This document provides an overview of key concepts in structural analysis of art, including line, color, pattern, form, and texture. It defines each concept and provides examples of works that demonstrate these concepts, such as Georges de La Tour's Adoration of the Shepherds illustrating visible and implied lines, Mary Cassatt's Children on the Shore focusing on hue and tone of red, and John Constable's The Haywain demonstrating actual and represented texture. The document aims to teach students how to analyze and discuss these fundamental elements of art.
4. An invisible line of sightExamples of the path of a point moving in space Examples of invisible lines of sight or “implied lines” Georges de La Tour Adoration of the Shepherds (1644)
5. LineWhere do you see lines (both visible and implied)? Mary Cassatt The Boating Party (1893-1894)
6. Color Color Wheel Describing Color: Hue Shade of color Tone Lighter vs. Darker How do you describe color?
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8. Pattern The degree or contrast of lightness and darkness within a work of art. Honoré Daumier Third Class Carriage (1862-1864)
11. Form Defined as an object’s shape and structure, either in two dimensions or three dimensions
12. Form can refer to a three dimensional object such as sculpture, architecture, and “found art” (There is mass and volume). Bernini Ecstasy of St. Teresa (1647-1652) Michelangelo David (1501-1504) Duane Hanson Supermarket Shopper (1970)
13. The use of a two dimensional surface to create two dimensional forms (Mass and volume are not portrayed due to the lack of chiaroscuro). Edvard Munch Self Portrait: Between Clock and Bed (1940-1942) Cimabue Madonna Enthroned with Angels and Prophets (ca. 1280-1290)
14. The illusion of three dimensional forms on a two dimensional surface such as a canvas (It shows the illusion mass and volume through the technique of chiaroscuro). Jacques-Louis David Oath of the Horatii (1784) Thomas Eakins The Gross Clinic (1875)