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Visual Storytelling & 
         Documentary Photography




                           Part 2
                           Ida C. Benedetto
                           Addis Ababa University
                           Jan 28, 2010
Photo	
  Edi)ng	
  


    	
   Photo	
  edi)ng	
  is	
  the	
  cra1	
  of	
  selec)ng	
  
         either	
  one	
  photograph	
  for	
  a	
  story	
  or	
  
         grouping	
  a	
  series	
  of	
  photographs	
  to	
  
         work	
  together.	
  	
  Photo	
  edi)ng	
  is	
  as	
  
         important	
  to	
  good	
  visual	
  storytelling	
  as	
  
         shoo)ng	
  pictures.	
  	
  	
  
Things	
  As	
  They	
  Are:	
  Photojournalism	
  in	
  Context	
  Since	
  1955	
  
Mary	
  Panzer	
  	
  Chris)an	
  Caujolle	
  
Things	
  As	
  They	
  Are:	
  Photojournalism	
  in	
  Context	
  Since	
  1955	
  
Mary	
  Panzer	
  	
  Chris)an	
  Caujolle	
  
Words	
  	
  Pictures	
  


       	
   Photographers	
  o1en	
  debate	
  what	
  
            words	
  can	
  and	
  can’t	
  do	
  for	
  
            photographs	
  and	
  vice	
  versa.	
  	
  Cap)ons	
  
            should	
  add	
  to	
  the	
  photograph	
  rather	
  
            than	
  simply	
  repeat	
  it	
  in	
  words.	
  
            Cap)ons	
  are	
  only	
  one	
  way	
  words	
  and	
  
            images	
  work	
  together.	
  	
  	
  	
  	
  
Women	
  sort	
  coffee	
  beans	
  for	
  roas)ng.	
  Vilma,	
  right,	
  had	
  le1	
  the	
  	
  
guerrilla	
  army	
  to	
  find	
  safety	
  in	
  Mexico	
  when	
  she	
  became	
  pregnant	
  	
  
with	
  Maria,	
  leaning	
  over	
  her	
  shoulder	
  in	
  the	
  picture.	
  Vilma’s	
  lover	
  died	
  
	
  in	
  combat	
  shortly	
  a1erward.
Late one night, Martha lay in pain with a stab wound in her
Leg in the emergency room of a Philadelphia hospital. She said,
“He didn’t mean it. You have to believe that the person you love
wouldn’t intentionally do this kind of thing.” 1987
The	
  Bowery	
  in	
  two	
  inadequate	
  descrip4ve	
  systems,	
  
Martha	
  Rosler,	
  	
  1974–75	
  



       “The	
  Bowery,	
  in	
  New	
  York,	
  is	
  an	
  archetypal	
  skid	
  
         row.	
  It	
  has	
  been	
  much	
  photographed,	
  in	
  
         works	
  veering	
  between	
  outraged	
  moral	
  
         sensi)vity	
  and	
  sheer	
  slumming	
  spectacle.	
  
         Why	
  is	
  the	
  Bowery	
  so	
  magne)c	
  to	
  
         documentarians?	
  It	
  is	
  no	
  longer	
  possible	
  to	
  
         evoke	
  the	
  camouflaging	
  impulses	
  to	
  “help”	
  
         drunks	
  and	
  down-­‐and-­‐outers	
  or	
  “expose”	
  
         their	
  dangerous	
  existence.”	
  
Installa)on	
  view.	
  
Rich	
  and	
  Poor	
  
Jim	
  Goldberg,	
  1985	
  
Print	
  is	
  Dead	
  


     	
   Well,	
  maybe	
  not,	
  but	
  some)mes	
  it’s	
  
          fun	
  to	
  pretend.	
  	
  Here	
  are	
  three	
  projects	
  
          that	
  present	
  photos	
  differently.	
  	
  	
  	
  
In	
  Silence	
  
Susan	
  Meiselas	
  with	
  Human	
  Rights	
  Watch,	
  2009	
  



       “Each	
  year	
  half	
  a	
  million	
  women	
  around	
  the	
  
         world	
  die	
  in	
  childbirth.	
  Twenty	
  percent	
  of	
  
         those	
  deaths	
  are	
  in	
  India.	
  Most	
  of	
  the	
  deaths	
  
         are	
  preventable	
  with	
  access	
  to	
  proper	
  
         healthcare.”
http://inmotion.magnumphotos.com/essay/silent-maternal-mortality-india
Abul	
  Thona	
  Baraka	
  
Eric	
  Godesman	
  and	
  Hope	
  For	
  Children,	
  	
  Ethiopia	
  -­‐	
  2006	
  



          “I have often seen images from these projects
             that undercut the good intentions of the
             projects’ initiators by falling back into the
             old stereotypes and power dynamics that
             the collaborative process intends to avoid. 
             There are questions like: Who is editing
             this material?  Where is it being shown? 
             For what purpose? ”

              http://www.ericgottesman.net/abulthonabaraka/abulthonabaraka1.html
The	
  Whale	
  Hunt	
  
Jonathan	
  Harris,2007	
  	
  


       	
   “I	
  documented	
  the	
  en)re	
  experience	
  with	
  a	
  
            plodding	
  sequence	
  of	
  3,214	
  photographs...	
  
            The	
  photographs	
  were	
  taken	
  at	
  five-­‐minute	
  
            intervals,	
  even	
  while	
  sleeping…	
  establishing	
  a	
  
            constant	
  'photographic	
  heartbeat'.	
  In	
  
            moments	
  of	
  high	
  adrenaline,	
  this	
  
            photographic	
  heartbeat	
  would	
  …	
  mimicking	
  
            the	
  changing	
  pace	
  of	
  my	
  own	
  heartbeat.”	
  

       	
     hdp://thewhalehunt.org	
  
http://thewhalehunt.org
Visual	
  Poli)cs	
  	
  Ethics	
  

     Who	
  can	
  see	
  what	
  and	
  how?	
  

     Why	
  do	
  certain	
  images	
  come	
  to	
  mind	
  
      around	
  certain	
  people	
  and	
  issues?	
  

     What	
  do	
  we	
  consider	
  acceptable	
  
      behavior	
  for	
  making	
  journalis)c	
  
      photographs?	
  
Was	
  her	
  body	
  moved?	
  




                  Carlos	
  Garcia	
  Rawlins/Reuters	
                   	
      	
      	
      Jan	
  Grarup	
  /Noor	
  Images	
  



                  Port	
  au	
  Prince	
  Hai)	
  -­‐	
  Tuesday	
  19.	
  In	
  the	
  central	
  part	
  of	
  the	
  capital	
  loo)ng	
  	
  
                  is	
  gelng	
  worse.	
  Desperate	
  people	
  roob	
  all	
  the	
  stores	
  and	
  warehouses	
  	
  
                  they	
  can	
  get	
  close	
  to.	
  Police	
  try	
  maintain	
  law	
  and	
  order	
  but	
  can	
  not	
  control	
  	
  
                  the	
  increasing	
  crows.	
  15	
  year	
  old	
  Fabienne	
  lies	
  dead	
  on	
  the	
  roof	
  of	
  a	
  building	
  	
  
                  shoot	
  in	
  the	
  head	
  by	
  Police	
  while	
  loo)ng	
  a	
  warehouse.	
  she	
  stole	
  some	
  frames	
  	
  
                  with	
  pictures	
  of	
  flowers.	
  (cap)on	
  from	
  Noor	
  Images)	
  
Embedded	
  Photography	
  	
                       	
       	
       	
       	
  	
  	
  	
  	
  	
  Personal	
  Snapshots	
  




                         Chris	
  Hondros/Gedy	
  Images	
   	
                         	
         	
       	
         	
          	
     	
     US	
  Soldier	
  


Samar	
  Hassan	
  screams	
  moments	
  a1er	
  her	
  parents	
  	
                          Beginning	
  in	
  2004,	
  accounts	
  of	
  physical,	
  	
  
Were	
  killed	
  when	
  American	
  soldiers	
  fired	
  on	
  their	
  	
                    psychological,	
  and	
  sexual	
  abuse,	
  including	
  	
  
car	
  as	
  they	
  were	
  driving	
  home	
  January	
  18,	
  2005	
  in	
  	
             Torture,	
  rape,	
  sodomy,	
  and	
  homicide	
  of	
  	
  
Tal	
  Afar,	
  Iraq.	
  Samar	
  and	
  four	
  siblings	
  survived	
  the	
  	
             prisoners	
  held	
  in	
  the	
  Abu	
  Ghraib	
  prison	
  in	
  
accidental	
  shoo)ng,	
  though	
  her	
  brother	
  Racan	
  was	
  	
                       Iraq	
  came	
  to	
  public	
  aden)on.	
  These	
  acts	
  	
  
seriously	
  wounded	
  and	
  later	
  would	
  be	
  flown	
  to	
  the	
  	
                 were	
  commided	
  by	
  personnel	
  of	
  the	
  372nd	
  	
  
U.S.	
  for	
  treatment.	
  	
  2006	
  (Cap)on	
  from	
  World	
  Press	
  	
               Military	
  Police	
  Company	
  of	
  the	
  United	
  States	
  	
  
Photo)	
  	
  	
                                                                               Army	
  together	
  with	
  addi)onal	
  US	
  governmental	
  	
  
                                                                                               Agencies.	
  Source:	
  Wikipedia	
  
      	
       	
        	
       	
       	
       Anthony	
  Suau	
  



ARBAYA,	
  GONDOR,	
  ETHIOPIA	
  -­‐	
  September	
  1983:	
  World	
  	
  
Vision,	
  a	
  chris)an	
  relief	
  organiza)on	
  delivers	
  food	
  by	
  	
  
small	
  plane	
  to	
  a	
  remote	
  region	
  of	
  Ethiopia's	
  Gondor	
  	
  
province.	
  A	
  famine	
  begins	
  in	
  Northern	
  Ethiopia	
  at	
  this	
  	
  
)me	
  that	
  will	
  eventually	
  kill	
  as	
  many	
  as	
  1	
  million	
  people	
  	
  
within	
  the	
  next	
  12	
  months	
  due	
  to	
  drought	
  and	
  civil	
  war.	
  
  	
  	
   Aizo(s)h!	
  
  Ira	
  Glass	
  on	
  Storytelling	
  –	
  taste,	
  talent	
  
	
   and	
  how	
  long	
  it	
  takes	
  to	
  get	
  good.	
  




	
     	
   	
     	
  	
  	
  hdp://www.youtube.com/watch?v=-­‐hidvElQ0xE	
  
This presentation is licensed
        Creative Commons.




                                Ida	
  C.	
  Benededo	
  
                                www.idaimages.com	
  
                                Idaimages@gmail.com	
  
                                	
     	
  

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Photojournalism & Visual Storytelling AAU Part 2

  • 1. Visual Storytelling & Documentary Photography Part 2 Ida C. Benedetto Addis Ababa University Jan 28, 2010
  • 2. Photo  Edi)ng     Photo  edi)ng  is  the  cra1  of  selec)ng   either  one  photograph  for  a  story  or   grouping  a  series  of  photographs  to   work  together.    Photo  edi)ng  is  as   important  to  good  visual  storytelling  as   shoo)ng  pictures.      
  • 3. Things  As  They  Are:  Photojournalism  in  Context  Since  1955   Mary  Panzer    Chris)an  Caujolle  
  • 4. Things  As  They  Are:  Photojournalism  in  Context  Since  1955   Mary  Panzer    Chris)an  Caujolle  
  • 5. Words    Pictures     Photographers  o1en  debate  what   words  can  and  can’t  do  for   photographs  and  vice  versa.    Cap)ons   should  add  to  the  photograph  rather   than  simply  repeat  it  in  words.   Cap)ons  are  only  one  way  words  and   images  work  together.          
  • 6.
  • 7. Women  sort  coffee  beans  for  roas)ng.  Vilma,  right,  had  le1  the     guerrilla  army  to  find  safety  in  Mexico  when  she  became  pregnant     with  Maria,  leaning  over  her  shoulder  in  the  picture.  Vilma’s  lover  died    in  combat  shortly  a1erward.
  • 8. Late one night, Martha lay in pain with a stab wound in her Leg in the emergency room of a Philadelphia hospital. She said, “He didn’t mean it. You have to believe that the person you love wouldn’t intentionally do this kind of thing.” 1987
  • 9. The  Bowery  in  two  inadequate  descrip4ve  systems,   Martha  Rosler,    1974–75   “The  Bowery,  in  New  York,  is  an  archetypal  skid   row.  It  has  been  much  photographed,  in   works  veering  between  outraged  moral   sensi)vity  and  sheer  slumming  spectacle.   Why  is  the  Bowery  so  magne)c  to   documentarians?  It  is  no  longer  possible  to   evoke  the  camouflaging  impulses  to  “help”   drunks  and  down-­‐and-­‐outers  or  “expose”   their  dangerous  existence.”  
  • 10.
  • 11.
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  • 15. Rich  and  Poor   Jim  Goldberg,  1985  
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  • 23. Print  is  Dead     Well,  maybe  not,  but  some)mes  it’s   fun  to  pretend.    Here  are  three  projects   that  present  photos  differently.        
  • 24. In  Silence   Susan  Meiselas  with  Human  Rights  Watch,  2009   “Each  year  half  a  million  women  around  the   world  die  in  childbirth.  Twenty  percent  of   those  deaths  are  in  India.  Most  of  the  deaths   are  preventable  with  access  to  proper   healthcare.”
  • 26. Abul  Thona  Baraka   Eric  Godesman  and  Hope  For  Children,    Ethiopia  -­‐  2006   “I have often seen images from these projects that undercut the good intentions of the projects’ initiators by falling back into the old stereotypes and power dynamics that the collaborative process intends to avoid.  There are questions like: Who is editing this material?  Where is it being shown?  For what purpose? ” http://www.ericgottesman.net/abulthonabaraka/abulthonabaraka1.html
  • 27.
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  • 34. The  Whale  Hunt   Jonathan  Harris,2007       “I  documented  the  en)re  experience  with  a   plodding  sequence  of  3,214  photographs...   The  photographs  were  taken  at  five-­‐minute   intervals,  even  while  sleeping…  establishing  a   constant  'photographic  heartbeat'.  In   moments  of  high  adrenaline,  this   photographic  heartbeat  would  …  mimicking   the  changing  pace  of  my  own  heartbeat.”     hdp://thewhalehunt.org  
  • 36. Visual  Poli)cs    Ethics   Who  can  see  what  and  how?   Why  do  certain  images  come  to  mind   around  certain  people  and  issues?   What  do  we  consider  acceptable   behavior  for  making  journalis)c   photographs?  
  • 37. Was  her  body  moved?   Carlos  Garcia  Rawlins/Reuters         Jan  Grarup  /Noor  Images   Port  au  Prince  Hai)  -­‐  Tuesday  19.  In  the  central  part  of  the  capital  loo)ng     is  gelng  worse.  Desperate  people  roob  all  the  stores  and  warehouses     they  can  get  close  to.  Police  try  maintain  law  and  order  but  can  not  control     the  increasing  crows.  15  year  old  Fabienne  lies  dead  on  the  roof  of  a  building     shoot  in  the  head  by  Police  while  loo)ng  a  warehouse.  she  stole  some  frames     with  pictures  of  flowers.  (cap)on  from  Noor  Images)  
  • 38. Embedded  Photography                      Personal  Snapshots   Chris  Hondros/Gedy  Images                 US  Soldier   Samar  Hassan  screams  moments  a1er  her  parents     Beginning  in  2004,  accounts  of  physical,     Were  killed  when  American  soldiers  fired  on  their     psychological,  and  sexual  abuse,  including     car  as  they  were  driving  home  January  18,  2005  in     Torture,  rape,  sodomy,  and  homicide  of     Tal  Afar,  Iraq.  Samar  and  four  siblings  survived  the     prisoners  held  in  the  Abu  Ghraib  prison  in   accidental  shoo)ng,  though  her  brother  Racan  was     Iraq  came  to  public  aden)on.  These  acts     seriously  wounded  and  later  would  be  flown  to  the     were  commided  by  personnel  of  the  372nd     U.S.  for  treatment.    2006  (Cap)on  from  World  Press     Military  Police  Company  of  the  United  States     Photo)       Army  together  with  addi)onal  US  governmental     Agencies.  Source:  Wikipedia  
  • 39.             Anthony  Suau   ARBAYA,  GONDOR,  ETHIOPIA  -­‐  September  1983:  World     Vision,  a  chris)an  relief  organiza)on  delivers  food  by     small  plane  to  a  remote  region  of  Ethiopia's  Gondor     province.  A  famine  begins  in  Northern  Ethiopia  at  this     )me  that  will  eventually  kill  as  many  as  1  million  people     within  the  next  12  months  due  to  drought  and  civil  war.  
  • 40.       Aizo(s)h!  
  • 41.   Ira  Glass  on  Storytelling  –  taste,  talent     and  how  long  it  takes  to  get  good.              hdp://www.youtube.com/watch?v=-­‐hidvElQ0xE  
  • 42. This presentation is licensed Creative Commons. Ida  C.  Benededo   www.idaimages.com   Idaimages@gmail.com