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John James Audubon,  Golden Eagle , 1833 Watercolor, pastel, graphite, glazing on paper, 38 x 25 ½ in.,  The New-York Historical Society ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1. The Art Object 2. Cultural Context ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Getting to Know a Work of Art
John James Audubon,  Golden Eagle , 1833 Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in.,  The New-York Historical Society
John James Audubon,  Self-Portrait , 1826 Graphite on paper,  Private collection
Walton Ford demonstrating Audubon’s method of posing of dead birds,  in  John James Audubon: Drawn from Nature  (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
Walton Ford demonstrating Audubon’s method of posing of dead birds,  in  John James Audubon: Drawn from Nature  (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
Walton Ford demonstrating Audubon’s method of posing of dead birds,  in  John James Audubon: Drawn from Nature  (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
Walton Ford demonstrating Audubon’s method of posing of dead birds,  in  John James Audubon: Drawn from Nature  (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
Walton Ford demonstrating Audubon’s method of posing of dead birds,  in  John James Audubon: Drawn from Nature  (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
John James Audubon,  Chuck-will’s-widow , 1822 Watercolor, graphite, oil paint, and selective glazing on paper, 23 5/8 x 18 ¾ in.,  The New-York Historical Society
Alan Gehret, Curator of the Audubon Center, Henderson, KY, with copper plate for the  American Bittern  from  The Birds of America , pl. 337 John James Audubon,  American Bittern , 1836 Published in  The Birds of America , pl. 337
Robert Havell after John James Audubon,  Copper Engraving Plate of Common Loon , 1830 Copper, 41 ½ x 28 ½ n., American Museum of Natural History, New York Robert Havell after John James Audubon,  Common Loon , 1830 Uncolored engraving on paper, 41 ½ x 28 ½ in., American Museum of Natural History, New York Robert Havell after John James Audubon,  Common Loon , 1830 Hand-colored engraving from  The Birds of America
John James Audubon,  Golden Eagle , 1833 Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in.,  The New-York Historical Society Robert Havell after Audubon,  Golden Eagle , 1833-38 Hand-colored engraving from  The Birds of America , plate 181
John James Audubon,  Golden Eagle , 1833, detail Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in.,  The New-York Historical Society Robert Havell after Audubon,  Golden Eagle , 1833, detail Hand-colored engraving, 37 ¼  x 26 ½ in., plate 181 from  The Birds of America
John Syme,  John James Audubon , 1826 Oil on canvas, 35 x 27 in., White House Collection, Washington, D.C.

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Getting to know a work of art alan braddock

  • 1.
  • 2. John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in., The New-York Historical Society
  • 3. John James Audubon, Self-Portrait , 1826 Graphite on paper, Private collection
  • 4. Walton Ford demonstrating Audubon’s method of posing of dead birds, in John James Audubon: Drawn from Nature (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
  • 5. Walton Ford demonstrating Audubon’s method of posing of dead birds, in John James Audubon: Drawn from Nature (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
  • 6. Walton Ford demonstrating Audubon’s method of posing of dead birds, in John James Audubon: Drawn from Nature (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
  • 7. Walton Ford demonstrating Audubon’s method of posing of dead birds, in John James Audubon: Drawn from Nature (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
  • 8. Walton Ford demonstrating Audubon’s method of posing of dead birds, in John James Audubon: Drawn from Nature (directed by Lawrence Hott for Bullfrog Films and American Masters, 2006)
  • 9. John James Audubon, Chuck-will’s-widow , 1822 Watercolor, graphite, oil paint, and selective glazing on paper, 23 5/8 x 18 ¾ in., The New-York Historical Society
  • 10. Alan Gehret, Curator of the Audubon Center, Henderson, KY, with copper plate for the American Bittern from The Birds of America , pl. 337 John James Audubon, American Bittern , 1836 Published in The Birds of America , pl. 337
  • 11. Robert Havell after John James Audubon, Copper Engraving Plate of Common Loon , 1830 Copper, 41 ½ x 28 ½ n., American Museum of Natural History, New York Robert Havell after John James Audubon, Common Loon , 1830 Uncolored engraving on paper, 41 ½ x 28 ½ in., American Museum of Natural History, New York Robert Havell after John James Audubon, Common Loon , 1830 Hand-colored engraving from The Birds of America
  • 12. John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in., The New-York Historical Society Robert Havell after Audubon, Golden Eagle , 1833-38 Hand-colored engraving from The Birds of America , plate 181
  • 13. John James Audubon, Golden Eagle , 1833, detail Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in., The New-York Historical Society Robert Havell after Audubon, Golden Eagle , 1833, detail Hand-colored engraving, 37 ¼ x 26 ½ in., plate 181 from The Birds of America
  • 14. John Syme, John James Audubon , 1826 Oil on canvas, 35 x 27 in., White House Collection, Washington, D.C.