1. ORTIZ-CORTES MCQUEEN PRODUCTIONS
INFECTED
A film by Sharon Ortiz & Rahab McQueen
This script is the confidential and proprietary property of Ortiz Cortes McQueen productions and no
portion of it may be performed, distributed, reproduced, used, quoted, or published without prior written
consent.

2. GRAPHIC ANIMATION OF PRODUCTION COMPANY NAME LASTING 3-5 SECONDS
1.INT. PANNING SHOT OF THE SCIENCE LABS.
TITLE: 'insert name here' presents *fades*
CUT TO
MID SHOT of DOCTOR 1 preparing a syringe. In the shot there are test tube racks, syringes
and other bio-chemistry equipment spread across the desk.
TITLE: a CORTES-MCQUEEN production
CLOSE UP of science desk so the mise-en-scene is bio-chemical equipment such as test
tubes and syringes etc.
TITLE: ESCAPED
DIFFERENT ANGLE switches to VOLUNTEER, nervously sitting down with her sleeve rolled
up waiting for injection.
TITLE: STARRING - TARINN CALLENDER
REVERSE SHOT. DOCTOR 1 turns towards the patient with syringe in hand.
DOCTOR ROGERS
We’re going to give you the injection now etc
DOCTOR gives the patient an injection.
DOCTOR:
Okay, that’s all now. You’re free to go.
TITLE: HEAVEN YOHANNES
2. LONG SHOT. The VOLUNTEER is at the door putting her coat on. DOCTOR ROGERS is a
few metres away from him.
CLOSE-UP on DOCTOR ROGERS.
DOCTOR ROGERS
Remember to come back in two weeks!
VOLUNTEER
Ah, yeah, I will. See you.
VOLUNTEER leaves.
3. MID SHOT of DOCTOR
DOCTOR ROGERS

3. checks the remaining medicine left and notices that the contents have been mixed up but
dismisses it as thinking it was fine in the ctual syringe.
DOCTOR
CLOSE UP on DOCTOR ROGER packing everything away and getting ready to leave.
TITLE: Casting by - Kerry Obihara
4. LONG SHOT FROM ONE SIDE OF THE ROOM WITH THE DOOR IN THE SHOT. DOCTOR
ROGERS LEAVES THROUGH SAID DOOR. CAMERA PANS DOWN TO THE DESK
BELOW AND THE PETRI DISH WITH THE MEDICINE USED IN THE PATIENT BUBBLING
AND LOOKING VERY STRANGE.
INJECTION STARTS TO FIZZ.
CUT TO
TITLE: Production designer - Kia Dacres-Lebrun
5. INT. NEXT DAY, SCIENCE LAB
LONG SHOT OF LAB. WINDOW TO THE LEFT OF THE ROOM PROVIDES LIGHT TO
SUGGEST IT IS MORNING.
TITLE: Make Up Artist - Briony Dillon
MID-SHOT OF DOCTOR ROGERS putting on her lab coat and gloves etc.
TITLE: Costumes - Yulieth Ortiz
DOCTOR SEES THE CHANGES THAT HAVE TAKEN PLACE IN THE TEST TUBE OVER
NIGHT. SHE LOOKS VERY SHOCKED.
TITLE: Editor - Chantelle Douglas
DOCTOR
CLOSE UP on DOCTOR ROGERS face. She looks very shocked and panics
DOCTOR ROGERS rushes over to the desk
TITLE: Supervising Editor - Tevin Campbell
DOCTOR ROGERS
CLOSE UP of phone calling volunteer
DOCTOR ROGERS

4. MID SHOT of her not getting the call through
MIDCTWO SHOT OF DOCTOR ROGERS LOOKING AT THE PHONE IN DISPAIR.
TITLE: ESCAPED (FILM TITLE)
6. EXT. WOOD GREEN STATION, HIGH ROAD BUS STOP.
VOLUNTEER is standing at the bus stop and starts scratching at her hand she looks at her
hand and there is a faint red mark on it. She disregards the mark and gets on the bus.
7. EXT. TURNPIKE LANE BUS STATION.
VOLUNTEER gets off the bus and looks very uncomfortable, he is vigorously scratching at her
hand. She is walking home hastily.
8. PANNING SHOT OF VOLUNTEER LIMPING DOWN THE STREET.
TITLE: Director of photography - Evangeline Smith
9. EXT. OUTSIDE 41 Milton Road, Tottenham, London, N15 3DS
VOLUNTEER shows signs of illness, she is bending over as if she has stomach ache.
CAMERA Close-ups on PASSER-BY
PASSER-BY
Are you okay? Do you need hand?
VOLUNTEER
No, I’m fine. Go away.
VOLUNTEER CONTINUES TO WALK TOWARDS HER HOUSE.
10. INT. PANNING LONG SHOT of interior of 41 Milton Road, Tottenham, London, N15 3DS
TITLE: PRODUCED BY - ARTHUR JOHN
11. MID SHOT of VOLUNTEER coming through the door.
POV shot of her looking down at her hand and seeing it all red and bumpy and weird looking.
TITLE - Written by Rahab McQueen and Sharon Ortiz-Cortes
12. INT. BEDROOM OF 41 MILTON ROAD.
VOLUNTEER looks in mirror and sees her face all rashed. She then doubles over on the ground
and starts coughing up blood.

5. 13. ZOOM of VOLUNTEER on the floor for approx. 5 (in this time the TITLE: DIRECTED BY
JAMES HARGREAVES comes up) seconds then suddenly CLOSE-UP SHOT of her eyes
opening and they are red (contacts).