Sydney. Other speakers were covering production techniques and there were presentations from Illclan and SLCN.tv hence leaving out some significant areas of the form. Gary Hayes, leading Virtual World creator, put this together inspired by the growing audience for his own machinimas which have achieved hundreds of thousands of views online. More at: http://www.youtube.com/user/hayesg01 Machinima is a dynamic new form of storytelling that will be explored in a seminar and interactive workshop at AFTRS this week. This unique event will feature leading international experts speaking about the exciting future of this new form which utilises games and virtual worlds as new tools of filmmaking. Games and virtual worlds are now being used as creative tools to make a wide range of films from horror genre, comedy to corporate training and education. YouTube, Machinima.com and scores of other video portals are filled with thousands of examples of these new forms of virtual storytelling. Some are now even being commissioned by mainstream TV such as NBC aired a CSI episode in 2008 integrating machinima made in Second Life and HBO recently acquired the machinima series ‘Molotov Alva’.

The Art & Craft of Machinima

Gary Hayes's intro and 15 minute session talk - Virtual Worlds & Business: What's The ROI? Virtual worlds are maturing at a rapid rate and brands are realising there are valuable business opportunities within them. Whether the objective is engagement, research or brand presence, virtual worlds are proving to be a legitimate marketing channel. In this session our panel will look to provide insights into the business benefits of working within a virtual world. Our panellists will provide: - An overview of virtual worlds and why they’re suitable for business - Insight for brand involvement including what’s in it for both the brand and the consumer - Considerations before entering a virtual world and how to be successful - Identifying the KPIs and how to measure the success of a campaign - Engagement and brand presence - With case study examples, this session will bring to life the importance of engagement and brand presence in a virtual world and how organisations are testing, developing, connecting, and marketing within these communities. DISCUSSION LEADER: Gary Hayes, Director, Laboratory for Advanced Media Production, AFTRS PRESENTER: Jeff Brookes, Regional Director - Asia Pacific, Sulake Corporation (habbo.com.au) Mitch Olson, Co-Founder, SmallWorlds

What's The ROI? Virtual Worlds Introduction

Future Social Media Entertainment keynote presention by Gary Hayes at SPAA Fringe 2008, Sydney 25 October. Blog http://www.personalizemedia.com/the-future-of-social-media-entertainment-slides/ "Connecting With Your Audience on the Social Web" Telling stories to each other has been the right of everyone but until the last few years the privilege of a 'broadcast' few. With the advent of quality production tools accessible to all and many new cross-media channels to connect your story world with everyone elses, there is a blurring between beginner, amateur and professional - everyone is now an independent producer. What will it mean for existing linear TV/film makers, how will they truly engage across the social web, YouTube, Virtual Worlds, Blogs, Online Games, Flickr and hundreds of other social media portals across a growing broadband web? This talk looks at existing and future forms of entertainment that 'involves' the audience, that connects to them and from them and more importantly, builds mutual trust and respect. From the pushed web 1.0, to the sharing 2.0 to a live and immersive web 3.0, Gary looks at successful case studies of 'connected' entertainment around the world and some of his own work at BBC, game and virtual worlds and selected projects at LAMP and AFTRS.

Future Of Social Media Entertainment

A presentation about cross media given in 2000 to teams of BBC producers on a series of development labs about audience centric design and production thinking and creating compelling cross-media. It covers on-demand, mobile, social networks, on-demand - example: What they say they want... •I need to explore in more depth, at my own pace •I want to ‘link’ out to more - especially around my local area •I expect relevant facts & activities on demand - immediately •I would like episodic rich media, video and audio •I want to personalise my experience - choose my own routes •Let me contribute, give my opinion to others and the makers •I would like the producers to automatically know what I “really” found interesting - during and for next time. A remarkable thing about the presentation it was delivered in 2000, long before 360 thinking and social networks were the norm.

What New Audiences Really Want

360 thinking, experience designing, cross-media storytelling

Something In The Air - The Future Of Personalization

An aimia presentation looking at the real future for IPTV way back in 2005 - still relevant today. It already looks at the battle between walled garden IPTV and the new broadband video kids on the block. It suggests there are a few ways that IPTV (the subscription based closed version) will survive - this includes interoperability between providers and value add services including rich, social network based interactivity.

Getting IPTV Content Right

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